"Brings the Bard to the masses, makes his plays accessible, and, well, provides fun for the reader."—The New York Times.

    The beauty of these stories and poems lies in their readability: ideal for sharing aloud around the campfire or for a quick, thrilling dip . . . under the covers with a flashlight. The writing itself sends as many awe-inspired shivers down the spine as do the ghosts and goblins on these pages.Edgar Allan Poe, the master of the horror story and the chiming lyric poem, opens the volume with his best-loved stories: "The Murders in the Rue Morgue," "The Black Cat," "The Fall of the House of Usher," "The Pit and the Pendulum," "The Premature Burial," "The Tell-Tale Heart," "Berenice," and "Ligeia." Every bit as chilling now as on the day they were written, these tales retain their power to stir the reader again and again. Poe, who was as well known for his poems as for his stories, is also represented by such verse standards as "The Raven," "Lenore," "To Helen," "Ulalume," and "Annabel Lee," among others.Numerous other practitioners of the supernatural story are included: Edith Wharton, with her gripping "Afterward"; Charles Dickens and his famed ghost story "The Signalman"; W. W. Jacobs, with this compilation's inspiration, "The Monkey's Paw." Also here are Saki's engrossing "Sredni Vashtar"; O. Henry's story of love lost and hopes dashed, "The Furnished Room"; Wilkie Collins's lively "A Terribly Strange Bed"; and "The Boarded Window," Ambrose Bierce's tale of the bizarre. A year-round collection for reading aloud--and frightening your friends--The Raven and the Monkey's Paw will gratify all manner of thrill-seekers.The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

    Emma Duncan, a hypochondriac with memory problems, and her orphaned fianc

    From a 16-page newspaper about punk bands and violence to stores, a clothing line, VICE Films, VICE TV, VICE Records, viceland.com, etc., VICE has become much more than a way for three guys to get laid. It's become a lifestyle, a degrading and disgusting lifestyle of sex and drugs and rock and roll and death. This book is a collection of the irreverent, hilarious and downright scary gonzo journalism that brought three losers from the crack houses of Le Plateau to the deluxe apartments of Manhattan.

    Inge has taken us back to the early 1920s and into the home of the Flood family in a small Oklahoma town. Here we find Rubin, a traveling salesman for a harness firm, Cora his sensitive and lovely wife, Sonny their little boy and Reenie their teen-age daughter The plot of Mr. Inge's comedy drama is less one story than a series of short stories the fight between a husband and wife; the fear of an overly shy young girl on going to a dance; the problems of an introverted little boy who feels that the whole world, including his family is against him; the outwardly peaceful and inwardly corroding marriage of Cora's rowdy sister; the tragedy of a military school cadet whose mother has never provided him with a home and who suffers from the stigma of being a Jew in an alien community. What Mr. Inge is saying, with a power and tenderness of speech, is that there is dark at the top of everyone's stairs, but that it can be dissipated by understanding, by tolerance, by compassion and by the brand of companionship that demands not conformity but love For Mr. Inge has made in his play a statement of faith for all people who, if they accepted it, would live in a far better world."

    While teenager Abigail parties a few doors away, the pretentious Beverly and her estate agent husband, Laurence, entertain their neighbours – Abigail’s mother, Susan, ex-footballer, Tony, and his wife, Angela. But as the alcohol flows, tensions in the hosts’ barely functional marriage emerge and their obsessions, prejudices and petty competitiveness are ruthlessly, and hilariously, exposed. ‘Goose-Pimples’, meanwhile, is easily as sharp and uncompromising. This time, the action focuses on ambitious casino croupier, Jackie, and Saudi businessman, Muhammad, who meet – and misunderstand – one another spectacularly.

    This volume collects one example of each type of composition for which Bierce is most famed: a hilarious satire, a bone-chilling horror story, a sardonic piece of humor, and a macabre poem. Renowned artist Gahan Wilson, whose work finds the comic and the eerir in the most common of situations, brings the perfect, blackly humorous touch to Bierce's eccentrically unique visions.

    The author carries us through a number of varied scenes and shows us not only a somewhat unflattering picture of womanhood, but digging under the surface, reveals a human understanding for and sympathy with some of its outstanding figures. The plot involves the efforts of a group of women to play their respective roles in an artificial society that consists of vain show, comedy, tragedy, hope and disappointment.

