- A new quarterly anthology of the best new talent in the sequential arts- In color, part-color, and black-and-white- The regular roster of artists gives the series a concrete identity- Quarterly schedule allows readers to look forward to favorite artists on a regular basis- Created for a general audience of literature fans, with a focus on contemporary fiction and narrative

    These crisply rendered images reflect his life-long obsession with hidden worlds, alternate realities and the inexplicable resonance of the unprecedented and irrational in lucid art.Seeing Things collects the most toothsome of these drawings and arranges them in four sections. "Lazy Robinson" is a series of portraits of forms taken by a cognizant object during the course of a specific and identifiable stream of thought. "Frogs" celebrates the tender proclivities of the most noble of all animals, by placing them in situations that would dismay a horde of saints. "The Visible World" is a roundup of appalling scenes of sub-rational political activity involving catalytic entities with a high ratio of motivation to altruism. And "The Portfolio in Color" appears like a rainbow at the end of all this exalted storminess to send readers out into the world whistling with delight. Many of these images were created for "Mysterio Sympatico," Woodring's multimedia stage collaboration with guitarist Bill Frisell. There is plenty of echoless, glowing furniture to add to that already crowded storeroom which is briefly, but brilliantly, illuminated in the pages of this stately book.

    This is the first time these hilarious stories, starring the hapless Buddy Bradley and his cast of loser cohorts, have ever been available under one cover, and never have they been available at such a low price (it would have cost at least three times as much to read all of these classic stories in any previous editions). Bagge's riotous tales of the early 1990s subculture are more hilarious now than ever, find out why he has been praised by R. Crumb, Matt Groening, John Kricfalusi, Publishers Weekly, Entertainment Weekly and many more. Comedy genius.

    Their shaman, Zachariah, helps them to interpret the spirits that foretell their future. But a strange vision bodes ill. This long-awaited second collaboration between Italian artists Lorenzo Mattotti and Jerry Kramsky, ten years in the making, is masterfully drawn in soft, psychedelic black and white.

    But he soon picked up the story of Luba: The hammer-wielding matriarch had emigrated to the U. S. where she contended not only with an unwelcoming new culture but also her extended family. These "America" stories - over 80 of them, ranging from quick one-page blackout sketches to graphic novellas—were originally published in a number of different comics and reprinted in a trilogy of oversized paperbacks. Luba collects in one compact, affordable hardcover the entirety of these tales, showcasing Gilbert Hernandez's wicked wit, great compassion, and uncanny understanding of how human beings love, squabble, and ultimately find a way to make it through this life.

    It made the New York Times bestseller list and won coveted Eisner and Harvey awards. The second graphic novel, The Outfit, was released last year and was met with similar response, and is currently under consideration for nominations in this year's awards season. The Hunter and The Outfit tell the story of Parker, Richard Stark's classic anti-hero, as he returns to New York to settle the score with his wife and partner in crime after they betray him in a heist gone terribly wrong. After evening the field and reclaiming his prize, the Outfit decide to do some score settling of their own... and learn much too late that when you push a man like Parker, it had better be all the way to the grave.

    These tales of corruption, paranoia, vengeance, and the Devil feature the bold, experimental storytelling that cemented Wagner`s reputation as one of the comics medium`s leading innovators. Story, art, and new cover painting by Matt Wagner, colors by Eisner award-nominee Bernie Mireault.

    Now, the feared "Decapitator Asaemon" tests swords and performs executions at the shogun's behest. Asaemon is the last stop for the condemned and often becomes final confessor as well as slayer, finding that sometimes the stories of the doomed do not end with their deaths. From Kazuo Koike and Goseki Kojima, the legendary creators of Lone Wolf and Cub, comes Samurai Executioner, a dark, complex exploration of Edo-period feudal Japan and the depths of the human spirit.

