The house has an expressive face of windows and doors, and even the feelings of a person, so she’s sad when she’s surrounded by the dirty, noisy city’s hustle and bustle: “She missed the field of daisies / and the apple trees dancing in the moonlight.” Fortunately, there’s a happy ending, as the house is taken back to the country where she belongs.

    He is an orphan, and he spends half of each year with his mother's people in the Lowlands, while the other half finds him in the Highlands with his father's kin. Both sides of Gillis's family are eager for him to settle down and adopt their ways. In the Lowlands, he is taught to herd cattle, learning how to call them to him in even the heaviest of evening fogs. In the rocky Highlands, he stalks stags from outcrop to outcrop, holding his breath so as not to make a sound. Wee Gillis is a quick study, and he soon picks up what his elders can teach him. And yet he is unprepared when the day comes for him to decide, once and for all, whether it will be the Lowlands or the Highlands that he will call his home.Robert Lawson and Munro Leaf's classic picture book is a tribute to the powers of the imagination and a triumph of the storyteller's and illustrator's art.

    Martin Luther King Jr. An extraordinary picture-book biography, Martin's Big Words consists of Rappaport's own words interwoven with quotes from Dr. King...all powerfully brought to life by Collier's striking, glorious art. Rappaport's spare, gripping text and Collier's distinctive collage-and-watercolor illustrations depict King's life journey with reverence and dignity -- beginning with his childhood experience of seeing "White Only" signs throughout his hometown, presenting his efforts as a civil rights crusader, and ending abruptly with his assassination. The front cover of the book immediately conveys King's power and spiritual strength, consisting entirely of a lifelike portrait of him -- the title and the author's and illustrator's names are relegated to the back cover. As Collier says in his illustrator's note, he "tried to push [the imagery] to an emotional level that allows the reader to bring his or her own experience to it, without actually losing the intensity or the intention of the story." His technique is utterly effective. By using simple, direct language -- much of it King's -- the text offers young readers an accessible yet profound introduction to King's legacy. It explains that as a child, he listened to his minister father's "big words" and vowed to inspire others with such words when he grew up. The book's final sentence: "His big words are alive for us today," testifies to King's success -- and to the timeless importance of this great leader's ideals. As further inspiration for interested readers, Martin's Big Words includes a list of significant dates as well as a bibliography of resources for them to explore. (Jamie Levine)

    It's time for the little red chicken's bedtime story—and a reminder from Papa to try not to interrupt. But the chicken can't help herself! Whether the tale is "Hansel and Gretel" or "Little Red Riding Hood" or even "Chicken Little," she jumps into the story to save its hapless characters from doing some dangerous or silly thing. Now it's the little red chicken's turn to tell a story, but will her yawning papa make it to the end without his own kind of interrupting? Energetically illustrated with glowing colors—and offering humorous story-within-a-story views—this all-too-familiar tale is sure to amuse (and hold the attention of) spirited little chicks.

    Perfect entertainment for bath time or for bedtime, the joyful music and hilarious rhyming tale will provide hours of fun for young readers.

    Marshmallow is an endearingly and beautifully illustrated book about an adorable baby bunny who comes to live in the house of a pampered cat, and the friendship that develops between them.

    The classic book with Tasha Tudor's verse and Caldecott Honor illustrations, 1 is One is a charming introduction to numbers.

    On her way to deliver a basket of food to her sick grandmother, Elisabeth encounters a sly wolf.Book Details: Format: Library Binding Publication Date: 6/1/1982 Pages: 32 Reading Level: Age 5 and Up

    George and the Dragon commemorates the 25th Anniversary of the Caldecott Award-winning picture book. Hodges retells an exciting segment from Spenser's The Faerie Queene, in which the Red Cross Knight slays a dreadful dragon that has been terrorizing the countryside for years, bringing peace and joy back to the land. Featuring a fresh new cover design - with artwork that highlights the dragon adventure within - and distinctive embossed gold Caldecott Award sticker, this is the perfect way to introduce the classic tale to a whole new generation of readers.

    in full color. "Winter's story begins with a peg-leg sailor who aids slaves on their escape on the Underground Railroad. While working for plantation owners, Peg Leg Joe teaches the slaves a song about the drinking gourd (the Big Dipper). A couple, their son, and two others make their escape by following the song's directions. Rich paintings interpret the strong story in a clean, primitive style enhanced by bold colors. The rhythmic compositions have an energetic presence that's compelling. A fine rendering of history in picturebook format."--(starred) Booklist.

    With keen emotion and fresh vision, the acclaimed artist captures the essence of the tale's timeless appeal: The journey of the awkward little bird -- marching bravely through hecklers, hunters, and cruel seasons -- is an unforgettable survival story; this blooming into a graceful swan is a reminder of the patience often necessary to discover true happiness. Splendid watercolors set in the lush countryside bring drama to life.

    dressing up, singing songs, building sand castles, napping (maybe), dancing, painting on walls and - whew! - going to sleep at last.

    As she hears the story of her name, Alma starts to think it might be a perfect fit after all — and realizes that she will one day have her own story to tell. In her author-illustrator debut, Juana Martinez-Neal opens a treasure box of discovery for children who may be curious about their own origin stories or names.

    But do you have any idea how the age-old tale of the Spider and the Fly ends? Join celebrated artist Tony DiTerlizzi as he -- drawing inspiration from one of his loves, the classic Hollywood horror movies of the 1920s and 1930s -- shines a cinematic spotlight on Mary Howitt's warning, written to her own children about those who use sweet words to hide their not-so-sweet intentions.

    Beautiful paintings highlight a text depicting the ways various peoples from around the world welcome the sun and the start of a new day.Text first appeared in McCall Magazine, February, 1977.