After the tragic death of her father, Bryony returns from abroad to find that his estate is to become the responsibility of her cousin Emory. Her family's estate with its load of debt is no longer her worry. Still, her father's final, dire warning about a terrible family curse haunts her days and her dreams. And there is something odd about her father's sudden death... Bryony has inherited the Ashley 'Sight' and so has one of the Ashleys. Since childhood the two have communicated through thought patterns, though Bryony has no idea of his identity. Devastated, she believes, that the mysterious stranger is her destiny... the lover-to-be who waits for her now at Ashley Court. Now she is determined to find him. But passion is not all that will greet Bryony upon her return -- for the crumbling walls of the old mansion guard dark secrets, tragic memories... and inescapable peril.

    For fifteen-year-old Wisty and her older brother Whit, life turns upside-down when they are hauled out of bed one night, separated from their parents, and thrown into a secret compound for no reason they can comprehend. The new government is clearly trying to suppress Life, Liberty, and the Pursuit of Being a Normal Teenager.Imprisoned together and condemned to death, Wisty and Whit begin exhibiting strange abilities and powers they never dreamed of. Maybe there is a reason they were singled out. Can this newly discovered witch and wizard master their skills in time to save themselves, their parents—and maybe the world?

    She’s too busy stealing priceless art and rare jewels. But when the infuriatingly charming Ian Stott asks for help, Raylene finds him impossible to resist—even though Ian doesn’t want precious artifacts. He wants her to retrieve missing government files—documents that deal with the secret biological experiments that left Ian blind. What Raylene doesn’t bargain for is a case that takes her from the wilds of Minneapolis to the mean streets of Atlanta. And with a psychotic, power-hungry scientist on her trail, a kick-ass drag queen on her side, and Men in Black popping up at the most inconvenient moments, the case proves to be one hell of a ride.

    Republished in this new edition, this Victorian novel operates in the continuum of life and death. What has been can be again, though often terribly transformed. Energetically inventive and infused with a relish for the supernatural, especially the trappings of the dark, The House of the Vampire delivers a horror which we know does not - but none the less conceivably might - exist and threaten ourselves. Blurring the lines between fact and fiction, The House of the Vampire is considered a classic among Victorian Gothic stories."He felt the presence of the hand of Reginald Clarke - unmistakably - groping in his brain as if searching for something that had still escaped him. He tried to move, to cry out, but his limbs were paralysed. When, by a superhuman effort, he at last succeeded in shaking off the numbness that held him enchained, he awoke just in time to see a figure, that of a man, disappearing in the wall that separated Reginald's apartments from his room...."George Sylvester Viereck (1884 - 1962), remembered today chiefly for his contributions to fantasy literature, was born in Germany and emigrated to the United States with his family at age 11. He was editor of the magazine The Fatherland, and author of Confessions of a Barbarian and Glimpses of the Great.

    Highway construction puts him out of work and simultaneously forces him out of his home. Dawes isn’t the sort of man who will take an insult of this magnitude lying down. His single-minded determination to fight the inevitable course of progress drives his wife and friends away while he tries to face down the uncaring bureaucracy that has destroyed his once comfortable life.--stephenking.com

    Vampires and hybrids have overrun my world, once vibrant with life, but now a graveyard of death shrouded in shadows. I fight to survive; I fight for my mother and brother. The journey is full of turns that I am quite unprepared for. And I'm just hoping to make it to the next Vegas sunrise..."In a post-apocalyptic world, a viral epidemic has wiped out most of the earth’s population, leaving behind few humans but untold numbers of mutated vampires. April is a seventeen-year-old girl who lives in the remains of Las Vegas one year after the outbreak. She has become a ferocious vampire killer and after her family is abducted, she goes searching for them. What she finds is a new breed of vampire, unlike any she has seen before. Unsure of whom she can trust, she discovers that her view of the world is not as black and white as she once thought, and she's willing to bend the rules to rescue her family. But in trying to save them, she may only succeed in bringing her fragile world crashing down around her.

