Memory was the psychological faculty valued above all others in the period stretching from late antiquity through the Renaissance. The prominence given to memory has profound implications for the contemporary understanding of all creative activity, and the social role of literature and art. Drawing on a range of fascinating examples from Dante, Chaucer, and Aquinas to the symbolism of illuminated manuscripts, this unusually wide-ranging book offers new insights into the medieval world.

    The volume includes substantial excerpts from notable women theologians and from black and liberation perspectives, plus a new section from deceased theologians such as Thomas Merton, Martin Luther King, Jr., and Karl Rahner. Each passage is prefaced by detailed introductory comments on the life and thought of each theologian and the significance of his/her work.

    The result is a nuanced portrayal of a multifarious western world that was sharply divided between its northern and southern aspects. By also integrating the histories of the Islamic and Byzantine world into the main narrative, the text brings new life to the continuum of interaction--social, cultural, and intellectual, as well as commercial--that existed among all three societies. In addition, it describes ways in which the medieval Latin West attempted to understand the unified and rational structure of the human cosmos, which they believed existed beneath the observable diversity and disorder of the world. This effort to re-create a human ordering of unity through diversity provides an essential key to understanding medieval Europe and the ways in which it regarded and reacted to the worlds around it. The Worlds of Medieval Europe is an ideal text for undergraduate courses in medieval history, Western civilization, the history of Christianity, and Muslim-Christian relations. It also serves as an excellent supplement for courses on the history of a specific country in the medieval period, the history of medieval art, or the history of the European economy.

    Evans are the writings that have had such a major role in shaping the Western monastic tradition and influencing the development of Catholic mystical theology. Together with an introduction by the master of Bernard studies, jean Leclercq, they comprise a volume that occupies and place of special importance in the chronicle of the history of the western spiritual adventure.

    The Glory of the Crusades

    Through these works and those of other early Christian thinkers, this book surveys the development of early church theology. Long recognized for the quality of its translations, introductions, explanatory notes, and indexes, the Library of Christian Classics provides scholars and students with modern English translations of some of the most significant Christian theological texts in history. Through these works--each written prior to the end of the sixteenth century--contemporary readers are able to engage the ideas that have shaped Christian theology and the church through the centuries.

    (First Place). With atheism on the rise and millions tossing off religion, why would anyone consider the Catholic Church? Brandon Vogt, a bestselling author and the content director for Bishop Robert Barron’s Word on Fire Catholic Ministries, shares his passionate search for truth, a journey that culminated in the realization that Catholicism was right about a lot of things, maybe even everything. His persuasive case for the faith reveals a vision of Catholicism that has answers our world desperately needs and reminds those already in the Church what they love about it. A 2016 study by the Public Religion Research Institute found that 25 percent of adults (39 percent of young adults) describe themselves as unaffiliated with any religion. Millions of these so-called “nones” have fled organized religion and many more have rejected God altogether. Brandon Vogt was one of those nones. When he converted to Catholicism in college, he knew how confusing that decision was to many of his friends and family. But he also knew that the evidence he discovered pointed to one conclusion: Catholicism is true. To his delight, he discovered it was also exceedingly good and beautiful.Why I Am Catholic traces Vogt’s spiritual journey, making a refreshing, twenty-first century case for the faith and answering questions being asked by agnostics, nones, and atheists, the audience for his popular website, StrangeNotions.com, where Catholics and atheists dialogue. With references to Catholic thinkers such as G. K. Chesterton, Ven. Fulton Sheen, St. Teresa of Calcutta, and Bishop Robert Barron, Vogt draws together lines of evidence to help seekers discover why they should be Catholic as an alternative.Why I Am Catholic serves as a compelling reproposal of the Church for former Catholics, a persuasive argument for truth and beauty to those who have become jaded and disenchanted with religion, and at the same time offers practicing Catholics a much-needed dose of confidence and clarity to affirm their faith against an increasingly skeptical culture.