Her voice is wry and relatable, her takes often surprising.Meet the Woman Behind the Books…In this collection of original and previously published nonfiction essays, New York Times bestselling author Laura Lippman offers readers an introspective look into various facets of her life. Her childhood and school years, her successful career as a newspaper reporter, the challenge of balance, her life as a novelist and a reader—Lippman’s takes on these universal subjects offer as many twists as her award-winning crime fiction. Of the 16 essays, only three have appeared in book form before. “Game of Crones,” published online by Longreads in May 2019, has more than 100,000 unique views to date.Essays include:· Men Explain The Wire to Me· Game of Crones· My Life as a Villainess· My Father’s Bar· The 31st StockingFans of Laura Lippman will gain a better understanding in these candid essays of who she is and of the life choices that influenced her writing and helped her to become the successful author she is today.

    At first I tried to deny my condition (trying to treat a tumor with hot baths and ice packs). Eventually, I decided I would learn as much about my illness as possible while trying to keep my emotions on hold.What followed was an experience that finally forced me to deal with issues about my body that I had tried to ignore for decades. Along the way I dealt with a physician who gave me ridiculous advice and acquaintances who asked unbelievable questions. But I was also fortunate to be surrounded by people who supported me and doctors who helped me through the process.

    Spilt Milk is an intimate, bracing, and beautiful exploration of vulnerability and culpability. Zoffness relives her childhood anxiety disorder as she witnesses it manifest in her firstborn; endures brazen sexual advances by a student in her class; grapples with the implications of her young son’s cop obsession; and challenges her Jewish faith. Where is the line between privacy and secrecy? How do the stories we tell inform who we become?

    Adams was published more than twenty years ago, it caused an immediate stir among writers and thinkers, feminists and animal rights activists alike. Never before had the relationship between patriarchy and meat eating been drawn so clearly, the idea that there lies a strong connection between the consumption of women and animals so plainly asserted. But, as the 21 personal stories in this anthology show, the impact of this provocative text on women's lives continues to this day, and it is as diverse as it is revelatory. One writer attempts to reconcile her feminist-vegan beliefs with her Muslim upbringing; a second makes the connection between animal abuse and her own self-destructive tendencies. A new mother discusses the sexual politics of breastfeeding, while another pens a letter to her young son about all she wishes for him in the future. Many others recall how the book inspired them to start careers in the music business, animal advocacy, and food. No matter whether they first read it in college or later in life, whether they are in their late teens or early forties, these writers all credit The Sexual Politics of Meat in some way with the awakening of their identities as feminists, activists, and women. Even if you haven't read the original work, you're sure to be moved and inspired by these tales of growing up and, perhaps more important, waking up to the truths around us.

    Four years later, she and her mother joined her father in Stillwater, Oklahoma —a move that would be anxiety ridden for any child, but especially for Bassey. Her early years in America would come to be defined by tension: an assimilation further complicated by bipolar II and anxiety that would go undiagnosed for decades.By the time she was in her early twenties, Bassey was a spoken word artist and traveling with HBO's Russell Simmons Def Poetry Jam, channeling her experiences into art. But something wasn’t right—beneath the façade of the confident performer, Bassey’s mental health was in a precipitous decline, culminating in a breakdown that resulted in hospitalization and a diagnosis of Bipolar II.Determined to learn from her experiences—and share them with others—Bassey became a mental health advocate and has spent the fourteen years since her diagnosis examining the ways mental health is inextricably intertwined with every facet of ourselves and our lives. Viscerally raw and honest, the result is an exploration of the stories we tell ourselves to make sense of who we are—and the ways, as honest as we try to be, each of these stories can also be a lie.

    Now a writer and performer on Late Night with Seth Meyers and host of The Amber Ruffin Show, Amber Ruffin lives in New York, where she is no one's First Black Friend and everyone is, as she puts it, "stark raving normal." But Amber's sister Lacey? She's still living in their home state of Nebraska, and trust us, you'll never believe what happened to Lacey.From racist donut shops to strangers putting their whole hand in her hair, from being mistaken for a prostitute to being mistaken for Harriet Tubman, Lacey is a lightning rod for hilariously ridiculous yet all-too-real anecdotes. She's the perfect mix of polite, beautiful, petite, and Black that apparently makes people think "I can say whatever I want to this woman." And now, Amber and Lacey share these entertainingly horrifying stories through their laugh-out-loud sisterly banter. Painfully relatable or shockingly eye-opening (depending on how often you have personally been followed by security at department stores), this book tackles modern-day racism with the perfect balance of levity and gravity.

