United by their love of the game and their yearning for companionship, they quickly forged a bond which would carry them through thick and thin (a lot of thin) and, at last, to the brink of a national championship. They were a motley group who faced challenges all too typical of inner-city America. LeBron grew up without a father and had moved with his mother more than a dozen times by the age of 10. Willie McGee, the quiet one, had left both his parents behind in Chicago to be raised by his older brother in Akron. Dru Joyce was outspoken, and his dad, who was ever-present, would end up coaching all five of the boys in high school. Sian Cotton, who also played football, was the happy-go-lucky enforcer, while Romeo Travis was unhappy, bitter, even surly, until he finally opened himself up to the bond his team mates offered. In the summer after seventh grade, the SHOOTING STARS tasted glory when they qualified for a national championship tournament in Memphis. But they lost their focus, and had to go home early. They promised each other they would stay together and do whatever it took to win a national title. They had no idea how hard it would be to pursue that promise. In the years that followed, they would endure jealousy, hostility, exploitation, resentment from the black community (because they went to a "white" high school), and the consequence of their own over-confidence. Not least, they would all have to wrestle with LeBron's outsize success, which brought too much attention and even a whiff of scandal their way. But together these five boys became men as they sought a national championship.

    These photographs were captured during a road trip from Manali to Leh, one of the most challenging drives in the world. The photographs are accompanied by a short description of the place where they were clicked and have been arranged in the order they were clicked so as to give the reader a realistic idea of how the landscape changes during the journey from Manali to Leh.

    On the morning of December 7, 2006, Maria Alexandra Vettese and Stephanie Congdon Barnes each took a digital photo of everyday objects randomly arranged on their kitchen tables and, unbeknownst to one another, uploaded them to the website Flickr. Noticing a remarkable similarity between their images, they agreed to document their mornings by posting one photo to a shared blog every weekday for a year. Their site, 3191 (http://3191.visualblogging.com) named after the distance in miles between their homes in Portland, Maine, and Portland, Oregon quickly acquired a worldwide following of devotees fascinated by the magical coincidences and pictorial synchronicity of their photographic pairings.A Year of Mornings collects 236 images, always taken before 10 am without discussion between the two women, from this uniquely 21st-century artistic collaboration. The intimacy of these photographs; discarded clothing, a view of a snowy day from the window, a tablecloth combined with their striking similarities in color and composition, defies the reality of their long-distance collaboration. While clearly kindred spirits, the two women have met in person only once. Their friendship is maintained solely online, sustained by a shared love for moments of serenity, solitude, and peacefulness. The annotated photographs in A Year of Mornings radiate an aura of sweetness and light, the promise of a new day.

    The book follows the breakdown of the marriage, her decision to get a divorce, the trauma of doing so, depression and finally overcoming it all to become a stronger, happier person.Written with much wit, wisdom and warmth, it is a memoir, which anybody who has loved and lost will relate to

    Unfortunately, the Cresswill case was anything but. It started as a suicide, but then it was a murder pretending to be a suicide. Then it appeared that it was a suicide masquerading as a murder pretending to be a suicide. It was all so ridiculous, but the only thing a jury needs to acquit is a reasonable doubt, even when it seems quite unreasonable. Or is it? Or not? Perhaps to find the truth, the police need help that is every bit as unhinged as the case…

    Teeming with revelations and glorious memories, Birth of a Dynasty celebrates the unforgettable 1996 Yankees season: the season that began one of the most respected team dynasties in sports history. Veteran New York Post columnist Joel Sherman, who has spent more time with the Bronx Bombers in the past 15 years than any other writer, draws on hundreds of interviews and years of on-the-spot reporting to re-create one of the Yankees' greatest years.

