The challenging 256-mile route is usually approached from south to north, from Edale in the Peak District to Kirk Yetholm, the other side of the Scottish border. He resolved to tackle it the other way round: through beautiful and bleak terrain, across lonely fells and into the howling wind, he would be walking home, towards the Yorkshire village where he was born. Travelling as a 'modern troubadour' without a penny in his pocket, he stopped along the way to give poetry readings in village halls, churches, pubs and living rooms. His audiences varied from the passionate to the indifferent, and his readings were accompanied by the clacking of pool balls, the drumming of rain and the bleating of sheep. Walking Home describes this extraordinary, yet ordinary, journey. It's a story about Britain's remote and overlooked interior - the wildness of its landscape and the generosity of the locals who sustained him on his journey. It's about facing emotional and physical challenges, and sometimes overcoming them. It's nature writing, but with people at its heart. Contemplative, moving and droll, it is a unique narrative from one of our most beloved writers.

    It is also peculiarly British in that it is deeply rooted in the British class system. Grouse shooting is big business, backed by powerful, wealthy lobbying groups, with tendrils running throughout British society.Inglorious makes the case for banning driven grouse shooting. Mark Avery explains why he has, after many years of soul-searching, come down in favor of an outright ban. There is too much illegal killing of wildlife, such as Buzzards, Golden Eagles, and, most egregiously of all, Hen Harriers; and, as a land use, it wrecks the ecology of the hills. However, grouse shooting is economically important, and it is a great British tradition. All of these, and other points of view, are given fair and detailed treatment and analysis, with testimony from a range of people on opposite sides of the debate.The book also sets out Avery's campaign with Chris Packham to gain support for the proposal to ban grouse shooting, culminating in "Hen Harrier Day," timed to coincide with the "Glorious" 12th. Ever controversial, Mark Avery is guaranteed to stir up a debate about field sports, the countryside, and big business in a book that all conservationists will want to read.

    All of them - hikers, hunters, fishermen, campers, and canoeists - are drawn to the woods for some special reason. Yet few of them see the forest as a whole, as the web of life it truly is. Here, from New York Times bestselling author Richard M. Ketchum, is the extraordinary story of forests and the trees that comprise them.

    Why on earth has the entirely land-loving Eastern mole been named "Scalopus Aquaticus" or the Oxford ragwort been called "Senecio Squalidus" (translation: "dirty old man")? What were naturalists thinking when they called a beetle "Agra Katewinsletae," a genus of fish "Batman," and a trilobite "Han Solo"? Why is zoology replete with names such as "Chloris Chloris Chloris" (the greenfinch) and "Gorilla Gorilla Gorilla" (a species of, well, gorilla)? The Naming of the Shrew will unveil these mysteries, exploring the history, celebrating their poetic nature, and revealing how naturalists sometimes get things so terribly wrong. With wonderfully witty style and captivating narrative, this book will make you see Latin names in a whole new light.

    From the moment he watched the multitudes blossom as a mysterious dark flower above the night woods, these gloriously commonplace birds were unsheathed entirely from their ordinariness. They became for Cocker a fixation and a way of life. Cocker goes in search of them, journeying from the cavernous, deadened heartland of South England to the hills of Dumfriesshire, experiencing spectacular failures alongside magical successes and epiphanies. Step by step he uncovers the complexities of the birds' inner lives, the unforeseen richness hidden in the raucous crow song he calls 'our landscape made audible'. Crow Country is a prose poem in a long tradition of English pastoral writing. It is also a reminder that 'Crow Country' is not 'ours': it is a landscape which we cohabit with thousands of other species, and these richly complex fellowships cannot be valued too highly

    After two decades exploring the Western coast and mountains of the British Isles, the historian and nature writer David Gange set out to travel the seaboard in the course of a year. This coastline spans just eight-hundred miles as the crow flies, but the complex folds of its firths and headlands stretch more than ten-thousand. Even those who circumnavigate Britain by kayak tend to follow the shortest route; the purpose of this journey was to discover these coastlines by seeking out the longest.Travelling by kayak, on foot and at the end of a rope, Gange encounters wildcats, basking sharks and vast colonies of seabirds, as well as rich and diverse coastal communities. Spending nights in sight of the sea, outdoors and without a tent, the journey crosses hundreds of peaks and millions of waves. With an eye attuned both to nature and the traces of the past, Gange evokes living worlds and lost worlds on the tattered edges of Scotland, Ireland, Wales and England.Written with literary finesse in an immersive style, and informed by history, this new talent in nature writing takes us on a whirlwind trip over the course of twelve months, each chapter serving as a love letter to a different region of the British coastline.

