47 DAYS tells the true story of Günter and Helmut, best friends, who dared to defy and disobey. Without knowing how long the war might continue, they spent 47 harrowing days as fugitives on the run. Being caught meant certain execution. 47 DAYS is a novelette, an excerpt from the novel, SURVIVING THE FATHERLAND—A True Coming-of-age Love Story Set in WWII Germany. Set against the epic panorama of WWII, it is a sweeping saga of family, love, and betrayal and illuminates an intimate part of history seldom seen: the children's war.

    From the Reformation through the Napoleonic and Cold Wars to European Union, a superb history of Austria's central role in uniting Western civilization is covered. 24 pages of photographs and maps are included. "Connoisseurs of Austria and its delightful and infuriating inhabitants will agree that Mr. Brook-Shepherd has got it just about right.'—The Wall Street Journal "Engrossing, elegantly written history.'—Publishers Weekly

    In "The Hidden Legacy of World War II: A Daughter’s Journey of Discovery", Carol Schultz Vento weaves life with her paratrooper father into the larger narrative of World War II and the homecoming of the Greatest Generation. The book describes the seldom told story of how the war trauma of World War II impacted one family. This personal story is combined with the author’s thorough research and investigation of the reality for those World War II veterans who could not forget the horrors of war. This nonfiction work fills in the missing pieces of the commonly accepted societal view of World War II veterans as stoic and unwavering, a true but incomplete portrait of that generation of warrior.

    television networks who financed and filmed them, and the Kennedy administration's unprecedented attempt to suppress both films. In the summer of 1962, one year after East German Communists built the Berlin Wall, a group of daring young West Germans came up with a plan. They would risk prison, Stasi torture, even death to liberate friends, lovers, and strangers in East Berlin by digging tunnels under the Wall. Among the tunnelers and escape helpers were a legendary cyclist, an American student from Stanford, and an engineer who would later help build the tunnel under the English Channel.               Then two U.S. television networks, NBC and CBS, heard about the secret projects, and raced to be first to air a spectacular "inside tunnel" special on the human will for freedom. The networks funded two separate tunnels in return for exclusive rights to film the escapes. In response, President John F. Kennedy and Secretary of State Dean Rusk, wary of anything that might raise tensions and force a military confrontation with the Soviets, maneuvered to quash both documentaries.            Unfolding week by week, sometimes hour by hour, Greg Mitchell's riveting narrative deftly cuts back and forth from one extraordinary character to another.  There's the tunneler who had already served four years in the East German gulag; the Stasi informer who betrays the "CBS tunnel"; the young East Berliner who escapes with her baby, then marries one of the tunnelers; and broadcast legend Daniel Schorr, who battled unsuccessfully to save his film from White House interference and remained bitter about it to the end of his life. Looming over all is John F. Kennedy, who was ambivalent about--even hostile toward-- the escape operations.  Kennedy confessed to Dean Rusk:  "We don't care about East Berlin."       Based on extensive access to the Stasi archives, long-secret U.S. documents, and new interviews with tunnelers and refugees, The Tunnels provides both rich history and high suspense.  Award-winning journalist Mitchell captures the hopes and fears of everyday Berliners; the chilling reach of the Stasi secret police; U.S. networks prepared to "pay for play" yet willing to cave to official pressure; and a White House and State Department eager to suppress historic coverage. The result is "breaking history," a propulsive read whose themes reverberate even today.Optioned by FilmNation for a movie with Paul Greengrass attached to direct.

    T.D. is the only book to be published that recounts the events that led up to the British Army’s uncovering of the Bergen-Belsen Concentration Camp and its 60,000 prisoners, how the Army dealt with the unprecedented horror that existed in the camp, how the surviving prisoners were rescued, how the inmates were evacuated, how the Royal Army Medical Corps established the world’s largest hospital to care for the many thousands of sick and emaciated ex-inmates, how the survivors were rehabilitated and cared for, how they were repatriated to their own countries, why many thousand refused to return ‘home’ and the eventual establishment of the Belsen Displaced Persons camp, the largest DP camp in Germany. The author of this book was a senior British Army officer who participated in the liberation of the Camp, who was in charge of evacuating the ex-prisoners to the vast Rehabilitation Camp that the Army set up, and who was then appointed as the Commandant of that Camp until its management was handed over to the United Nations, and who gave evidence against the SS guards at the Belsen War Crimes Trial. Forewords by Nanette Blitz Konig, Belsen survivor and former classmate of Anne Frank, and Major-General Nicholas Eeles CBE, with the introduction by the Oscar®-nominated film director, Joshua Oppenheimer.

