The novel’s elusive narrative thread ties landscape to character to an expanse just beyond our grasp. The narrator encounters a shepherding family and glimpse by glimpse, each family member and the shepherding way of life is revealed to us. The novel culminates in a large shepherds’ gathering where a traditional Shepherd’s Play—a kind of creation myth that includes in its cast The River, The Sea, The Man, and The Mountain—is enacted. The work’s proto-environmental world view as well as its hybrid form—part play, part novel—makes The Serpent of Stars astonishingly contemporary. W.S. Merwin’s "Green Fields" begins, "By this part of the century few are left who believe in the animals for they are not there in the carved parts/of them served on plates and the pleas from slatted trucks..." This novel leaves the reader believing not only in the animals, but the terrain they are part of, the people who tend them, and the life all these elements together compose.

    And it's little wonder why. The story follows infiltration expert Solid Snake as he attempts to save the world.In addition to showcasing art from Ashley Wood's graphic novel adaptations of Metal Gear Solid and Metal Gear Solid: Sons of Liberty, this all-new collection features the work Ash did for the Metal Gear Solid: Mobile Portable Ops video game.

    Rebelling against the business of bestsellers and in search of an ideal place where their literary dreams can come true, Ivan and Francesca open a store where the passion for literature is given free rein. Tucked away in a corner of Paris, the store offers its clientele a selection of literary masterpieces chosen by a top-secret committee of likeminded literary connoisseurs. To their amazement, after only a few months, the little dream store proves a success. And that is precisely when their troubles begin. At first, both owners shrug off the anonymous threats that come their way and the venomous comments concerning their store circulating on the Internet, but when three members of the supposedly secret committee are attacked, they decide to call the police. One by one, the pieces of this puzzle fall ominously into place, as it becomes increasingly evident that Ivan and Francesca’s dreams will be answered with pettiness, envy and violence.

    But radio came roaring back with a whole new concept. The war was over, the baby boom was on, the country was in clover, and a bold new beat was giving the syrupy songs of yesteryear a run for their money. Add transistors, 45 rpm records, and a young man named Elvis to the mix, and the result was the perfect storm that rocked, rolled, and reinvented radio.Visionary entrepreneurs like Todd Storz pioneered the Top 40 concept, which united a generation. But it took trendsetting “disc jockeys” like Alan Freed, Murray the K, Wolfman Jack, Cousin Brucie, and their fast-talking, too-cool-for-school counterparts across the land to turn time, temperature, and the same irresistible hit tunes played again and again into the ubiquitous sound track of the fifties and sixties. The Top 40 sound broke through racial barriers, galvanized coming-of-age kids (and scandalized their perplexed parents), and provided the insistent, inescapable backbeat for times that were a-changin’.Along with rock-and-roll music came the attitude that would literally change the “voice” of radio forever, via the likes of raconteur Jean Shepherd, who captivated his loyal following of “Night People”; the inimitable Bob Fass, whose groundbreaking Radio Unnameable inaugurated the anything-goes free-form style that would come to define the alternative frontier of FM; and a small-time Top 40 deejay who would ultimately find national fame as a political talk-show host named Rush Limbaugh.From Hunter Hancock, who pushed beyond the limits of 1950s racial segregation with rhythm and blues and hepcat patter, to Howard Stern, who blew through all the limits with a blue streak of outrageous on-air antics; from the heyday of summer songs that united carefree listeners to the latter days of political talk that divides contentious callers; from the haze of classic rock to the latest craze in hip-hop, Something in the Air chronicles the extraordinary evolution of the unique and timeless medium that captured our hearts and minds, shook up our souls, tuned in–and turned on–our consciousness, and went from being written off to rewriting the rules of pop culture.

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    Through entertaining anecdotes, family dramas, and striking quotations, Duby succeeds in bringing his subjects to life, making us feel as if we understand the motives and conflicts of those who inhabited the distant past. "It is typical of Duby's modest spirit and his book-long concern with the ancient status of beleaguered wives that he ends his study with a plea: 'We must not forget the women. Much has already been said about them. But how much do we really know?' Not everything, certainly, but far more than we did before the author began these charmingly erudite investigations."—Ken Turan, Time"It is refreshing to find a historian who is always conscious that we simply do not know what or how people thought 1000 years ago. . . . Duby explains the complicated machinations of the medieval churchman and the paterfamilias in a scholarly but lively style."—Sarah Lawson, New Statesman"Duby has written an extraordinarily rich book—a panoramic view of medieval marriage and the relations between men and women, full of arresting insights and human detail. . . . It is the work of a master historian at the peak of his powers on a subject of central relevance, compulsive and essential reading."—P. Stafford, British HistoryGeorges Duby (1919-1996) was a member of the Académie française and for many years held the distinguished chair in medieval history at the Collège de France. His books include The Three Orders; The Age of Cathedrals; The Knight, the Lady, and the Priest; Love and Marriage in the Middle Ages; and History Continues, all published by the University of Chicago Press.

    How have we thought "the body"? How can we think it anew? The body of mortal creatures, the body politic, the body of letters and of laws, the "mystical body of Christ"-all these (and others) are incorporated in the word Corpus, the title and topic of Jean-Luc Nancy's masterwork.

