She also grew up in a Persian-Jewish household, the American-born daughter of parents who had fled Mashhad, Iran. In Concealed, she tells the story of being caught between these two worlds: the dutiful daughter of tradition-bound parents who hungers for more self-determination than tradition allows.Exploring the roots of her father's deep silences and explosive temper, her mother's flamboyance and flights from home, and her own sense of indebtedness to her Iranian-born brothers, Amini uncovers the story of her parents' early years in Mashhad, Iran's holiest Muslim city; the little-known history of Mashhad's underground Jews; the incident that steeled her mother's resolve to leave; and her parents' arduous journey to the U.S., where they faced a new threat to their traditions: the threat of freedom. Determined to protect his daughter from corruption, Amini's father prohibits talk, books, education, and pushes an early Persian marriage instead. Can she resist? Should she? Focused intently on what she stands to gain, Amini comes to see what she also stands to lose: a family and community bound by food, celebrations, sibling escapades, and unexpected acts of devotion by parents to whom she feels invisible.In this poignant, funny, entertaining, and uplifting memoir, Amini documents with keen eye, quick wit, and warm heart how family members build, buoy, wound, and save one another across generations; how lives are shaped by the demands and burdens of loyalty and legacy; and how she rose to the challenge of deciding what to keep and what to discard.Praise for Concealed"In this beautifully crafted memoir, Esther Amini weaves a riveting portrait of her family life as the daughter of Iranian-Jewish immigrants in New York City.... It is a deeply personal tale, painfully honest and brilliantly told."--Susan Mailer, psychoanalyst and author of In Another Place"Concealed is a heart-wrenching...memoir by the daughter of...Iranian Jews who...never escape the emotional prison of their previous existence. You will cheer for her as you ponder the eternal question: how do we survive our families?"--Sally Koslow, author of Another Side of Paradise"Concealed is Esther Amini's remarkable account of growing up in a house where books and education are for boys and prearranged marriage is supposed to be her destiny....Lucky for us she grew up to be a writer...who has produced a wonderful memoir." --Patty Dann, author of Mermaids"A moving, honest and compelling memoir that unveils the little-known world of Persian-Jewish immigrants in America.... Amini's characters leap off the page right into your heart." --Ronda Spinak, Artistic Director, Jewish Women's TheatreEsther Amini is a writer, painter, and psychoanalytic psychotherapist in private practice. Her short stories have appeared in Elle, Lilith, Tablet, The Jewish Week, and Proximity. She was awarded Aspen Words' Emerging Writer Fellowship in 2016 based on an early draft of this memoir. Her pieces have been performed by Jewish Women's Theatre, which name her Artist-in-Residence in 2019. Esther Amini lives in New York City with her husband. Concealed is her debut memoir.

    Still essential and still timely ten years after its original publication, The Shia Revival provides a unique and objective understanding of the 1,400-year bitter struggle between Shias and Sunnis and sheds crucial light on its modern-day consequences. A new epilogue elucidates the rise of ISIS and ongoing tensions between Iran and Saudi Arabia.

    Once there, he was to copy a three-thousand-year-old cuneiform inscription—an order of the first king of Persia—as a means of freeing himself from his emotional confinement. For the remainder of his life, Aga Akbar used these cuneiform characters to fill a notebook with writings only he could understand. Years later, his son, Ishmael—a political dissident in exile—is attempting to translate the notebook . . . and in the process tells his father's story, his own, and the story of twentieth-century Iran.A stunning and ambitious novel by a singular literary talent, My Father's Notebook is at once a masterful chronicle of a culture's troubled voyage into modernity and the poignant, timeless tale of a son's enduring love.

    Brought in to construct and serve the towering monuments to wealth that punctuate the skylines of Abu Dhabi and Dubai, this labor force is not given the option of citizenship. Some ride their luck to good fortune. Others suffer different fates. Until now, the humanitarian crisis of the so-called “guest workers” of the Gulf has barely been addressed in fiction. With his stunning, mind-altering debut novel Temporary People, Deepak Unnikrishnan delves into their histories, myths, struggles, and triumphs. Combining the linguistic invention of Salman Rushdie and the satirical vision of George Saunders, Unnikrishnan presents twenty-eight linked stories that careen from construction workers who shapeshift into luggage and escape a labor camp, to a woman who stitches back together the bodies of those who’ve fallen from buildings in progress, to a man who grows ideal workers designed to live twelve years and then perish—until they don’t, and found a rebel community in the desert. With this polyphony of voices, Unnikrishnan maps a new, unruly global English and gives personhood back to the anonymous workers of the Gulf.

