But when his lifelong friend Lady Jane asks for his help, Lenox cannot resist another chance to unravel a mystery, even if it means trudging through the snow to her townhouse next door.One of Jane's former servants, Prudence Smith, is dead -- an apparent suicide. But Lenox suspects something far more sinister: murder by a rare and deadly poison. The house where the girl worked is full of suspects and, though Prudence dabbled with the hearts of more than a few men, Lenox is baffled by an elusive lack of motive in the girl's death.When another body turns up during the London season's most fashionable ball, Lenox must untangle a web of loyalties and animosities. Was it jealousy that killed Prudence? Or was it something else entirely, something that Lenox alone can uncover before the killer strikes again -- disturbingly close to home?

    It is there she encounters Sir Frederick--the man who broke her heart. When a mysterious death occurs, Rebecca is one of the suspects, and Frederick is torn between his feelings for her and his search for the truth.

     Though newly-widowed Lily Adler is returning to a society that frowns on independent women, she is determined to create a meaningful life for herself even without a husband. She's no stranger to the glittering world of London's upper crust. At a ball thrown by her oldest friend, Lady Walter, she expects the scandal, gossip, and secrets. What she doesn't expect is the dead body in Lady Walter's garden.Lily overheard the man just minutes before he was shot: young, desperate, and attempting blackmail. But she's willing to leave the matter to the local constables--until Lord Walter bribes the investigating magistrate to drop the case. Stunned and confused, Lily realizes she's the only one with the key to catching the killer.Aided by a roguish navy captain and a mysterious heiress from the West Indies, Lily sets out to discover whether her friend's husband is mixed up in blackmail and murder. The unlikely team tries to conceal their investigation behind the whirl of London's social season, but the dead man knew secrets about people with power. Secrets that they would kill to keep hidden. Now, Lily will have to uncover the truth, before she becomes the murderer's next target.

    But Miss Clifton has met an untimely end—and Ursula is convinced it was not due to natural causes.   Archaeologist and adventurer Slater Roxton thinks Mrs. Kern is off her head to meddle in such dangerous business. Nevertheless, he seems sensible enough to Ursula, though she does find herself unnerved by his self-possession and unreadable green-gold eyes…   If this mysterious widowed beauty insists on stirring the pot, Slater intends to remain close by as they venture into the dark side of polite society. Together they must reveal the identity of a killer—and to achieve their goal they may need to reveal their deepest secrets to each other as well…

    A snowy December, 1888. Sherlock Holmes, 34, is languishing and back on cocaine after a disastrous Ripper investigation. Watson can neither comfort nor rouse his friend – until a strangely encoded letter arrives from Paris. Mademoiselle La Victoire, a beautiful French cabaret star writes that her illegitimate son by an English Lord has disappeared, and she has been attacked in the streets of Montmartre.Racing to Paris with Watson at his side, Holmes discovers the missing child is only the tip of the iceberg of a much larger problem. The most valuable statue since the Winged Victory has been violently stolen in Marseilles, and several children from a silk mill in Lancashire have been found murdered. The clues in all three cases point to a single, untouchable man.Will Holmes recover in time to find the missing boy and stop a rising tide of murders? To do so he must stay one step ahead of a dangerous French rival and the threatening interference of his own brother, Mycroft.This latest adventure, in the style of Sir Arthur Conan Doyle, sends the iconic duo from London to Paris and the icy wilds of Lancashire in a case which tests Watson's friendship and the fragility and gifts of Sherlock Holmes' own artistic nature to the limits.

