He just wanted to reclaim the money stolen from him, but ends up with a feisty copper-haired orphan thrown over his shoulder who was on her way to marry Sullivan's bitter enemy.Emily McCarthy is an orphan out of options. Forced to marry because she was too old for her orphanage, she doesn't take kindly to her "rescue." Still she trusts God can turn any situation to good especially when it seems Sullivan may just be the man of her dreams. But Sullivan's crossed a dangerous man unused to losing and Emily may just be the prize he's unwilling to sacrifice.

    With full-cloth binding and a silk ribbon marker. EVERYMAN'S POCKET CLASSICS.In an interview, Updike once said, "If I had to give anybody one book of me, it would be the Olinger Stories." These stories were originally published in The New Yorker and then in various collections before Vintage first put them together in one volume in 1964, as a paperback original. They follow the life of one character from the age of ten through manhood, in the small Pennsylvania town of Olinger (pronounced, according to Updike, with a long O and a hard G), which was loosely based on Updike's own hometown. "All the stories draw from the same autobiographical well," Updike explained, "the only child, the small town, the grandparental home, the move in adolescence to a farm." The selection was made and arranged by Updike himself, and was prefaced by a lovely 1,400-word essay by the author that has never been reprinted in full elsewhere until now.

    Troy and his father barely speak, communicating instead by writing notes on a legal pad by the phone. Troy spends most of his time with his closest friends: Tom Buller, brash and fearless, the son of a drunk; Gabe Benavidez, smart enough to know he’ll never take over the family ranch; and Gabe’s sister, Luz, whose family overprotects her, and who Troy has loved since they were children.           Troy and his friends don’t want trouble. They want this to be the summer of what Troy calls “ghost medicine,” when time seems to stop, so they won’t have to face the past or the future. But before the summer is over, their paths will cross in dangerous and fateful ways with people who will change their lives: Rose, a damaged derelict who lives with a flock of wild horses and goats; and Chase Rutledge, the arrogant sheriff’s son.           Troy and his friends want to disappear. Instead, they will become what they least expect —brothers, lovers, heroes, and ghosts.

    She was there to photograph the relics and artifacts collected by a highly secretive organization. And her employer, Mr. Gabriel Jones, had the eyes of a sorcerer… Venetia is shattered when, shortly after their night together, she reads of Jones’s death in the papers. As a private tribute, she adopts the name “Mrs. Jones”. But her romantic whim causes unexpected trouble. Mr. Jones is about to stride, living and breathing, back into her life.The River Knows:The first kiss occurred in a dimly lit hallway on the upper floor of Elwin Hastings’s grand house. Louisa never saw it coming. . . . Of course, Anthony Stalbridge couldn’t possibly have had romantic intentions. The kiss was an act of desperation, meant to distract the armed guard who was about to catch the pair in a place they most definitely did not belong.Third Circle:Leona Hewitt has secretly made her way into Lord Delbridge’s private museum to recover a relic stolen from her family years ago. But someone else is there in the dimly lit gallery, on the same errand: a tall, black-cloaked man whose very voice is enough to put her in a trance. Thaddeus Ware, a mesmerist with powerful psychic energy, is accustomed to fearful reactions from others. But Leona shows no trace of hysteria in his presence. She exerts a rather hypnotic power over the hypnotist himself.

    Introduction by Robert Silverberg. Afterwords by Norman Spinrad, Vonda N McIntyre, Robert Sheckley, Philip Jose Farmer, Thomas M Disch, and Edward Bryant.

    This will be the first time The Key To Midnight will be available in hardcover.

    Michener’s magnificent saga of the West is an enthralling celebration of the frontier. Brimming with the glory of America’s past, the story of Colorado—the Centennial State—is manifested through its people: Lame Beaver, the Arapaho chieftain and warrior, and his Comanche and Pawnee enemies; Levi Zendt, fleeing with his child bride from the Amish country; the cowboy, Jim Lloyd, who falls in love with a wealthy and cultured Englishwoman, Charlotte Seccombe. In Centennial, trappers, traders, homesteaders, gold seekers, ranchers, and hunters are brought together in the dramatic conflicts that shape the destiny of the legendary West—and the entire country.

