They are gold miners and counterfeiters, attorneys and slaves. They cross other borders too: those of race, law, sex, and sanity. They travel for love or money, incognito or under duress.With rich historical detail, the celebrated author of Room takes us from puritan Massachusetts to revolutionary New Jersey, antebellum Louisiana to the Toronto highway, lighting up four centuries of wanderings that have profound echoes in the present. Astray offers us a surprising and moving history for restless times."The Hunt" was short-listed for the 2012 Sunday Times EFG Private Bank Short Story Award.

    James's --The worm in the apple --The trouble of Marcie Flint --The bella lingua --The Wrysons --The country husband --The duchess --The scarlet moving van --Just tell me who it was --Brimmer --The golden age --The lowboy --The music teacher --A woman without a country --The death of Justina --Clementina --Boy in Rome --A miscellany of characters that will not appear --The chimera --The seaside houses --The angel of the bridge --The brigadier and the golf widow --A vision of the world --Reunion --An educated American woman --Metamorphoses --Mene, mene, tekel, upharsin --Montraldo --The ocean --Marito in città --The geometry of love --The swimmer --The world of apples --Another story --Percy --The fourth alarm --Artemis, the honest well digger --Three stories --The jewels of the Cabots.

    . . someone you don't know. Would you still push the button?"Button, Button," Richard Matheson's chilling tale of greed and temptation, is now the basis of The Box, the new film from the director of Donnie Darko. In addition, this outstanding collection also contains many other unforgettable stories by Matheson, the award-winning author of I Am Legend and What Dreams May Come."The inventive plots and spare but convincing portraits of ordinary men and women caught up in forces beyond their control demonstrate why Stephen King has called Matheson his most significant influence."--Publishers Weekly

    Henry Prize Stories 2013 gathers twenty of the best short stories of the year, selected from thousands published in literary magazines. The winning stories take place in such far-flung locales as a gorgeous sailboat in Hong Kong, a Cuban sugar plantation, the Kenai River in Alaska, a mansion in New Delhi, a ship torpedoed by a German U-boat, and the ghost-haunted rubble of a Turkish girls’ school. Also included are the editor’s introduction, essays from the jurors (Lauren Groff, Edith Pearlman, and Jim Shepard) on their favorite stories, observations from the winners on what inspired them, and an extensive resource list of magazines.

    Daneel Olivaw] • (1972) • short story by Isaac Asimov 231 • The Tercentenary Incident • (1976) • short story by Isaac Asimov 253 • First Law • [Mike Donovan] • (1956) • short story by Isaac Asimov 257 • Runaround • [Mike Donovan] • (1942) • novelette by Isaac Asimov 280 • Reason • [Mike Donovan] • (1941) • short story by Isaac Asimov 302 • Catch That Rabbit • [Mike Donovan] • (1944) • short story by Isaac Asimov 329 • Liar! • [Susan Calvin] • (1941) • short story by Isaac Asimov 350 • Satisfaction Guaranteed • [Susan Calvin] • (1951) • short story by Isaac Asimov 368 • Lenny • [Susan Calvin] • (1958) • short story by Isaac Asimov 385 • Galley Slave • [Susan Calvin] • (1957) • novelette by Isaac Asimov 427 • Little Lost Robot • [Susan Calvin] • (1947) • novelette by Isaac Asimov 459 • Risk • [Susan Calvin] • (1955) • novelette by Isaac Asimov 490 • Escape! • [Susan Calvin] • (1945) • short story by Isaac Asimov 518 • Evidence • [Susan Calvin] • (1946) • novelette by Isaac Asimov 546 • The Evitable Conflict • [Susan Calvin] • (1950) • novelette by Isaac Asimov 575 • Feminine Intuition • [Susan Calvin] • (1969) • novelette by Isaac Asimov 605 • ... That Thou Art Mindful of Him • (1974) • novelette by Isaac Asimov (variant of —That Thou Art Mindful of Him!) 635 • The Bicentennial Man • (1976) • novelette by Isaac Asimov 683 • A Last Word • (1982) • essay by Isaac Asimov THE COMPLETE ROBOT is the ultimate collection of timeless, amazing and amusing robot stories from the greatest science fiction writer of all time, offering golden insights into robot thought processes. Asimov's Three Laws of Robotics were programmed into real computers thirty years ago at the Massachusetts Institute of Technology - with surprising results. Readers of today still have many surprises in store...

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    Short story collection by the critically acclaimed author of Revelation Space and Diamond Dogs, Turquoise Days.

    Wolf men, dolphin women, defiant old ladies, and middle-aged manufacturers of erotic leatherwear -- in Jigs & Reels the miraculous goes hand in hand with the mundane, the sour with the sweet, and the beautiful, the grotesque, the seductive, and the disturbing are never more than one step away. Whether she's exploring the myth of beauty, the pain of infidelity, or the wonder of late-life romance, Joanne Harris once again proves herself a master of the storyteller's trade.

    Bolano's narrators are usually writers grappling with private (and generally unlucky) quests, who typically speak in the first person, as if giving a deposition, like witnesses to a crime. These protagonists tend to take detours and to narrate unresolved efforts. They are characters living in the margins, often coming to pieces, and sometimes, as in a nightmare, in constant flight from something horrid.In the short story "Silva the Eye," Bolano writes in the opening sentence: "It's strange how things happen, Mauricio Silva, known as The Eye, always tried to escape violence, even at the risk of being considered a coward, but the violence, the real violence, can't be escaped, at least not by us, born in Latin America in the 1950s, those of us who were around 20 years old when Salvador Allende died."Set in the Chilean exile diaspora of Latin America and Europe, and peopled by Bolano's beloved "failed generation," the stories of Last Evenings on Earth have appeared in The New Yorker and Grand Street.

    At the center of the collection is a series of stories narrated by a young American woman in the wake of a divorce; wry and shy but never less than open to the world, she recalls the places and people she has been close to, the dreams she has pursued and those she has left unfulfilled. Interspersed with these intimate first-person stories are stand-alone pieces where the tight focus on the narrator's life gives way to closely observed accounts of the lives of others. A book about belonging, and how much of yourself to give up in the pursuit of that, Cities I've Never Lived In offers stories that reveal, with great sadness and great humor, the ways we are most of all citizens of the places where we cannot be.Cities I've Never Lived In is the second book in Graywolf's collaboration with the literary magazine A Public Space.

    In Europe, however (particularly in Germany, Italy, and France where he is published by the great publishing houses), he is critically recognized as one of America's greatest realist writers.

    His damaged, searching narrators deliver their reports of addiction, lust, loneliness, grief, and the doomed dream of rock 'n' roll with a sly lyricism and eerie spareness that somehow redeem them. Listen to this chorus of gallows humor and goodwill sometimes gone bad and hear wild voices rise out of the din of city living: Gary is a failed punk icon turned petty drug dealer and amateur self- actualization guru; the Chersky girl makes a strange midnight discovery roller-skating through a Depression-era morgue. Pot-dazed Trotskyists, summer-camp sadists, and babysitters with an eye toward erotic humiliation also make themselves known in the lost, shattered landscapes of Lipsyte's fictions. "When you have an old soul like I do," deadpans one hero, "everything gets old really quick. Nothing is new. An avocado, a glass of beer, everything tastes like it's been sitting out on a table too long." These stories, loosely linked in character and setting, recall the stark realism of Denis Johnson and the wild humor of Barry Hannah. In these poignant, sharp-witted tales, Sam Lipsyte proves himself one of today's most visceral and fearless short-story writers.

