Cynical and jaded, Milne earns money on the side by doing what he does best: punishing the bad guys. But this time he's been duped. Instead of blowing away drug dealers, he kills three innocent people, their deaths starting an investigation that sees him and his conscience heading for trouble.Less than twelve hours later, Milne is out on the streets again. Eighteen-year-old Miriam Fox has been found dead by Regent's Canal---her throat slashed. Desperate to find Miriam's killer, Milne uncovers a web of depravity far more shocking than he could ever have imagined. Can he evade arrest for his own crimes and solve a case so sickening that it may provide the key to his personal redemption?The clock is ticking and everyone's watching their backs as a war of morality is fought in the mind of one renegade policeman in this gripping first novel by a talented young crime writer.

    But when he meets Callie, he can't help being drawn to her. In Callie, he sees a second chance at life. And in Joel, Callie discovers the kind of love she'd always hoped was real. They challenge one another to take chances, to laugh, and to trust that no matter how hard each falls, the other will be there to catch them.But Joel has a secret. He dreams about the people he loves, and these dreams always come true. One night, Joel has the dream of Callie he's feared the most, and each must decide: Can Callie stay, knowing her fate? And if her days must be numbered, is there a life she is meant to live?Told in Joel and Callie's voices, The Sight of You is a sweeping, romantic, and unforgettable American debut, about the bravery it takes to love, especially when we think we know how the story will end.

    Marion Abbott is summoned to Brawders House asylum to collect the body of her sister, Alice. She’d been found dead after falling four stories from a steep-pitched roof. Officially: an accident. Confidentially: suicide. But Marion believes a third option: murder.Returning to her family home to stay with her brother and his second wife, the recently widowed Marion is expected to quiet her feelings of guilt and grief—to let go of the dead and embrace the living. But that’s not easy in this house full of haunting memories.Just when the search for the truth seems hopeless, a stranger approaches Marion with chilling words: I saw her fall.Now Marion is more determined than ever to find out what happened that night at Brawders, and why. With no one she can trust, Marion may risk her own life to uncover the secrets buried with Alice in the family plot.

    A domestic thriller packed full of secrets, and a twisty story that never stops—from the bestselling author of The Couple Next DoorHe looks at her, concerned. “How do you feel?” She wants to say, Terrified. Instead, she says, with a faint smile, “Glad to be home.”Karen and Tom Krupp are happy—they’ve got a lovely home in upstate New York, they’re practically newlyweds, and they have no kids to interrupt their comfortable life together. But one day, Tom returns home to find Karen has vanished—her car’s gone and it seems she left in a rush. She even left her purse—complete with phone and ID—behind.There's a knock on the door—the police are there to take Tom to the hospital where his wife has been admitted. She had a car accident, and lost control as she sped through the worst part of town.The accident has left Karen with a concussion and a few scrapes. Still, she’s mostly okay—except that she can’t remember what she was doing or where she was when she crashed. The cops think her memory loss is highly convenient, and they suspect she was up to no good. Karen returns home with Tom, determined to heal and move on with her life. Then she realizes something’s been moved. Something’s not quite right. Someone’s been in her house. And the police won't stop asking questions.Because in this house, everyone’s a stranger. Everyone has something they’d rather keep hidden. Something they might even kill to keep quiet.

    But there’s also little else as thrilling—at least to Rowan Tripp. Being a Missoula smoke jumper is in Rowan’s blood: her father is a legend in the field. At this point, returning to the wilds of Montana for the season feels like coming home—even with reminders of the partner she lost last season still lingering in the air. One of the best of this year’s rookie crop, Gulliver Curry is a walking contradiction, a hotshot firefighter with a big vocabulary and a winter job at a kids’ arcade. And though Rowan, as a rule, doesn’t hook up with other smoke jumpers, Gull is convinced he can change her mind... But everything is thrown off balance when a dark presence lashes out against Rowan, looking to blame someone for last year’s tragedy. Rowan knows she can’t complicate things with Gull—any distractions in the air or on the ground could be lethal. But if she doesn’t find someone she can lean on when the heat gets intense, her life may go down in flames.

    Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life.Three different narrators tell the story of Invisible, a novel that travels in time from 1967 to 2007 and moves from Morningside Heights, to the Left Bank of Paris, to a remote island in the Caribbean. It is a book of youthful rage, unbridled sexual hunger, and a relentless quest for justice. With uncompromising insight, Auster takes us into the shadowy borderland between truth and memory, between authorship and identity, to produce a work of unforgettable power that confirms his reputation as “one of America’s most spectacularly inventive writers.”

    In the first story a young wife and mother receives release from the unbearable pain of losing her three children from a most surprising source. In another, a young woman, in the aftermath of an unusual and humiliating seduction, reacts in a clever if less-than-admirable fashion. Other stories uncover the “deep-holes” in a marriage, the unsuspected cruelty of children, and how a boy’s disfigured face provides both the good things in his life and the bad. And in the long title story, we accompany Sophia Kovalevsky—a late-nineteenth-century Russian émigré and mathematician—on a winter journey that takes her from the Riviera, where she visits her lover, to Paris, Germany, and, Denmark, where she has a fateful meeting with a local doctor, and finally to Sweden, where she teaches at the only university in Europe willing to employ a female mathematician. With clarity and ease, Alice Munro once again renders complex, difficult events and emotions into stories that shed light on the unpredictable ways in which men and women accommodate and often transcend what happens in their lives.Dimensions --Fiction --Wenlock edge --Deep-holes --Free radicals --Face --Some women --Child's play --Wood --Too much happiness

    Murder is obsolete. Death is just the beginning.In 1938, death is no longer feared but exploited. Since the discovery of the afterlife, the British Empire has extended its reach into Summerland, a metropolis for the recently deceased.Yet Britain isn’t the only contender for power in this life and the next. The Soviets have spies in Summerland, and the technology to build their own god.When SIS agent Rachel White gets a lead on one of the Soviet moles, blowing the whistle puts her hard-earned career at risk. The spy has friends in high places, and she will have to go rogue to bring him in.But how do you catch a man who’s already dead?

