New and unabridged, this is an all-new translation of the author's first-person experiences of Hiroshima and its aftermath, is a reminder of the suffering war brings to innocent people. Its emotions and experiences speak to children and adults everywhere. Volume one of this ten-part series details the events leading up to and immediately following the atomic bombing of Hiroshima.

    The Little Book of Hindu Deities is chock-full of monsters, demons, noble warriors, and divine divas. Find out why Ganesha has an elephant’s head (his father cut his off!); why Kali, the goddess of time, is known as the “Black One” (she’s a bit goth); and what “Hare Krishna” really means.“Throw another ingredient in the American spirituality blender. Pop culture is veering into Hinduism.”—USA Today

    According to the Devi Bhagavata, the universe is but her manifestation. The worship of Durga is believed to be more than 4,000 years old in India.

    Bands of foreign missionaries and soldiers roam the countryside, bullying and robbing Chinese peasants.Little Bao has had enough. Harnessing the powers of ancient Chinese gods, he recruits an army of Boxers—commoners trained in kung fu—who fight to free China from "foreign devils."Against all odds, this grass-roots rebellion is violently successful. But nothing is simple. Little Bao is fighting for the glory of China, but at what cost? So many are dying, including thousands of "secondary devils"—Chinese citizens who have converted to Christianity.

    The empire he inherited was weak from two messy dynastic succession, and ambitious enemy kings loomed large on all sides – a haughty king of Orissa in the east, five upstart Deccan Sultans to the North, revolting Tamil rajas in the South and enterprising Portuguese soldiers from the West. But Krishnadevaraya quickly rose to the challenge, and in the course of his remarkable twenty-year reign, he changed history forever. He won every single battle he fought and unified the whole of South India under his banner. Krishnadevaraya is remembered today as one of India’s greatest kings, not only because of his successes on the battlefield or the dazzling splendour of his empire, but because he was India’s first truly global leader. He had to confront very modern problems, such as building international alliances and negotiating overseas trade deals, while grappling with the challenges of globalism and multiculturalism. The Deccan of his time was a cosmopolitan place where Hindus and Muslims, North Indians and South Indians, Persians and Portuguese, all intermingled as they made their lives and fortunes. This cultural dynamism also inspired Krishnadevaraya to look back at India’s past and reflect on her histories and traditions. As a philosopher-king who was also a celebrated poet in his own right, he presided over an Indian Renaissance, when ancient texts and traditions were reinvigorated and infused with a fresh and modern vitality. Five hundred years after krishnadevaraya’s death, he is still remembered and loved as a compassionate and wise king, one who is immortalised in films and folk tales, poems and Ballads. This fascinating and riveting book is meticulously researched and beautifully written. Based on Portuguese and Persian chronicles, as well as many overlooked Telugu literary sources, Raya is the definitive biography of one of the world’s greatest leaders.

    Centuries ago, it was proclaimed of the Mahabharata: "What is not in it, is nowhere." But even now, we can use the same words about it. He who knows it not, knows not the heights and depths of the soul; he misses the trials and tragedy and the beauty and grandeur of life. The Mahabharata is not a mere epic; it is a romance telling the tale of heroic men and women, and of some who were divine. It is a whole literature in itself, containing a code of life, a philosophy of social and ethical relations, and speculative thought on human problems that is hard to rival.

    Raw concrete buildings front trash-strewn alleys. The narrow streets are crowded with young children and unemployed men. On the border with Egypt, swaths of Rafah have been bulldozed to rubble. Rafah is today and has always been a notorious flashpoint in this bitterest of conflicts. Buried deep in the archives is one bloody incident in 1956, that left 111 Palestinians dead, shot by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah—cold-blooded massacre or dreadful mistake—reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco immerses himself in daily life of Rafah and the neighboring town of Khan Younis, uncovering Gaza past and present. Spanning fifty years, moving fluidly between one war and the next, alive with the voices of fugitives and schoolchildren, widows and sheikhs, Footnotes in Gaza captures the essence of a tragedy. As in Palestine and Safe Area Goražde, Sacco’s unique visual journalism has rendered a contested landscape in brilliant, meticulous detail. Footnotes in Gaza, his most ambitious work to date, transforms a critical conflict of our age into an intimate and immediate experience.

    This volume deals with the period leading up to World War II, a time of high unemployment and other economic hardships caused by the Great Depression. Mizuki's photo-realist style effortlessly brings to life the Japan of the 1920s and 1930s, depicting bustling city streets and abandoned graveyards with equal ease. When the Showa era began, Mizuki himself was just a few years old, so his earliest memories coincide with the earliest events of the time. With his trusty narrator Nezumi Otoko (Rat Man), Mizuki brings history into the realm of the personal, making it palatable, and indeed compelling, for young audiences as well as more mature readers. As he describes the militarization that leads up to World War II, Mizuki's stance toward war is thoughtful and often downright critical--his portrayal of the Nanjing Massacre clearly paints the incident (a disputed topic within Japan) as an atrocity. Mizuki's "Showa 1926-1939" is a beautifully told history that tracks how technological developments and the country's shifting economic stability had a role in shaping Japan's foreign policy in the early twentieth century.