    Together Okefenokee, Osceola, and Pinhook form one of the largest expanse of protected wild land east of the Mississippi River. This is one of America's last truly wild places, and Pinhook takes us into its heart.Ray comes to know Pinhook intimately as she joins the fight to protect it, spending the night in the swamp, tasting honey made from its flowers, tracking wildlife, and talking to others about their relationship with the swamp. Ray sees Pinhook through the eyes of the people who live there--naturalists, beekeepers, homesteaders, hunters, and locals at the country store. In lyrical, down-home prose, she draws together the swamp's need for restoration and the human desire for wholeness and wildness in our own lives and landscapes.

    At the center of this story of majesty and magic in the natural world are three Magdalenas—Mary, a woman whose uncertain journey opens the book; Magdalena Mountain, shrouded in mystery and menace; and the all-black Magdalena Alpine butterfly, the most elusive of several rare and beautiful species found on the mountain. And high in the Colorado Rocky Mountain wilderness, sharing the remote territory of the Magdalena butterfly, lives the enigmatic Oberon, a reluctant de facto leader of The Grove, a diverse community of monks who share a devotion to Nature. Converging in the same wilderness are October Carson, a beachcomber-wanderer in pursuit of the alpine butterflies he collects for museums; James Mead, a young graduate student intent upon learning the ecology of this seductive creature; and the enigmatic Mary Glanville, who also seeks the butterfly but can't remember why. While the mystery surrounding Mary takes a menacing turn, their shared quest pulls them deeper into the high mountain wilderness culminating in a harrowing encounter on the stony slopes of Magdalena Mountain. "Pyle has the ability to find wonder in the mundane and beauty in the unpretentious." —Library Journal "Pyle's laid-back humor is appealing and his descriptive talents are poetic." —Publishers Weekly

    This edition contains 778 poems, 100 of them previously unpublished, and has, in addition, a context piece, author's words and CD of readings. It is a definitive (though not complete) collection.

    'Bring back the lynx? Over my dead body!”The environmental protestors murmured, and Rory stepped forward. ‘Your hunting has destroyed our hills and left them treeless wastes, devoid of wildlife. It’s time that changed.’‘Listen, you lentil-eating cat lover,’ Purdey barked through the megaphone, ‘men like me own Scotland. If we want to kill anything that moves and turn the whole damn place into a theme park, we’ll do it.’Someone from the group of protestors hurled a turnip. It struck Purdey and he crumpled to the ground. Just as the archaic class system he represents must eventually fall, Angus thought with a grin.In his first two bestselling books, The Last Hillwalker and Bothy Tales, John D. Burns invited readers to join him in the hills and wild places of Scotland. In Sky Dance, he returns to that world to ask fundamental questions about how we relate to this northern landscape – while raising a laugh or two along the way. Anyone who has gazed at the majesty of the Scottish mountains will know this place and want to return to it. Now, as wild land is threatened like never before, it’s time we asked ourselves what kind of future we want for the Highlands.

    Its fifteen hundred miles of shore mean that wherever one stands, there is a view of the sea. It has sheltered voes and beaches and dramatically exposed cliffs, lush meadows full of wild flowers in the summer and bleak hilltops where only the hardiest of plants will grow. It is a place where traditions are valued and celebrated, but new technologies and ways of working are also embraced.In this gloriously illustrated companion to her novels, Ann Cleeves takes readers through a year on Shetland, learning about its past, meeting its people, celebrating its festivals and seeing how the flora and fauna of the islands changes with the seasons. Whether it is the drama of the Viking fire festival of Up Helly Aa in winter, or the piercing blue and hot pink of spring flowers on the clifftops, the long, white nights of midsummer or the fierce gales and high tides of autumn, Shetland is vividly captured in all its bleak and special beauty.

