But it comes at a cost. He has to kill the shining girls: bright young women, burning with potential. Curtis stalks them through their lives across different eras until, in 1989, one of his victims, Kirby Mazrachi, survives and starts hunting him back.Working with a former homicide reporter who is falling for her, Kirby races against time and reason to unravel an impossible mystery.

    Part war story, part timeslip, part love story – and at the same time a meditation on the themes of war, mental illness, identity and art, Beyond The Moon is an intelligent, captivating debut novel, perfect for book clubs.In 1916 1st Lieutenant Robert Lovett is a patient at Coldbrook Hall military hospital in Sussex, England. A gifted artist, he’s been wounded fighting in the Great War. Shell shocked and suffering from hysterical blindness he can no longer see his own face, let alone paint, and life seems increasingly hopeless. A century later in 2017, medical student Louisa Casson has just lost her beloved grandmother – her only family. Heartbroken, she drowns her sorrows in alcohol on the South Downs cliffs – only to fall accidentally part-way down. Doctors fear she may have attempted suicide, and Louisa finds herself involuntarily admitted to Coldbrook Hall – now a psychiatric hospital, an unfriendly and chaotic place.Then one day, while secretly exploring the old Victorian hospital’s ruined, abandoned wing, Louisa hears a voice calling for help, and stumbles across a dark, old-fashioned hospital room. Inside, lying on the floor, is a mysterious, sightless young man, who tells her he was hurt at the Battle of the Somme, a WW1 battle a century ago. And that his name is Lieutenant Robert Lovett…*NB Contains graphic descriptions of war violence and injuries, as well as profanity and mild sex.

    I am your soulmate, your old friend, and I have come back to this city of sixteen million in search of you.So begins the first letter that falls into Wang’s lap as he flips down the visor in his taxi. The letters that follow are filled with the stories of Wang’s previous lives—from escaping a marriage to a spirit bride, to being a slave on the run from Genghis Khan, to living as a fisherman during the Opium Wars, and being a teenager on the Red Guard during the cultural revolution—bound to his mysterious “soulmate,” spanning one thousand years of betrayal and intrigue.As the letters continue to appear seemingly out of thin air, Wang becomes convinced that someone is watching him—someone who claims to have known him for over one thousand years. And with each letter, Wang feels the watcher growing closer and closer…Seamlessly weaving Chinese folklore, history, and literary classics, The Incarnations is a taut and gripping novel that sheds light on the cyclical nature of history as it hints that the past is never truly settled.

    Richard and Juliette Willoughby’s son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

    In 'Corrag', Susan Fletcher tells us the story of an epic historic event, of the difference a single heart can make - and how deep and lasting relationships can come from the most unlikely places.Other titles:The Highland WitchWitch Light

     The ancient building has been the subject of rumours for close to a century. Its owner, Edith, refused to let guests inside and rarely visited the nearby town. Following Edith's death, her sole surviving relative, Adrienne, inherits the property. Adrienne's only possessions are a suitcase of luggage, twenty dollars, and her pet cat. Ashburn House is a lifeline she can't afford to refuse. Adrienne doesn't believe in ghosts, but it's hard to ignore the unease that grows as she explores her new home. Strange messages have been etched into the wallpaper, an old grave is hidden in the forest behind the house, and eerie portraits in the upstairs hall seem to watch her every movement. As she uncovers more of the house's secrets, Adrienne begins to believe the whispered rumours about Ashburn may hold more truth than she ever suspected. The building has a bleak and grisly past, and as she chases the threads of a decades-old mystery, Adrienne realises she's become the prey to something deeply unnatural and intensely resentful. Only one thing is certain: Ashburn's dead are not at rest.

    Joan’s Academy, and school is a pressure cooker. College applications, the battle for valedictorian, deciphering boys’ texts: Through it all, Colleen Rowley and her friends are expected to keep it together. Until they can’t.   First it’s the school’s queen bee, Clara Rutherford, who suddenly falls into uncontrollable tics in the middle of class. Her mystery illness quickly spreads to her closest clique of friends, then more students and symptoms follow: seizures, hair loss, violent coughing fits. St. Joan’s buzzes with rumor; rumor blossoms into full-blown panic.   Soon the media descends on Danvers, Massachusetts, as everyone scrambles to find something, or someone, to blame. Pollution? Stress? Or are the girls faking? Only Colleen—who’s been reading The Crucible for extra credit—comes to realize what nobody else has. Inspired by true events—from seventeenth-century colonial life to the halls of a modern-day high school, this is the mystery that raises the question, what’s really happening to the girls at St. Joan’s?

