At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon. Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, charged—a place where she feels desperate to be accepted. As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence, and to that moment in a girl’s life when everything can go horribly wrong.

    In this debut collection, she conjures the disturbing and often hilarious experience of adolescence through the eyes of Chinese American girls growing up in New York City. Her stories cut across generations and continents, moving from the fraught halls of a public school in Flushing, Queens, to the tumultuous streets of Shanghai, China, during the Cultural Revolution of the 1960s. In the absence of grown-ups, latchkey kids experiment on each other until one day the experiments turn violent; an overbearing mother abandons her artistic aspirations to come to America but relives her glory days through karaoke; and a shy loner struggles to master English so she can speak to God.Narrated by the daughters of Chinese immigrants who fled imperiled lives as artists back home only to struggle to stay afloat — dumpster diving for food and scamming Atlantic City casino buses to make a buck — these seven stories showcase Zhang's compassion and moral courage, and a perverse sense of humor reminiscent of Portnoy's Complaint. A darkly funny and intimate rendering of girlhood, Sour Heart examines what it means to belong to a family, to find your home, leave it, reject it, and return again.

    When his wife, Anna, comes to bring him home, she finds a man who remembers nothing, not even his own name. The removal of a small brain tumor saves his life, but his memories beyond the age of twelve are permanently lost.Here is the story of a keenly intelligent, sensitive man returned to a life in which everything is strange and new. An emigrant from his own life, set free from all that once defined him, Samson Greene believes he has nothing left to lose. So, when a charismatic scientist asks him to participate in a bold experiment, he agrees.Launched into a turbulent journey that takes him to the furthest extremes of solitude and intimacy, what he gains is nothing short of the revelation of what it means to be human.

    Her arrival coincides with an explosion of activity in the art world—artists have colonized a deserted and industrial SoHo, are staging actions in the East Village, and are blurring the line between life and art. Reno meets a group of dreamers and raconteurs who submit her to a sentimental education of sorts. Ardent, vulnerable, and bold, she begins an affair with an artist named Sandro Valera, the semi-estranged scion of an Italian tire and motorcycle empire. When they visit Sandro’s family home in Italy, Reno falls in with members of the radical movement that overtook Italy in the seventies. Betrayal sends her reeling into a clandestine undertow. The Flamethrowers is an intensely engaging exploration of the mystique of the feminine, the fake, the terrorist. At its center is Kushner’s brilliantly realized protagonist, a young woman on the verge. Thrilling and fearless, this is a major American novel from a writer of spectacular talent and imagination.

    Celia, a lapsed Catholic, arrives with her grandmother’s rosary beads in hand and a bottle of vodka in her suitcase; beautiful Bree pines for the fiancé she left behind in Savannah; Sally, pristinely dressed in Lilly Pulitzer, is reeling from the loss of her mother; and April, a radical, redheaded feminist wearing a “Riot: Don’t Diet” T-shirt, wants a room transfer immediately.Together they experience the ecstatic highs and painful lows of early adulthood: Celia’s trust in men is demolished in one terrible evening, Bree falls in love with someone she could never bring home to her traditional family, Sally seeks solace in her English professor, and April realizes that, for the first time in her life, she has friends she can actually confide in.When they reunite for Sally’s wedding four years after graduation, their friendships have changed, but they remain fiercely devoted to one another. Schooled in the ideals of feminism, they have to figure out how it applies to their real lives in matters of love, work, family, and sex. For Celia, Bree, and Sally, this means grappling with one-night stands, maiden names, and parental disapproval—along with occasional loneliness and heartbreak. But for April, whose activism has become her life’s work, it means something far more dangerous.Written with radiant style and a wicked sense of humor, Commencement not only captures the intensity of college friendships and first loves, but also explores with great candor the complicated and contradictory landscape facing young women today.

    I would figure out this or that way and run it down through my head until it got easy." So begins the tale of Ellen Foster, the brave and engaging heroine of Kay Gibbons's first novel, which won the Sue Kaufman Prize from the American Academy of Institute of Arts and Letters. Wise, funny, affectionate, and true, Ellen Foster is, as Walker Percy called it, "The real thing. Which is to say, a lovely, sometimes heartwrenching novel. . . . [Ellen Foster] is as much a part of the backwoods South as a Faulkner character—and a good deal more endearing."

    But in the summer of 1989, when fifteen-year-old Lindy Simpson--free spirit, track star, and belle of the block--experiences a horrible crime late one evening near her home, it becomes apparent that this idyllic stretch of Southern suburbia has a dark side, too. In My Sunshine Away, M.O. Walsh brilliantly juxtaposes the enchantment of a charmed childhood with the gripping story of a violent crime, unraveling families, and consuming adolescent love. Acutely wise and deeply honest, it is an astonishing and page-turning debut about the meaning of family, the power of memory, and our ability to forgive.

    Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

      The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the family station wagon, and drinking borrowed liquor from old mayonnaise jars. But no matter how wild, they always managed to escape any real danger—until the adoring Berie sees that Sils really does need her help—and then everything changes.

    If only his mother hadn’t started college at thirty-six (and fallen for her psychology professor). If only he were more like his rebellious older brother (suspended from Hebrew school for drawing the rabbi in a threesome with a lobster and a pig). If only Jacob could confront his overbearing father and tell him he doesn’t want to sing in synagogue, attend est classes, write the perfect thank-you note, or even live in the same house with Abram Green. But, of course, he can’t. That would be unthinkable.

    Simultaneously hilarious and heartbreaking, this sensational debut will appeal to fans of David Nicholls, Nick Hornby, Nora Ephron and Lorrie MooreGraham Cavanaugh’s second wife, Audra, is everything his first wife was not. She considers herself privileged to live in the age of the hair towel, talks non-stop through her epidural, labour and delivery, invites the doorman to move in and the eccentric members of their son’s Origami Club to Thanksgiving. She is charming and spontaneous and fun but life with her can be exhausting.In the midst of the day-to-day difficulties and delights of marriage and raising a child with Asperger’s, his first wife, Elspeth, reenters Graham’s life. Former spouses are hard to categorize – are they friends, enemies, old flames, or just people who know you really, really well? Graham starts to wonder: How can anyone love two such different women? Did he make the right choice? Is there a right choice?

    When his parents are killed in front of him at a restaurant, David believes the culprits are connected to his neighbor, the elegant ballerina Sylphide, whose rock star husband also died under mysterious circumstances, and with whom David has fallen heedlessly in love. As David trades a career in football for one in food, his sister, Kate, a tennis star with “tough girl” endorsements, slides into paranoia over their parents’ deaths. It is a soapy and thrilling indulgence, a tale of opulence, love triangles, and madness, set against a sumptuous landscape of lust and feasts, a sensory abundance that fails to mitigate the sorrows of David’s youth. This is a purely Gatsbyesque portrayal of celebrity; David and Sylphide inhabit a galaxy of stars, each more blinding and destructive than the next, drawing intrigue and violence into their orbits. Roorbach (Big Bend) has written a mystery free of contemporary cynicism and recalling the glitter and allure of a kind of stardom that has also, in its way, been collateral damage to a greedy financial machine.

    Jadine Childs is a black fashion model with a white patron, a white boyfriend, and a coat made out of ninety perfect sealskins. Son is a black fugitive who embodies everything she loathes and desires. As Morrison follows their affair, which plays out from the Caribbean to Manhattan and the deep South, she charts all the nuances of obligation and betrayal between blacks and whites, masters and servants, and men and women.

    Set mostly in Paris and Manhattan in the desperately glittering 1980s, it has the timeless depth and moral power of a fairy tale.As a teenager on the streets of San Francisco, Alison is discovered by a photographer and swept into the world of fashion-modeling in Paris and Rome. When her career crashes and a love affair ends disastrously, she moves to New York City to build a new life. There she meets Veronica—an older wisecracking eccentric with her own ideas about style, a proofreader who comes to work with a personal “office kit” and a plaque that reads “Still Anal After All These Years.” Improbably, the two women become friends. Their friendship will survive not only Alison’s reentry into the seductive nocturnal realm of fashion, but also Veronica’s terrible descent into the then-uncharted realm of AIDS. The memory of their friendship will continue to haunt Alison years later, when she, too, is aging and ill and is questioning the meaning of what she experienced and who she became during that time. Masterfully layering time and space, thought and sensation, Mary Gaitskill dazzles the reader with psychological insight and a mystical sense of the soul’s hurtling passage through the world. A novel unlike any other, Veronica is a tour de force about the fragility and mystery of human relationships, the failure of love, and love’s abiding power. It shines on every page with depth of feeling and formal beauty.

    Instead of being executed, Lev and Kolya are given a shot at saving their own lives by complying with an outrageous directive: secure a dozen eggs for a powerful Soviet colonel to use in his daughter’s wedding cake. In a city cut off from all supplies and suffering unbelievable deprivation, Lev and Kolya embark on a hunt through the dire lawlessness of Leningrad and behind enemy lines to find the impossible.By turns insightful and funny, thrilling and terrifying, City of Thieves is a gripping, cinematic World War II adventure and an intimate coming-of-age story with an utterly contemporary feel for how boys become men.