    Addressing his fifteen-year-old namesake on the one hundredth anniversary of the Emancipation Proclamation, Baldwin wrote: “You know and I know, that the country is celebrating one hundred years of freedom one hundred years too soon.”Award-winning author Jesmyn Ward knows that Baldwin’s words ring as true as ever today. In response, she has gathered short essays, memoir, and a few essential poems to engage the question of race in the United States. And she has turned to some of her generation’s most original thinkers and writers to give voice to their concerns.The Fire This Time is divided into three parts that shine a light on the darkest corners of our history, wrestle with our current predicament, and envision a better future. Of the eighteen pieces, ten were written specifically for this volume.In the fifty-odd years since Baldwin’s essay was published, entire generations have dared everything and made significant progress. But the idea that we are living in the post-Civil Rights era, that we are a “postracial” society, is an inaccurate and harmful reflection of a truth the country must confront. Baldwin’s “fire next time” is now upon us, and it needs to be talked about.

    Readers will relate to Crewe’s ache at missing her mom, her nostalgia for her childhood, her frustrations at raising teenagers, and her impatience for terrible parking lot etiquette in equal measure. The book spans sixteen years’ worth of columns for The Cape Bretoner Magazine, Cahoots Magazine, and The Chronicle Herald.Are You Kidding Me?! is a side-splitting, heartwarming, Cape Breton–flavoured celebration of the little things.

    In a series of essays, letters and stories, the writers tackle themes and forms that are brave, vulnerable and new. All profits will go to the charity Women for Women International. Broadcaster Lindsey Hilsum says goodbye to her late friend Marie Colvin in a heartfelt letter, journalist Emma Gannon reflects on the life lessons she has learned at the age of 30, while author Poorna Bell details her path to finding happiness in her own company, from that of a dark, bottomless chasm into a dazzlingly bright portal lit with endless possibility. Elsewhere Mina Holland of The Guardian considers her relationship with her parents on the eve of becoming a mother, and novelist Elizabeth Day considers the meaning of success: A lot of the time it will feel like failure, like a challenge that needs to be overcome. Contributors have donated their time and skills bring this collection together. All profits will go to the charity Women for Women International, who work with at-risk women in countries affected by conflict and war. The collection has been curated by content agency Sonder & Tell and published by British fashion brand Jigsaw, with stories by:Alice-Azania Jarvis, Ana Santi, Anna Jones, Ariane Sherine, Brita Fernandez Schmidt, Charlie Brinkhurst-Cuff, Daisy Buchanan, Elizabeth Day, Emma Gannon, Farrah Storr, Funmi Fetto, Gillian Orr, Irenosen Okojie, Lindsey Hilsum, Marianne Power, Mina Holland, Natasha Lunn, Nellie Eden, Olivia Sudjic, Pandora Sykes, Phoebe Lovatt, Poorna Bell, Sophie Mackintosh, Sophie Wilkinson, Tahmina Begum, Vicky Spratt, Yomi Adegoke, Zing Tsjeng

    You don’t know who she is. Yet. But that’s okay. She is on a mission to move black girls like herself from best supporting actress to a starring role in the major narrative. Whether she’s taking on workplace microaggressions or upending racist stereotypes about her home state of Kentucky, she looks for the side of the story that isn’t always told, the places where the voices of black girls haven’t been heard.The essays in This is Major ask questions like: Why are black women invisible to AI? What is “black girl magic”? Or: Am I one viral tweet away from becoming Twitter famous? And: How much magic does it take to land a Tinder date?With a unique mix of personal stories, pop culture observations, and insights into politics and history, Lawson sheds light on these questions, as well as the many ways black women and girls have influenced mainstream culture—from their style, to their language, and even their art—and how “major” they really are.Timely, enlightening, and wickedly sharp, This Is Major places black women at the center—no longer silenced, no longer the minority.

