For more than 50 years, Chimen and his wife, Miriam, hosted epic gatherings in their house of books that brought together many of the age's greatest thinkers.The atheist son of one of the century's most important rabbis, Chimen was born in 1916 near Minsk, spent his early teenage years in Moscow while his father served time in a Siberian labor camp for religious proselytizing, and then immigrated to London, where he discovered the writings of Karl Marx and became involved in left-wing politics. He briefly attended the newly established Hebrew University in Jerusalem, until World War II interrupted his studies.Back in England, he married, and for many years he and Miriam ran a respected Jewish bookshop in London's East End. When the Nazis invaded Russia in June 1941, Chimen joined the Communist Party, becoming a leading figure in the party's National Jewish Committee. He remained a member until 1958, when, shockingly late in the day, he finally acknowledged the atrocities committed by Stalin. In middle age, Chimen reinvented himself once more, this time as a liberal thinker, humanist, professor, and manuscript expert for Sotheby's auction house.Journalist Sasha Abramsky re-creates here a lost world, bringing to life the people, the books, and the ideas that filled his grandparents' house, from gatherings that included Eric Hobsbawm and Isaiah Berlin to books with Marx's handwritten notes, William Morris manuscripts and woodcuts, an early 16th-century Bomberg Bible, and a first edition of Descartes' Meditations. The House of Twenty Thousand Books is a wondrous journey through our times, from the vanished worlds of Eastern European Jewry to the cacophonous politics of modernity.

    Written by a diverse community of Eastern European Jewish immigrants, these letters spoke to the daily heartbreaks and comedies of their new lives, capturing the hope, isolation, and confusion of assimilation.Drawn from these letters—selected and adapted by Liana Finck and brought to life in her appealing two-color illustrations—A Bintel Brief is a tour of Lower East Side New York, and includes an imaginative conversation with the Yiddish "Dear Abby," Abraham Cahan, The Forward's legendary editor and creator of the Bintel Brief column.From premarital sex to family politics to struggles with jobs and money, A Bintel Brief is an enlightening look at a segment of America's rich cultural past that offers fresh insights for our own lives as well.

    That fervor animates American history as much as it does the Middle East, in the present as deeply as in the past. In Carroll’s provocative reading of the deep past, the Bible came into being as an act of resistance to the violence that threatened Jerusalem from the start. Centuries later, holy wars burned apocalyptic Jerusalem into the Western mind, sparking expressly religious conflict among Jews, Christians, and Muslims. The heat stretched from Richard the Lionheart to Field Marshal Edmund Allenby, whose World War I conquest of the city relit the fuse for a war that still rages. Carroll’s brilliant leap is to show how, as Christopher Columbus was dispatched from the Crusades-obsessed Knights Templar’s last outpost in Iberia, the New World too was powerfully shaped by the millennial obsessions of the City on a Hill — from Governor Winthrop to Abraham Lincoln to Woodrow Wilson to Ronald Reagan. Heavenly Jerusalem defines the American imagination — and always, the earthly city smolders. Jerusalem fever, inextricably tied to Christian fervor, is the deadly — unnamed — third party to the Israeli-Palestinian wars. Understanding Jerusalem fever is the key that unlocks world history, and the diagnosis that gives us our best chance to reimagine peace.

    Now, Harry shares many of his hilarious insider tips.

    Julian Berrendero's victory in the 1941 Vuelta a Espana was an extraordinary exercise in sporting redemption: the Spanish cyclist had just spent 18 months in Franco's concentration camps, punishment for expressing Republican sympathies during the civil war. Seventy nine years later, perennially over-ambitious cyclo-adventurer Tim Moore developed a fascination with Berrendero's story, and having borrowed an old road bike with the great man's name plastered all over it, set off to retrace the 4,409km route of his 1941 triumph - in the midst of a global pandemic. What follows is a tale of brutal heat and lonely roads, of glory, humiliation, and then a bit more humiliation. Along the way Tim recounts the civil war's still-vivid tragedies, and finds the gregarious but impressively responsible locals torn between welcoming their nation's only foreign visitor, and bundling him and his filthy bike into a vat of antiviral gel.'Bill Bryson on two wheels' Independent

