Finally free from her mother’s demanding presence, this transplanted Yankee is finding herself for the first time, courtesy of the Deep South. And, much to her surprise, she likes it. A former International Dogwood Festival Queen, Donna Kabel once had cute male suitors chase her like hounds to the fox. But all that changed after a car accident left her with a huge facial scar. Now Donna works in the produce section of Kroger. But it seems that the scar that could have cost Donna her inner strength has actually spurred her to reinvent herself.Thirty-four-year-old Suzanne Parley, the chardonnay-alcoholic wife of a fifth-generation Selby neurosurgeon named Boone, longs to have the most exquisitely decorated house in the affluent Red Hill Plantation community. Childless and directionless, Suzanne suddenly comes up with a bold plan to make her bored husband love her again: she'll simply fake a pregnancy.On the eve of this year's all-important Dogwood Festival, the disparate lives of these three women will converge in a brilliant comedy of Southern manners like none other. With this funny and poignant novel, Ad Hudler joins Fannie Flagg and Adriana Trigiani as one of our best chroniclers of Southern life.

    Celebrated writer ZZ Packer takes the editorial helm of Algonquin's signature series, selecting 20 rock-solid stories that reflect the geography, people, and way of life in the South.

    Louis, living the quintessential bachelor life with his young son, Quint. He is also a man who aspires beyond his means and class. When Gerald meets the wealthy divorcée Ann Lauterbach and the two marry, life changes irrevocably for Quint. He enters a social world of private schools and debutante balls known to him only through his father's longings. As Quint's attachment to his stepmother and her "means" grows, her marriage to his father begins to crumble in small, subtle ways, which ultimately leads to larger, more devastating consequences.

    Coming home from college to her grandfather's prosperous Carolina vineyard, Mavis takes the measure of the emotional distance she has traveled from the people closest to her heart: her dreamy mother, her practical aunt, her bewildered boyfriend, her prodigal uncle - and most of all Punk, her grandfather, who plans to make Mavis his sole heir. Told with warmth, wit, and brio, Warlick's first novel rejoices in womanhood and the strength of loving ties. As New York Newsday said of Warlick, "Her literary talents, not to mention her prospects, are immense."

    Into this world comes Boubacar, a fifteen-year-old African boy joining friends from Mauritania already living in the area. They are new African blacks not especially noteworthy in a town filled with Chinese emigrants, African Americans within memory of slavery, and straggling members of the original white families of the area. Presiding over Madagascar is Angus, the second-generation Delta Chinese proprietor of the Celestial Grocery, and his vintage jukebox with its treasure of Slim Harpo, Sam Cooke, and Wanda Jackson songs.The ties that bind the lives in this community together are American roots music and the desire to make a home in the rural South. The purity and beauty of Cynthia Shearer's writing--like the purity of music that exists within this story, an imagined soundtrack of more than thirty songs--marks The Celestial Jukebox as that most rare book, a novel as historically expansive as it is intimate, filled with music, wisdom, and spontaneous joy.

    Sleeping at the Starlite Motel revives White's reputation as a master storyteller, Southern division, as it catalogs the oddities of the Georgia town she knows so well.

    It is the story of Skeeter, a young boy growing up in a family poor in material goods but rich in the appreciation of their natural surroundings. The river they live on is the source of life—and death.

    . . Burns is as good a writer about the South as you’re going to read for a long, long time.” —Atlanta Journal-Constitution A classic bestseller, Cold Sassy Tree is the story of Will Tweedy, a fourteen-year-old boy coming of age at the turn of the century in rural Georgia. His grandfather, a recent widower, inspires a whirlwind of gossip in their small town when he marries a woman half his age. Brimming with characters who are wise, unimpeachably pious, and deliciously irreverent, it is a resplendent treasure. The unfinished sequel, Leaving Cold Sassy, follows Will Tweedy into adulthood, as he grapples with the influences of the modern world on his cherished southern hometown. Olive Ann Burns (1924–1990) was born on a farm in Banks County, Georgia. She received a degree in journalism from the University of North Carolina at Chapel Hill and for ten years was on the Sunday magazine staff of the Atlanta Journal-Constitution. She turned to writing as a respite during treatment for cancer. Her first novel, Cold Sassy Tree, made her a best-selling author at age 60.

    If the genesis for a book is to shut your wife up, I guess that’s as good as any.  On top of that, Olivia’s mother had burdened her with one of those Southern middle names kids love to make fun.  To see “deBelle” printed on the front of a book seemed vindication for all the childhood teasing.  With storytelling written in the finest Southern tradition from the soap operas of Chandler Street in the quaint town of Gainesville, Georgia, to a country store on the Alabama state line, Oliviade Belle Byrd delves with wit and amusement into the world of the Deep South with all its unique idiosyncrasies and colloquialisms.  The characters who dance across the pages range from Great-Aunt LottieMae, who is as “old-fashioned and opinionated as the day is long,” to Mrs. Brewton, who calls everyone “dahling” whether they are darling or not, to Isabella with her penchant for mint juleps and drama.  Humorous anecdotes from a Christmas coffee, where one can converse with a lady who has Christmas trees with blinking lights dangling from her ears, to Sunday church,where a mink coat is mistaken for possum, will delight Southerners and baffle many a non-Southerner. There is the proverbial Southern beauty pageant, where even a six-month-old can win a tiara, to a funeral faux pas of the iron clad Southern rule—one never wears white after Labor Day and, dear gussy, most certainly not to a funeral.  Miss Hildreth Wore Brown—Anecdotes of a Southern Belle is guaranteed to provide an afternoon of laugh-out-loud reading and hilarious enjoyment.

