Moon Flight is a collection of over 100,000 words of fiction, Short stories both from the two previous published collections, as well as from uncollected short fiction, the best of work from the breadth of her 15+ year career, and a brand new story set in the Vatta universe. Her fiction spans the gamut from military science fiction to cutting edge stories biotechnology, to heartfelt examinations of politics and social issues.Contents: Introduction (Moon Flights) (2007) • essay by Anne McCaffrey If Nudity Offends You (1988) / short story by Elizabeth Moon Gifts [Paksenarrion Universe] (2004) / novelette by Elizabeth Moon Politics (1990) / novelette by Elizabeth Moon And Ladies of the Club [Ladies' Aid & Armor Society • 1] (1995) / short story by Elizabeth Moon Accidents Don't Just Happen - They're Caused (1996) / novelette by Elizabeth Moon New World Symphony (1989) / novelette by Elizabeth Moon No Pain, No Gain [Ladies' Aid & Armor Society • 2] (1998) / short story by Elizabeth Moon Tradition (1998) / novelette by Elizabeth Moon Fool's Gold [Ladies' Aid & Armor Society • 3] (1999) / short story by Elizabeth Moon Judgment (2003) / novella by Elizabeth Moon Gravesite Revisited (1988) / short story by Elizabeth Moon Sweet Charity [Ladies' Aid & Armor Society • 4] (2000) / novelette by Elizabeth Moon Welcome to Wheel Days (1989) / novelette by Elizabeth Moon Say Cheese [Vatta's War] (2007) / short story by Elizabeth Moon Fencing In (1993) / short fiction by Elizabeth Moon.

    Here are eleven of her finest stories, surprising tales in which the impossible becomes real, the real becomes impossible, and strangeness lurks at every turn.The end of the world comes not with a bang but a series of whimpers over many years in "The Last of the Winnebagos."The terror of pain and dying gives birth to a startling truth about the nature of the stars, a principle known as the "Schwarzschild Radius."In "Spice Pogrom," an outrageous colony in outer space becomes the setting for a screwball comedy of bizarre complications, mistaken identities, far-too-friendly aliens--and even true love.The last of the Winnebagos --Even the queen --Schwarzschild radius --Ado --Spice pogrom --Winter's tale --Chance --In the late Cretaceous --Time out --Jack --At the Rialto

    . . to promote me. He promotes me again and again. I am wild with ecstasy.   Imagine a world where erotica was written by feminists: Their daydreams include equal pay, a gender-balanced Congress, and Tom Hardy arriving at their doorstep to deliver a fresh case of LaCroix every week.   Both light-hearted and empowering, New Erotica for Feminists is a sly, satirical take on all the things that turn feminists on. From a retelling of Adam and Eve to tales of respectful Tinder dates, New Erotica for Feminists answers the question of “What do women really want?” with stories of power, equality, and an immortal Ruth Bader Ginsburg.

    His work is deeply perceptive, often outrageously funny and always compulsively readable.'Thus the judges of the British Press Awards, in naming Clive James Critic of the Year for 1981. The Crystal Bucket offers a further selection of his inimitable 'visions before midnight ...''C.J. didn't get where he is today just by being funny. He is humane, liberal and compassionate ... What he writes is always pertinent and always witty ... We own him a deep debt of gratitude.' —Gavin Ewart, Listener'Few critics have a more unerring ear for woolliness and doubletalk or a more scathing and entertaining way of dealing with it.' —Lesley Garner, Good Housekeeping'He is one of the most remarkable figures in British cultural life at the moment: a poet and gifted literary critic who is also genuinely liked by the mass audience.' —Michael Mason, London Review of Books'One of the few columnists who make you laugh aloud ... if there were angels he would be on their side: and that would certainly include Charlie’s Angels.' —Melvyn Bragg, Sunday Times

    

    Here are smart, savvy tales of space adventure, time travel, weird science, mysterious phenomena, apocalypse and dystopia, tales that reflect the concerns of their day, yet eerily foreshadow our own. There's Successful Operation, a Twilight Zone-ish gem in which a dictator gets his just desserts...Let There Be Light, about two inventors who triumph over political corruption...and On the Slopes of Vesuvius, in which a Bomb-fearing barkeep sees his worst fears realized. -And He Built A Crooked House- tells of an architect whose innovative home design leads straight into a funhouse fourth dimension. Solution Unsatisfactory gives us a chilling alternate end to WWII, while -All You Zombies- paints a time-twisty picture of the ultimate causality paradox. All these and more, including three previously uncollected stories, Beyond Doubt, My Object All Sublime and Pied Piper, display Heinlein's creative genius to full extent.