    Her idea blossomed into this striking and highly original work of narrative nonfiction, an account of her search for meaning within the stories of her ancestors.In a series of short meditations, Petrowskaja delves into family legends, introducing a remarkable cast of characters: Judas Stern, her great-uncle, who shot a German diplomatic attaché in 1932 and was sentenced to death; her grandfather Semyon, who went underground with a new name during the Bolshevik Revolution in Russia, forever splitting their branch of the family from the rest; her grandmother Rosa, who ran an orphanage in the Urals for deaf-mute Jewish children; her Ukrainian grandfather Vasily, who disappeared during World War II and reappeared without explanation forty-one years later—and settled back into the family as if he’d never been gone; and her great-grandmother, whose name may have been Esther, who alone remained in Kiev and was killed by the Nazis.How do you talk about what you can’t know, how do you bring the past to life? To answer this complex question, Petrowskaja visits the scenes of these events, reflecting on a fragmented and traumatized century and bringing to light family figures who threaten to drift into obscurity. A true search for the past reminiscent of Jonathan Safran Foer’s Everything Is Illuminated, Daniel Mendelsohn’s The Lost, and Michael Chabon’s Moonglow, Maybe Esther is a poignant, haunting investigation of the effects of history on one family.

    Many intelligent and otherwise well informed readers will find much of the material in this book new and quite startling, although Bible scholars, and anyone who has even an amateur background in comparative mythology, will be familiar with it. Bible scholar and religion editor Tim Callahan fills the gap left by many Bible interpreters who examine only those Bible verses which can be made to support their personal or political views. But the world needs a broader understanding of its sacred texts, particularly when selective interpretation of the Bible is used to fuel extremism, and when interpreting Bible verses out of the context in which they were written intrudes on rational solutions for modern problems.Callahan uses comparative mythology to demonstrate how Bible stories that do not make much sense on the surface can be understood on deeper levels when their mythic content is revealed. He uses literary analysis, history, and archeological comparisons to expand our understanding of the purpose these stories served for those who originally wrote them.

    It tells the story of one man drifting through America, east coast to west, main stem to side street, endlessly searching for "three hots and a flop"--food and a place to sleep. Kromer scans, in first-person voice, the scattered events, the stultifying sameness, of "life on the vag"--the encounters with cops, the window panes that separate hunger and a "feed," the bartering with prostitutes and homosexuals.In "Michael Kohler," Kromer's unfinished novel, the harsh existence of coal miners in Pennsylvania is told in a committed, political voice that reveals Kromer's developing affinity with leftist writers including Lincoln Steffens and Theodore Dreiser. An exploration of Kromer's proletarian roots, "Michael Kohler" was to be a political novel, a story of labor unions and the injustices of big management. Kromer's other work ranges from his college days, when he wrote a sarcastic expose of the bums in his hometown titled "Pity the Poor Panhandler: $2 an Hour Is All He Gets," to the sensitive pieces of his later life--short stories, articles, and book reviews written more out of an aching understanding of suffering than from the slick formulas of politics.Waiting for Nothing remains, however, Kromer's most powerful achievement, a work Steffens called "realism to the nth degree." Collected here as the major part of Kromer's oeuvre, Waiting for Nothing traces the author's personal struggle to preserve human virtues and emotions in the face of a brutal and dehumanizing society.

    For nearly three decades David Wallechinsky and Amy Wallace have been researching curious facts and unusual statistics and the incredible stories behind them. Now the most entertaining and informative of these have been brought together in a long-awaited, thoroughly up-to-date, and Americanized new edition, including brand-new lists and list makers. Contributors include: Oliver Stone; Jane Fonda; Sean Connery; Robert Duvall; Pedro Almodovar; Stephen King; John Waters; Wynton Marsalis; Quincy Jones; Arnold Palmer; Kareem Abdul-Jabbar; Isaac Stern; Ian Rankin; Alan Dershowitz; Margaret Atwood; Dave Eggers; Brian Eno; and Elmore Leonard.

    Poor health, broken marriages, and poverty are the norm, and luck is unusual. So when Miguel Torres notices an advertisement for a position looking after two small boys a few towns over, he jumps at the opportunity.Rachel Rothstein is not the sort of parent Miguel expected to be working for, though. A frustrated artist, Rachel moved her family away from New York looking for a fresh start, but so far New Mexico has not solved any of the problems they brought with them. But Miguel genuinely loves the work and he finds many of the Rothstein family's customs similar to ones he sees in his own community.Studded throughout this present-day narrative are historical vignettes following the ancestors of Entrada's residents, beginning in fifteenth-century Spain and moving forward to the discovery of America, highlighting the torture, pursuit, and resistance of the Jewish people throughout history, leading to the founding of the enclave that Miguel now calls home. A beautiful novel of shared history, Gateway to the Moon is a moving and memorable portrait of home and community.

