Shawn Klein has it all. The beautiful girlfriend. The scholarship to play football at Vanderbilt after he graduates high school. At eighteen, he leads worship at his father’s prosperous megachurch. His life is perfect. So why isn’t he happy? Everything changes when Shawn’s parents bring Ellie into their home to care for her until she gives birth. It’s the life with a real family that Ellie has always dreamed about, and the kind of future Shawn never knew he wanted, until Ellie’s past threatens to destroy everything. Jenny McBride has lost her faith and her reason to live in a terrible accident in Colorado Springs, but meeting the pregnant teenager, Ellie just might turn things around. When Jenny arrives in Tennessee to adopt Ellie's baby, only one thing is certain. A baby will be born, along with a crime of passion, and a desperate struggle to bury the truth.

    

    

    Back-in-print early work by the author of subUrbia and Sex, Drugs, Rock & Roll.

    Perfect for fans of Katie Flynn and Annie Groves.Maeve Brannigan is only eighteen when she leaves her rural home in County Donegal and moves to Birmingham, where she falls in love with handsome Brendan Hogan. But married life isn’t as idyllic as she’d imagined, and when Maeve falls pregnant with their first child, she soon realises that Brendan isn’t the man she thought he was.Saddled with a violent husband and with two young’uns needing her protection, Maeve bears her life as best she can. After a particularly vicious attack, she is forced to flee back to Ireland – but her presence is greeted with open hostility by the close-knit catholic community that she was once so eager to escape. Driven away to face her abusive husband, Maeve’s future looks bleak. Will she find the strength to break free and make the prospect of a better life a reality rather than a distant dream?

    Though completely dissimilar to Beckett and Pinter, she is surely now in their class.” – WHATSONSTAGE.COMJack would do anything for Sam. Sam would do anything. And around this simple premise, Caryl Churchill slyly crafts her new play depicting a deeply dysfunctional gay relationship—which is actually all about America. Drunk Enough to Say I Love You? is another speedy, taut two-hander that shows off Churchill’s uncanny ability to write both topically and elliptically at the same time. It was first produced at London’s Royal Court Theatre and subsequently staged at The Public Theater in New York.Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.

    She’s struggling to leave her trophy wife identity behind and make ends meet as a full-time event planner. When her handsome new neighbor needs to throw the perfect birthday party for his niece, Juliet offers her services. If she pulls this off, maybe she can get her life back on track. But to do so, she’ll need the help of the Cupcake Posse. Too bad her friends are grappling with problems of their own:Missy’s recovering from injuries; Nell’s trying to thwart her mother’s matchmaking efforts; Selena’s husband wants her to work less when she needs to do more; and Bria’s facing obstacles she never anticipated trying to save her late aunt’s bakery.Join the Cupcake Posse as they work together to navigate the difficulties of life, loss, and love. They continue to rely on each other, never losing sight of the importance of friendship and family, but will that be enough to save the Berry Lake Cupcake Shop?

     For Annie and Will, who have left their marriages to be together, the future is fraught with the complications of starting over. Both have left pieces of themselves behind: For Annie, it is the husband and friend she has known since childhood; for Will, it is the five-year-old daughter he adores. And for the Korean-born Sungae, one of Annie's English-as-a-second-language students, it is a search for the words that will help her resolve the sorrows of her tragic history. As Sungae struggles with the new language and with her memories, her story unfolds in ways that will have profound consequences not only for Sungae, but for Annie, Will, and their former spouses. A lyrical and deeply moving novel about love, loss, and language-and about confronting life's tough choices-The Language of Good-bye "weaves a wonderful story [about] letting go of the past and moving forward into the future" (Gail Tsukiyama, author of The Language of Threads).

    When I am brave enough I am never brave enough I unravel the tapestry of my life, my childhood. I take things away. I smash things, relations are broken. I am the bad mother. -- from Book of MutterComposed over thirteen years, Kate Zambreno's Book of Mutter is a tender and disquieting meditation on the ability of writing, photography, and memory to embrace shadows while in the throes -- and dead calm -- of grief. Book of Mutter is both primal and sculpted, shaped by the author's searching, indexical impulse to inventory family apocrypha in the wake of her mother's death. The text spirals out into a kind of fractured anatomy of melancholy that comes to contain critical reflections on the likes of Roland Barthes, Louise Bourgeois, Henry Darger, Theresa Hak Kyung Cha , Peter Handke, and others. Zambreno has modeled the book's formless form on Bourgeois's Cells sculptures -- at once channeling the volatility of autobiography, pain, and childhood, yet hemmed by a solemn sense of entering ritualistic or sacred space.Neither memoir, essay, nor poetry, Book of Mutter is an uncategorizable text that draws upon a repertoire of genres to write into and against silence. It is a haunted text, an accumulative archive of myth and memory that seeks its own undoing, driven by crossed desires to resurrect and exorcise the past. Zambreno weaves a complex web of associations, relics, and references, elevating the prosaic scrapbook into a strange and intimate postmortem/postmodern theater.

    Ranging from joyous to elegiac, verses touch on love’s delights and follies with elliptical eloquence. Lovely to read aloud or reflect on silently. Photos of African artwork accompany the text.My heart is single and cannot be dividedAnd it is fastened on a single hope;Oh, you, who might be the moon!--Somali love song

    Joy, Jasmine and Jackson all endured some of the most twisted and wickedest things inside of their home. Growing up in a small town in the south by the name of Canton, Mississippi. There was a saying that kept the secrets hidden for years. When sudden death comes upon their father Jack. The three siblings reunite and all of the dark secrets finally comes to the light. The old saying goes What happens in this house stays in this house.

    From four-time "Essence"-bestselling author Lee comes the compelling tale of a marriage that is tested when infidelity--and tragedy--come into play.

    Whatever happens, nobody must know what you are carrying…’Life changes overnight for fifteen-year-old Rory McAlister, an apprentice wheelwright, when his master, John Cornwallis, who had been kind to Rory and his poverty-stricken family, is injured in an accident and asks Rory to take his place on a vital errand.With a secret letter hidden under a patch on his shirt, Rory travels south to meet the sinister Miss Bluett – who sends him off on a terrifying voyage across the seas to Jersey. But what is the mysterious ‘blue baccy’ he is to carry home? And why is it so important that they can only come for it by night? Plunged into terrible danger, Rory’s very life is suddenly at stake as he finds himself caught up in the dangerous world of smuggling.Set in the mid-nineteenth century, Rory’s Fortune is a dramatic and action-packed tale of one young man remaining loyal to his master only to find his life changed forever.