In the case of Thomas Ligotti, the response has invariably been to the effect that he never has any idea what he is going to produce in the future, if anything. Since he began publishing in the early 1980s, this answer has perhaps seemed somewhat disingenuous. Some may have thought that it was an affectation or diversionary tactic. After all, books under his name have since appeared on a somewhat regular, if not exactly prolific, schedule. But as the years went by, it became more and more apparent that Ligotti’s output was at best haphazard. A chapbook here, a slim or full-fledged story collection there, a book of poetry or unclassifiable prose out of nowhere, and then at some point a quasi-academic statement of his philosophical ideas and attitudes. Such a scattered crop of writings is not unheard-of, but for one who toils in the genre of horror, whose practitioners are commonly hard at work on a daily basis, it does seem as paltry as it is directionless. Accordingly, the present volume is another unexpected contribution to Ligotti’s desultory offerings. And no one could be as surprised by its appearance as he was. As anyone knows who has followed his interviews and obsessions as they appear in his fiction, Ligotti must take his literary cues from a lifetime of, let us say, whimsical pathologies. Other authors may suffer writer’s block. In the present case, the reason may be dubbed “existence block,” one that persisted for some ten years. This is less than an ideal development for anyone, but for a word-monger it can spell the end. And yet the end did not arrive. During 2012, it seemed that it might in the form of a sudden collapse and subsequent hospitalization prefigured—one might speculate—by the abdominal crisis suffered by the character Grossvogel in Ligotti’s story “The Shadow, The Darkness.” Yet like the agony endured by the aforementioned figure, the one in question led only to a revitalization of creativity. This revitalization may not be exactly spectacular, but all the same here it is. Throughout Ligotti’s “career” as a horror writer, many of his stories have evolved from physical or emotional crises. And so it was with the surgical trauma that led to the stories in The Spectral Link, an event that is marginally mentioned in the first of these stories, “Metaphysica Morum.” In the second story, “The Small People,” Ligotti returns, although not precisely in the usual fashion, to his fixation with uncanny representations of the so-called human being. Having nearly ceased to exist as he lay on the surgeon’s table, the imposing strangeness of the nature and vicissitudes of this life form once again arose in his imagination. So what project and publications are forthcoming from Thomas Ligotti? As ever, not even he knows.

    There are mighty warriors, samurai, in Naipon as in Japan, and added to their skill with the two swords of a samurai they must have skill in magic.One of the greatest of them all is the woman called Tomoe Gozen. She is young and rash, perhaps not as wise as she should be ... indeed, as she will be ... but valiant in war, loyal in friendship, and steadfast in honor as becomes a samurai.This is the story of how sorcery caused Tomoe Gozen to break with her bushido, and of what she did to regain her honor.And even Amaterasu the Shining Goddess was unsure how this came to be... whether in Naipon the hopes and fears of Japan coalesced into a different and stranger reality, or if in Japan the glory and terror of Naipon echoed through the dreams of Japanese.

    He's established a utopian community on an estate outside the town of Jeckyll's Glen, where the faithful wait, work, and pray for the world to end.Vernelia, Amy, and Catherine Charter are the three young townswomen whose father falls under the Reverend Fitcher’s hypnotic sway. In their old house, where ghostly voices whisper from the walls, the girls are ruled by their stepmother, who is ruled in turn by the fiery preacher. Determined to spend Eternity as a married man, Fitcher casts his eye on Vernelia, and before much longer the two are wed. But living on the man's estate, separated from her family, Vern soon learns the extent of her husband’s dark side. It's rumored that he's been married before, though what became of those wives she does not know. Perhaps the secret lies in the locked room at the very top of the house—the sin-gle room that the Reverend Fitcher has forbidden to her.Inspired by the classic fairy tales "Bluebeard" and "The Fitcher Bird," this dark fantasy is set in New York State’s “Burned-Over District,” at its time of historic religious ferment. All three Charter sisters will play their part in the story of Fitcher's Utopia: a story of faith gone wrong, and evil coun-tered by one brave, true soul.

    These tales cover the range of Greek mythology, including the creation story of Deucalion and Pyrrha, the heroic adventures of Perseus, the fall of Icarus, Cupid and Psyche's tale of love, and the tragic history of Oedipus and Thebes. Men and Gods is an essential and delightful book with which to discover some of the key stories of world literature.

    The mutants' creator bequeathed them the secret of the drive, and with it a monopoly on space travel, which allows them to dominate normal humans. During his escape, Paddy discovers that the knowledge of how to manufacture the engines has been stored in five gold rings, one for each mutant race. The rings are hidden in five secret locations for safekeeping. With the help of a beautiful human secret agent, Fay Bursill, Paddy searches the home planets of each of the mutant species, in the hope that Earthfolk will be able to resume their rightful place in space.

    A landmark text on the greatest land battle of the Pacific War.

    Covering ground form young adulthood to the height of Camus's career, these notebooks contain sketches for future works, excerpts from favorite books, and reflections on death, loneliness, and art.

    You can think of the Python programming language as your tool to solve data problems that are beyond the capability of a spreadsheet.Python is an easy to use and easy to learn programming language that is freely available on Macintosh, Windows, or Linux computers. So once you learn Python you can use it for the rest of your career without needing to purchase any software.This book uses the Python 3 language. The earlier Python 2 version of this book is titled "Python for Informatics: Exploring Information".

    Leering from the arches and peaks of ancient cathedrals. Spreading their wings across hallowed doorways. Even decorating our homes in stony, silent elegance. Are they angels or demons? Sacred or profane? In the Shadow of the Gargoyle features fifteen original stories and two classic tales of the legendary gargoyle. The contributors range from bestselling masters to the hottest newcomers--award-winners, artists, musicians, and, yes, gargoyle collectors. Each of them experts at drawing blood from a stone... Contributors include:* Harlan Ellison * Neil Gaiman * Katherine Kurtz * Brian Lumley * Jane Yolen * Charles L. Grant * John Mason Skipp * Nancy Holder * Alan Rodgers * Lucy Taylor * Jo Clayton * Don D'Ammassa * Christa Faust * Robert J. Harris * Brian Hodge * Caitlin R. Kiernan * Marc Levinthal * Melanie Tem * Wendy Webb

    Fifty furry, scaly and feathered friends are here for aspiring young artists to draw.

    Underpinning both math and science, it is the foundation of every major advancement in knowledge since the time of the ancient Greeks. Through adventure stories and historical narratives populated with a rich and quirky cast of characters, Mazur artfully reveals the less-than-airtight nature of logic and the muddled relationship between math and the real world. Ultimately, Mazur argues, logical reasoning is not purely robotic. At its most basic level, it is a creative process guided by our intuitions and beliefs about the world.

    It's a tour de force of VW design, stunning in intellectual scope, spanning the literary, economic, sociological, psychological, physical, technological, and ethical underpinnings of design, while providing the reader with a deep, well-grounded understanding of VW design principles. It covers everything from MUDs to MOOs to MMORPGs, from text-based to graphical VWs.Designing Virtual Worlds brings a rich, well-developed approach to the design concepts behind virtual worlds. It is grounded in the earliest approaches to such designs, but the examples discussed in the book run the gamut from the earliest MUDs to the present-day MMORPG games mentioned above. It teaches the reader the actual, underlying design principles that many designers do not understand when they borrow or build from previous games. There is no other design book on the market in the area of online games and virtual worlds that provides the rich detail, historical context, and conceptual depth of Designing Virtual Worlds.

    The ancient dragon kings have deemed that the hour is right to regain their dominance over Earth—and only Thongor and his companions, aided by the science and magic of the wizard Sharajsha, stand between mankind and the night of doom!

    In this new edition Joseph S. M. Lau and Howard Goldblatt have selected fresh works from familiar authors and have augmented the collection with poetry, stories from the colonial period in Taiwan, literature by Tibetan authors, samplings from the People's Republic of China during the Cultural Revolution, stories by post-Mao authors Wang Anyi and Gao Xingjian, literature with a homosexual theme, and examples from the modern "cruel youth" movement. Lau and Goldblatt have also updated their notes and their biographies of featured writers and poets. Now fully up to date, this critical resource more than ever provides readers with a thorough introduction to Chinese society and culture.

    The authors discuss positive life-affirming values inherent in all romances: the celebration of female power, courage, intelligence, and gentleness; the inversion of the power structure of a patriarchal society; and the integration of male and female. Several of the essays also discuss the issue of reader identification with the characters, a relationship that is far more complex than most critics realize.