    In his most dazzling novel since the groundbreaking New York Times bestseller An Instance of the Fingerpost, Iain Pears tells the story of John Stone, financier and arms dealer, a man so wealthy that in the years before World War One he was able to manipulate markets, industries, and indeed entire countries and continents.A panoramic novel with a riveting mystery at its heart, Stone’s Fall is a quest to discover how and why John Stone dies, falling out of a window at his London home.Chronologically, it moves backwards–from London in 1909 to Paris in 1890, and finally to Venice in 1867– and in the process the quest to uncover the truth plays out against the backdrop of the evolution of high-stakes international finance, Europe’s first great age of espionage, and the start of the twentieth century’s arms race.Like Fingerpost, Stone’s Fall is an intricately plotted and richly satisfying puzzle–an erudite work of history and fiction that feels utterly true and oddly timely–and marks the triumphant return of one of the world’s great storytellers.

    from an internationally renowned author.This haunting tale follows two cursed families in a saga of romance, black magic, and music set in an ancient abbey where the lines between the past 500 years and the present are blurred into oblivion. The handsome, mysteriously compelling owner of Beauregard Abbey, Nicholas Beauregard, must help Zuleika Rathbone as she traces the path of a murderous ancestor, rousing an unimaginable evil centered around a mystical violin. An unlikely romance amidst the havoc wreaked by practitioners of the dark arts takes the reader deep into the thrilling world of the occult.

    When Juliet dies, Aila and her younger brother Miles are sent to live in Sterling, a rural town far from home--and the place where Juliet grew up.Sterling is a place with mysteries of its own. A place where the experiences that weave life together--scents of flowers and food, reflections from mirrors and lakes, even the ability to dream--vanish every seven years.No one knows what caused these “Disappearances,” or what will slip away next. But Sterling always suspected that Juliet Quinn was somehow responsible--and Aila must bear the brunt of their blame while she follows the chain of literary clues her mother left behind. As the next Disappearance nears, Aila begins to unravel the dual mystery of why the Disappearances happen and who her mother truly was. One thing is clear: Sterling isn’t going to hold on to anyone's secrets for long before it starts giving them up.

    This is against the wishes of his family because it was at this resort that David's biological father disappeared fifteen years earlier--but something undeniable has called David there.Something different is happening in this town. David is haunted by eerie visions of a mysterious man carrying a rope, walking hand-in-hand with a small child, and the resort is under siege by a plague of ladybugs. When David gets embroiled in a fiercely torrid love triangle, the stakes turn more and more menacing, and through it all, David feels as though he is getting closer to the secrets of his own past.

    The year is 1880. Two hundred years after the trials in Salem, Adelaide Thom ('Moth' from The Virgin Cure) has left her life in the sideshow to open a tea shop with another young woman who feels it's finally safe enough to describe herself as a witch: a former medical student and "gardien de sorts" (keeper of spells), Eleanor St. Clair. Together they cater to Manhattan's high society ladies, specializing in cures, palmistry and potions--and in guarding the secrets of their clients. All is well until one bright September afternoon, when an enchanting young woman named Beatrice Dunn arrives at their door seeking employment. Beatrice soon becomes indispensable as Eleanor's apprentice, but her new life with the witches is marred by strange occurrences. She sees things no one else can see. She hears voices no one else can hear. Objects appear out of thin air, as if gifts from the dead. Has she been touched by magic or is she simply losing her mind? Eleanor wants to tread lightly and respect the magic manifest in the girl, but Adelaide sees a business opportunity. Working with Dr. Quinn Brody, a talented alienist, she submits Beatrice to a series of tests to see if she truly can talk to spirits. Amidst the witches' tug-of-war over what's best for her, Beatrice disappears, leaving them to wonder whether it was by choice or by force. As Adelaide and Eleanor begin the desperate search for Beatrice, they're confronted by accusations and spectres from their own pasts. In a time when women were corseted, confined and committed for merely speaking their minds, were any of them safe?

    Peter Byerly isn't sure what drew him into this particular bookshop. Nine months earlier, the death of his beloved wife, Amanda, had left him shattered. The young antiquarian bookseller relocated from North Carolina to the English countryside, hoping to rediscover the joy he once took in collecting and restoring rare books. But upon opening an eighteenth-century study of Shakespeare forgeries, Peter is shocked when a portrait of Amanda tumbles out of its pages. Of course, it isn't really her. The watercolor is clearly Victorian. Yet the resemblance is uncanny, and Peter becomes obsessed with learning the picture's origins. As he follows the trail back first to the Victorian era and then to Shakespeare's time, Peter communes with Amanda's spirit, learns the truth about his own past, and discovers a book that might definitively prove Shakespeare was, indeed, the author of all his plays.

    Loo and her sister Bee live in a run-down cottage in the middle of nowhere, with their artistic parents and wild siblings. Their mother, Cathy, had hoped to escape to a simpler life; instead the family find themselves isolated and shunned by their neighbours. At the height of the stifling summer, unexplained noises and occurences in the house begin to disturb the family, until they intrude on every waking moment . . .NOW Loo, now Lucy, is called back to her childhood home. A group of strangers are looking to discover the truth about the house and the people who lived there. But is Lucy ready to confront what really happened all those years ago?

    AN ISOLATED, WINDSWEPT LAND HAUNTED BY WITCH TRIALS AND STEEPED IN THE ANCIENT SAGAS.Betrothed unexpectedly to Jón Eiríksson, Rósa is sent to join her new husband in the remote village of Stykkishólmur. Here, the villagers are wary of outsiders.But Rósa harbours her own suspicions. Her husband buried his first wife alone in the dead of night. He will not talk of it. Instead he gives her a small glass figurine. She does not know what it signifies.The villagers mistrust them both. Dark threats are whispered. There is an evil here - Rósa can feel it. Is it her husband, the villagers - or the land itself?Alone and far from home, Rósa sees the darkness coming. She fears she will be its next victim...