In death, they are perfect works of art--killed, preserved, and carefully molded into replicas of Michelangelo's most celebrated creations. Only The Sculptor can bring forth their true beauty and teach the world to appreciate his gift.He Is The MasterFBI Special Agent Sam Markham has a reputation for tracking serial killers, but this artful adversary is meticulous, disciplined, and more ruthless than any he's encountered. The only clue is a note dedicating the latest "statue" to Cathy Hildebrant, an art historian who shares Sam's fear that the killing has just begun.And She Is The Perfect SubjectIn a quiet Rhode Island town, The Sculptor shapes his latest macabre creation, waiting for Cathy to draw nearer so that his message can be understood at last. And the only way to save her is for Sam to unlock a psychopath's twisted mind before his final, terrifying masterpiece is revealed. . ."Funaro provides clever plotting and plenty of suspense." --John Lutz, New York Times bestselling author "Fast-paced, exciting. . .Funaro delivers gasp-out-loud terror and relentless suspense. A genuine page-turner!" --Kevin O'Brien, New York Times bestselling author"It reminded me of why I loved Silence of the Lambs so much." --Gregg Olsen "A stone cold thrill ride! Unique and unexpected twists make this one a keeper!" –Lisa Jackson, New York Times bestselling author

    John's College-and Ireland's most prolific serial killer. Having stalked his four young victims, he drowned them in the muddy waters of the Grand Canal. Sentenced to life imprisonment when he was just nineteen, Will is locked away in the city's Central Psychiatric Hospital. Freshman Alison Smith moved to the Big Smoke to enrol in St. John's and soon fell hard for Will Hurley. Her world bloomed ... and then imploded when Liz, her best friend, became the latest victim of the Canal Killer-and the Canal Killer turned out to be the boy who'd been sleeping in her bed. Alison fled to the Netherlands and, in ten years, has never once looked back. When a young woman's body is found in the Grand Canal, Garda detectives visit Will to see if he can assist them in solving what looks like a copycat killing. Instead, Will tells them he has something new to confess-but there's only one person he's prepared to confess it to. The last thing Alison wants is to be pulled back into the past she's worked so hard to leave behind. Reluctantly, she returns to the city she hasn't set foot in for more than a decade to face the man who murdered the woman she was supposed to become. Only to discover that, until now, Will has left out the worst part of all ...

    It's also where twenty-one-year-old Sophie Collier vanished eighteen years ago.Francesca has spent the last twenty years haunted by the disappearance of her best friend. But when she receives a phone call from Sophie's brother saying that a body has been found, she knows she can't keep hiding from what happened. With her own secrets to keep, Francesca doesn't relish the idea of digging up the past or returning to Oldcliffe. But it is time to go back to where she grew up, and it looks like she isn't the only one there hiding truths.

    Professional. Perfect. Dead. Respected scientist Dr Eleanor Costello is found hanging in her immaculate home: the scene the very picture of a suicide.TOO LATE TO HIDEDCS Frankie Sheehan is handed the case, and almost immediately spots foul play. Sheehan, a trained profiler, is seeking a murderer with a talent for death.TOO CLOSE TO BREATHEAs Frankie strives to paint a picture of the killer, and their victim, she starts to sense they are part of a larger, darker canvas, on which the lines between the two blur.Olivia Kiernan's debut is a bold, brilliant thriller that will keep you guessing and leave you breathless.

    again.It is meant to be a celebration but it ends in tragedy. As fireworks explode overhead, Evelyn Hardcastle, the young and beautiful daughter of the house, is killed.But Evelyn will not die just once. Until Aiden – one of the guests summoned to Blackheath for the party – can solve her murder, the day will repeat itself, over and over again. Every time ending with the fateful pistol shot. The only way to break this cycle is to identify the killer. But each time the day begins again, Aiden wakes in the body of a different guest. And someone is determined to prevent him ever escaping Blackheath...

    Small and blond, from a distance she looked vulnerable and slight. . . the perfect bait to catch a killer. But as Quinn got older, she realised she needed to find a protegee, a younger field agent to take her place. So Quinn trains a twenty-two year old and lets her loose in the field. The plan works. Until the Route 66 killer not only takes the bait, but kills the bait too.Years on, Quinn is trying to move past the fact that she has a young woman's death on her conscience. She's now the perfect Stepford Wife - until she gets a knock on her door. The girl's body has finally been discovered. Quinn is pulled back into the case and the more she learns about the killer the more she comes to believe, despite the overwhelming forensic evidence to hand, that they have the wrong man.

    The tragedy left her family with a fractured life—a mother out to numb the pain, a father losing a battle with his own private demons, and a sister desperate for closure. But now another teenage girl has gone missing. It’s ripping open old wounds for the Willards, dragging them back into a painful past, and leaving them unprepared for where it will take them next.Bureau of Criminal Investigation agent Mark Foster has stumbled on uncanny parallels in the lives of the two missing girls that could unlock clues to a serial killer’s identity. That means breaking down the walls of the Willards’ long-guarded secrets and getting to a truth that is darker than he bargained for. Now, to rescue one missing girl, he must first solve the riddles that disappeared with another: Kelsey Willard herself. Dead or alive, she is his last hope.