    In a churchyard, villagers gather on the night when the ghosts of those who will die in the coming year are thought to be seen. Here, where the estuary leads out to the sea, superstitions still hold sway.Standing alone is the taxidermist's daughter. At 17, Constantia Gifford lives with her father in a decaying house: it is all that is left of Gifford's once world-famous museum of taxidermy. The stuffed animals that used to grace every parlour are out of fashion, leaving Gifford a disgraced and bitter man.The bell begins to toll and all eyes are fixed on the church. No one sees the gloved hand pick up a flint. As the last notes fade into the dark, a woman lies dead.While the village braces itself against rising waters and the highest tide of the season, Connie struggles to discover who is responsible, but finds herself under suspicion. Is Constantia who she seems - is she the victim of circumstances or are more sinister forces at work? And what is the secret that lies at the heart of Gifford House, hidden among the bell jars of her father's workshop?Told over one summer, The Taxidermist's Daughter is the haunting new novel from the bestselling author of Labyrinth, Sepulchre, Citadel and The Winter Ghosts.

    Created after the Metropolitan Police’s spectacular failure to capture Jack the Ripper, The Murder Squad suffers rampant public contempt. They have failed their citizens. But no one can anticipate the brutal murder of one of their own . . . one of the twelve . . .When Walter Day, the squad’s newest hire, is assigned the case of the murdered detective, he finds a strange ally in the Yard’s first forensic pathologist, Dr. Bernard Kingsley. Together they track the killer, who clearly is not finished with The Murder Squad . . . but why?Filled with fascinating period detail, and real historical figures, this spectacular debut in a new series showcases the depravity of late Victorian London, the advent of criminology, and introduces a stunning new cast of characters sure to appeal to fans of The Sherlockian and The Alienist.

    Yet Nell is determined to elude the duties and restrictions of matrimony. So when she finds herself pregnant at the age of 17, she refuses to divulge the name of the father and even her childhood friend Martin is kept in the dark.Nell's stepfather Hiram sends Nell to live at the Poor Farm of which he is a governor, to await the day when her baby can be discreetly adopted. Nell is ready to go along with Hiram's plans until an unused padded cell is opened and two small bodies fall out.Nell is the only resident of the Poor Farm who is convinced that the unwed mother and her baby were murdered, and the incident prompts her to rethink her decision to abandon her own child to her fate. But the revelations to which her questions lead make her realize that even if she manages to escape the Poor Farm with her baby, she may have no safe place to run to.

    Descending into undercover operations, Kate is able to infiltrate the seedy side of the city in ways her fellow detectives can't. She's a seductress, an exotic foreign medium, a rich train passenger-all depending on the day and the robber, thief, or murderer she's been assigned to nab.But is the woman she's becoming-capable of lies, swapping identities like dresses-the true Kate? Or has the real disguise been the good girl she always thought she was? As the tensions between the north and south escalate, Kate takes on a job in which the stakes have never been higher. The nation's future is at risk, even as the lines between disguise and reality begin to blur.

    In medieval Cambridge, England, four children have been murdered. The crimes are immediately blamed on the town's Jewish community, taken as evidence that Jews sacrifice Christian children in blasphemous ceremonies. To save them from the rioting mob, the king places the Cambridge Jews under his protection and hides them in a castle fortress. King Henry II is no friend of the Jews-or anyone, really-but he is invested in their fate. Without the taxes received from Jewish merchants, his treasuries would go bankrupt. Hoping scientific investigation will exonerate the Jews, Henry calls on his cousin the King of Sicily-whose subjects include the best medical experts in Europe-and asks for his finest "master of the art of death," an early version of the medical examiner. The Italian doctor chosen for the task is a young prodigy from the University of Salerno. But her name is Adelia-the king has been sent a "mistress" of the art of death. Adelia and her companions-Simon, a Jew, and Mansur, a Moor-travel to England to unravel the mystery of the Cambridge murders, which turn out to be the work of a serial killer, most likely one who has been on Crusade with the king. In a backward and superstitious country like England, Adelia must conceal her true identity as a doctor in order to avoid accusations of witchcraft. Along the way, she is assisted by Sir Rowley Picot, one of the king's tax collectors, a man with a personal stake in the investigation. Rowley may be a needed friend, or the fiend for whom they are searching. As Adelia's investigation takes her into Cambridge's shadowy river paths and behind the closed doors of its churches and nunneries, the hunt intensifies and the killer prepares to strike again . .

    Yet her path to professional success hits a speed bump during a disastrous raid where half her team is murdered, a mole in the FBI is uncovered and she herself is severely wounded. As soon as she recovers, she goes rogue and travels to England to assassinate the man responsible for the deaths of her teammates.While fleeing from an unexpected assassin herself, Kendra escapes into a stairwell that promises sanctuary but when she stumbles out again, she is in the same place - Aldrich Castle - but in a different time: 1815, to be exact.Mistaken for a lady's maid hired to help with weekend guests, Kendra is forced to quickly adapt to the time period until she can figure out how she got there; and, more importantly, how to get back home. However, after the body of a girl is found on the extensive grounds of the county estate, she starts to feel there's some purpose to her bizarre circumstances. Stripped of her twenty-first century tools, Kendra must use her wits alone in order to unmask a cunning madman.

    Lord Justin Alastair, the notorious Duke of Avon, known for his coldness of manner, his remarkable omniscience, and his debauched lifestyle. Society believes the worst of Justin, who is clearly proud of his sobriquet, 'Satanas'. In a dark Parisian back alley, he is accosted by Leon, a young person dressed in ragged boy's clothing running away from a brutal rustic guardian. The Duke buys Leon, a redheaded urchin with strangely familiar looks...

    His arrival in Deva (more commonly known as Chester, England) does little to improve his mood, and after a straight thirty six hour shift at the army hospital, he succumbs to a moment of weakness and rescues an injured slave girl, Tilla, from the hands of her abusive owner. Now he has a new problem: a slave who won't talk and can't cook, and drags trouble in her wake. Before he knows it, Ruso is caught in the middle of an investigation into the deaths of prostitutes working out of the local bar. A few years earlier, after he rescued Emperor Trajan from an earthquake in Antioch, Ruso seemed headed for glory: now he's living among heathens in a vermin-infested bachelor pad and must summon all his forensic knowledge to find a killer who may be after him next. Who are the true barbarians, the conquered or the conquerors? It's up to Ruso—certainly the most likeable sleuth to come out of the Roman Empire—to discover the truth. With a gift for comic timing and historic detail, Ruth Downie has conjured an ancient world as raucous and real as our own. Published in the UK as Medicus (Ruso) and the Disappearing Dancing Girls.

    Blood and death are Fiona Mahoney’s trade, and business, as they say, is booming. Dying is the only thing people do with any regularity, and Fiona makes her indecorous living cleaning up after the corpses are carted away. Her childhood best friend, Mary, was the last known victim of Jack the Ripper. It’s been two years since Fiona scrubbed Mary’s blood from the floorboards, and London is no longer buzzing about the Ripper, but Fiona hasn’t forgotten. And she hasn’t stopped searching for Jack. When she’s called to a murder in the middle of the night, Fiona finds a victim mutilated in an eerily similar fashion to those of the Ripper, and only a few doors down from Mary’s old home. The relentless, overbearing, and irritatingly handsome Inspector Grayson Croft warns her away from the case. She might have listened, if she hadn’t found a clue in the blood. A clue that will lead her down a path from which there is no return.As a killer cuts a devastating swath through London, a letter written in blood arrives at her door, and it is only then that Fiona realizes just how perilous her endeavor is. For she has drawn the attention of an obsessive evil, and is no longer the hunter, but the prey. Fiona Mahoney is in the business of blood. But she’s not the only one. With intriguing twists, blood-chilling discoveries, and dazzling prose, USAToday Bestselling author Kerrigan Byrne shows that a woman’s work is never done, even when she is sleuthing out a serial killer.

    A spinster who lives on the sufferance of her relatives, she would certainly not presume to search the rooms of her host's son and his friend looking for evidence. Reared in the twin virtues of deference and docility, she would absolutely never think to question the imperious Duke of Kesgrave about anything, let alone how he chose to represent the incident to the local constable. And yet when she stumbles upon the bludgeoned corpse of poor Mr. Otley in the deserted library of the Skeffingtons' country house, that's exactly what she does. A Regency Cozy.