    We feel the sand between our toes, or the grass beneath our feet. In these long, warm days, languid and sensual, we reconnect with the natural world, revelling in light and scent and colour once more.Capturing the high point of the year's progress, Summer presents prose and poetry spanning eight hundred years. Featuring new contributions by Simon Barnes, Michael McCarthy and Esther Woolfson, classic extracts from the work of Charles Dickens, Mary Webb and Philip Larkin, and diverse new nature writing from across the UK, this vibrant and evocative collection will inspire you to go out and enjoy the pleasures of summer.“A remarkable anthology of abundance capturing both the physical wonders and the psychological enchantments of this glorious season, this book conjures summer in the senses as potently as a field of freshly cut hay. Featuring some of the greatest writers on landscape as well as fantastic new voices, it is a collection that will trigger the memory, evoke new places and people, and help you see afresh the preciousness and precariousness of our natural world.” -- Rob Cowen, author of Common Ground“A delightful miscellany of reflections on that loveliest of seasons, summer – packed with insights and encounters with nature from a wide range of authors from Gilbert White and George Eliot to a bevy of young contemporary naturalists” — Stephen Moss, author of Wild Hares and Hummingbirds and Wild Kingdom: Bringing Back Britain’s Wildlife“This book will convince you that summertime is where we truly belong – not through overindulgence in nostalgia, but through realisation of our core values and roots. It will take you home” -- Matthew Oates, author of In Pursuit of Butterflies: A Fifty-year Affair“Lavishly capturing the nature of the season in all its slow, sensual splendour, Summer is a potent reminder of the riches that surround us, and a poignant evocation of all that we cannot bear to lose” – Sharon Blackie, author of If Women Rose Rooted and editor of Earthlines“[A] delicious antidote … a summer collection to wake up a tired imagination, like sunshine warming a plant to coax it into opening.” – Richard Littledale, blogger“I’ve been dipping in and out of this beautiful anthology for some time but didn’t want to post a review until I had read every entry. There are poems, extracts and essays spanning several centuries, so that there is something for every reader in this celebration of the season ... There’s a beauty to this book – from the glorious cover to the simple illustrations like that of the swallow that adorn the inside pages. The writings are all evocative, enlightening, entertaining or thought provoking ... I shall treasure it and return to it again and again ... A perfect gift for any lover of words or nature.” -- Linda’s Book Bag blog“Taken together, these pieces truly give the feeling of an English summer. The older writing is remarkably undated, which contributes to a sense of continuity across the centuries ... These are really rather lovely books. Summer is a perfect bedside companion to dip into as the days warm up. Impossible not to covet the whole four-season set.” – BookishBeck blog“There are so many lovely things that I could pull out from this book … I know that I will enjoy revisiting this beautifully produced anthology” -- Beyondedenrock.comPraise for Spring "A book to live with and to love… features a wonderfully various array of poetry and prose, from Chaucer to the present day, that allows us to see the arrival and the passing of our most fecund season (and those who have written about it) in fresh and stimulating ways." -- Matthew Adams, The Independent‘[A] tremendous, soul-lifting collection … a profound evocation of what rejuvenation means to the winter-stunned psyche’—Lucy Jones, BBC Wildlife Magazine"The cover of this book is absolutely striking… I couldn't wait to look inside. It is so full of life… Full of perfectly mixed passages of the wonders of nature, this is a book I will turn to each year as the vivacious season of spring approaches." --The Book Magnet"A very lovely object … I was captivated by the writing. These were the words of people who wanted to share their experiences of the world around them; some of them wrote to inform, some of them wrote to celebrate, and of course the very best of them did both … There is nothing in it that doesn't deserve its place, and I can think of nothing that should be there but isn't. It would make a lovely Easter gift. It's a book that I know I will enjoy revisiting." -- Beyondedenrock.com"Everything about this book, from Lynn Hatzius' gorgeous cover, to the rich cream of the pages, to the meticulously selected content is an invitation … to taste the Spring in the air, to hear the grasses grow, to lose yourself in a vast sky or to watch the farmers at work. The book, like a sparkling Spring stream swollen with meltwater, is just begging for you to dip in." --Richard Littledale, blogger"An anthology edited by Melissa Harrison was never going to stick to [the] beaten track … important is her imaginative commissioning of new works and choice of previously published pieces. There are several refreshing novelties in this book … Serves to remind us that the future of nature writing - if we must use the label - is under no threat." -- Laurence Rose, thelongspring.com

    Over four years, her encounters with the sea and all its weathers, the friendships she made, the wild creatures she encountered, combined to transform her life. This book is a love letter, to the beach where she swims regularly and its microcosmic world, to the ever-changing cold waters where the North Sea and the Atlantic Ocean meet, and to the seals, her constant companions.

    It is a hands-on guide to learning about the natural environment of California. Subjects covered include California natural history and geology, native plants and animals, California's freshwater resources and ecosystems, forest and rangeland resources, conservation biology, and the effects of global warming on California's natural communities. The Handbook also discusses how to create and use a field notebook, natural resource interpretation, citizen science, and collaborative conservation and serves as the primary text for the California Naturalist Program.

    By directing our attention to how we hike as opposed to where we’re headed, Ives invites us to shift from ego-driven doing to spirit-filled being, and to explore the vast interconnection of ourselves and the natural world. Through this approach, we can wake up in the woods on nature’s own terms. In erudite and elegant prose, Ives takes us on a journey we will not soon forget. This book features a new prose poem by Gary Snyder.