    A product of Northern French provincial society of the 19th century - austere, catholic and nationalist - de Gaulle was, according to Williams, the last great Frenchman. Whatever the arguments concerning de Gaulle's legacy, in his single-minded devotion to his country, and in his skill and strength in pushing it, there would have been no France if there had been no de Gaulle.

    *Includes a bibliography for further reading.*Includes a table of contents. “A feller came up to me the other day and said ‘I don’t know whether this means anything to you but you’ve given me and my family a lot of enjoyment over the years.’ And I said to him, ‘Does it mean anything to me? It means everything to me. That’s the ballgame. That's it.’ And I think that if I have done that to that man, and maybe a couple more…then I’m proud of that.” – Jimmy StewartA lot of ink has been spilled covering the lives of history’s most influential figures, but how much of the forest is lost for the trees? In Charles River Editors’ American Legends series, readers can get caught up to speed on the lives of America’s most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known. When the American Film Institute assembled its top 100 actors of all time at the close of the 20th century, Jimmy Stewart ranked third, behind only Humphrey Bogart and Cary Grant. There is a certain inevitability to these three actors ranking at the top of the list; after all, they were the dominant faces of Hollywood during the height of the era known as classical Hollywood cinema, a time before the onset of television when the movies still enjoyed relatively uncontested supremacy over American entertainment. The popularity of Stewart, Grant, and Bogart also extends well beyond the success of any of their individual films, reflecting their much broader cultural significance as monuments of Hollywood during its Golden Age. In fact, if the list was reconstructed today, it is entirely possible that Stewart would rank first. Not only have movies such as It’s a Wonderful Life (1946) and Vertigo (1958) continued to gain in popularity even into the 21st century, but Stewart has come to embody an accessible image of American values that is easy for everyone to embrace. The wholesome, happy-go-lucky persona he cultivated represents perhaps a more palatable image of American masculinity than the gritty realism of Bogart or the erudite but occasionally snobbish tendencies of Cary Grant. If there is any actor that embodies not only classical Hollywood but also American culture more generally, it’s difficult to argue against Jimmy Stewart.The phenomenon of Jimmy Stewart becomes even more remarkable when considering the incredible harmony between the characters he portrayed in his films and his personality off the movie set. Most actors and actresses cultivate a persona in order to achieve success, and in most cases it’s an image that bears only a tangential relationship to an actor’s true personality, but there was no such division for Stewart. The all-American image conveyed in films such as Mr. Smith Goes to Washington (1939) and It’s a Wonderful Life corresponds seamlessly with Stewart’s off-screen pursuits, which included a degree in architecture from Princeton and an extended tenure as a pilot during World War II. There were elements of his life story that resisted cultural norms - he waited until age 41 before marrying, and his very decision to pursue acting in 1930s America could be seen as a deviation from more characteristically masculine professions - but there was an almost seamless congruence between the Stewart that audiences saw on screen and the man he was in real life. Naturally, his defining traits developed out of and in response to the values instilled in him by his family and cultural background, and for this reason, examining his filmography alongside his life story paints a complete picture of the delicate unity of Jimmy Stewart’s life.

    How would you feel if you woke up in a medieval castle tomorrow morning? What would your bed be like? What would you eat? What sights and smells would be around you? Whisking you back in time, this little book will show you exactly what it would be like to be there.

    The name of the detention centre -- Auschwitz.It was only after arriving at the camp that he started to discover the Nazi’s terrifying designs. Over the next two and half years, Witold forged an underground army that smuggled evidence of Nazi atrocities to the West, culminating in the mass murder of over a million Jews. His reports from the camp were to shape the Allies response to the Holocaust - yet his story was all but forgotten for decades.This is the first major account of his amazing journey, drawing on exclusive family papers and recently declassified files as well as unpublished accounts from the camp’s fighters to show how he saved hundreds of thousands of lives.The result is a enthralling story of resistance and heroism against the most horrific circumstances, and one man’s attempt to change the course of history.