    It is a season of escapade as well as drama, during which fourteen-year-old Jick comes of age. Through his eyes we see those nearest and dearest to him at a turning point—“where all four of our lives made their bend”—and discover along with him his own connection to the land, to history, and to the deep-fathomed mysteries of one’s kin and one’s self.

    This lenticular journal cover sets in motion images of slithering, shuffling zombies from the bestselling graphic novel The Zombie Survival Guide: Recorded Attacks. Filled with lined pages, this all-purpose journal is perfect for jotting down notes, making to-do lists, plotting your own survival strategy, and is just the creepy thing for zombie fans everywhere.

    In love with fellow telepath Colleen Isaac, Dale Ravenhall realizes that the very thing that enables him and Colleen to read each other's minds would kill them both if they came within twenty miles of each other.Contents:Red Thoughts at Morning (1981)Dark Thoughts at Noon (1982)Black Thoughts at Midnight (1992)The Peaceful Man (1982)The Evidence of Things Not Seen (1986)Guardian Angel (1986)Expanded Charter (1983)Final Solution (1982)Pawn's Gambit (1982)

    

    The story of an imposter and bigamist, who travels to the North where he marries the maid of Buttermere, a young woman whose natural beauty inspired the dreams and confirmed the theories of a=early 19th century writers.

    Featuring Newford fiddler Geordie Riddell, it's a gentle story of love, loss and the bonds of friendship.First published in Post Mortem edited by Paul F.Olson and David B. Silva, 1989; also appears in Dreams Underfoot and The Very Best of Charles de Lint.Timeskip is where Newford began: "Newford was not planned out in advance. It started (unbeknownst to me) with“Timeskip,” a short story that I wrote for an anthology. I wanted to set the story somewhere other than the Ottawa area where most of my stories had taken place, but I didn’t feel comfortable writing about a city that I couldn’t physically visit. So I decided to use various aspects of large urban centers that I had visited, and create a fictitious setting."–Charles de Lint, from an interview with FairyRoom.com"I can never recapture the feeling of first arriving in Newford and meeting the people and seeing the sights as a newcomer. However, part of the beauty of Newford is the sense that it has always been there, that de Lint is a reporter who occasionally files stories from a reality stranger and more beautiful than ours. De Lint also manages to keep each new Newford story fresh and captivating because he is so generous and loving in his depiction of the characters. Yes, there are a group of core characters whose stories recur most often, but a city like Newford has so many intriguing people in it, so many diverse stories to tell, so much pain and triumph to chronicle."— Challenging DestinyCharles de Lint is the modern master of urban fantasy. Folktale, myth, fairy tale, dreams, urban legend—all of it adds up to pure magic in de Lint's vivid, original world. No one does it better.— Alice HoffmanCharles de Lint writes like a magician. He draws out the strange inside our own world, weaving stories that feel more real than we are when we read them. He is, simply put, the best.— Holly BlackDe Lint is probably the finest contemporary author of fantasy– Booklist, American Library AssociationUnlike most fantasy writers who deal with battles between ultimate good and evil, de Lint concentrates on smaller, very personal conflicts. Perhaps this is what makes him accessible to the non-fantasy audience as well as the hard-core fans. Perhaps it’s just damned fine writing.– Quill QuireDe Lint’s evocative images, both ordinary and fantastic, jolt the imagination.– Publishers WeeklyIt is hard to imagine urban fantasy done with greater skill– Booklist, American Library Association

    Well, it’s complicated...

    Every word tells, & the number of unusually stirring incidents is legion, while the plot is phenomenal in its strength, merit & ingeniousness.