    Marty was a professional writer, and considered himself a writer first, and an actor second. Feldman created a number of immensely successful and influential shows such as Marty, The Frost Report and sketches for Monty Python. He was one of the most essential creative forces in British comedy embodied also by his close friends and creative partners from Beyond the Fringe (especially Peter Cook and Dudley Moore) and Monty Python (especially John Cleese, Graham Chapman and Eric Idle).Marty played the fool, often very happily and with tremendous talent and volcanic, anarchic energy, for his entire life. His face is what many people most immediately remember. It was a face that David Frost, one of his bosses, characterised as 'too grotesque' for television - see what Feldman has to say about Frost, and Francis Bacon, and John Lennon...Marty Feldman finished, and set aside eYE Marty soon before travelling to Mexico to shoot his final film. He did not know that he would die there, although he certainly felt he might die soon, and was haunted by the notion. The book is exactly as Feldman wrote it: Mark Flanagan had it transcribed, with even the photos inserted where Feldman had noted they should go. Hilarious, deeply charming, aphoristic, ironic, charged throughout with lust for life and filled with scenes of great vanished eras and and portraits of other performers and friends, eYE Marty is the amazing discovery of the story of a man who was at the heart of the British comedy revolution.

    His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson--including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material--featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines--will revolutionize the study of Cartier-Bresson's work.

    Has he left her for another woman, or has something more sinister happened? In a world that is becoming increasingly muddled, Alice is unsure whom she can trust. Even her daughter appears to be lying to her. How much heartache can one person endure?As strange things begin to happen, Alice struggles to separate reality from fantasy--and to make sense of a mystery surrounding Millie, her beautiful five-year-old granddaughter. Sometimes it takes a stranger to help. And sometimes you need a detective . . .

    Broken bonds. Lives in peril. Redemption. Past-haunted emergency physician Zack Winston and casehardened defense attorney Bridget Larsen battle a malicious malpractice suit. They uncover a medical conspiracy trading in drugs and murder. As they peel back layers of truth, past relationships and current alliances destabilize —threatening both their lives.“Absolutely stunning! This is the heart-stopping medical thriller I've waited for.” —Stella Cameron, NYT bestselling author. "A heart-pounding thriller. Krentz taps his richly lived experience as an emergency physician and takes the reader on a deep dive into the medical challenges, legal battles, and lingering emotional wounds of Dr. Zack Winston. A page turner, with twists that surprise — and satisfy.” —Deborah Serani, award-winning author of THE NINTH SESSION. "Krentz applies his insider’s knowledge of the ER in a taut thriller that will rivet fans of medical dramas.” —Kimmery Martin, author of THE QUEEN OF HEARTS and THE ANTIDOTE FOR EVERYTHING. "DEAD ALREADY opens on the adrenaline rush of emergency room action and never slows down. Murder, nuanced characters, and deadly secrets make for a roller-coaster thrill ride. The push-pull relationship between ER doc Zack Winston and defense lawyer Bridget Larsen rings true all the way to their plunge into life-threatening danger.” —Jayne Ann Krentz / Amanda Quick, NYT and USA Today bestselling author.

    Sandy is a runaway who has swapped her unhappy past for a life on the streets.Every day, Max brings Sandy a coffee. Every day, she looks forward to seeing him.But then one morning Max doesn't show up. And when Sandy tracks him down she discovers a man who has lost everything: his career, his family, his reputation. It seems like Max and Sandy have more in common than they realised - including a certain day in June when their lives fell apart. As Max and Sandy form an unlikely friendship, they discover that moving forward means letting go of the past - and that, sometimes, strength can come from the most unlikely places.

