Beyond the prison walls, the war rages. Inside, a man is found brutally murdered. What follows is a searing portrait of Korea before their civil war, and a testimony to the redemptive power of poetry.Watanabe Yuichi, a young guard with a passion for reading, is ordered to investigate a murder. The victim, Sugiyama, also a guard, was feared and despised throughout the prison and inquiries have barely begun when a powerful inmate confesses. But Watanabe is unconvinced; and as he interrogates both the suspect and Yun Dong-ju, a talented Korean poet, he starts to realize that the fearsome guard was not all he appeared to be...As Watanabe unravels Sugiyama's final months, he begins to discover what is really going on inside this dark and violent institution, which few inmates survive: a man who will stop at nothing to dig his way to freedom; a governor whose greed knows no bounds; a little girl whose kite finds an unlikely friend. And Yun Dong-ju—the poet whose works hold such beauty the can break the hardest of hearts.As the war moves towards its devastating close and bombs rain down upon the prison, Watanabe realizes that he must find a way to protect Yun Dong-ju, no matter what it takes. As he digs further and further in to his investigation, the young guard discovers a devastating truth.At once a captivating mystery and an epic lament for lost freedom and humanity, The Investigation, inspired by a true story, is a sweeping and gripping tale by an international literary star.

    Clark, Pyramid Texts engages the mind and beguiles the imagination. In a series of chapters each shorter than the last so that, like their subjects, they taper ultimately into nothingness the author evokes the obsessions that have drawn men over the centuries to the brooding presence of mankind's most ancient and mysterious monuments. Among others in a procession of exotic characters, a Moroccan seeker after knowledge spends years contemplating the pyramids in the hope that one day he will understand the mysterious writing that fitfully appears on their sides. Another waits patiently for the moment when the shadow of one will diverge from its accustomed path and bestow immortality, and the Sphinx performs a celestial dance. Pyramid Texts leads us into a world of endless passages and mysterious sighing winds, a world whose claustrophobic and shadowy spaces may be illuminated by flashes of ecstasy leading to scintillating transfigurations and dizzying annihilations.

    Most difficult of all are his struggles to express what has happened to him, for a man more accustomed to numbers than words. He calls it "the clearcut unhoped-for," and it's a vision that will drive him to madness and, eventually, death. Written in a fragmented style that echoes the character's increasingly fragile hold on reality, With My Dog-Eyes is intensely vivid, summoning up Amos's childhood and young adulthood—when, like Richard Feynman, he used to bring his math books to brothels to study—and his life at the university, with its "meetings, asskissers, pointless rivalries, gratuitous resentments, jealous talk, meglomanias." Hilst, whose father was diagnosed with paranoid schizophrenia, has created a lacerating, and yet oddly hopeful, portrayal of a descent into hell--Amos never makes sense of the new way he sees things, but he does find an avenue of escape, retreating to his mother's house and, farther, towards the animal world. A deeply metaphysical, formally radical one-of-a-kind book from a great Brazilian writer.

    Dating from at least a millennium ago, these are the earliest-known Arabic short stories, which survived in a single, ragged manuscript in a library in Istanbul. Some found their way into The Arabian Nights, but most have never been read in English before. Composed to fascinate their original audiences, these charming, surreal, baffling, and beautiful stories are indeed both marvelous and strange.

    P. Cavafy (1863 - 1933) lived in relative obscurity in Alexandria, and a collected edition of his poems was not published until after his death. Now, however, he is regarded as the most important figure in twentieth-century Greek poetry, and his poems are considered among the most powerful in modern European literature.Here is an extensively revised edition of the acclaimed translations of Edmund Keeley and Philip Sherrard, which capture Cavafy's mixture of formal and idiomatic use of language and preserve the immediacy of his frank treatment of homosexual themes, his brilliant re-creation of history, and his astute political ironies. The resetting of the entire edition has permitted the translators to review each poem and to make alterations where appropriate. George Savidis has revised the notes according to his latest edition of the Greek text.About the first edition: The best [English version] we are likely to see for some time.--James Merrill, The New York Review of Books [Keeley and Sherrard] have managed the miracle of capturing this elusive, inimitable, unforgettable voice. It is the most haunting voice I know in modern poetry.--Walter Kaiser, The New Republic ?