    A librarian is called to a remote Canadian island to inventory the estate of a secretive Colonel whose most surprising secret is a bear who keeps the librarian company--shocking company.

    When his captors discover that he speaks several languages, he is put to work as a Tätowierer (the German word for tattooist), tasked with permanently marking his fellow prisoners.Imprisoned for more than two and a half years, Lale witnesses horrific atrocities and barbarism—but also incredible acts of bravery and compassion. Risking his own life, he uses his privileged position to exchange jewels and money from murdered Jews for food to keep his fellow prisoners alive.One day in July 1942, Lale, prisoner 32407, comforts a trembling young woman waiting in line to have the number 34902 tattooed onto her arm. Her name is Gita, and in that first encounter, Lale vows to somehow survive the camp and marry her.A vivid, harrowing, and ultimately hopeful re-creation of Lale Sokolov's experiences as the man who tattooed the arms of thousands of prisoners with what would become one of the most potent symbols of the Holocaust, The Tattooist of Auschwitz is also a testament to the endurance of love and humanity under the darkest possible conditions.

    A troubled priest is brutally murdered, leaving behind a journal of the resident's confessional secrets; secrets certain people would prefer he took to the grave. As word spreads, the pressure rises as the eyes of the town watch her every move. With no forensic team, no support and a savage killer hiding in a turbulent town, is PC Sarah Gladstone up to the task?

    But it is also Sjón's most realistic, accessible, and heartfelt work yet. It is the story of a young man on the fringes of a society that is itself at the fringes of the world--at what seems like history's most tumultuous, perhaps ultimate moment.Máni Steinn is queer in a society in which the idea of homosexuality is beyond the furthest extreme. His city, Reykjavik in 1918, is homogeneous and isolated and seems entirely defenseless against the Spanish flu, which has already torn through Europe, Asia, and North America and is now lapping up on Iceland's shores. And if the flu doesn't do it, there's always the threat that war will spread all the way north. And yet the outside world has also brought Icelanders cinema! And there's nothing like a dark, silent room with a film from Europe flickering on the screen to help you escape from the overwhelming threats--and adventures--of the night, to transport you, to make you feel like everything is going to be all right. For Máni Steinn, the question is whether, at Reykjavik's darkest hour, he should retreat all the way into this imaginary world, or if he should engage with the society that has so soundly rejected him.

    Freya Nakamichi 47 is a femmebot, one of the last of her kind still functioning. With no humans left to pay for the pleasures she provides, she agrees to transport a mysterious package from Mercury to Mars. Unfortunately for Freya, she has just made herself a moving target for some very powerful, very determined humanoids who will stop at nothing to possess the contents of the package.

    Celice and Joseph, in their mid-50s and married for more than 30 years, are returning to the seacoast where they met as students. Instead, they are battered to death by a thief with a chunk of granite. Their corpses lie undiscovered and rotting for a week, prey to sand crabs, flies, and gulls. Yet there remains something touching about the scene, with Joseph's hand curving lightly around his wife's leg, "quietly resting; flesh on flesh; dead, but not departed yet.""Their bodies had expired, but anyone could tell--just look at them--that Joseph and Celice were still devoted. For while his hand was touching her, curved round her shin, the couple seemed to have achieved that peace the world denies, a period of grace, defying even murder. Anyone who found them there, so wickedly disfigured, would nevertheless be bound to see that something of their love had survived the death of cells. The corpses were surrendered to the weather and the earth, but they were still a man and wife, quietly resting; flesh on flesh; dead, but not departed yet."From that moment forward, Being Dead becomes less about murder and more about death. Alternating chapters move back in time from the murder in hourly and two-hourly increments. As the narrative moves backward, we see Celice and Joseph make the small decisions about their day that will lead them inexorably towards their own deaths. In other chapters the narrative moves forward. Celice and Joseph are on vacation and nobody misses them until they do not return. Thus, it is six days before their bodies are found. Crace describes in minute detail their gradual return to the land with the help of crabs, birds, and the numerous insects that attack the body and gently and not so gently prepare it for the dust-to-dust phase of death.

    With the luminous writing and unforgettable characters that are her trademarks, she tells the story of three sisters whose once-solid world is broken apart by jealousy, betrayal, and the kind of passion that rarely comes along.The Grey sisters have always been close. After their mother's death, the girls banded together, becoming best friends. Their stern, disapproving father cares less about his children than about his reputation. To Henry Grey, appearances are everything, and years later, he still demands that his daughters reflect his standing in the community.Winona, the oldest, needs her father's approval most of all. An overweight bookworm who never felt at home on the sprawling horse ranch that has been in her family for three generations, she knows that she doesn't have the qualities her father values. But as the best lawyer in town, she's determined to someday find a way to prove her worth to him.Aurora, the middle sister, is the family peacemaker. She brokers every dispute and tries to keep them all happy, even as she hides her own secret pain.Vivi Ann is the undisputed star of the family. A stunningly beautiful dreamer with a heart as big as the ocean in front of her house, she is adored by all who know her. Everything comes easily for Vivi Ann, until a stranger comes to town. . . .In a matter of moments, everything will change. The Grey sisters will be pitted against one another in ways that none could have imagined. Loyalties will be tested and secrets revealed, and a terrible, shocking crime will shatter both their family and their beloved town.With breathtaking pace and penetrating emotional insight, True Colors is an unforgettable novel about sisters, rivalry, forgiveness, redemption—and ultimately, what it means to be a family.