    As he grew up in Forest, Mississippi, befriended by the family maid, Mattie May, he became a young man who turned the word "sissy" on its head, just as his mother taught him. In Jackson, he is befriended by Eudora Welty and journalist Frank Hains, but when Hains is brutally murdered in his antebellum mansion, Kevin's long road north towards celebrity begins. In a memoir that echoes bestsellers like The Liar's Club, Kevin Sessums brings to life the pungent American south of the 1960s and the world of the strange little boy who grew there.

    Whether focused on a lesson, a teacher, or the girls themselves as they collectively school -- or refuse to -- the poems explore ways girls are trained in the broadest sense of the word.Gossips, the second section, is a shorter sequence narrated by women as they talk about other women in a variety of isolations; these poems, told from the outside looking in, highlight a speculative voicing of all the gossips cannot know. In Early Lessons, the third section, children narrate as they also observe similarly solitary women, the children's innocence allowing them to see in farther than the gossips can. The fourth section offers studies of women and men in situations in which gender, with all of its complexities, figures powerfully.The follow-up to the Pulitzer Prize-winning collection Late Wife, Figure Studies upholds Emerson's place among contemporary poetry's elite.The Mannequin above Main Street MotorsWhen the only ladies' dress shop closed, she was left on the street for trash, unsalvageable, one arm missing, lost at the shoulder, one leg at the hip. But she was wearing a blue-sequined negligee and blonde wig, so they helped themselves to her on a lark -- drunken impulse -- and for years kept her leaning in a corner, beside an attic window, rendered invisible. The dusk was also perpetual in the garage below, punctuated only by bare bulbs hung close over the engines. An oily grime coated the walls, and a decade of calendars promoted stock-car drivers, women in dated swimsuits, even their bodies out of fashion. Radio distorted there; cigarette smoke moaned, the pedal steel conceding to that place a greater, echoing sorrow. So, lame, forgotten prank, she remained, back turned forever to the dark storagebehind her, gaze leveled just above anyone's who could have looked up to mistake in the cast of her face fresh longing -- her expression still reluctant figure for it.

    GRITS Friends are Forevah shows you how to tell if you have true GRITS (Girls Raised in the South) friends in your life. Do you know what her nose looked like before she afixed her deviated septuma? Do you keep the secrets that even her husband doesnat know? Do you find yourself giggling with her though youare far too old to be behaving that way? From your first sorority rush to joining the local Red Hat society, and from long walks to long distance phone calls, a GRITS friend makes your victories sweeter, your laughter longer, and your pain gentler. Whether Deborah is talking about Instant GRITS (young girls), or Seasoned GRITS (women over sixty), childhood friends, newfound pals, sisters, mothers, or even BYOB (Be Your Own Best Friend), she has tips for keeping the laughs and love alive, GRITS-style.

    Orgasms? Yeah, I give those. Fairytales? Never wanted to live those Because I'm simply not that chick Hearts? Yeah, I broke some Love? These niggas can't get none Commitment? I'm probably the wrong one But you can stop by and lick this clit If a freak is what you're looking for Be prepared when you step through my door On the bed, couch, or kitchen floor I can give you what you need I prefer my kisses down low We can do this fast or we can take it slow Either way, I think it's best I let you know When it's over, please, get up and leave My name is Melody Bledsoe and I got some freaky things to tell you. You ready? Probably not!

    Jayne Anne Phillips has always been a master of portraiture, both in her widely acclaimed novels and in her short fiction.  The stories in Fast Lanes demonstrated the breadth of her talent in a tour de force of voices, offering elegantly rendered views into the lives of characters torn between the liberation of detachment and the desire to connect.Three stories are collected in this edition for the first time: in "Alma," and adolescent daughter is made the confidante of her lonely mother; "Counting" traces the history of a dommed love affair; and "Callie" evokes memories of the haunting death of a child in 1920's West Virginia.  Along with the original seven stories from Fast Lanes--each told in extraordinary first person narratives that have been hailed by critics as virtuoso performances--these incandescent portraits offer windows into the lives of an entire generation of Americans, demonstrating again and again why Jayne Anne Phillips remains one of our most powerful writers.

    An American soldier. A war-torn country. Nearly forty years of silence.Now, two daughters search for the truth they hope will set them free and the elusive peace their parents have never found.In the South Carolina Lowcountry, a young mother named Katherine Ann is struggling to help her tempestuous father by plunging into a world of secrets he never talks about. A fry cook named Lisa is trying desperately to reach her grieving Vietnamese mother who has never fully adjusted to life in the States. And somewhere far away, a lost soul named Ernest is drifting, treading water, searching for what he lost on a long-ago mountain.They're all yearning for connection. For the war that touched them to finally end. For their hundred years of happiness at long last to begin.From the beloved author of The Spirit of Sweetgrass  and Trouble the Water comes this generous story of family, war, loss, and longing . . . of the ways we hide from those we love, and the ways that love finds us anyway.