    Drawing from her own experiences growing up in a Syrian refugee camp, as well as her current life in Gaza, these stories stitch together a patchwork of different perspectives into what it means to be a woman in Palestine today. Whether following the daily struggles of orphaned children fighting to survive in the rubble of recent bombardments, or mapping the complex, cultural tensions between different generations of refugees in wider Gazan society, these stories offer rare insights into one of the most talked about, but least understood cities in the Middle East. Taken together, the collection affords us a local perspective on a global story, and it does so thanks to a cast of (predominantly female) characters whose vantage point is rooted, firmly, in that most cherished of things, the home.

    The selection of the "Beirut 39" follows the success of a similar competition in the 2007 World Book Capital, Bogotá, celebrating achievements in Latin American literature.This year, for the first time, the winners--nominated by publishers, literary critics, and readers across the Arab world and internationally, and selected by a panel of eminent Arab writers, academics, and journalists--will be published together in a one-of-a-kind anthology. Edited by Samuel Shimon of Banipal magazine, the collection will be published simultaneously in Arabic and English throughout the world by Bloomsbury and Bloomsbury Qatar Foundation Publishing.Beirut 39 provides an important look at the Arab-speaking world today, through the eyes of thirty-nine of its brightest young literary stars.

    A couple in their thirties live in a small rented cottage in a quiet part of Tokyo; they work at home, freelance copy-editing; they no longer have very much to say to one another. But one day a cat invites itself into their small kitchen. It leaves, but the next day comes again, and then again and again. Soon they are buying treats for the cat and enjoying talks about the animal and all its little ways. Life suddenly seems to have more promise for the husband and wife — the days have more light and color. The novel brims with new small joys and many moments of staggering poetic beauty, but then something happens….As Kenzaburo Oe has remarked, Takashi Hiraide’s work "really shines." His poetry, which is remarkably cross-hatched with beauty, has been acclaimed here for "its seemingly endless string of shape-shifting objects and experiences,whose splintering effect is enacted via a unique combination of speed and minutiae."

    The sketches are written in the "haibun" style--a linking of verse and prose. The title piece, in particular, reveals Basho striving to discover a vision of eternity in the transient world around him and his personal evocation of the mysteries of the universe.

    A contemporary of Anna Akhmatova, Marina Tsvetayeva, and Boris Pasternak, a touchstone for later masters such as Paul Celan and Robert Lowell, Mandelstam was a crucial instigator of the "revolution of the word" that took place in St. Petersburg, only to be crushed by the Bolshevik Revolution. Mandelstam's last poems, written in the interval between his exile to the provinces by Stalin and his death in the Gulag, are an extraordinary testament to the endurance of art in the presence of terror.This book represents a collaboration between the scholar Clarence Brown and W. S. Merwin, one of contemporary America's finest poets and translators. It also includes Mandelstam's "Conversation on Dante," an uncategorizable work of genius containing the poet's deepest reflections on the nature of the poetic process.

    In the dance between comic and audience, with barbs flying back and forth, a deeper story begins to take shape--one that will alter the lives of many of those in attendance. In a little dive in a small Israeli city, Dov Greenstein, a comedian a bit past his prime, is doing a night of stand-up. In the audience is a district court justice, Avishai Lazar, whom Dov knew as a boy, along with a few others who remember Dov as an awkward, scrawny kid who walked on his hands to confound the neighborhood bullies. Gradually, as it teeters between hilarity and hysteria, Dov's patter becomes a kind of memoir, taking us back into the terrors of his childhood: we meet his beautiful flower of a mother, a Holocaust survivor in need of constant monitoring, and his punishing father, a striver who had little understanding of his creative son. Finally, recalling his week at a military camp for youth--where Lazar witnessed what would become the central event of Dov's childhood--Dov describes the indescribable while Lazar wrestles with his own part in the comedian's story of loss and survival. Continuing his investigations into how people confront life's capricious battering, and how art may blossom from it, Grossman delivers a stunning performance in this memorable one-night engagement (jokes in questionable taste included).