    The popular tellings of the Mahabharata are about Duryodhana'sdeviousness, obstinacy and greed for power that would bring about thebattle of Kurukshetra between the Kauravas and the Pandavas, and hisown downfall. But was there more to him? Was he all black, or was it a matter ofshades of grey? What was he? True heir or pretender to the throne?Arch villain or brave prince defending his rajadharma?Ace strategist or wicked schemer? History, they say, is written by the victors. So we have never heard theside that Duryodhana presents. The epic's enigmatic villain finally hashis say -- on people, their motives and their machinations. For the firsttime we read a different meaning into episodes we may be familiar with --be it the attempted killing of Bhima, the burning of the wax house, thefamous game of dice or even Draupadi's vastraharan -- and get insightsinto the story we may not have come across before. Here is the crownprince of Hastinapura as we have never known him, adding yet anotherdimension to the labyrinth that is the Mahabharata.

    Without Vishnu, he was afraid, chaos would ensue. So he and his son Narada, the wandering sage, set in motion a plan to get Vishnu to return to earth.A talking anthill, an arrogant sage, an irate cowherd, and even the asura king Ravana, each have their parts to play in these stories that describe the founding of the Venkateshwara temple at Tirupati. Set amongst the lovely Tirumala hills, this temple to Lord Vishnu, is one of the most beautiful temples in the world. It is said that more than 50,000 people visit this shrine every day, to pray to Venkateshwara to wash away their sins.

     A people infested with demons. a time of revolution. a liberator rises. One of the oldest and most powerful stories in human history comes uniquely alive in this telling of the Gospel of Mark. Join a carpenter as he changes the world. And join Steve Ross as he re-imagines the ancient story, with all of its power and mystery intact. Told with unexpected and startling imagery, Marked will forever change the way you think about this both familiar and strange tale. This is a human story of passion and murder. Of a compassionate man brutally killed and yet compellingly alive.

    It is about food, feeding and love. Braiding the stories of three spirited rishikas—Katyayani the Large, Maitreyi the Fig and Gargi the Weaver—it explores the fears and hungers that underpin all human interactions.

    Five years ago, Arjun Kadam used to be a cop, a rising star in the ranks of the Mumbai Encounter Squad-an elite unit tasked by the powers-that-be to carry out extrajudicial executions of notorious gangsters. But the death of his pregnant wife at childbirth derailed his life and set him off on a spiral of depression and drug addiction, a pale shadow of his former self. When Kadam is the victim of a hit-and-run that also claims the life of a street urchin, he goes into coma for a month. Upon awakening, he finds a new sense of purpose and pursues the investigation, taking him on a journey through the deep, dark heart of Mumbai - from the glitzy tinsel of Bollywood, to the dank depths of the Mumbai Underworld, where the line between the police and the criminals has been blurred beyond recognition by his ex-colleagues on the Encounter Squad, who are now de-facto gangsters in uniform, running the very same extortion rackets they were tasked to eradicate. Obsessed with his mission, Kadam sets off a desperate gambit of deadly intrigue and deception that pits him against the very machine of violence and corruption he once helped create. “Gorgeously noir.” - Ron Marz (WITCHBLADE, ARTIFACTS, SHINKU, GREEN LANTERN) “Perfect example of noir storytelling in comics.” - GEEKADELPHIA.COM “Mohapatra's dialogue is sharp and his script is innovative, putting a clever twist on the genre. Shinde's lush and gorgeous cinematic art impresses the most, from strongly individual faces and photorealistic body language to a deep and rich range of shadows and light, water and blood. This is stylish, sophisticated, and metropolitan: a fresh entry in the noir genre with an Asian twist.” - PUBLISHERS WEEKLY “It reads like a sub-continental version of SIN CITY and has all the best elements of clas

    As Jacob grew up, though, he decided that these photos were obvious fakes, simple forgeries designed to stir his youthful imagination. Or were they...?Following his grandfather's death - a scene Jacob literally couldn't believe with his own eyes - the sixteen-year-old boy embarks on a mission to disentangle fact from fiction in his grandfather's tall tales. But even his grandfather's elaborate yarns couldn't prepare Jacob for the eccentricities he will discover at Miss Peregrine's Home for Peculiar Children!

    This distinctively drawn work chronicles the rise and reign of Chairman Mao Zedong, and his sweeping, often cataclysmic vision for the most populated country on the planet.Though the storyline is epic, the storytelling is intimate, reflecting the real life of the book’s artist. Li Kunwu spent more than 30 years as a state artist for the Communist Party. He saw firsthand what was happening to his family, his neighbors, and his homeland during this extraordinary time. Working with Philippe Ôtié, the artist has created a memoir of self and state, a rich, very human account of a major historical moment with contemporary consequences. Mao said, “The masses are the real heroes,” but A Chinese Life shows those masses as real people.Praise for A Chinese Life:“This is an absorbing book—all 700 pages of it—reminiscent at times of Zhang Yimou’s epic Chinese history film To Live, and reminiscent at others of George Orwell’s 1984, recast as non-fiction.” —The Onion’s A.V. Club