    In love with fellow telepath Colleen Isaac, Dale Ravenhall realizes that the very thing that enables him and Colleen to read each other's minds would kill them both if they came within twenty miles of each other.Contents:Red Thoughts at Morning (1981)Dark Thoughts at Noon (1982)Black Thoughts at Midnight (1992)The Peaceful Man (1982)The Evidence of Things Not Seen (1986)Guardian Angel (1986)Expanded Charter (1983)Final Solution (1982)Pawn's Gambit (1982)

    For those of you who are worried about what the neighbors will think, there is what is purported to be an old Martian document which tells us what our nearest neighbor has to say about life on Earth.Later in the book, Clarke goes on to explain the proper etiquette for contacting and dealing with aliens from outer space, or what to do if they get here first...Ranging from the light fantastic to the extremely possible, this collection is divided into five sections: Talking of Space; Outward from Earth; The Technological Future; Frontiers of Science; and Son of Dr. Strangelove, Etc.From Martians to Magi, here is Arthur C. Clarke's unforgettable tour of the Universe - known, unknown and yet to come.

    It's intended for readers and writers who want to learn more about Michael's writing process as well as information about contracts, beta reader programs, and editing. NOTE: If you haven't read The Death of Dulgath, this ebook has MAJOR spoilers. It's intended to read AFTER that novel. Also, this ebook is being made available for free. To get your copy, just email Michael at michael.sullivan.dc@gmail.com with the subject "BEHIND THE BOOK: Making the Death of Dulgath, and Michael (or his wife, Robin) will send you a copy. Here is the Table of Contents:PrologueContracts and DeadlinesThe IdeaDeveloping the ConceptTools Starting the BookThe Writing ProcessProblems and SolutionsThe Curious Case of Stanley NeckerThe Climax The RainbowEditingPost Writing ProcessBeta ReadingKickstarter & HardcoversThat’s All Folks

     Kobold Guide to Plots & Campaigns shows how to begin a new campaign, use published adventures or loot them for the best ideas, build toward cliffhangers, and design a game that can enthrall your players for month or even years. Want to run an evil campaign, or hurl the characters into unusual otherworldly settings? Want to ensure that you're creating memorable and effective NPCs and villains? We've got you covered. Complete with discussions on plotting, tone, branching storytelling, pacing, and crafting action scenes, you'll find all the tips and advice you need to take on the best role in roleplaying--and become an expert gamemaster, too! Featuring essays by Wolfgang Baur, Jeff Grubb, David "Zeb" Cook, Margaret Weis, Robert J. Schwalb, Steve Winter, and other game professionals.

    Leslie Morgan Steiner has been there. As an executive at The Washington Post, a writer, and mother of three, she has lived and breathed every side of the “mommy wars.” Rather than just watch the battles rage, Steiner decided to do something about it. She commissioned twenty-six outspoken mothers to write about their lives, their families, and the choices that have worked for them. The result is a frank, surprising, and utterly refreshing look at American motherhood.Ranging in age from twenty-five to seventy-two and scattered across the country from New Hampshire to California, these mothers reflect the full spectrum of lifestyle choices. Women who have been home with the kids from day one, moms who shuttle from full-time office jobs to part-time at-home work, hard-driving executives who put in seventy-hour-plus weeks: they all get a turn. The one thing these women have in common, aside from having kids, is that they’re all terrific writers. Pulitzer Prize winner Jane Smiley vividly recounts how her generation stormed the American workplace–only to take refuge at home when the workplace drove them out. Lizzie McGuire creator Terri Minsky describes what it felt like to hear her kids scream “I hope you never come back!” when she flew to L.A. to launch the show that made her career. Susan Cheever, novelist, biographer, and New York Newsday columnist, reports on the furious battles between the stroller pushers and the briefcase bearers on the streets of Manhattan. Lois R. Shea traded the journalistic fast track for a house in the country where she could raise her daughter in peace. Ann Misiaszek Sarnoff, chief operating officer of the Women’s National Basketball Association, argues fiercely that you can combine ambition and motherhood–and have a blast in the process.Candid, engaging, by turns unflinchingly honest and painfully funny, the essays collected here offer an astonishingly intimate portrait of the state of motherhood today. Mommy Wars is a book by and for and about the real experts on motherhood and hard work: the women at home, in the office, on the job every day of their lives.From the Hardcover edition.

    Everything you could possibly want from Nora Ephron is here—from her writings on journalism, feminism, and being a woman (the notorious piece on being flat-chested, the clarion call of her commencement address at Wellesley) to her best-selling novel, Heartburn, written in the wake of her devastating divorce from Carl Bernstein; from her hilarious and touching screenplay for the movie When Harry Met Sally . . . (“I’ll have what she’s having”) to her recent play Lucky Guy (published here for the first time); from her ongoing love affair with food, recipes and all, to her extended takes on such controversial women as Lillian Hellman and Helen Gurley Brown; from her pithy blogs on politics to her moving meditations on aging (“I Feel Bad About My Neck”) and dying. Her superb writing, her unforgettable movies, her honesty and fearlessness, her nonpareil humor have made Nora Ephron an icon for America’s women—and not a few of its men.

    The authors include scientists, journalists, and many of the most famous SF writers in the world. Futures from Nature includes everything from satires and vignettes to compressed stories and fictional book reviews, science articles, and journalism, in eight-hundred word modules. All of them are entertaining and as a group they are a startling repository of ideas and attitudes about the future.   Appearing in book form fo the first time, these one hundred pieces were originally published in the great science journal, Nature, between 1999 and 2006, as one-page features. That proved very popular with the readers of the journal. This is a unique book, by scientists and writers, of interest to any reader who might like to speculate about the future.   With stories from: Arthur C. Clarke; Bruce Sterling; Charles Stross; Cory Doctorow; Greg Bear; Gregory Benford; Oliver Morton; Ian Macleod; Rudy Rucker; Greg Egan; Stephan Baxter; Barrington J. Bayley; Brian Stableford; Frederik Pohl; Vernor Vinge; Nancy Kress, Michael Moorcock, Vonda N. McIntyr; Kim Stanley Robinson; John M. Ford; and eighty more.

    Newly revised and expanded by the author, this study of epic fantasy analyzes the genre from its earliest beginnings in Medieval romances, on through practitioners like Tolkien, up to today's brightest lights.

    "Twilight," "True Blood," "Being Human," "The Vampire Diaries," "Buffy the Vampire Slayer," "Blade," "Underworld," and the novels of Anne Rice and Darren Shan--against this glut of bloodsuckers, it takes an incredible film to make a name for itself. Directed by Tomas Alfredson and adapted for the screen by John Ajvide Lindqvist, The Swedish film "L't den r?tte komma in" (2008), known to American audiences as "Let the Right One In," is the most exciting, subversive, and original horror production since the genre's best-known works of the 1970s. Like "Twilight," "Let the Right One In" is a love story between a human and a vampire--but that is where the resemblance ends. Set in a snowy, surburban housing estate in 1980s Stockholm, the film combines supernatural elements with social realism. It features Oskar, a lonely, bullied child, and Eli, the girl next door. "Oskar, I'm not a girl," she tells him, and she's not kidding--she's a vampire. The two forge an intense relationship that is at once innocent and disturbing. Two outsiders against the world, one of these outsiders is, essentially, a serial killer. What does Eli want from Oskar? Simple companionship, or something else? While startlingly original, "Let the Right One In" could not have existed without the near century of vampire cinema that preceded it. Anne Billson reviews this history and the film's inheritence of (and new twists on) such classics as "Nosferatu" (1979) and "Dracula" (1931). She discusses the genre's early fliration with social realism in films such as "Martin" (1977) and "Near Dark" (1987), along with its adaptation of mythology to the modern world, and she examines the changing relationship between vampires and humans, the role of the vampire's assistant, and the enduring figure of vampires in popular culture.