    Yet before the watchdog groups and Congress could intercede, horror books were flying off the newsstands. During its peak period (1951-54) over fifty titles appeared each month. Apparently there was something perversely irresistible about these graphic excursions into our dark side, and Four Color Fear collects the finest of these into a single robust and affordable volume. EC is the comic book company most fans associate with horror; its complete line has been reprinted numerous times, and deservedly so. But to the average reader there remain unseen quite a batch of genuinely disturbing, compulsive, imaginative, at times even touching, horror stories presented from a variety of visions and perspectives, many of which at their best can stand toe to toe with EC. All of the better horror companies are represented: Ajax-Farrell, Atlas, Avon, Charlton, Comic Media, Fawcett, Fiction House, Gilmor, Harvey, Quality, Standard, St. John, Story, Superior, Trojan, and Youthful. Artist perennials Jack Cole, Steve Ditko, George Evans, Frank Frazetta, Alex Toth, Al Williamson, Basil Wolverton, and Wallace Wood con- tribute both stories and covers, with many of the forty full-sized covers created by specialists Bernard Baily, L.B. Cole, William Eckgren, and Matt Fox. Editors Benson and Sadowski have sifted through hundreds of rare books to cherry-pick the most compelling scripts and art, and they provide extensive background notes on the artists, writers, and companies involved in their creation. Digital restoration has been performed with subtlety and restraint, mainly to correct registration and printing errors, with every effort made to retain the flavor of the original comics, and to provide the reader the experience of finding in the attic a bound volume of the finest non-EC horror covers and stories of the pre-code era.

    Once, long ago, they were kids -- but they still ended up saving the world! Now you can join Goku and his friends on their epic journey. Can they find the hidden Dragon Balls before Emperor Pilaf and Monster Carrot can get their greedy hands on the source of ultimate power?With more than fifty full color Dragon Ball stickers, and information about all your favorite Dragon Ball characters, now you can be a part of the Dragon Ball adventure!

    Drawn in a range of styles asimprovisational as Coltrane and Mingus — everything from loose lineworkto tight pen and ink to gestural pencils — Blutch captures the excitement oflive performance, the lovelorn, and the Great Jazz Detective, who is out butnot down.

    But a stranger is coming, one who will destroy both peace and balance, and open the galaxy to exploration and conquest. This is where it all begins!

    His career in the golden age of comic books lasted from 1938 until 1952, after which his illustrations and caricatures extended into such publications as Life, Pageant and MAD magazines. Stylistically, he has been regarded as one of the spiritual grandfathers of underground and alternative comix. Less well known and understood is his work for the Worldwide Church of God, headed until 1986 by radio evangelist Herbert Armstrong. From 1953 through 1974, Wolverton, a deeply religious man, was commissioned and later employed by the church to write and illustrate a narrative of the Old Testament (including over 550 illustrations), some 20apocalyptic illustrations inspired by the Book of Revelations, and dozens of cartoons and humorous illustrations for various Worldwide Church publications.Compiled and edited by Wolverton's son, Monte, the 304-page Wolverton Bible includes all of Wolverton's artwork for the Worldwide Church of God corporation. Recording artist and noted EC authority Grant Geissman (Tales of Terror: The E.C. Companion and Foul Play : The Art and Artists of the Notorious 1950s E.C. Comics )provides an insightful foreword, while Monte Wolverton delivers commentary and background in the introduction and in each section. This volume is authorized and commissioned by the Worldwide Church of God and endorsed by the Wolverton family.Many of the illustrations in this book are regarded as Basil Wolverton s finest work. Still others have never been published, and some of the humorous drawings printed here rival Wolverton's work in MAD magazine.

    ARCHIE 1000 PAGE COMICS CELEBRATION collects 1000 pages of iconic Archie tales in this one amazing volume! Follow America's favorite red-head as he navigates the pressures of the American teenager in the awkward, charming, and hilarious way you've come to know and love.

    Now he's got 50 years of hard time to look forward to. But Something powerful has been growing within Ethan, and on the day of his sentencing, it escapes at last. It will change a life that has already been completely changed. It will follow him into the savage setting of a maximum-security prison, where each day is a struggle for survival. Will it be a source of massive power, a chance for redemption, or the cruelest of curses?