    B. Parkinson's new translations bring to life for the modern reader the golden age of Egyptian fictional literature, the Middle Kingdom (c. 1940-1640 BC). The book features The Tale of Sinuhe, acclaimed as the masterpiece of Egyptian poetry, which tells of a courtier's adventures after he flees Egypt. Other works include stories of fantastic wonders from the court of the builder of the Great Pyramid, a lyrical dialogue between a man and his soul on the nature of death and the problem of suffering, and teachings about the nature of virtue and wisdom, one of which is bitterly spoken from the grave by the assassinated king Amenemhat I, founder of the Twelfth Dynasty. A general introduction discusses the historical context of the poetry, the nature of poetry, and the role of literature in ancient Egyptian culture., while a full set of notes explicates allusions, details of mythology, place-names, and the like. Parkinson's book provides, for the first time, a literary reading to enable these poems to entertain and instruct the modern reader, as they did their original audiences three-and-a-half thousand years ago.Content:TALES1 The Tale of Sinuhe2 The Tale of the Eloquent Peasant3 The Tale of the Shipwrecked Sailor4. The Tale of King Cheops’ CourtDISCOURSES5. The Words of Neferti6. The Words of Khakheprreseneb7. The Dialogue of a Man and his Soul8. The Dialogue of Ipuur and the Lord of AllTEACHINGS9. The teaching of King Amenenmhat10. The Teaching of King Merikare11. The ‘Loyalist’ Teaching12. The teaching of the Vizier Ptahhotep13. The Teaching of KhetiPHRASES AND FRAGMENTS14. Phrases and Fragments

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    Yet, unlike most of his fellow citizens, he is prone to sudden dislocations in time. Armed with his trusty briefcase and his Islamic-calendar wristwatch, he bounces uncontrollably through the Fatimid, Ayyubid, and Mamluk periods, with occasional return visits to the 1990s. Along the way, he meets celebrities such as Jawhar, the founder of Cairo. He also encounters other time travelers, including the historian Maqrizi. In every age, he is forced to match wits with ordinary Egyptians from all walks of life. After his cassette recorder fails to impress a Fatimid caliph, he finds himself trapped in the 1300s. He joins the barbarians, cannibals, and prisoners of war who have taken over the monumental Storehouse of Banners and set up their own state in defiance of the Mamluk order. Forced to play the role of double agent, Ibn Shalabi is caught up in the struggle between the rebels and the ruling dynasty.

    In November of 2010, I read at the ‘Ear Eater’ reading series in Chicago. Ana was another reader. She was reading via Skype. There were a lot of people at the reading. After I read, I walked out of the room and stood in a hallway, staring at the floor. After a few difficult conversations with people in the hallway, I heard the host of the reading talking to someone on the computer. It was Ana. Ana started reading. I laughed a lot and enjoyed her reading. Seemed like other people weren’t enjoying it as much as me but I was enjoying it a lot. I stood in the hallway laughing and shaking my head ‘Yes’ and people looked at me. I kept thinking, ‘I want to go into the room and watch her face reading’ but then I would think, ‘No, don’t do that, just listen.’ Not sure why I kept telling myself not to go into the room where she was reading but I stood in the hallway and listened and enjoyed it a lot. Two years later, Ana emailed me Baby Babe. I opened the PDF just to skim a few poems but then I read the whole book. When I was done reading the book, I thought, ‘I’ll be glad to have this book so I can look at it whenever I want.’” — Sam Pink