The natural world is a place of curves and softened edges, of gentle mists and welcoming spirals. Nature remembers deviation; nature does not forgive.For Harlowe Upton-Jones, life has never been a straight line. Shipped off to live with her paternal grandparents after a mysterious cult killed her mother and father, she has grown up chasing the question behind the curve, becoming part of a tight-knit teen detective agency. But “teen” is a limited time offer, and when her friends start looking for adult professions, it’s up to Harlowe to find them one last case so that they can go out in a blaze of glory.Welcome to Spindrift House.The stories and legends surrounding the decrepit property are countless and contradictory, but one thing is clear: there are people willing to pay a great deal to determine the legal ownership of the house. When Harlowe and her friends agree to investigate the mystery behind the manor, they do so on the assumption that they’ll be going down in history as the ones who determined who built Spindrift House—and why. The house has secrets. They have the skills. They have a plan. They have everything they need to solve the mystery.Everything they need except for time. Because Spindrift House keeps its secrets for a reason, and it has no intention of letting them go.Nature abhors a straight line.Here’s where the story bends.

    After all, the year before her father's body was found with his heart missing, and since then everyone has moved on. Even her best friend, Miranda, has become more interested in boys than in spending time at the old ghost tree, the way they used to when they were kids.So when Lauren has a vision of a monster dragging the remains of the girls through the woods, she knows she can't just do nothing. Not like the rest of her town. But as she draws closer to answers, she realizes that the foundation of her seemingly normal town might be rotten at the center. And that if nobody else stands for the missing, she will.

    He had other plans for her.Death.It's something that Ada Palomino has always known so well, having grown up in a house of horrors, surrounded by a family plagued by ghosts and demons and things that go bump in the night.But after the sudden and tragic death of her mother two years ago, death has never felt so personal. Or so close.Now eighteen, Ada is trying to move on with her life and the last month of summer holds nothing but sunshine and promises with her first year at a Portland design school just around the bend. That is until her increasingly violent and realistic dreams, dreams of other worlds, of portals and veils where her mother is tortured and souls bleed for mercy, start to blend into reality. Ada has to lean on her older sister, Perry, to try and make sense of it all but even then, she's never felt more alone. Then there's Jay. Tall, handsome and deeply mysterious, Jay would be just another stranger, a familiar face on the bus, if it wasn't for the fact that Ada has met him before. Every night. In every single dream. And the more that Ada is drawn to him in both worlds, the more she's in danger of losing everything. Including her heart.And her very soul.

    Stern, enigmatic Edwin Yorke simmers with a heat Gwen longs to unleash. But Edwin knows all too well that forbidden love can end in tragedy….

    In order to survive, she must run as far and as fast as she can. After arriving in Seattle, Bryony befriends a tortured musician, a market fish-thrower, and a starry-eyed hero who is secretly a serial killer bent on fulfilling Bryony’s dark destiny. Mercedes M. Yardley’s Pretty Little Dead Girls: A Novel of Murder and Whimsy is a dark, lovely fairy tale with lyrical language and a high body count. It features a cover by Hugo Award Winner GALEN DARA.

    Before Chess Putnam was a magic-wielding Churchwitch, she was a student in the Church of Real Truth—with a keen sensitivity to magic, a strong rebellious streak, and a penchant for self-destruction. And in Finding Magic, a grisly ghost murder becomes Chess’s baptism of fire.   When eighteen-year-old Chess Putnam is offered the chance to train with a special team of investigators known as the Black Squad, she feels torn. She’s never been a team player and hates how one male Inquisitor condescends to “the new kid.” But at her first bloody crime scene, she gets a taste for investigation—and is hooked on the high. Though the seasoned Inquisitors consider the series of ghost murders random events, Chess starts to detect a pattern. Is a psycho killer summoning ghosts from the City of Eternity and using them as murder weapons? As Chess gets closer to the dark truth, she puts herself in grave danger and risks losing everything she’s fought so hard for.   Includes a special preview of Stacia Kane’s upcoming urban fantasy thriller, Chasing Magic!

    Ever since the accident that nearly killed him, a shadowy figure has made its presence felt – a figure only he can see. Elliott is convinced his near death experience has enabled him to contact the dead. But are his ghostly visions real, or the effects of a damaged mind?When he gets a job at a supposedly haunted museum it seems like the perfect chance to discover what’s really going on. But his arrival doesn’t just cause a stir amongst the living. Unwittingly, Elliott uncovers the museum's terrible secret . . . and a spirit hell-bent on using him for revenge.