    To the people who lived in that system the collapse seemed both completely unexpected and completely unsurprising. At the moment of collapse it suddenly became obvious that Soviet life had always seemed simultaneously eternal and stagnating, vigorous and ailing, bleak and full of promise. Although these characteristics may appear mutually exclusive, in fact they were mutually constitutive. This book explores the paradoxes of Soviet life during the period of “late socialism” (1960s-1980s) through the eyes of the last Soviet generation.Focusing on the major transformation of the 1950s at the level of discourse, ideology, language, and ritual, Alexei Yurchak traces the emergence of multiple unanticipated meanings, communities, relations, ideals, and pursuits that this transformation subsequently enabled. His historical, anthropological, and linguistic analysis draws on rich ethnographic material from Late Socialism and the post-Soviet period.The model of Soviet socialism that emerges provides an alternative to binary accounts that describe that system as a dichotomy of official culture and unofficial culture, the state and the people, public self and private self, truth and lie — and ignore the crucial fact that, for many Soviet citizens, the fundamental values, ideals, and realities of socialism were genuinely important, although they routinely transgressed and reinterpreted the norms and rules of the socialist state.

    As well as revealing the story of the Holocaust as directly experienced by victims, these testimonies also illustrate how, even enduring the most harsh conditions, degrading treatment and suffering massive family losses, hope, the will to survive, and the human spirit still shine through.

    The Traitors is the story of how they came to do so.

    The sun was shining, and in the distance could be heard the sound of gunfire. The Bosnian civil war had finally come to this once peaceful city of 112,000, where Muslims, Croats, and Serbs had lived side by side for centuries.

    For decades Americans have known a Soviet Union clouded by ideological passions and a dearth of information. Today, with the revelations under glasnost and the collapse of the Communist empire, Americans are now able to see the former Soviet Union as a whole, and explore the turbulent tale of a Soviet history that has a beginning, a middle, and an end. One of the eminent Soviet historians of our time, Ronald Grigor Suny takes us on a journey that examines the complex themes of Soviet history from the last tsar of the Russian empire to the first president of the Russian republic. He examines the legacies left by former Soviet leaders and explores the successor states and the challenges they now face. Combining gripping detail with insightful analysis, Suny focuses on three revolutions: the tumultuous year of 1917 when Vladimir Lenin led the Bolshevik takeover of the tsarist empire; the 1930s when Joseph Stalin refashioned the economy, the society, and the state; and the 1980s and 1990s when Mikhail Gorbachev's ambitious and catastrophic attempt at sweeping reform and revitalization resulted in the breakup of the Soviet Union led by Boris Yeltsin. He unravels issues, explaining deeply contradictory policies toward the various Soviet nationalities, including Moscow's ambivalence over its own New Economic Policy of the 1920s and the attempts at reform that followed Stalin's death. He captures familiar as well as little-known events, including the movement of the crowds on the streets of St. Petersburg in the February revolution; Stalin's collapse into a near-catatonic state after Hitler's much-predicted invasion; and Yeltsin's political maneuvering and public grandstanding as he pushed the disintegration of the Soviet Union and faced down his rivals. Students and social scientists alike continue to be fascinated by the Soviet experiment and its meaning. The Soviet Experiment recovers the complexities and contradictions of the 70 years of Soviet Power, exploring its real achievements as well as its grotesque failings. Clearly written and well-argued, this narrative is complete with helpful anecdotes and examples that will not only engage students and offer them an opportunity to learn from new material but also afford them the opportunity to form their own opinions by reading the text and looking into the suggested readings. With insight and detail, Suny has constructed a masterful work, providing the fullest account yet of one of the greatest transformations of modern history.

    Would she have made it on her own? Who knows, even with Livia’s remarkable resilience which she still exhibits today in her nineties. It was Rose, with her desire to protect Livia and her instincts for survival that kept them, time and time again, from the many dangers which could have cost both of them their lives. From the moment they were on the transport to Auschwitz, and then saw their mother, along with Rose’s little son taken away and sent to the gas chambers, it was Rose who seem to anticipate what lay ahead. Maybe it was an extra morsel of food that could be obtained or an article of warm clothing. Rose always came through, even at great risk. Two Sisters is so much more than a story of survival during the Holocaust. It is the beautiful portrayal of a young girl―and later young woman―coming of age in rural Romania. Her academic achievements, schoolgirl crushes, and family life are all explored, revealed in detail for all of us. Carefully written and beautifully crafted, it serves as an extraordinary example of the power of the memoir in Holocaust understanding.