    Though she’s been dealing with a quarter-life crisis and post-college syndrome like any other twenty-something, she’s still not what you would call “ordinary.” For one thing, there’s her past which she likes to pretend never happened, and then there’s the fact that she sees ghosts. Luckily for her, that all comes in handy when she stumbles across Dex Foray, an eccentric producer for an upcoming webcast on ghost hunters. Even though the show’s budget is non-existent and Dex himself is a maddening enigma, Perry is instantly drawn into a world that both threatens her life and seduces her with a sense of importance. Her uncle’s haunted lighthouse provides the perfect catalyst and backdrop for a horrific mystery that unravels the threads of Perry’s fragile sanity and causes her to fall for a man, who, like the most dangerous of ghosts, may not be all that he seems.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    . .There's one sound a woman doesn't want to hear when she's lost and alone in the Arctic wilderness: a howl. When a strange wolf's teeth slash Cheyenne's ankle to the bone, her old life ends, and she becomes the very monster that has haunted her nightmares for years. Worse, the only one who can understand what Chey has become is the man–or wolf–who's doomed her to this fate. He also wants to chop her head off with an axe. Yet as the line between human and beast blurs, so too does the distinction between hunter and hunted . . . for Chey is more than just the victim she appears to be. But once she's within killing range, she may find that–even for a werewolf–it's not always easy to go for the jugular.From the Trade Paperback edition.

    The quiet, peaceful place was straight out of a bygone era, with well-cared-for Colonial houses, a white-steepled church fronting a broad Common. Ned and Beth Constantine chanced upon the hamlet and immediately fell in love with it. This was exactly the haven they dream of. Or so they thought.For Ned and his family, Cornwall Coombe was to become a place of ultimate horror.

     Sylvester Petersen used to think so too. That is, until a mysterious new neighbor moves in next door, seemingly out of nowhere. His handful of friends – people who tried to help him cope with the sudden death of his wife – think that it might be an opportunity for him to get reacquainted with the world outside his farmhouse and to build a new relationship with his neighbor. But that idea is soon snuffed out as strange events begin to happen around him. None of them wrong. Just strange: driving in the middle of the night, the sulfur-like odor coming off of him, the fact he doesn’t talk to anyone. And what about that dog? Sylvester chooses the logical explanation and ignores the peculiar behavior. But when other oddities start to happen – the kind that affects Sylvester directly – he begins to worry. His reasoning dwindles and his growing fear points to his neighbor. Where is that stray dog going? After enough time, Sylvester starts to see and hear what the local people have been muttering about: Unexplainable blue light, corn crops moving on their own…and then there's the slaughtered cattle entirely too close to home. And that stray dog that keeps getting fatter and fatter and fatter. At the peak of summer, and with the walls closing in, Sylvester experiences something that will take him to the brink and haunt you forever. Bathed in loss, terror and human spirit, Do I Bother You at Night? will be a story you won’t forget and one that will give you a few restless evenings of your own. Love thy neighbor.

    "Number Thirteen," "The Mezzotint," "Canon Alberic's Scrapbook," and more. Renowned for their wit, erudition and suspense, these stories are each masterfully constructed and represent a high achievement in the ghost genre. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    . . until it swallows her up.Noah Turner sees monsters. But, unlike his family, Noah chooses to let them in .

    But when star quarterback Dylan Whitley goes missing, an unremitting fear grips this remote corner of Texas.Joel Whitley was shamed out of conservative Bentley ten years ago, and while he’s finally made a life for himself as a gay man in New York, his younger brother’s disappearance soon brings him back to a place he thought he’d escaped for good. Meanwhile, Sheriff’s Deputy Starsha Clark stayed in Bentley; Joel’s return brings back painful memories—not to mention questions—about her own missing brother. And in the high school hallways, Dylan’s friends begin to suspect that their classmates know far more than they’re telling the police. Together, these unlikely allies will stir up secrets their town has long tried to ignore, drawing the attention of dangerous men who will stop at nothing to see that their crimes stay buried.But no one is quite prepared to face the darkness that’s begun to haunt their nightmares, whispering about a place long thought to be nothing but an urban legend: an empty night, a flicker of light on the horizon—The Bright Lands.

    She's sixteen years old. She's the object of one man's ultimate fantasy. And she's one of the most "uniquely sensual and provocative" heroines to emerge from the "fearless" imagination of New York Times bestselling author Anne Rice.