    Inspirational and poetic, this book will not only spark readers’ creative energies, but also reawaken your passion for life.In 2005, as a husband, father, and corporate employee — Lorenzo's life revolved around home, work, and his daily commute from the suburbs to the city.Then, one day, he found himself staying at the Little Church in midtown Manhattan in the wake of a marital separation. Living in virtual isolation for three months, he had a rare chance to re-examine his life.Quite unexpectedly, he found himself wandering around the city to take photographs, a passion he had let slide in the years of pursuing a career and starting a family. During his nightly sojourns through the streets of New York City, he was reminded of some important life lessons—lessons too easily forgotten in the blur of everyday existence. 25 Lessons has been the #1 best selling photo essay on amazon.com for 2010 and 2011. Printed paperback and hard cover versions with photos are also available here on amazon.PRAISE FOR LORENZO AND 25 LESSONS“In many of my conversations on great photographers, I frequently mention Lorenzo’s work. His sequential photographs…are nothing less that a visual urban poem. It has been my pleasure to watch Lorenzo’s rapid growth as a leading photographer of our time.”Jim Van Meter, Rochester, NY, USA“Lorenzo is a master. His body of work is some of the very best online and may very well be some of the best being done in the medium today. His street work follows in the tradition of Paul Strand, Cartier-Bresson, Garry Winogrand and Larry Friedlander. Lorenzo’s 25 Lessons are…as seminal as Ansel’s dissertation on the zone system. I found them to be reenergizing, perceptive and extremely useful. I have been touched by his story, his writings and by his work. I can’t imagine anyone not being so.”Barry Shapiro, Los Angeles, CA, USA“Lorenzo…has a passion for life, photography and writing. He is a linguistic genius, a storyteller through words and pictures. He captures with his camera the world as he sees it, its feelings, love, beauty and all it has to offer...” Brenda George, Adelaide, AustraliaABOUT THE PHOTOGRAPHER, AUTHOR & JOURNALISTLorenzo is a best-selling author, a writer and an award-winning street photographer.He has written numerous books, interviews and articles about fine art and photography for En Foco, Nueva Luz, Rain Tiger and the Examiner. Throughout most of 2010, his book, 25 Lessons I’ve Learned about photography Life! has been the #1 Best Selling Photo Essay and Artist & Photography Biography on Amazon.com. Paul Giguere, guru for the popular podcast thoughts on photography, considers 25 Lessons one of the "classic" essays on photography. In October of 2010, he served as the NYC photography adviser for the recently launched Microsoft foursquare photography app. In 2008, he was chosen to be the HP Be Brilliant Featured Artist.Since taking up digital photography in 2005, his photography has been featured in fotoMAGAZIN, Germany's premier photo magazine, and his photos have been cited, posted and published by over 350 other blogs, websites, and print publications. He has been called an "Internet photography sensation" by Time Out New York and is considered a "Flickr star" by Rob Walker, Consumed columnist, for New York Times Magazine.His work is represented worldwide by Getty Images.

    The new monster in the IRA's armoury must be destroyed at birth. A top-secret, top-priority order goes out to 22 Special Air Service Regiment:SEEK AND DESTROY - NO MATTER WHERE.For the four-men Sabre team of the legendary SAS this will be their toughest mission... probing the inner sanctum of the IRA's terror machine, fighting in the bloody carnage and chaos of Ulster - never before has so much been at stake. They encounter both triumph and disaster - and the cruellest twist of fate.

     One lie could save them. The brilliant prequel to The Boy Who Saw, a gripping thriller from Sunday Times bestseller Simon Toyne, featuring the enigmatic Solomon Creed.A strangerSolomon Creed is an outsider with an unknown past, travelling through a remote part of Texas. He doesn’t look for trouble – but trouble finds him.A familyAt a roadside diner, he runs into a worn-down family whose ancestral land and home is about to be auctioned. But when Solomon suspects it’s worth a lot more than they think he decides to take things into his own hands.A secretAs Solomon races to find hard evidence of the land’s true value, he uncovers a dark truth – hidden for generations – that changes everything. But how far is he willing to go to save a family from potential ruin? And how far will others go to stop him?

    Filled with details on techniques to improve perspective, composition, and exposure, and illustrated with the author's lively and evocative images, as well as advice and photos from 11 contemporary masters of street-shooting style, New Street Photographer's Manifesto has its lens pointed squarely toward the future.