It replaced reverence with skepticism and Strachey's wit, iconoclasm, and narrative skill liberated the biographical enterprise. His portraits of Cardinal Manning, Florence Nightingale, Thomas Arnold, and General Gordon changed perceptions of the Victorians for a generation. Lytton Strachey's biographical essays on four "eminent Victorians" dropped an explosive charge on Victorian England when the book was published in 1918. This edition is unique in being fully annotated and in drawing on the full range of Strachey's manuscript materials and literary remains.

    Belet wages war against one of the worst sins of his (and our) time - backbiting - better known to us as detraction (telling the faults of others without cause). Most of us do not realize how evil this sin is. In fact, many of us don't think it's a sin at all. After ruining someone's reputation, or satisfying our anger (and yes, our hatred) by spewing out every bad thing we can say about someone, we justify ourselves by saying, "Well, it's true!" We even think we are acting justly by giving someone what they deserve.. Due to our lack of charity and also to our pride, little do we see things from God's point of view, to whom these are vile sins - a form of hatred of neighbor - a failure to do the two things necessary - to love God and our neighbor (Matt. 22:37-40). In explaining this sin of backbiting, properly called detraction, Fr. Belet quotes the best men of Western Civilization: Aristotle, Plato, Horace, Seneca, Pliny, the Roman Emperor Constantine, King David, Isaiah, Saints James, Luke, Matthew, Paul, John Chrysostom, Jerome, Cassian, Gregory the Great, Augustine, Bernard, Thomas Aquinas, and many others. A very helpful book for those who wish to know to meaning of backbiting---and how to avoid it.

    No more searching for each of Sir Arthur Conan Doyle's Sherlock Holmes books, you get them all in one book. In addition you get 54 amazing mystery stories by all time great writers, including the Father Brown series and The Man who Was Thursday. The following is included:THE HOUND OF THE BASKERVILLESMR. SHERLOCK HOLMESTHE CURSE OF THE BASKERVILLESTHE PROBLEMSIR HENRY BASKERVILLETHREE BROKEN THREADSBASKERVILLE HALLTHE STAPLETONS OF MERRIPIT HOUSEFIRST REPORT OF DR. WATSONSECOND REPORT OF DR. WATSONEXTRACT FROM THE DIARY OF DR. WATSONTHE MAN ON THE TORDEATH ON THE MOORFIXING THE NETSTHE HOUND OF THE BASKERVILLESA RETROSPECTIONTHE RETURN OF SHERLOCK HOLMESTHE ADVENTURE OF THE ABBEY GRANGETHE ADVENTURE OF BLACK PETERTHE ADVENTURE OF CHARLES AUGUSTUS MILVERTONTHE ADVENTURE OF THE DANCING MENTHE ADVENTURE OF THE EMPTY HOUSETHE ADVENTURE OF THE GOLDEN PINCE-NEZTHE ADVENTURE OF THE MISSING THREE-QUARTERTHE ADVENTURE OF THE NORWOOD BUILDERTHE ADVENTURE OF THE PRIORY SCHOOLTHE ADVENTURE OF THE SECOND STAINTHE ADVENTURE OF THE SIX NAPOLEONSTHE ADVENTURE OF THE SOLITARY CYCLISTTHE ADVENTURE OF THE THREE STUDENTSTHE MEMOIRS OF SHERLOCK HOLMESSILVER BLAZETHE YELLOW FACETHE STOCK-BROKER’S CLERKTHE “GLORIA SCOTT”THE MUSGRAVE RITUALTHE REIGATE PUZZLETHE CROOKED MANTHE RESIDENT PATIENTTHE GREEK INTERPRETERTHE NAVAL TREATYTHE FINAL PROBLEMA STUDY IN SCARLETTHE ADVENTURES OF SHERLOCK HOLMESA SCANDAL IN BOHEMIATHE RED-HEADED LEAGUEA CASE OF IDENTITYTHE BOSCOMBE VALLEY MYSTERYTHE FIVE ORANGE PIPSTHE MAN WITH THE TWISTED LIPTHE ADVENTURE OF THE BLUE CARBUNCLETHE ADVENTURE OF THE SPECKLED BANDTHE ADVENTURE OF THE ENGINEER’S THUMBTHE ADVENTURE OF THE NOBLE BACHELORTHE ADVENTURE OF THE BERYL CORONETTHE ADVENTURE OF THE COPPER BEECHESTHE SIGN OF FOURTHE VALLEY OF FEARHIS LAST BOWTALES OF TERROR AND MYSTERYINNOCENCE OF FATHER BROWNTHE MAN WHO WAS THURSDAY * The Great Valdez Sapphire by Anonymous * The Lost Duchess by Anonymous * The Minor Canon by Anonymous * The Pipe by Anonymous * The Puzzle by Anonymous * The Baron's Quarry by Egerton Castle * The Dream Woman by Wilkie Collins * A Case of Identity by Sir Arthur Conan Doyle * A Scandal in Bohemia by Sir Arthur Conan Doyle * The Red-Headed League by Sir Arthur Conan Doyle * His Wedded Wife by Rudyard Kipling * In the House of Suddhoo by Rudyard Kipling * My Own True Ghost Story by Rudyard Kipling * The Sending of Dana Da by Rudyard Kipling * The Pavilion on the Links by Robert Louis Stevenson * The Fowl in the Pot by Stanley John Weyman * Bourgonef by Anonymous * The Closed Cabinet by Anonymous * The Avenger by Thomas De Quincey * The Haunted House by Charles Dickens * No. I Branch Line: The Signal Man by Dickens * The Haunted and the Haunters by Baron Edward Bulwer Lytton * The House and the Brain by Baron Edward Bulwer Lytton * The Incantation by Baron Edward Bulwer Lytton * Melmoth the Wanderer by Charles Rober Maturin * A Mystery with a Moral by Laurence Sterne * On Being Found Out by William Makepeace Thackeray * The Notch on the Ax by William Makepeace Thackeray * The Nail by Pedro Antonio de Alarcón * The Adventure of the Three Robbers by Lucius Apuleius * Melmoth Reconciled by Honoré de Balzac * The Conscript by Honoré de Balzac * The Deposition by Luigi Capuana * The Invisible Eye by Erckmann-Chatrian * The Owl's Ear by Erckmann-Chatrian * The Waters of Death by Erckmann-Chatrian * An Uncomfortable Bed by Guy de Maupassant * Fear by Guy de Maupassant * Ghosts by Guy de Maupassant * The Confession by Guy de Maupassant * The Horla by Guy de Maupassant * The Man with the Pale Eyes by Guy de Maupassant * The Necklace by Guy de Maupassant * The Miracle of Zobéide by Pierre Mille * Letter to Sura by Pliny, the Younger * The Torture by Hope by Auguste comte de Villiers de L'Isle-Adam * Zadig The Babylonian by Voltaire

    Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Title: The Indian Captive a Narrative of the Adventures and Sufferings of Matthew Brayton in His Thirty-Four Years of Captivity Among the Indians of North-Western America;

    (He died on July 31st, 2012 at the age of 86.) The triumphant arc of Vidal’s literary career wasn’t solely a mastery of language, though that never hurts. Handsome, poised, slim, charismatic, able to hold his own in verbal fisticuffs without losing his imperious cool, Vidal was the premiere star author of his generation, the one who elevated the role of talk-show guest to a command performance--a theatrical event. He brought the electronic crackle of the TV screen to his prose and the tactical precision of his prose to combat debate on TV. His near-violent altercations on camera with William F. Buckley, Jr. and Norman Mailer are the stuff of YouTube legend and the secret to The Gore Supremacy. A contributing writer to Vanity Fair, a partisan observer of pop culture, and the author of the New York-in-the-70s memoir Lucking Out (which comes out in paperback this fall), James Wolcott has been a closeup observer of Vidal on-camera and off for more years than seems respectable. This, his first Kindle Single, is his way of paying homage--and saying goodbye.

    Bury yourself in London or any really large city, and you can live like a hermit, but avoid the outskirts of a village. I am dazed by the ceaseless whirl of activities in which almost everyone in and round Ravenskirk is involved.Sara Monteith makes an ideal correspondent for Hugo Jamieson, brother of her lost love Ivo, killed in the war before they could marry. Her neighbours in the lovely Border village of Ravenskirk don't know that Sara has moved here because it's where Ivo and Hugo grew up, but they welcome her warmly. Soon, she's drawn into the active village social scene of tea parties, gardening, carol-singing, and Coronation festivities, dodging the judgments of stern Miss Bonaly, defending her helper Madge Marchbanks, an unwed mother, befriending kind, practical Elizabeth Drysdale and charming Mrs. Currie and her daughter Sylvia (the latter first met halfway through Sara's drawing room window), and having an embarrassing first encounter with rugged Major Whitburn. Add in her nephew Arthur, neglected by an indifferent father, Arthur's dog Pam, and even Hugo himself returning unexpectedly from overseas, and Sara's life is a 'ceaseless whirl' indeed!Molly Clavering was for many years the neighbour and friend of bestselling author D.E. Stevenson (in just such a village as Ravenskirk), and they may well have influenced one another's writing. First published in 1955, Dear Hugo is one of the funniest of her spirited, joyful comedies of Scottish village life. This new edition includes an introduction by Elizabeth Crawford.

