A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.

    Faceless creatures haunt an unwary traveler. A beautiful woman — the personification of winter at its cruelest — ruthlessly kills unsuspecting mortals. These and 17 other chilling supernatural tales — based on legends, myths, and beliefs of ancient Japan — represent the very best of Lafcadio Hearn's literary style. They are also a culmination of his lifelong interest in the endlessly fascinating customs and tales of the country where he spent the last fourteen years of his life, translating into English the atmospheric stories he so avidly collected.Teeming with undead samurais, man-eating goblins, and other terrifying demons, these 20 classic ghost stories inspired the Oscar®-nominated 1964 film of the same name.

    Full color.

    The Montgomeries, distinguished folklorists, gathered traditional stories from all parts of Scotland. Their collection, first published in 1956, became a classic of the storytelling tradition, with the stories retold in a simple, dramatic style, appealing to adult and child alike. Now republished by Birlinn Ltd in a handsome gift edition and illustrated with Norah Montgomerie's own original drawings, it is a book to be treasured for years as the key to an enchanted, timeless world.

    Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. A selection of illustrations from editions of classic tales from the 19th to the 21st centuries is also included.

    Nearly 100 stories from over 40 tribe-related myths of creation, tales of epic deeds, ghost stories and tales set in both the animal and human realms.Part of the Pantheon Fairy Tale and Folklore Library

    350 full-color photos, paintings & illustrations.

    Hated and feared by many, he schemed to win the love of the beautiful goddess Parvati . . . but learned an important lesson when he invited her elephant-headed son Ganesha over for lunch one day . . . So goes one of the many delightful tales in this decidedly grown-up book of traditional Indian stories, retold for the modern reader. Author Kamla Kapur is well known in her native India as a poet and playwright, and her connection to these age-old stories is the reverent yet individualistic one we might expect from someone whose introduction tells of her hometown, where naked, dreadlocked holy men speed about on motorbikes. To collect these stories, Kapur relied on ancient sacred texts, modern scholarship, and chance encounters with interesting people who just happened to know a really good one about this time that Vishnu sank into the ocean, was incarnated as a pig, and had a really wonderful time. Like myths around the world, these are teaching stories that offer both a window into a fascinating culture that has endured for thousands of years, and a code for living that can be applied to the modern world.

    Folklorist Helene Adeline Guerber brings to life the gods and goddesses, giants and dwarves, and warriors and monsters of these stories in Tales of Norse Mythology. Ranging from the comic to the tragic, these leghends tell of passion, love, friendship, pride, courage, strength, loyalty, and betrayal.

    Reveals the inner traditions of the Gypsy way, their healing and magic, their historical migrations, and why gypsies believe they should only 'borrow', rather than own, the earth. The Gypsies have always been a source of both fascination and fear. They have lived among us for thousands of years and yet we know little about them. In this book Jasper Lee takes us on a journey to the heartland of the Gypsy people. Jasper Lee practises the healing arts of the Gypsy shaman, preserving the ancient customs of his people with an openness rare among those of Gypsy blood. His story shows how he believes that by preserving them and revealing these customs to the non-Gypsy world, he will lift the curse which has afflicted his family since they chose to buy their land, rather than borrow the earth as their ancestors did.

    Here are traditional tales about the trees and plants that shape our landscapes and our lives through the seasons. They explore the complex relationship between people and plants, in lowlands and uplands, fields, bogs, moors, woodlands and towns.Suitable for all ages, this is an essential collection of stories for anyone interested in botany, the environment and our living heritage.

    Perilous quests, true love, and animals that talk. The traditional stories of Ireland, Scotland, Brittany, and Wales transport us to the fantastical world of Celtic folklore. These timeless tales brim with wit and magic, and each on is brought to life with elegant silhouette art in this special illustrated edition.

    Included are The Gorgon’s Head, The Golden Touch, The Paradise of Children, The Three Golden Apples, The Miraculous Pitcher, and The Chimaera. In 1838, Hawthorne suggested to Henry Wadsworth Longfellow that they collaborate on a story for children based on the legend of the Pandora’s Box, but this never materialized. He wrote A Wonder Book between April and July 1851, adapting six legends most freely from Charles Anton’s A Classical Dictionary (1842). He set out deliberately to “modernize” the stories, freeing them from what he called “cold moonshine” and using a romantic, readable style that was criticized by adults but proved universally popular with children. With full-color illustrations throughout by Arthur Rackham.

    One night the stepmother sends Vasilisa to visit Baba Yaga, an errand from which the gentle girl has little chance of returning alive. "An engaging text and accomplished paintings set this version apart....A stylized and classy offering."--School Library Journal.

    All the central characters are spirited females—decisive heroes of extraordinary courage, wit, and achievement who set out to determine their own fate. Some of their stories are comic, some adventurous, some eerie, and some magical. The Chicago Sun-Times writes: "A sparkling gathering of traditional, yet little-known, tales from all parts of the globe. The female characters. . . manage to outsmart, outdo, and over-power the villains with nerves of steel, cunning minds, and disarming senses of humor."