    The prisoner demands that Malcolm perform a gory, bewildering task for him. As the clock ticks toward Dusha's release, Malcolm must attempt to find out whether he's assisting a murderer or an innocent. The End of the Sentence combines Kalapuya, Welsh, Scottish and Norse mythology, with a dark imagined history of the hidden corners of the American West.Maria Dahvana Headley and Kat Howard have forged a fairytale of ghosts and guilt, literary horror blended with the visuals of Jean Cocteau, failed executions, shapeshifting goblins, and magical blacksmithery. In Chuchonnyhoof, they've created a new kind of Beast, longing, centuries later, for Beauty.

    Wracked by plague, abandoned by the South, stripped of industry and left to die. But not everything dies so easily. A thing without a name stalks the city, a thing shaped like a man, with a dark heart and long pale fingers yearning to wrap around throats. A monster who cannot die. His frail master sends him out on errands, twisting him with magic, crafting a plan too cruel to name, while the monster’s heart grows fonder and colder and more cunning.These monsters of Elendhaven will have their revenge on everyone who wronged the city, even if they have to burn the world to do it.

    Every grave, its secrets. Enter the world of Amanda Stevens's Graveyard Queen series--where forbidden passion and secrets from the past are as restless as the ghosts--in the series prequel novella, The Abandoned.There are rules for dealing with ghosts. Too bad Ree Hutchins doesn't know them.When her favorite patient at a private mental hospital passes away, psychology student Ree Hutchins mourns the elderly woman's death. But more unsettling is her growing suspicion that something unnatural is shadowing her.Amateur ghost hunter Hayden Priest believes Ree is being haunted. Even Amelia Gray, known in Charleston as the Graveyard Queen, senses a gathering darkness. Driven by a force she doesn't understand, Ree is compelled to uncover an old secret and put abandoned souls to rest--before she is locked away forever....Look for the other books in The Graveyard Queen series: The Restorer, The Kingdom and The Prophet, available now.

    But when coffins start floating down her street during a flood, life turns extra strange. And wonderful, when her friend and crush Noah signs on to help Charlotte and her folks in the aftermath. Cemetery cleanup might not sound exciting, but as shocking discoveries and a lurking stranger come to light, Charlotte learns that sometimes, raising the dead can bring unexpected rewards.

    But they don’t die, and we do. Equilibrium.The unnamed and morally questionable narrator is an exorcist with great follow-through and few doubts. His methods aren’t delicate but they’re undeniably effective: he’ll get the demon out — he just doesn’t particularly care what happens to the person.Prosper of Schanz is a man of science, determined to raise the world’s first philosopher-king, reared according to the purest principles. Too bad he’s demonically possessed.

    Imprisoned by a sorceress wife in a city out of time and place, he has passed into legend. Few believe in him, and fewer would set their hopes on his mercy. But Imogen has no choice. To break the curse that's isolated her since birth, she'll find the Undying King--and answer his secrets with her own...** Author Note: The Undying King is intended for more mature audiences and contains graphic descriptions of physical intimacy.

    But we weren’t witches. We were five Chicanas living in San Antonio, Texas, one year out of high school.” One hot summer night, best friends Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. It’s all fun and games at first, but their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, shy, modest Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes begins to suspect it’s something else—something far more ancient and powerful. As Father Moreno's obsession with Fernanda grows, Lourdes enlists the help of her “bruja Craft crew” and a professor, Dr. Camacho, to understand what is happening to her friend in this unholy tale of possession-gone-right.

     The ancient building has been the subject of rumours for close to a century. Its owner, Edith, refused to let guests inside and rarely visited the nearby town. Following Edith's death, her sole surviving relative, Adrienne, inherits the property. Adrienne's only possessions are a suitcase of luggage, twenty dollars, and her pet cat. Ashburn House is a lifeline she can't afford to refuse. Adrienne doesn't believe in ghosts, but it's hard to ignore the unease that grows as she explores her new home. Strange messages have been etched into the wallpaper, an old grave is hidden in the forest behind the house, and eerie portraits in the upstairs hall seem to watch her every movement. As she uncovers more of the house's secrets, Adrienne begins to believe the whispered rumours about Ashburn may hold more truth than she ever suspected. The building has a bleak and grisly past, and as she chases the threads of a decades-old mystery, Adrienne realises she's become the prey to something deeply unnatural and intensely resentful. Only one thing is certain: Ashburn's dead are not at rest.