    Migration. Betrayal. Family secrets. Doomed love. Uncertain futures. In Daniel Alarcon's hands, these are transformed into deeply human stories with high stakes. In -The Thousands, - people are on the move and forging new paths; hope and heartbreak abound. A man deals with the fallout of his blind relatives' mysterious deaths and his father's mental breakdown and incarceration in -The Bridge.- A gang member discovers a way to forgiveness and redemption through the haze of violence and trauma in -The Ballad of Rocky Rontal.- And in the tour de force novella, -The Auroras-, a man severs himself from his old life and seeks to make a new one in a new city, only to find himself seduced and controlled by a powerful woman. Richly drawn, full of unforgettable characters, The King is Always Above the People reveals experiences both unsettling and unknown, and yet eerily familiar in this new world.The thousands --The ballad of Rocky Rontal --The king is always above the people --Abraham Lincoln has been shot --The provincials --Extinct anatomies --República and Grau --The bridge --The lord rides a swift cloud --The auroras

    Kiernan, Brian Stableford, Ramsey Campbell, Michael Shea, Darrell Schweitzer, Donald R. Burleson, and David J. Schow delve deep into the psyche, expanding on concepts H.P. Lovecraft created and taking them in new directions. The result is stories that are wholly original, some even featuring Lovecraft himself as a character. Black Wings editor S.T. Joshi is the recognized authority on all things Lovecraftian, and is famous for his restorations of Lovecraft's original works. He has assembled a star-studded line-up in a book that is essential for every horror library.  Including:  Pickman's Other Model - Caitlín R. Kiernan  Desert Dreams - Donald R. Burleson  Engravings - Joseph S. Pulver, Sr.  Copping Squid - Michael Shea  Passing Spirits - Sam Gafford  The Broadsword - Laird Barron  Usurped - William Browning Spencer  Denker's Book - Davd J. Schow  Inhabitants of Wraithwood - W.H Pugmire  The Dome - Mollie L. Burleson  Rotterdam - Nicholas Royle  Tempting Providence - Jonathan Thomas  Howling in the Dark - Darrell Schweitzer  The Truth About Pickman - Brian Stableford  Tunnells - Philip Haldeman  The Correspondence of Cameron Thaddeus Nash - Annotated by Ramsey Campbell  Violence, Child of Trust - Michael Cisco  Lesser Demons - Norman Partridge  An Eldritch Matter - Adam Niswander  Substitutions - Michael Marshall Smith  Susie - Jason Van Hollander

    Why, she asks, when writers such as Samuel Clemens, F. Scott Fitzgerald, Eudora Welty, Flannery O'Connor, Saul Bellow, and John Updike have among them written hundreds of short stories, do anthologists settle on the same two or three titles by each author again and again? Isn't the implicit promise of an anthology that it will, or aspires to, present something different, unexpected? In The Oxford Book of American Short Stories, Joyce Carol Oates offers a sweeping survey of American short fiction, in a collection of fifty-six tales that combines classic works with many different, unexpected gems, and that invites readers to explore a wealth of important pieces by women and minority writers. Some selections simply can't be improved on, Oates admits, and she happily includes such time-honored works as Irving's Rip Van Winkle, Poe's The Tell-Tale Heart, and Hemingway's A Clean, Well-Lighted Place. But alongside these classics, Oates introduces such little-known stories as Mark Twain's Cannibalism in the Cars, a story that reveals a darker side to his humor (That morning we had Morgan of Alabama for breakfast. He was one of the finest men I ever sat down to...a perfect gentleman, and singularly juicy). From Melville come the juxtaposed tales The Paradise of Bachelors and the Tartarus of Maids, of which Oates says, Only Melville could have fashioned out of 'real' events...such harrowing and dreamlike allegorical fiction. From Flannery O'Connor we find A Late Encounter With the Enemy, and from John Cheever, The Death of Justina, one of Cheever's own favorites, though rarely anthologized. The reader will also delight in the range of authors found here, from Charles W. Chesnutt, Jean Toomer, and Sarah Orne Jewett, to William Carlos Williams, Kate Chopin, and Zora Neale Hurston. Contemporary artists abound, including Bharati Mukherjee and Amy Tan, Alice Adams and David Leavitt, Bobbie Ann Mason and Tim O'Brien, Louise Erdrich and John Edgar Wideman. Oates provides fascinating introductions to each writer, blending biographical information with her own trenchant observations about their work, plus a long introductory essay, in which she offers the fruit of years of reflection on a genre in which she herself is a master. This then is a book of surprises, a fascinating portrait of American short fiction, as filtered through the sensibility of a major modern writer.