The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    The Last American Valentine is a unique anthology of non-sappy love poetry and flash fiction. Poet Laureates, rock musicians, actors, famed prose writers and a few talented American barfly's have been handpicked, hunted down and crammed together with an artist the world has never met.

    Now the prison is being re-opened, but as a new generation of prisoners arrive to fill the cells, something evil is waiting in the shadows. Amanda Weir doesn't remember killing her children. All she knows is that she woke up with their bloody bodies in her arms. Sentenced to life in prison, she arrives at Hardstone and tries to adjust to her new life. All she wants is to forget her old self, and to find some way to live with what she did. After all, there's no way she could be innocent... There's something else at Hardstone, however. Something lost and alone, something angry. The ghost of a little girl has been spotted several times, and the prisoners have learned a valuable lesson: whenever the ghost is seen, anyone who looks into its eyes will be dead within a matter of days. But what does the ghost want, and exactly how far has its influence spread in the lives of the prisoners? The Prison is a dark horror story about a woman who finds herself facing the truth about her own past, and about a dead little girl who refuses to accept that her life is over.

    "Nick Demske writes from culture like the Hollywood version of a rebellious slave, the role shredding off him, culture's synthetic exemplary tales shredding and piling up on the floor of the projector room."—Joyelle McSweeneyHis name is "a transcendant uber-obsenity that can be understood universally by speakers of any language."

    The Boston-based writer has found his stronghold in the world of social media under the moniker of High Poets Society. His writing is most recognized for its mesmerizing rhyme scheme and clever wordplay.

    Both honors made specific notes of his experimental style, his long influence, and his ongoing importance. Creeley's 1998 collection, Life Death, now available as a New Direction paperback, is the capstone of a career that has poignantly combined "linguistic abstraction with specificity of time and place." (R.D. Pohl, Buffalo News)

    Linda Pastan writes, "the art that mattered / was the life led fully / stanza by swollen stanza." That life is portrayed here, from memories of the poet's earliest childhood and the ambiguities of marriage and love to the surprises that come with age, always with a consciousness of what is happening in the larger world.

    Krauser's inimitable style is at once richly convoluted and light as air. Krauser has also written the plays Wall Street Made Simple and Horrible Child.

    

    And once you found life, what if you could accelerate time and watch it evolve? What might you find? These are not the questions Jon Gruber ponders as he pedals to his next carpentry job. Over thirty and unmarried, he doesn't even own a car. But a new assignment challenges him to rethink his place in the world. Is he a loser? Or is he about to become a partner in an experiment of phenomenal discovery? Webster Adams, astronomer, inventor, and Jon's latest client, performs such an experiment. To Webster's amazement, he finds planets and cultures beyond his wildest dreams. His little universe turns into a discovery machine--an overnight goldmine. He and his crew observe societies so far past them on levels of technology and spirituality, that the world will be forever changed. Webster's lovely daughter, Whitney, also overwhelms Jon. She opens his eyes to the deeper meanings within the experiment by finding the most advanced beings within the project--the spirit guides from Theta 7. The Little Universe is a mind expanding concept. For Webster Adams, one question immediately comes to light. "If I can create a universe," he wonders, "then who created ours?" Can it be proven that some form of God exists? Or is life random and free-flowing without purpose? Along with Jon, you, the reader, will be presented a new perspective on life and your role in the great mystery of the universe.

    Man versus monster; conflict versus conversation; age versus youth; humanity versus its environment; utopia versus what we're living through now. This is a combative and moving book and an answer to anyone who's ever accused poetry of receding into irrelevance.

    Don Marquis' creations have been constantly in print since 1934.

    We find her awake in the middle of the night, contemplating love and heartbreak in all their exhilarating and anguished specifics. With astonishing openness, in language both passionate and enchanting, she offers us an intimate map of a troubled and far-flung heart: “Can you believe I thought that?” she asks, “That we would always go/roaming brave and dangerous/on wild unlit roads?”At once witty and tender, with Dorothy Parker–like turns of the knife and memorable partings from lovers in New York, London, Rome and beyond, these poems capture a restless movement through loves and locales, and charm us at every turn with their forthrightness.From the Hardcover edition.

    Here, readers will find solace in works that are bracing and courageous, organized into such resonant headings as "Such As It Is More or Less" and "Let It Spill." From William Shakespeare and Walt Whitman to R. S. Gwynn and Jennifer Michael Hecht, the voices gathered in this collection will be more than welcome to those who've been struck by bad news, who are burdened by stress, or who simply appreciate the power of good poetry.

    In the singular landscape of Matthew Rohrer's first book of poems, the weather, the food, even the household appliances come to life. "A few pages into this book," says the Minneapolis City Pages, "and you'll start glancing sideways at the terrain, which . . . looks suddenly vital." These quirky poems entertain and delicately point to truth. Rohrer illuminates a land of skewed realities where the impossible seems familiar, the sacher torte is afraid to be eaten, and it's always dusk in the forest.