Weird Women, edited by award-winning anthologists Lisa Morton and Leslie S. Klinger, collects some of the finest tales of terror by authors as legendary as Louisa May Alcott, Frances Hodgson Burnett, and Charlotte Gilman-Perkins, alongside works of writers who were the bestsellers and critical favorites of their time—Marie Corelli, Ellen Glasgow, Charlotte Riddell—and lesser known authors who are deserving of contemporary recognition.As railroads, industry, cities, and technology flourished in the mid-nineteenth century, so did stories exploring the horrors they unleashed. This anthology includes ghost stories and tales of haunted houses, as well as mad scientists, werewolves, ancient curses, mummies, psychological terrors, demonic dimensions, and even weird westerns. Curated by Klinger and Morton with an aim to presenting work that has languished in the shadows, all of these exceptional supernatural stories are sure to surprise, delight, and frighten today’s readers.

    A rationalist Victorian visits a haunted house in order to explain the nature of its ghostly inhabitants.First published in Blackwood's, August 1859.

    Lily is gone and her twins, Miranda and Eliot, and her husband, the gentle Luc, mourn her absence with unspoken intensity. All is not well with the house, either, which creaks and grumbles and malignly confuses visitors in its mazy rooms, forcing winter apples in the garden when the branches should be bare. Generations of women inhabit its walls. And Miranda, with her new appetite for chalk and her keen sense for spirits, is more attuned to them than she is to her brother and father. She is leaving them slowly -Slipping away from them -And when one dark night she vanishes entirely, the survivors are left to tell her story."Miri I conjure you "This is a spine-tingling tale that has Gothic roots but an utterly modern sensibility. Told by a quartet of crystalline voices, it is electrifying in its expression of myth and memory, loss and magic, fear and love.

    Every few generations this strangeness crawls out from the dark places of the British imagination, seeping into our art and culture. We are living through such a time.This Dreaming Isle is an anthology of new horror stories and weird fiction with a distinctly British flavour. It collects together fifteen brand new horrifying or unsettling stories that draw upon the landscape and history of the British Isles for their inspiration. Some explore the realms of myth and legend, others are firmly rooted in the present, engaging with the country’s forgotten spaces.Featuring new and exclusive stories from:Ramsey Campbell, multi-award winning author of over 40 novels.Andrew Michael Hurley, author of The Loney and Devil’s Day.Catriona Ward, author of Rawblood and Little Eve.Robert Shearman, World Fantasy Award, British Fantasy Award and Shirley Jackson Award winning author of four collections.Jenn Ashworth, author of Fell, Cold Light and more.Gareth E. Rees, author of Marshland and The Stone Tide.Tim Lebbon, screenwriter and author of over 35 books including Dusk, The Silence and Relics.Alison Littlewood, author of The Crow Garden, The Hidden People and more.Aliya Whiteley, author of The Beauty, The Arrival of Missives and The Loosening Skin (forthcoming from Unsung Stories).Stephen Volk, screenwriter and author of Whitstable, Monsters in the Heart and more.Kirsty Logan, author of The Gloaming, The Gracekeepers, A Portable Shelter and The Rental Heart.James Miller, author of UnAmerican Activities, Lost Boys and Sunshine State.Jeannette Ng, author of Under the Pendulum Sun.Richard V. Hirst, co-author of The Night Visitors.Alison Moore, author of The Lighthouse, Missing and more.Gary Budden, author of Hollow Shores.Angela Readman, author of Don’t Try This at Home and The Book of Tides.

    Comprised of spine-chilling tales published by Stoker’s widow after his death, as well as The Lair of the White Worm, an intensely intriguing novel of myths, legends, and unspeakable evils, this collection demonstrates the full range of Stoker’s horror writing.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    It is narrated from the perspectives of multiple characters, a technique used to create suspense in many of the "sensation novels" pioneered by Wilkie Collins and others in the 1860s, as well as in many late nineteenth-century novels such as Dracula.Richard Marsh was the pseudonym of the British author, Richard Bernard Heldmann.

    Jenkins and Ryan CagleAunty Green by John BlackburnMiss Mack by Michael McDowellSchool Crossing by Francis KingA Psychological Experiment by Richard MarshThe Progress of John Arthur Crabbe by Stephen GregoryThe Frozen Man by John TrevenaCalifornia Burning by Michael BlumleinLet Loose by Mary CholmondeleyOut of Sorts by Bernard TaylorThe Head and the Hand by Christopher PriestThe Ghost of Charlotte Cray by Florence MarryatThe Grim White Woman by M. G. LewisThe Terror on Tobit by Charles BirkinFurnished Apartments by Forrest ReidSomething Happened by Hugh FleetwoodThe Tarn by Hugh WalpoleThe Gentleman All in Black by Gerald Kersh

    Kiernan is one of dark fantasy and horror’s most acclaimed and influential short fiction writers. Her powerful, unexpected stories shatter morality, gender, and sexuality: a reporter is goaded by her toxic girlfriend into visiting sadistic art exhibits; a countess in a decaying movie theater is sated by her servants; a collector offers his greatest achievement to ensnare a musician who grieves for her missing sister.In this retrospective collection of her finest work—previously only available in limited editions—Kiernan cuts straight to the heart of the emotional truths we cannot ignore.

    This volume contains a number of stories that were adapted for television, as well as a new introduction by Matheson himself.   This collection of stories features "Button, Button," soon to be a major motion picture starring Cameron Diaz and James Marsden.

    A couple are invited over to a neighbor's daughter's exorcism. A country witch with a sea-captain's head in a glass globe intercedes on behalf of abused and abandoned children. In July of 1915, in Hardin County, Ohio, a boy sees ghosts. Explore contemporary natural history in a baker's dozen of exhilarating visions.Contains:-The Blameless-Word Doll-The Angel Seems-Mount Chary Galore-A Natural History of Autumn-Blood Drive-A Terror Rocket Ship to Hell-The Fairy Enterprise-The Last Triangle-Spirits of Salt: A Tale of the Coral Heart The Thyme Fiend-The Prelate's Commission

    "Dancing Men" depicts one of the creepiest rites of passage in recent memory, when a boy visits his deranged grandfather in the New Mexico desert. In "Mr. Dark's Carnival," a college professor confronts his own dark places in the form of a mysterious haunted house steeped in the folklore of grisly badlands justice. "Struwwelpeter" introduces us to a brilliant, treacherous adolescent whose violent tendencies and reckless mischief reach a sinister pinnacle as Halloween descends on a rundown, Pacific Northwest fishing village. Tormented by his guilty conscience, a young man plumbs the depths of atonement as he and his favorite cousin commune with the almighty Hawaiian surf in "Shipwreck Beach." With The Two Sams author Glen Hirshberg uses his remarkable gift for capturing mood and atmosphere to suggest the possibility that the most troubling ghosts of all are not the ones that hover above us and walk through walls, but those that linger in our memories and haunt our souls.

    Equal parts brilliant and charming, neurotic and manipulative, Harry has devoted his life to exposing the truth behind England’s many ‘false hauntings’, and never has he left a case unsolved, nor a fraud unexposed.So when Harry and Sarah are invited to Borley Rectory – a house so haunted that objects frequently fly through the air unbidden, and locals avoid the grounds for fear of facing the spectral nun that walks there – they’re sure that this case will be just like any other. But when night falls and still no artifice can be found, the ghost hunters are forced to confront an uncomfortable possibility: the ghost of Borley Rectory may be real. And, if so, they’re about to make its most intimate acquaintance.

    Talk about the horse's mouth! This book is long overdue."- Peter Straub "Lovecraft opened the way for me, as he had done for others before me -- Robert Bloch, Fritz Leiber, and Ray Bradbury among them. The reader would do well to remember that it is his shadow, so long and gaunt, and his eyes, so dark and puritanical, which overlie almost all of the important horror fiction that has come since."- Stephen King "The oldest and strongest emotion of mankind is fear."- H.P. Lovecraft  In 1927, Howard Philips Lovecraft published a 30,000-word essay titled "Supernatural Horror in Literature." In it, the father of American horror writing  whose tales  presented one of the earliest scholarly studies of the supernatural in fiction, defined the horror story as one in which "a certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present." Those authors discussed in Lovecraft's seminal essay were used as the basis for the 1993 anthology H.P. Lovecraft's Book of Horror, edited by Dave Carson and Stephen Jones. With H.P. Lovecraft's Book of the Supernatural, Jones uses that same essay as inspiration for a new anthology of nineteen new selections, each preceded by an excerpt from Lovecraft. Included here are works from authors as varied as Edgar Allen Poe, Arthur Conan Doyle, Rudyard Kipling, and Robert Louis Stevenson. While these stories maycarry a classical pedigree, their contents remain just as chilling and disturbing as anything cooked up by modern-day horror writers. The book also includes a short essay from Lovecraft himself, "Notes on Writing Weird Fiction," in which he lays out tips and rules for mastering the form.

    When his father Montrose goes missing, twenty-two year old Army veteran Atticus Turner embarks on a road trip to New England to find him, accompanied by his Uncle George—publisher of The Safe Negro Travel Guide—and his childhood friend Letitia. On their journey to the manor of Mr. Braithwhite—heir to the estate that owned Atticus’s great grandmother—they encounter both mundane terrors of white America and malevolent spirits that seem straight out of the weird tales George devours.At the manor, Atticus discovers his father in chains, held prisoner by a secret cabal named the Order of the Ancient Dawn—led by Samuel Braithwhite and his son Caleb—which has gathered to orchestrate a ritual that shockingly centers on Atticus. And his one hope of salvation may be the seed of his—and the whole Turner clan’s—destruction.A chimerical blend of magic, power, hope, and freedom that stretches across time, touching diverse members of one black family, Lovecraft Country is a devastating kaleidoscopic portrait of racism—the terrifying specter that continues to haunt us today.

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.