    'People say I married her for her money', he thought contentedly, and for the moment was full of the self-respect that loving her had given him.Kate Heron is a wealthy, charming widow who marries, much to the disapproval of friends and neighbours, a man ten years her junior: the attractive, feckless Dermot. Then comes the return of Kate's old friend Charles - intelligent, kind and now widowed, with his beautiful young daughter. Kate watches happily as their two families are drawn together, finding his presence reassuringly familiar, but slowly she becomes aware of subtle undercurrents that begin to disturb the calm surface of their friendship. Before long, even she cannot ignore the gathering storm . . .

    The plot concerns a wealthy, lecherous old man who feigns a mortal illness in order to solicit bribes from greedy acquaintances who hope to inherit his fortune. Many complexities of plot and connivance ensue, but in the end, the guilty parties are exposed and punished. Explanatory footnotes.

    Arthur Calgary discovers that he alone could have provided an alibi in a scandalous murder trial. It ended in the conviction of Jacko Argyle. The victim was Jacko's own mother, and to make matters worse, he died in prison. But the young man's innocence means that someone else killed the Argyle matriarch, and would certainly kill again to remain in the shadows. Shaded in the moral ambiguity of murder, the provocative psychological puzzler of guilt, vengeance, and blood secrets is among Agatha Christie's personal favorites.

    His sheltered childhood in the home he loves has not prepared Vernon for the harsh reality of his adult years, and in order to write the great masterpiece of his life, he has to make a crucial decision with no time left to count the cost. But there is a high price to be paid for his talent, especially by his family and the two women in his lifee - the one he loves and the one who loves him. Young Nell Vereker had always loved Vernon, loved him with a consuming passion that was alien to the proper social world in which she lived. But when Vernon sought solace in the arms of Jane Harding, a stranger and enigmatically beautiful older woman, Nell felt she could endure no greater pain. But Fate had only begun to work its dark mischief on this curious romantic triangle -- for before their destinies were sealed, one would live, one would die, and one would return from the grave to be damned…

    He brings to his treatment of these questions the same courage, scrupulous logic, and lofty wisdom for which his other work as philosopher, writer, and teacher has been famous. These qualities make the essays included in this book perhaps the most graceful and moving presentation of the freethinker's position since the days of Hume and Voltaire. "I am as firmly convinced that religions do harm as I am that they are untrue," Russell declares in his Preface, and his reasoned opposition to any system or dogma which he feels may shackle man's mind runs through all the essays in this book, whether they were written as early as 1899 or as late as 1954. The book has been edited, with Lord Russell's full approval and cooperation, by Professor Paul Edwards of the Philosophy Department of New York University. In an Appendix, Professor Edwards contributes a full account of the highly controversial "Bertrand Russell Case" of 1940, in which Russell was judicially declared "unfit" to teach philosophy at the College of the City of New York. Whether the reader shares or rejects Bertrand Russell's views, he will find this book an invigorating challenge to set notions, a masterly statement of a philosophical position, and a pure joy to read.Why I am not a Christian --Has religion made useful contributions to civilization? --What I believe --Do we survive death? --Seems, madam? Nay, it is --Free man's worship --On Catholic and Protestant skeptics --Life in the Middle Ages --Fate of Thomas Paine --Nice people --New generation --Our sexual ethics --Freedom and the colleges --Can religion cure our troubles? --Religion and morals --Appendix: How Bertrand Russell was prevented from teaching at the College of the City of New York

    Nature, man and human history are reflected on in the verse of English and American poets and such prose works as the Gettysburg Address and the Declaration of Independence.

    W. H. Auden had recently moved to America, fallen in love with a young man to whom he considered himself married, rethought his entire poetic and intellectual equipment, and reclaimed the Christian faith of his childhood. Then, in short order, his relationship fell apart and his mother, to whom he was very close, died. In the midst of this period of personal crisis and intellectual remaking, he decided to write a poem about Christmas and to have it set to music by his friend Benjamin Britten. Applying for a Guggenheim grant, Auden explained that he understood the difficulty of writing something vivid and distinctive about that most clich�d of subjects, but welcomed the challenge. In the end, the poem proved too long and complex to be set by Britten, but in it we have a remarkably ambitious and poetically rich attempt to see Christmas in double focus: as a moment in the history of the Roman Empire and of Judaism, and as an ever-new and always contemporary event for the believer. For the Time Being is Auden's only explicitly religious long poem, a technical tour de force, and a revelatory window into the poet's personal and intellectual development. This edition provides the most accurate text of the poem, a detailed introduction by Alan Jacobs that explains its themes and sets the poem in its proper contexts, and thorough annotations of its references and allusions.

    Book annotation not available for this title.

    S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation." Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaitre knowledge of the spiritual character which the tale was created to embody.Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance."