For Mandy, that meant finishing her last year of high school, going to college, and then returning to small-town Sugar Creek to live a solitary life as a writer. That was the plan, and her main rule for avoiding complications and staying on track was to never, ever, EVER let someone get too close. That was before she met Gabe. And when Gabe starts to awaken emotions she’s never experienced, Mandy suddenly begins to question every belief she’s ever had. She can’t be falling in love, can she? That would be the biggest mistake of her life, wouldn’t it? Could she break one of her most important rules—for Gabe?

    The only trouble is Aunt Clem works all day and leaves Baby in the hands of her teenage twins. Stoic protector Allen and kind and gentle Jeffrey, along with the help of their best friend, the unwashed and untamed Ed, raise up Baby the best they know how. I Heart Ed Small takes the reader back in time to the late sixties, when adventure and friendship were to be found outside in the hot sun of public pools and the smoky haze of pool halls. It?s the story of how one little girl gets three lazy hippie boys to get off the couch, clean up their language, and grow up. I Heart Ed Small is the coming of age story of how Baby Hunnicutt captures the wildest heart from the very beginning and never relinquishes it from her sweet little hand. Just as Baby needs the twins and Ed the most, they leave her life. The Vietnam War, marriage and the call of adventure pull the boys away until the tragic threads of life reunite them all once again.

    Watts, object of much curiosity and scorn, who sweeps out the ruined schoolhouse and begins to read to the children each day from Charles Dickens's classic Great Expectations.So begins this rare, original story about the abiding strength that imagination, once ignited, can provide. As artillery echoes in the mountains, thirteen-year-old Matilda and her peers are riveted by the adventures of a young orphan named Pip in a city called London, a city whose contours soon become more real than their own blighted landscape. As Mr. Watts says, “A person entranced by a book simply forgets to breathe.” Soon come the rest of the villagers, initially threatened, finally inspired to share tales of their own that bring alive the rich mythology of their past. But in a ravaged place where even children are forced to live by their wits and daily survival is the only objective, imagination can be a dangerous thing.

    Powerless to change their fortunes, they are separated, and each put into different foster homes. Yet over the years, the bond between them grows. As they each make their way in a society that is, at times, indifferent, hostile, and violent, one embraces her Métis identity, while the other tries to leave it behind. In the end, out of tragedy, comes an unexpected legacy of triumph and reclamation.In this Critical Edition, editor Cheryl Suzack has chosen ten critical essays to accompany one of the best-known texts by Canadian Aboriginal author Beatrice Culloden/Mosionier.

    With scandal nipping at her heels, to avoid total social ruin, Elizabeth must present a fiancé by the end of the Season. But when the viscount proves reluctant, Elizabeth is forced to employ a seduction of a different sort...With his seduction he is determined to ruin herViscount Derek Creswell believes Elizabeth set out to trap him into marriage. After all, her sister attempted the very same thing with his brother six years before. Now the delectable Miss Smith expects a betrothal and a ring, while Derek finds her ruination infinitely more appealing...But as Derek sets out to seduce only her body, Elizabeth is intent on claiming his jaded heart.This is a novella and 29,000 words. Included is a three chapter excerpt of the third full-length book in The Elusive Lords series, AN HEIR OF DECEPTION. The total word count for this book is 43,000 + words. Prior books in The Elusive Lords series are:SINFUL SURRENDER (Book #1)A TASTE OF DESIRE (Book #2)

    It is warm, with a breeze, and the beaches are marvelous. It's quiet and peaceful. You can't get sick or any older. Curious to see new paintings by Picasso? Swing by one of Elsewhere's museums. Need to talk to someone about your problems? Stop by Marilyn Monroe's psychiatric practice.Elsewhere is where fifteen-year-old Liz Hall ends up, after she has died. It is a place so like Earth, yet completely different. Here Liz will age backward from the day of her death until she becomes a baby again and returns to Earth. But Liz wants to turn sixteen, not fourteen again. She wants to get her driver's license. She wants to graduate from high school and go to college. And now that she's dead, Liz is being forced to live a life she doesn't want with a grandmother she has only just met. And it is not going well. How can Liz let go of the only life she has ever known and embrace a new one? Is it possible that a life lived in reverse is no different from a life lived forward?This moving, often funny book about grief, death, and loss will stay with the reader long after the last page is turned.

    The novel centres upon the hapless members of a love triangle united by their sexual obsessions and by their fascination with Catherine Tekakwitha, the 17th-century Mohawk saint. By turns vulgar, rhapsodic, and viciously witty, Beautiful Losers explores each character’s attainment of a state of self-abandonment, in which the sensualist cannot be distinguished from the saint.

    In FUNNY BOY we follow the life of the family through Arjie's eyes, as he comes to terms both with his own homosexuality and with the racism of the society in which he lives. In the north of Sri Lanka there is a war going on between the army and the Tamil Tigers, and gradually it begins to encroach on the family's comfortable life. Sporadic acts of violence flare into full scale riots and lead, ultimately, to tragedy. Written in clear, simple prose, Syam Selvadurai's first novel is masterly in its mingling of the personal and political.

    All eighty-four men aboard died. February is the story of Helen O'Mara, one of those left behind when her husband, Cal, drowns on the rig. It begins in the present-day, more than twenty-five years later, but spirals back again and again to the "February" that persists in Helen's mind and heart.Writing at the peak of her form, her steadfast refusal to sentimentalize coupled with an almost shocking ability to render the precise details of her characters' physical and emotional worlds, Lisa Moore gives us her strongest work yet. Here is a novel about complex love and cauterizing grief, about past and present and how memory knits them together, about a fiercely close community and its universal struggles, and finally about our need to imagine a future, no matter how fragile, before we truly come home. This is a profound, gorgeous, heart-stopping work from one of our best writers.

    . . . I turned it over. . . . It was a tiny, perfect skull.”In the wake of a family tragedy, twelve-year-old Minn Hotchkiss is sent to spend the summer with her sour grandmother in the tiny seaside town of Boulder Basin, Nova Scotia. Almost as soon as she arrives, Minn discovers the skull of a human child on the beach. She is swiftly caught up in a mystery that reaches back more than a century, to the aftermath of the most tragic shipwreck in Maritime history before the Titanic.Over the course of this extraordinary summer, Minn will discover romance with a boy who turns out to be much more than he seems, and learn that the grandmother she resented is more curious, dedicated, and surprising than she had ever guessed. She might even meet a world-famous rock star!By summer’s end, Minn will solve a ghostly mystery and, most importantly, finally be able to give up the terrible secret she has kept locked in her heart.

    Let the carriage to a royal ball wait. There is a story to be told: of a starless night, a mother and her sick son, and a mortal who falls in love with the snow god, and will do anything to have her...

    “Bono met his wife in high school,” Park says.“So did Jerry Lee Lewis,” Eleanor answers.“I’m not kidding,” he says.“You should be,” she says, “we’re 16.”“What about Romeo and Juliet?”“Shallow, confused, then dead.”“I love you,” Park says.“Wherefore art thou,” Eleanor answers.“I’m not kidding,” he says.“You should be.”Set over one school year in 1986, Eleanor & Park is the story of two star-crossed misfits – smart enough to know first love almost never lasts, but brave and desperate enough to try.

    It's 2008 and Liam Greenwood is a carpenter, fallen from a ladder and sprawled on his broken back, calling out from the concrete floor of an empty mansion. It's 1974 and Willow Greenwood is out of jail, free after being locked up for one of her endless series of environmental protests: attempts at atonement for the sins of her father's once vast and violent timber empire. It's 1934 and Everett Greenwood is alone, as usual, in his maple syrup camp squat when he hears the cries of an abandoned infant and gets tangled up in the web of a crime that will cling to his family for decades. And throughout, there are trees: thrumming a steady, silent pulse beneath Christie's effortless sentences and working as a guiding metaphor for withering, weathering, and survival. A shining, intricate clockwork of a novel, Greenwood is a rain-soaked and sun-dappled story of the bonds and breaking points of money and love, wood and blood—and the hopeful, impossible task of growing toward the light.

    They responded to the intensely introspective nature of the books, and to their lively narrative styles and biting humor. In The Hour I First Believed, Lamb travels well beyond his earlier work and embodies in his fiction myth, psychology, family history stretching back many generations, and the questions of faith that lie at the heart of everyday life. The result is an extraordinary tour de force, at once a meditation on the human condition and an unflinching yet compassionate evocation of character.When forty-seven-year-old high school teacher Caelum Quirk and his younger wife, Maureen, a school nurse, move to Littleton, Colorado, they both get jobs at Columbine High School. In April 1999, Caelum returns home to Three Rivers, Connecticut, to be with his aunt who has just had a stroke. But Maureen finds herself in the school library at Columbine, cowering in a cabinet and expecting to be killed, as two vengeful students go on a carefully premeditated, murderous rampage. Miraculously she survives, but at a cost: she is unable to recover from the trauma. Caelum and Maureen flee Colorado and return to an illusion of safety at the Quirk family farm in Three Rivers. But the effects of chaos are not so easily put right, and further tragedy ensues. While Maureen fights to regain her sanity, Caelum discovers a cache of old diaries, letters, and newspaper clippings in an upstairs bedroom of his family's house. The colorful and intriguing story they recount spans five generations of Quirk family ancestors, from the Civil War era to Caelum's own troubled childhood. Piece by piece, Caelum reconstructs the lives of the women and men whose legacy he bears. Unimaginable secrets emerge; long-buried fear, anger, guilt, and grief rise to the surface. As Caelum grapples with unexpected and confounding revelations from the past, he also struggles to fashion a future out of the ashes of tragedy. His personal quest for meaning and faith becomes a mythic journey that is at the same time quintessentially contemporary -- and American.The Hour I First Believed is a profound and heart-rending work of fiction. Wally Lamb proves himself a virtuoso storyteller, assembling a variety of voices and an ensemble of characters rich enough to evoke all of humanity.

    A moving depiction of the transformative power of first love, Hamann’s first novel follows Eveline Auerbach from her high school years in East Hampton, New York, in the 1970s through her early adulthood in the moneyed, high-pressured Manhattan of the 1980s. Centering on Evie’s fragile relationship with her family and her thwarted love affair with Harrison Rourke, a professional boxer, the novel is both a love story and an exploration of the difficulty of finding one’s place in the world. As Evie surrenders to the dazzling emotional highs of love and the crippling loneliness of heartbreak, she strives to reconcile her identity with the constraints that all relationships—whether those familial or romantic, uplifting to the spirit or quietly detrimental—inherently place on us. Though she stumbles and strains against social conventions, Evie remains a strong yet sensitive observer of the world around her, often finding beauty and meaning in unexpected places. Newly edited and revised since its original publication, Anthropology of an American Girl is an extraordinary piece of writing, original in its vision and thrilling in its execution.