    Needing college credit to graduate on time, he kept a journal of everything he saw and heard and thus was able to document in unprecedented detail how a musical is actually created. Now, more than thirty years later, he has fashioned an extraordinary chronicle. Follies was created by Stephen Sondheim, Hal Prince, Michael Bennett, and James Goldman - giants in the evolution of the Broadway musical and geniuses at the top of their game. Everything Was Possible takes the reader on a roller-coaster ride, from the uncertainties of casting to drama-filled rehearsals, from the care and feeding of one-time movie and television stars to the pressures of a Boston tryout to the exhilaration of opening night on Broadway. Foreword by long-time NY critic Frank Rich.

    In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Here are tales both cautionary and hopeful, each brimming with Vonnegut's trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned "murder counselor" concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing– and provide insight into the development of his early style–collectively, they have a timeless quality that makes them just as relevant today as when they were written. It's impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut.Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut's characteristically insouciant line drawings, Look at the Birdie is an unexpected gift for readers who thought his unique voice had been stilled forever–and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius. Contents: Letter from Kurt Vonnegut, Jr., to Walter J. Miller, 1951. Confido F U B A R Shout About It from the Housetops Ed Luby's Key Club A Song for Selma Hall of Mirrors The Nice Little People Hello, Red Little Drops of Water The Petrified Ants The Honor of a Newsboy Look at the Birdie King and Queen of the Universe The Good Explainer

    Directed by Sidney Lumet, the film tells the story of a jury made up of 12 men as they deliberate the guilt or innocence of a defendant on the basis of reasonable doubt. The film is notable for its almost exclusive use of one set: with the exception of two short scenes at the beginning and the end of the film set on the steps of the court building and two short scenes in an adjoining washroom, the entire movie takes place in the jury room. The total time spent outside of the jury room is eight minutes out of the full 96 minutes of the movie.

    Like all Norton Anthologies, the Expanded Edition in One Volume of The Norton Anthology of World Masterpieces is foremost a teaching anthology, edited to meet the needs of today's students discovering a range of literary traditions for the first time.

     Anthony had a special feeling about Jonathan Larson's rock musical from his first audition, so he was thrilled when he landed a starring role as the filmmaker Mark Cohen. With his mom's cancer in remission and a reason to quit his newly acquired job at Starbucks, his life was looking up. When Rent opened to thunderous acclaim off Broadway, Rapp and his fellow cast members knew that something truly extraordinary had taken shape. But even as friends and family were celebrating the show's success, they were also mourning Jonathan Larson's sudden death from an aortic aneurysm. By the time Rent made its triumphant jump to Broadway, Larson had posthumously won the 1996 Pulitzer Prize. When Anthony's mom began to lose her battle with cancer, he struggled to balance the demands of life in the theatre with his responsibility to his family. Here, Anthony recounts the show's magnificent success and his overwhelming loss. He also shares his first experiences discovering his sexuality, the tension it created with his mother, and his struggle into adulthood to gain her acceptance. Variously marked by fledgling love and devastating loss, piercing frustration and powerful enlightenment, Without You charts the course of Rapp's exhilarating journey with the cast and crew of Rent as well as the intimacies of his personal life behind the curtain.

    This modern section has been overhauled to reflect the diversity of American writing since 1945. A section on 19th-century women's writing is included.

    . . . Mr. Thurber belongs in the great lines of American humorists that includes Mark Twain and Ring Lardner." --Philadelphia InquirerJames Thurber’s unique ability to convey the vagaries of life in a funny, witty, and often satirical way earned him accolades as one of the finest humorists of the twentieth century. A bestseller upon its initial publication in 1945, The Thurber Carnival captures the depth of his talent and the breadth of his wit. The stories compiled here, almost all of which first appeared in The New Yorker, are from his uproarious and candid collection My World and Welcome to It--including the American classic "The Secret Life of Walter Mitty"--as well as from The Owl in the Attic, The Seal in the Bathroom, Men, Women and Dogs. Thurber’s take on life, society, and human nature is timeless and will continue to delight readers even as they recognize a bit of themselves in his brilliant sketches.