    In 2007, two Israeli news publications, Israel Today and News First Class reported that the most famous Rabbi in Israel's modern history, 108-year-old Yitzhak Kaduri, had left a cryptic death note revealing the name of the long-awaited Messiah. Within a year after the rabbi's death, the note was reported to have been verified as authentic by some of Kaduri's closest followers and then placed on Kaduri's own website (Kaduri.net). The purported Kaduri message proclaimed that Messiah's name was Yehoshua, or Jesus.  Its significance shocked the religious world. Shortly thereafter the furor began. The note immediately disappeared from Kaduri's website. The media refused to report further upon the matter. The Kaduri family, and several others close to the Kaduri ministry, began to claim that the note was a forgery or a mere fabrication - a cruel joke. Now, author, senior pastor, radio talk show host, and former law enforcement officer Carl Gallups, uses his biblical knowledge and journalistic and investigative skills to explore the matter inside and out. His thorough and balanced reporting of the documented facts of the case will astound you. Messianic Rabbi Jonathan Cahn, author of The Harbinger, several renowned biblical experts, as well as former students of Kaduri's rabbinical training school weigh in on the case. Gallup's exciting detailed reporting reaches startling conclusions that will amaze you. Mystical death-curses, visions of Messiah, an important world political figure under threat, religious leaders in shock, a cryptic death note, and more, this story is shocking, it is true and it is still unfolding. Did Rabbi Kaduri actually see and identify the real Messiah? From the publishers and the movie studio that brought you the best-selling documentary The Isaiah 9:10 Judgment comes the story of The Rabbi Who Found Messiah.

    Just a few years earlier, Jews living in Portugal were dragged to the baptismal font and forced to convert to Christianity. Many of these New Christians persevered in their Jewish prayers and rituals in secret and at great risk; the hidden, arcane practices of the kabbalists, a mystical sect of Jews, continued as well.One such secret Jew was Berekiah Zarco, an intelligent young manuscript illuminator. Inflamed by love and revenge, he searches, in the crucible of the raging pogrom, for the killer of his beloved uncle Abraham, a renowned kabbalist and manuscript illuminator, discovered murdered in a hidden synagogue along with a young girl in dishabille. Risking his life in streets seething with mayhem, Berekiah tracks down answers among Christians, New Christians, Jews, and the fellow kabbalists of his uncle, whose secret language and codes by turns light and obscure the way to the truth he seeks.

    She identified with Jewish cultural attitudes, but not with the institutions; she had fond memories of her Jewish grandmothers, but she found their religious practices irrelevant to her life. It wasn't until she entered the kitchen--and world--of her mother-in-law, Miriam, a Holocaust survivor, that Ehrlich began to understand the importance of preserving the traditions of the past. As Ehrlich looks on, Miriam methodically and lovingly prepares countless kosher meals while relating the often painful stories of her life in Poland and her immigration to America. These stories trigger a kind of religious awakening in Ehrlich, who--as she moves tentatively toward reclaiming the heritage she rejected as a young woman--gains a new appreciation of life?s possibilities, choices, and limitations.

    It was a time when Oscar Hayoun, a Jewish Arab, strode along the Nile in a fashionable suit after Shabbat services on his way to bring tobacco to his dying grandfather, long before Oscar and his father arrived at the port of Haifa to join the Zionist state only to find themselves first hosed down with DDT then left unemployed on the margins of society. In that time, Arabness was a mark of diverse cosmopolitanism, of intellectualism. Today, in the age of the Likud and ISIS, Massoud Hayoun, the Jewish Arab journalist that Oscar raised in Los Angeles, finds his voice by telling his family’s story.To reclaim a cosmopolitan, nuanced Arab identity is, for Hayoun, part of the larger project to recall a world before ethnic identity was mangled for political ends. It is also a journey deep into a lost age of sophisticated innocence in the Arab world; an age that until now could be witnessed only in the films his family treasured but that are now nearly lost amid the flood of culture.When We Were Arabs, a stunning debut that showcases the gorgeous prose of writer Massoud Hayoun, tells the stories of Oscar and Daida, bringing their worlds alive in vivid poetic prose, and in so doing shattering our contemporary understanding of what makes an Arab, what makes a Jew, and how we draw the lines between us over which we do battle.

    Mostly illiterate, they were self-made mystics and gifted storytellers and humble peddlers who dwelt in harmony with their Muslim and Christian neighbors in the mountains of northern Iraq. To these descendants of the Lost Tribes of Israel, Yona Sabar was born. Yona's son Ariel grew up in Los Angeles, where Yona had become an esteemed professor, dedicating his career to preserving his people’s traditions. Ariel wanted nothing to do with his father’s strange immigrant heritage—until he had a son of his own.Ariel Sabar brings to life the ancient town of Zakho, discovering his family’s place in the sweeping saga of Middle-Eastern history. This powerful book is an improbable story of tolerance and hope set in what today is the very center of the world’s attention.