In 1959, her grandmother’s entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the only two people who were left—a woman stoned to death in the town center and an abandoned newborn—have plagued her. She’s gathered a small crew of friends in the remote village to make a film about what really happened.But there will be no turning back.Not long after they’ve set up camp, mysterious things begin to happen. Equipment is destroyed. People go missing. As doubt breeds fear and their very minds begin to crack, one thing becomes startlingly clear to Alice:They are not alone.They’re looking for the truth…But what if it finds them first?

    ‪ When Detective Lauren Medina sees the calling card at a murder scene in Chicago’s Humboldt Park neighborhood, she knows the Pied Piper has returned. When another teenager is brutally murdered at the same lagoon where her sister’s body was found floating years before, she is certain that the Pied Piper is not just back, he’s looking for payment he’s owed from her. Lauren’s torn between protecting the city she has sworn to keep safe, and keeping a promise she made long ago with her sister’s murderer. She may have to ruin her life by exposing her secrets and lies to stop the Pied Piper before he collects.

    Each one hoped to be the last to leave. Now they're just hoping to stay alive. It seems the island isn't deserted after all. Contestants and crew members are disappearing, but they aren't being eliminated by the game. They're being taken by the monstrous half-human creatures that live in the jungle. The men will be slaughtered. The women will be kept alive as captives. Night is falling, the creatures are coming, and rescue is so far away. . .

    But soon after they buy Rawlingswood, a foreclosed mansion rumored to be haunted, they realize they’re in for more of the same…or worse.After a renovation fraught with injuries and setbacks, the Spielmans move in to the century-old house, and their problems quickly escalate. The home’s beautiful facade begins to crumble around them when their teenage son uncovers disturbing details of Rawlingswood’s history—a history of murder, betrayal, and financial ruin. The Spielmans’ own shameful secrets and lies become harder to hide as someone or something inside the house watches their every move.As tensions build between the family members, the home’s dark history threatens to repeat itself. Margot and Myron must confront their own ghosts and Rawlingswood’s buried past before the house becomes their undoing.

    But is she out to hurt him? Or protect him?High school senior Anders Thorson is unusually gifted. His band, Last Things, is legendary in their northern Minnesota hometown. With guitar skills that would amaze even if he weren’t only eighteen, Anders is the focus of head-turning admiration. And Thea Malcom, a newcomer to the insular town, is one of his admirers. Thea seems to turn up everywhere Anders goes: gigs at the local coffeehouse, guitar lessons, even in the woods near Anders’s home. When strange things start happening to Anders—including the disappearance of his beloved cat, then his sort-of girlfriend, and, somehow, his musical talent—blame immediately falls on Thea. But is she trying to hurt him? Or save him? Can he trust a girl who doesn’t seem to know the difference between dreams and reality? And how much are they both willing to compromise to get what they want?

    Dunvegan School for Girls has been closed for many years. Converted into a family home, the teachers and students are long gone. But they left something behind...Sophie arrives at the old schoolhouse to spend the summer with her cousins. Brooding Cameron with his scarred hand, strange Lilias with a fear of bones and Piper, who seems just a bit too good to be true. And then there's her other cousin. The girl with a room full of antique dolls. The girl that shouldn't be there. The girl that died.

    But when it comes to murder, Officer Susan Marlan never trusts a simple explanation, so she's just getting started.Meanwhile, college professor Eric Evans hallucinates a young boy in overalls: a symptom of his schizophrenia - or so he thinks. But when more bodies turn up, Eric has more visions, and they mirror details of the murder case. As the investigation continues, the police stick with their original conclusion, but Susan's instincts tell her something is off. The higher-ups keep stonewalling her, and the FBI's closing in.Desperate for answers, Susan goes rogue and turns to Eric for help. Together they take an unorthodox approach to the case as the evidence keeps getting stranger. With Eric's hallucinations intensifying and the body count rising, can the pair separate truth from illusion long enough to catch a monster?

