Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Wilfred Owen (1893-1918). Owen is available in Penguin Classics in Three Poets of the First World War: Ivor Gurney, Isaac Rosenberg, Wilfred Owen.

    This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and looks at his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.Robert Ranke Graves (1895-1985) was a British poet, novelist, and critic. He is best known for the historical novel I, Claudius and the critical study of myth and poetry The White Goddess. His autobiography, Goodbye to All That, was published in 1929, quickly establishing itself as a modern classic. Graves also translated Apuleius, Lucan and Suetonius for the Penguin Classics, and compiled the first modern dictionary of Greek Mythology, The Greek Myths. His translation of The Rubáiyát of Omar Khayyám (with Omar Ali-Shah) is also published in Penguin Classics.

    He knew little then; he learned nothing since. But the army, desperate for officers in the opening months of WW I, hands Curzon, a new division to train. A few months later his formations dissolve at the Somme, hosed down by German machine guns. Uninstructed, Curzon still thinks himself a leader. When a German offensive threatens his remaining troops, he gallops suicidally into the fighting. He prefers death to self-knowledge. "THE GENERAL is a superb novel. It blends Forester's preference for military subjects and solid unreflective characters, his irony, his grasp of history and his gift for lean, hypnotic narrative." (The New York Times)

    Yet the novel is much more. Written in sparse prose that is shockingly clear—the descriptions of electronic treatments are particularly harrowing—it combines real-life characters and events with fictional ones in a work that examines the insanity of war like no other. Barker also weaves in issues of class and politics in this compactly powerful book. Other books in the series include The Eye in the Door and the Booker Award winner The Ghost Road.

    Just a few years later, romance and these differences erupt simultaneously with the war in Europe. In a fit of fury and boyish pride, Riley enlists in the army and finds himself involved in the transformative nightmare of the twentieth century.While Riley and his commanding officer, Peter Locke, fight for their country and their survival in the trenches of Flanders, Peter's lovely and naive wife, Julia, and his cousin Rose eagerly await his return. But the sullen, distant man who arrives home on leave is not the Peter they knew. Worried that her husband is slipping away, Julia is left alone with her fears when Rose joins the nursing corps to work with a pioneering plastic surgeon treating wounded and disfigured soldiers.Only eighteen at the outbreak of the war, Nadine and Riley want to make promises to each other—but how can they when their future is out of their hands? Youthful passion is on their side, but then their loyalty is tested by terrible injury, and even more so by the necessarily imperfect rehabilitation that follows.Moving among Ypres, London, and Paris, this emotionally rich and evocative novel is both a powerful exploration of the lasting effects of war on those who fight—and those who don't—and a poignant testament to the power of enduring love.

    Yeats and T.S. Eliot as one of the masterpieces of modern literature. Fusing poetry and prose, gutter talk and high music, wartime terror and ancient myth, Jones, who served as an infantryman on the Western Front, presents a picture at once panoramic and intimate of a world of interminable waiting and unforeseen death. And yet throughout he remains alert to the flashes of humanity that light up the wasteland of war.

    But in 1914, the stifling restrictions of aristocratic British society and her mother’s rigid expectations forbid Lily from following her heart. When war breaks out, the spirited young woman seizes her chance for independence. Defying her parents, she moves to London and eventually becomes an ambulance driver in the newly formed Women’s Army Auxiliary Corps—an exciting and treacherous job that takes her close to the Western Front.Assigned to a field hospital in France, Lily is reunited with Robert Fraser, her dear brother Edward’s best friend. The handsome Scottish surgeon has always encouraged Lily’s dreams. She doesn’t care that Robbie grew up in poverty—she yearns for their friendly affection to become something more. Lily is the most beautiful—and forbidden—woman Robbie has ever known. Fearful for her life, he’s determined to keep her safe, even if it means breaking her heart.In a world divided by class, filled with uncertainty and death, can their hope for love survive. . . or will it become another casualty of this tragic war?

    Its central character is Guy Crouchback, head of an ancient but decayed Catholic family, who at first discovers new purpose in the challenge to defend Christian values against Nazi barbarism, but then gradually finds the complexities and cruelties of war too much for him. Yet, though often somber, the Sword of Honour trilogy is also a brilliant comedy, peopled by the fantastic figures so familiar from Waugh's early satires. The deepest pleasures these novels afford come from observing a great satiric writer employ his gifts with extraordinary subtlety, delicacy, and human feeling, for purposes that are ultimately anything but satiric.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    This standard edition of his poems was edited and arranged by his great friend Geoffrey Keynes. It includes a considerable number of early pieces, among them two of his longest poems, "The Pyramids" and "The Bastille".

    . . The 'subject' was the world as it culminated in the war. Published in four parts between 1924 and 1928, his extraordinary novel centers on Christopher Tietjens, an officer and gentleman- the last English Tory-and follows him from the secure, orderly world of Edwardian England into the chaotic madness of the First World War. Against the backdrop of a world at war, Ford recounts the complex sexual warfare between Tietjens and his faithless wife Sylvia. A work of truly amazing subtlety and profundity, Parade's End affirms Graham Greene's prediction: There is no novelist of this century more likely to live than Ford Madox Ford.

    Abandoning her studies at Oxford in 1915 to enlist as a nurse in the armed services, Brittain served in London, in Malta, and on the Western Front. By war's end she had lost virtually everyone she loved. Testament of Youth is both a record of what she lived through and an elegy for a vanished generation. Hailed by the Times Literary Supplement as a book that helped “both form and define the mood of its time,” it speaks to any generation that has been irrevocably changed by war.

    For three weeks, he had been afraid of going to sleep . . .'Young officer John Hilliard returns to his battalion in France following a period of sick leave in England. Despite having trouble adjusting to all the new faces, the stiff and reserved Hilliard forms a friendship with David Barton, an open and cheerful new recruit who has still to be bloodied in battle. As the pair approach the front line, to the proximity of death and destruction, their strange friendship deepens. But each knows that soon they will be separated . . .'A remarkable feat of imaginative and descriptive writing' The Times'The feeling of men under appalling stress at a particular moment in history is communicated with almost uncanny power' Sunday Times'Truly Astonishing' Daily Telegraph

    It encompasses an account of the Arab Revolt against the Turks during the First World War alongside general Middle Eastern and military history, politics, adventure and drama. It is also a memoir of the soldier known as 'Lawrence of Arabia'.Lawrence is a fascinating and controversial figure and his talent as a vivid and imaginative writer shines through on every page of this, his masterpiece. Seven Pillars of Wisdom provides a unique portrait of this extraordinary man and an insight into the birth of the Arab nation.

    Its poets mark the conflict in ways that are both intensely personal and as enduring as any monument. Their lines have come to express the feelings of a nation about the horrors and consequences of war.This new anthology provides a definitive record of the achievements of the Great War poets and offers a fresh assessment of the work on the centenary of the Great War's outbreak. Focusing on the poets themselves, the book is organized by writer, not theme or chronology. It offers generous selectionsfrom the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, and Rupert Brooke, whilst also incorporating less well-known writing by civilian and women poets. It also includes two previously unpublished poems by Ivor Gurney.A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context.Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.