    When her beloved sister Julie marries his brother Joseph, Desiree and Napoleon’s futures become irrevocably linked. Quickly entering into their own passionate, dizzying courtship that leads to a secret engagement, they vow to meet in the capital once his career has been secured. But her newly laid plans with Napoleon turn to sudden heartbreak, thanks to the rising star of Parisian society, Josephine de Beauharnais. Once again, Desiree’s life is turned on its head.Swept to the glittering halls of the French capital, Desiree is plunged into the inner circle of the new ruling class, becoming further entangled with Napoleon, his family, and the new Empress. But her fortunes shift once again when she meets Napoleon's confidant and star general, the indomitable Jean-Baptiste Bernadotte. As the two men in Desiree’s life become political rivals and military foes, the question that arises is: must she choose between the love of her new husband and the love of her nation and its Emperor?From the lavish estates of the French Riviera to the raucous streets of Paris and Stockholm, Desiree finds herself at the epicenter of the rise and fall of an empire, navigating a constellation of political giants and dangerous, shifting alliances. Emerging from an impressionable girl into a fierce young woman, she discovers that to survive in this world she must learn to rely upon her instincts and her heart.Allison Pataki’s meticulously researched and brilliantly imagined novel sweeps readers into the unbelievable life of a woman almost lost to history—a woman who, despite the swells of a stunning life and a tumultuous time, not only adapts and survives but, ultimately, reigns at the helm of a dynasty that outlasts an empire.

    In this analysis of a startling cultural transformation Kristin Ross finds the contradictions of the period embedded in its various commodities and cultural artifacts--automobiles, washing machines, women's magazines, film, popular fiction, even structuralism--as well as in the practices that shape, determine, and delimit their uses.In each of the book's four chapters, a central object of mythical image is refracted across a range of discursive and material spaces: social and private, textual and cinematic, national and international. The automobile, the new cult of cleanliness in the capital and the colonies, the waning of Sartre and de Beauvoir as the couple of national attention, and the emergence of reshaped, functionalist masculinities (revolutionary, corporate, and structural) become the key elements in this prehistory of postmodernism in France.Modernization ideology, Ross argues, offered the promise of limitless, even timeless, development. By situating the rise of end of history ideologies within the context of France's transition into mass culture and consumption, Ross returns the touted timelessness of modernization to history. She shows how the realist fiction and film of the period, as well as the work of social theorists such as Barthes, Lefebvre, and Morin who began at the time to conceptualize everyday life, laid bare the disruptions and the social costs of events. And she argues that the logic of the racism prevalent in France today, focused on the figure of the immigrant worker, is itself the outcome of the French state's embrace of capitalist modernization ideology in the 1950s and 1960s.

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    The author of The Lover, Hiroshima Mon Amour, and The War: A Memoir, Duras has long been a symbol of France's complex role in World War II and the country's troubled colonial relations in Asia, as well as a fascinating embodiment of the tensions between autobiography and fiction. Now available in English, Marguerite Duras confronts the truths and falsehoods in the life of the enigmatic author.Adler, through her exploration of the events central to Duras's career, including her affair with and eventual denunciation of a Nazi collaborator and her childhood in Indochina, reveals Duras as the consummate pragmatist. She has combed through archives, unearthed letters, studied unpublished manuscripts, and interviewed scores of Duras's friends, lovers, enemies, and colleagues—as well as Duras herself—and she emerges with the richest portrait we have of Duras's life: her upbringing, her student days at the Sorbonne, her career as a novelist and filmmaker, and her involvement in French politics through the most complex decades of the twentieth century. "The masks and the truth" was the headline of a French review of Marguerite Duras, and Adler explores both, probing the line between fiction and selfhood and between political activities and personal responsibility.

    How do they stay slender and willowy while maintaining the extraordinary energy it takes to perform night after night? Can a nondancer or an amateur attain a dancer's figure and a dancer's vitality? And keep it?Here, in The Dancers' Body Book, the legendary ballerina Allegra Kent discloses the health, weight-watching, and relaxation secrets of some of the world's greatest ballet dancers -- from Suzanne Farrell and Fernando Bujones to Darci Kistler and Madame Alexandra Danilova. Combining them with two well-balanced diets -- one to lose weight by and one to live by -- and an exercise regimen that can be tailored to the individual, she provides a fabulous fitness program for everyone who longs to be slimmer, healthier, and more energetic.Fourteen varied menus incorporate delicious recipes from the dancers themselves (such as Jacques D'Amboise's Wonderful Dinner Salad and Dierdre Carberry's Almond Meringue Kisses), along with calorie guides and advice on how to create additional menus using your own favorite dishes. Helpful discussions on sports and exercise systems -- ranging from jogging and swimming to the sophisticated "Pilates" workout -- are also included, and in a special chapter entitled "A Healthy Outlook," the dancers talk candidly on such issues as smoking, anorexia, vitamins, doctors, massage, junk foods, fad diets, and injuries.Dancers take meticulous care of all their equipment because training and performance depend on it. Of course, the most essential piece of equipment, the body, needs the most care of all, and that is what this book is about: how to take care of the world's greatest machine.Allegra Kent joined the New York City Ballet at the age of fifteen and was a principal dancer with the company for thirty years, during which time she created a number of starring roles in ballets by Balanchine and Robbins. The mother of two daughters and a son, she is also the author of Allegra Kent's Water Beauty Book.

    Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

    Here are tomb paintings and sarcophagi from the Valley of the Kings, devotional altarpieces expressing the religious fervor of the Middle Ages, and masterpieces by Giotto, Raphael, Leonardo, Rembrandt, Rubens, Delacroix, David, Vermeer, and Ingres.The Louvre also contains photos and historical drawings of the architectural development of the fortress-turned-palace-turned-museum, as well as an engaging account of French history that helped form one of the most spectacular collections in the world.

    Paris is an extraordinary, lyrical love letter to the city, taking the reader on an imaginative journey around its secret stairways, courtyards, alleys and hidden places. Whether evoking the cool of a deserted church on a hot summer's day, remembering Notre Dame in a winter storm in 1940, describing chestnut trees lit up at night like 'Japanese lanterns' or lamenting the passing of street cries and old buildings, his book is filled with unforgettable imagery. It is a meditation on getting lost and wasting time, and on what it truly means to know a city.