    Two teenagers. One impossible explanation.Summer 1958—a string of murders plagues the Midwest. The victims are found in their cars and in their homes—even in their beds—their bodies drained, but with no blood anywhere. September 19- the Carlson family is slaughtered in their Minnesota farmhouse, and the case gets its first lead: 15-year-old Marie Catherine Hale is found at the scene. She is covered in blood from head to toe, and at first she’s mistaken for a survivor. But not a drop of the blood is hers.Michael Jensen, son of the local sheriff, yearns to become a journalist and escape his small-town. He never imagined that the biggest story in the country would fall into his lap, or that he would be pulled into the investigation, when Marie decides that he is the only one she will confess to. As Marie recounts her version of the story, it falls to Michael to find the truth: What really happened the night that the Carlsons were killed? And how did one girl wind up in the middle of all these bodies?

    She is perfectly happy with her life. She has an almost-sustainable career as a private investigator, and an empty apartment, and a slight drinking problem. It's a great life and she doesn't wish she was like her estranged sister, the magically gifted professor Tabitha.But when Ivy is hired to investigate the gruesome murder of a faculty member at Tabitha’s private academy, the stalwart detective starts to lose herself in the case, the life she could have had, and the answer to the mystery that seems just out of her reach.

    Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date. For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks–and have cemented Bosco’s reputation as a premier artists’ colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple’s children, lost the winter before in a diphtheria epidemic. But when a séance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams’ only surviving child. The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she’s not alone: biographer Bethesda Graham uncovers stunning revelations about Milo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain’s waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.From the Hardcover edition.

    One clue in particular hints that Edward Hyde, her father’s former friend and a murderer, may be nearby, and there is a reward for information leading to his capture…a reward that would solve all of her immediate financial woes.But her hunt leads her to Hyde’s daughter, Diana, a feral child left to be raised by nuns. With the assistance of Sherlock Holmes and Dr. Watson, Mary continues her search for the elusive Hyde, and soon befriends more women, all of whom have been created through terrifying experimentation: Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein.When their investigations lead them to the discovery of a secret society of immoral and power-crazed scientists, the horrors of their past return. Now it is up to the monsters to finally triumph over the monstrous.

    Among the missing is Emile Haddock, Lia’s uncle. What happened to the people of Limetown? It’s all anyone can talk about. Except Lia’s parents, who refuse to discuss what might have happened there. They refuse, even, to discuss anything to do with Emile.As a student journalist, Lia begins an investigation that will take her far from her home, discovering clues about Emile’s past that lead to a shocking secret—one with unimaginable implications not only for the people of Limetown, but for Lia and her family. The only problem is…she’s not the only one looking for answers. Zack Akers and Skip Bronkie are first-rate storytellers, in every medium. Critics called their podcast Limetown “creepy and otherworldly” (The New York Times) and “endlessly fun” (Vox), and their novel goes back to where it all began. Working with Cote Smith, a PEN/Robert W. Bingham Prize Finalist, they’ve crafted an exhilarating mystery that asks big questions about what we owe to our families and what we owe to ourselves, about loss, discovery, and growth. Threaded throughout is Emile’s story—told in these pages for the first time ever.

    But her own blindness and the fact that her troubled brother has gone missing have convinced her that positive thinking is nothing but bull.Her cynicism wavers when a cornea transplant restores her sight. The new eyes seem to give her new life, until they prove too good to be true and she starts seeing terrifying visions of brutal murders - crimes she soon learns are all too real.Detective Mason Brown's own brother recently died, leaving behind a horrific secret. In atonement, Mason donated his brother's organs, though he's kept the fact quiet. Now he wants to help Rachel find her brother, but when he discovers the shocking connection between her visions and his own brother, he suddenly has to do everything in his power to save her from a predator who is somehow still hunting from beyond the grave.

    . . until it swallows her up.Noah Turner sees monsters. But, unlike his family, Noah chooses to let them in .

    Generally, very little changes in the Briardale Valley, but this year things are different. His grandfather - known to everyone as the Gaffer - has died and John's new wife, Katherine, is accompanying him for the first time.Every year, the Gaffer would redraw the boundary lines of the village, with pen and paper but also through the remembrance of folk tales, family stories and timeless communal rituals which keep the sheep safe from the Devil. This year, though, the determination of some members of the community to defend those boundary lines has strengthened, and John and Katherine must decide where their loyalties lie, and whether they are prepared to make the sacrifices necessary to join the tribe...Gripping, unsettling and beautifully written, Andrew Michael Hurley's new novel asks how much we owe to tradition, and how far we will go to belong.