    Ten-year-old Liza Barton shoots her mother while trying to protect her from her violent husband -- Liza's stepfather. While the death is ruled accidental, the tabloids still compare Liza to the child murderess Lizzie Borden.Liza's adoptive parents change her name to Celia and try to erase all traces of her past. Widowed after a brief marriage in which she had a son, Jack, she remarries a young lawyer. Celia is happy until, on her birthday, he presents her with a gift -- the house where she killed her mother. On moving in, they find the words LITTLE LIZZIE'S PLACE - BEWARE painted in red letters on the lawn. When the real estate agent who sold the house to her husband is murdered, she becomes a suspect. As she struggles to prove her innocence, Celia and her little son are being stalked by the killer.

    In 1933, the year that forms the centerpiece of the narrative, Harry is 11 years old and living with his mother, father, and younger sister on a farm outside of Marvel Creek, Texas, near the Sabine River bottoms. Harry's world changes forever when he discovers the corpse of a young black woman tied to a tree in the forest near his home. The woman, who is eventually identified as a local prostitute, has been murdered, molested, and sexually mutilated. She is also, as Harry will soon discover, the first in a series of similar corpses, all of them the victims of a new, unprecedented sort of monster: a traveling serial killer.From his privileged position as the son of constable (and farmer and part-time barber) Jacob Collins, Harry watches as the distinctly amateur investigation unfolds. As more bodies -- not all of them "colored" -- surface, the mood of the local residents darkens. Racial tensions -- never far from the surface, even in the best of times -- gradually kindle. When circumstantial evidence implicates an ancient, innocent black man named Mose, the Ku Klux Klan mobilizes, initiating a chilling, graphically described lynching that will occupy a permanent place in Harry Collins's memories. With Mose dead and the threat to local white women presumably put to rest, the residents of Marvel Creek resume their normal lives, only to find that the actual killer remains at large and continues to threaten the safety and stability of the town.Lansdale uses this protracted murder investigation to open up a window on an insular, poverty-stricken, racially divided community. With humor, precision, and great narrative economy, he evokes the society of Marvel Creek in all its alternating tawdriness and nobility, offering us a varied, absolutely convincing portrait of a world that has receded into history. At the same time, he offers us a richly detailed re-creation of the vibrant, dangerous physical landscapes that were part of that world and have since been buried under the concrete and cement of the industrialized juggernaut of the late 20th century. In Lansdale's hands, the gritty realities of Depression-era Texas are as authentic -- and memorable -- as anything in recent American fiction.

    Though newspapers have dubbed him ‘the Torso Killer’, this murderer’s work is overshadowed by the hysteria surrounding Jack the Ripper’s Whitechapel crimes. The victims are women too, but their dismembered bodies, wrapped in rags and tied up with string, are pulled out of the Thames – and the heads are missing. The murderer likes to keep them.Mayhem is a masterwork of narrative suspense: a supernatural thriller set in a shadowy, gaslit London, where monsters stalk the cobbled streets and hide in plain sight.

    He's handsome and charming, but something in his past has made him abide by a different set of rules. He's a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood spatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened—of himself or some other fiend.

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    John Baldwin, find themselves in a joint investigation pursuing a vicious murderer. The Southern Strangler is slaughtering his way through the Southeast, leaving a gruesome memento at each crime scene -- the prior victim's severed hand.Ambitious TV reporter Whitney Connolly is certain the Southern Strangler is her ticket out of Nashville; she's got a scoop that could break the case. She has no idea how close this story really is -- or what it will cost her.As the killer spirals out of control, everyone involved must face a horrible truth -- that the purest evil is born of private lies.

    Now, looking for a fresh start with a home restoration project and growing blog, Claudia takes on a crumbling old house--one that unbeknownst to her has an ugly history and may hide long buried secrets.For Zoey Drake the defining moment of her childhood was the horrific murder of her parents. Years later, she has embraced the rage that fuels her. Training in the martial arts has made her strong and ready to face the demons from the past--and within.Strangers to each other, and walking very different paths in the wake of trauma, these two women are on a collision course--because Zoey's past nightmare and Claudia's dreams for her future take place in the same house. As Zoey seeks justice, and Claudia seeks peace, both will confront the terrifying monsters at the door.

    When body parts are found on the banks of the River Thames in Deptford, DI Angelica Henley is tasked with finding the killer. Eerie echoes of previous crimes lead Henley to question Peter Olivier, aka The Jigsaw Killer, who is currently serving a life sentence for a series of horrific murders. When a severed head is delivered to Henley's home, she realises that the copycat is taking a personal interest in her and that the victims have not been chosen at random. To catch the killer, Henley must confront her own demons - - and when Olivier escapes from prison, she finds herself up against not one serial killer, but two.