    "A rare voice that is both relatable and unafraid to examine the complexities of her American identity.” —Reza Aslan, #1 New York Times bestselling author of Zealot: The Life and Times of Jesus of NazarethYou know that feeling of being at the wrong end of the table? Like you’re at a party but all the good stuff is happening out of earshot (#FOMO)? That’s life—especially for an immigrant.What happens when a shy, awkward Arab girl with a weird name and an unfortunate propensity toward facial hair is uprooted from her comfortable (albeit fascist-regimed) homeland of Iraq and thrust into the cold, alien town of Columbus, Ohio—with its Egg McMuffins, Barbie dolls, and kids playing doctor everywhere you turned?This is Ayser Salman’s story. First comes Emigration, then Naturalization, and finally Assimilation—trying to fit in among her blonde-haired, blue-eyed counterparts, and always feeling left out. On her journey to Americanhood, Ayser sees more naked butts at pre-kindergarten daycare that she would like, breaks one of her parents’ rules (“Thou shalt not participate as an actor in the school musical where a male cast member rests his head in thy lap”), and other things good Muslim Arab girls are not supposed to do. And, after the 9/11 attacks, she experiences the isolation of being a Muslim in her own country. It takes hours of therapy, fifty-five rounds of electrolysis, and some ill-advised romantic dalliances for Ayser to grow into a modern Arab American woman who embraces her cultural differences.Part memoir and part how-not-to guide, The Wrong End of the Table is everything you wanted to know about Arabs but were afraid to ask, with chapters such as “Tattoos and Other National Security Risks,” “You Can’t Blame Everything on Your Period; Sometimes You’re Going to Be a Crazy Bitch: and Other Advice from Mom,” and even an open letter to Trump. This is the story of every American outsider on a path to find themselves in a country of beautiful diversity.

    In Condemned to Repeat?, Terry examines the side-effects of intervention by aid organizations and points out the need to acknowledge the political consequences of the choice to give aid. The author makes the controversial claim that aid agencies act as though the initial decision to supply aid satisfies any need for ethical discussion and are often blind to the moral quandaries of aid. Terry focuses on four historically relevant cases: Rwandan camps in Zaire, Afghan camps in Pakistan, Salvadoran and Nicaraguan camps in Honduras, and Cambodian camps in Thailand. Terry was the head of the French section of Medecins sans frontieres (Doctors Without Borders) when it withdrew from the Rwandan refugee camps in Zaire because aid intended for refugees actually strengthened those responsible for perpetrating genocide. This book contains documents from the former Rwandan army and government that were found in the refugee camps after they were attacked in late 1996. This material illustrates how combatants manipulate humanitarian action to their benefit.Condemned to Repeat? makes clear that the paradox of aid demands immediate attention by organizations and governments around the world. The author stresses that, if international agencies are to meet the needs of populations in crisis, their organizational behavior must adjust to the wider political and socioeconomic contexts in which aid occurs.

    Orphaned as an infant, he’s taken into a Sufi order, where he meets an assortment of dervishes and embarks on a path toward spiritual awakening.Along the way, Nouri will find himself in the sumptuous court of a sultan, a barren farm in the hills of Spain, a bustling city on the north coast of Africa, and a monastery perched high in the mountains. He will fall in love—and encounteran adversary who will try to destroy that love.As Nouri stumbles from one experience to the next, he grows into manhood. Each trial he endures will shatter another obstacle within—and lead him toward transcendence.Michael Golding’s previous work has been described as “brilliant” (The Cleveland Plain Dealer) and “so lavish and so colorful, it’s like a meal in the open air, laid out on brocade” (Los Angeles Times). With this new novel, seven years in the writing, he has created a gripping tale that deals with many of life’s deepest questions. A Poet of the Invisible World will astonish readers as it awakens them to the poetry inside themselves.

    In The Last Great Revolution, Wright meticulously describes the ongoing transformation of society, politics and religion that ranges from the empowerment of women to the blossoming of a movie industry and an independent press. She demonstrates why Iran's Islamic revolution equals the French and Russian revolutions in new ideas and impact, while standing alone as "the last great revolution" of the modern era.

    How stupid is that? On this thing Mom just made a kind of squiggly shape on the page. That jerk didn't even think about what he was saying, didn't even ask himself why her signature might be weird. He's one of those people who think illiteracy is like AIDS. It only exists in Africa.--from Kiffe Kiffe Tomorrow "A tale for anyone who has ever lived outside looking in, especially from that alien country called adolescence. A funny, heartfelt story from a wise guy who happens to be a girl. If you've ever fallen in love, if you've ever had your heart broken, this story is your story." -- Sandra Cisneros, author of THE HOUSE ON MANGO STREET The Paradise projects are only a few metro stops from Paris, but here it's a whole different kind of France. Doria's father, the Beard, has headed back to their hometown in Morocco, leaving her and her mom to cope with their mektoub—their destiny—alone. They have a little help-- from a social worker sent by the city, a psychiatrist sent by the school, and a thug friend who recites Rimbaud.It seems like fate’s dealt them an impossible hand, but Doria might still make a new life. She'll prove the projects aren't only about rap, soccer, and religious tension. She’ll take the Arabic word kif-kif (same old, same old) and mix it up with the French verb kiffer (to really like something). Now she has a whole new motto: KIFFE KIFFE TOMORROW."Moving and irreverent, sad and funny, full of rage and intelligence. [Guène's] characters are unforgettable, her voice fresh, and her book a delight." -- Laila Lalami, author of Hope and Other Dangerous PursuitsFaïza Guène, the child of Algerian immigrants, grew up in the public housing projects of Pantin, outside Paris. This is her first book.

    Drawn from the first-hand accounts of eyewitnesses, Roy Mottahedeh's account of Islam and politics in revolutionary Iran is widely regarded as one the best records of that turbulent time ever written.

    She made headlines again when she was stripped of her citizenship and resigned from the Dutch Parliament.Infidel shows the coming of age of this distinguished political superstar and champion of free speech as well as the development of her beliefs, iron will, and extraordinary determination to fight injustice. Raised in a strict Muslim family, Hirsi Ali survived civil war, female mutilation, brutal beatings, adolescence as a devout believer during the rise of the Muslim Brotherhood, and life in four troubled, unstable countries ruled largely by despots. She escaped from a forced marriage and sought asylum in the Netherlands, where she earned a college degree in political science, tried to help her tragically depressed sister adjust to the West, and fought for the rights of Muslim women and the reform of Islam as a member of Parliament. Under constant threat, demonized by reactionary Islamists and politicians, disowned by her father, and expelled from family and clan, she refuses to be silenced.Ultimately a celebration of triumph over adversity, Hirsi Ali’s story tells how a bright little girl evolves out of dutiful obedience to become an outspoken, pioneering freedom fighter. As Western governments struggle to balance democratic ideals with religious pressures, no other book could be more timely or more significant.

    Her fresh perspective on present-day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. Keshavarz introduces readers to two modern Iranian women writers whose strong and articulate voices belie the stereotypical perception of Iranian women as voiceless victims in a country of villains. She follows with a lively critique of the recent best-seller Reading Lolita in Tehran: A Memoir in Books, which epitomizes what Keshavarz calls the New Orientalist narrative, a view marred by stereotype and prejudice more often tied to current geopolitical conflicts than to an understanding of Iran. Blending in firsthand glimpses of her own life--from childhood memories in 1960s Shiraz to her present life as a professor in America--Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity. With a scholar's expertise and a poet's hand, she helps amplify the powerful voices of contemporary Iranians and leads readers toward a deeper understanding of the country's past and present.In a direct, frank, and intimate exploration of Iranian literature and society, scholar, teacher, and poet Fatemeh Keshavarz challenges popular perceptions of Iran as a society bereft of vitality and joy. Her fresh perspective on present day Iran provides a rare insight into this rich culture alive with artistic expression but virtually unknown to most Americans. She warns against the rise of what she calls the New Orientalist narrative, which thrives on stereotype and prejudice and is often tied to current geopolitical conflict rather than an understanding of Iran. Keshavarz offers a lively critique of the best-seller Reading Lolita in Tehran, which she says epitomizes this New Orientalist attitude. Blending in firsthand glimpses of her own life, Keshavarz paints a portrait of Iran depicting both cultural depth and intellectual complexity.

    Book by Farah Ahmedi, Tamim Ansary

    Douglas Murray takes a step back and explores the deeper issues behind the continent's possible demise, from an atmosphere of mass terror attacks and a global refugee crisis to the steady erosion of our freedoms. He addresses the disappointing failure of multiculturalism, Angela Merkel’s U-turn on migration, and the Western fixation on guilt. Murray travels to Berlin, Paris, Scandinavia, and Greece to uncover the malaise at the very heart of the European culture, and to hear the stories of those who have arrived in Europe from far away.Declining birth rates, mass immigration, and cultivated self-distrust and self-hatred have come together to make Europeans unable to argue for themselves and incapable of resisting their own comprehensive alteration as a society and an eventual end. This sharp and incisive book ends up with two visions for a new Europe--one hopeful, one pessimistic--which paint a picture of Europe in crisis and offer a choice as to what, if anything, we can do next. But perhaps Spengler was right: "civilizations like humans are born, briefly flourish, decay, and die."

    The legends first emerged in the 12th and 13th centuries, when Crusaders in Syria came into contact with the Nazari Isma'ilis, one of the communities of Shi'ite Islam who, at the behest of their leader Hassan Sabaa (mythologized as the "Old Man of the Mountain"), engaged in dangerous missions to kill their enemies. Elaborated over the years, the tales culminated in Marco Polo's claim that the "Old Man" controlled the behaviour of his self-sacrificing devotees through the use of hashish and a secret garden of paradise. So influential were these tales that the word "assassin" entered European languages as a common noun meaning "murderer".Daftary traces the origins and early development of the legends - as well as investigating the historical context in which they were fabricated and transmitted. As such, this book reveals an extraordinary programme of propaganda rooted in the medieval Muslim world and medieval Europe's ignorance of this world. This book also provides the first English translation of French orientalist Silvestre de Sacy's famous 19th-century "Memoire" on the Assassins.