    Framed by random celebrity encounters, the shocking ordinariness of rape culture as seen through the female gaze reveals just how deeply sexual violence on macro and micro scales can affect and infect women's lives. The speaker's voice evolves as she ages, yet retains throughout a "clarity of observation" via fast-paced reflective musings that offer as well the joy in moments where enmity between men and women is notably absent. Especially geared toward women who come from working class backgrounds, who might not have the means to escape difficult circumstances and must somehow find a way live through them, Queen's book transports us via hatchbacks and buses and even the KITT car through a life of hard-won confidence and strength. Far from a narrative of fame-chasing or conceit, however, the speaker says "right now I am laughing at myself" and that the age of "40 holds beauty as the accumulation of bliss & survival." Rather than centering the famous men named in the book, I'm So Fine places the lens squarely on what it means for a woman to come into her own power as she decides what she wants for herself "& mostly gets its every fineness."

    Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

    This book would be impressive enough as a collection of finely-forged fragments, but as it weaves itself into an even more impressive whole, my hat came off. Lily Hoang writes like she has nothing to lose and everything at stake.” —Maggie Nelson“A Bestiary is a work of great subtlety, precision, intelligence, daring, and emotive keenness. It seems completely contemporary (by which I mean that it is unlike anything I’ve read and that it makes me want to change my own writerly procedures). With head¬long, reckless, improvisatory gestures, Lily Hoang prompts us to rethink what literature today can dare to aspire to. Her intellectually magnanimous book’s position on the threshold between recognizable ‘literature’ and some other vanguard form of performance/utterance made me feel happy and stimulated and dizzy (in a rapturous way) while I was reading it.” —Wayne Koestenbaum“The most perfect use of fragmentation, myth, language, fairytale, and terrible beauty that I have ever seen in my life. I’m swooning. My faith in what writing can be has been restored.” —Lidia YuknavitchLily Hoang is the author of four books, including Changing, recipient of a PEN Open Books Award. She has two novels forthcoming: Old Cat Lady and The Book of Martha and she co-edited the anthology The Force of What’s Possible: Writers on Accessibility and the Avant-Garde. She teaches in the MFA program at New Mexico State University, where she is Associate Department Head. She serves as Prose Editor at Puerto del Sol and Non-Fiction Editor at Drunken Boat.

    Arun Singh has witnessed life and death from a vantage point nearly unmatched in medical history, while performing over 15,000 open heart surgeries. Revered by colleagues and patients, under the hot lights of the O.R. this award-winning surgeon has spent thousands of hours performing life-saving operations, while witnessing the miraculous, the joyous, and the devastating. He has held the life-giving heart in his hand and has been praised for his tireless devotion to preserving the lives this organ sustains.Dr. Singh's decorated career is an odyssey of remarkable determination. To illuminate the power of perseverance, Dr. Singh recounts how the same two hands that have so expertly worked to extend life were once crushed and his future nearly shattered. In YOUR HEART, MY HANDS he recalls the fortitude that saw him through a complicated boyhood in India, struggles with dyslexia, and finding his way as an immigrant, to become one of America's most highly-regarded and preeminent surgeons. Reflecting on over 40 years of practice, Dr. Singh shares intimate O.R. secrets, riveting patient accounts, and the life lessons he learned treating his most memorable patients. This book will inspire, enlighten, and captivate readers.

    The writings include text from the infamous performances that brought her to the Supreme Court in Finley vs. NEA, a battle that became a mainstay of the culture wars and which has made Finley an icon in the struggle for freedom of speech. Included in this volume will be the never before published, Obie Award-winning The American Chestnut for which she received a Guggenheim; such works as We Keep Our Victims Ready, A Certain Level of Denial, The Return of the Chocolate Smeared Woman, and an excerpt from her forthcoming film Shut Up and Love Me. Also appearing will be previously unpublished short stories, photos, artwork, and an essay on censorship. In 1998 Finley was named Woman of the Year by MS. magazine; she posed for Playboy the following year. She has appeared in numerous films including Philadelphia, and will soon be directing her own first feature film, Shut Up and Love Me, produced by Forensic Films. She has recorded albums including a collaboration with Sinead O'Connor. Finley is a regular on Politically Incorrect and can be seen giving her opinions on Exhale, a new show hosted by Candace Bergen on Oxygen. She will be hosting The Naked Players, a "nude Candid Camera" as well as Shock Video, both on HBO. Finley has written four books: Shock Treatment, Enough Is Enough, Living It Up, and Pooh Unplugged. "We need Finley: she doesn't duck the bullets, she keeps her eyes peeled on the artillery aimed at women, and she continues to push against her own boundaries as an artist" -- MS. Magazine