300 copies. (Out of print).Reality is a thin translucent membrane that separates this world from the one beyond, and that membrane bends and buckles as we thrust ourselves against it. Through the barrier we see distorted visions, the merest glimpse of which is enough to infect our minds. . . . Thirteen tales of strangeness and surrealism await the reader of this book; stories of loss, despair, and what happens when those without hope meet that which they cannot understand. Two women vacationing far away encounter the mysteries of island life. . . . A trip north of the city to woods and a lake and a sky hungry for more. . . . Snow is falling, reminding the dying of all they've lost, or the young of all they have yet to lose. . . . The other world, it awaits you in the dark, cold to the touch. Contents: 'Under the Overpass', 'The Other Village', 'The Uninvited Guest', 'A Seed on Barren Ground', 'Writing on the Wall', 'A Chorus of Yesterdays', 'The Sweetest Song', 'Pinholes in Black Muslin', 'Fading Light', 'Poor Stephanie', 'Like Falling Snow', 'Here’s to the Good Life', 'Cold to the Touch, and 'Afterword'.

    Fires that Kia can start…just by thinking about them.When her latest “episode” gets her kicked out of school, Kia is shipped off to her grandmother, who works for the wealthy Blackwoods. It's an estate shrouded in secrets, surrounded by rules, and presided over by a family that is far from normal…including the gorgeous and insolent Ethan Blackwood.Ethan knows far more about the dangers of the forest surrounding the estate than Kia can ever imagine. For this forest has teeth, and Ethan is charged with protecting the outside world from its vicious mysteries.But inside, even the most vibrant shade of red doesn't stand a chance against the dark secrets of the Blackwood family…

    A whole lot of Brooklyn is like that now—but not Vassa’s working-class neighborhood.In Vassa’s neighborhood, where she lives with her stepmother and bickering stepsisters, one might stumble onto magic, but stumbling away again could become an issue. Babs Yagg, the owner of the local convenience store, has a policy of beheading shoplifters—and sometimes innocent shoppers as well. So when Vassa’s stepsister sends her out for light bulbs in the middle of night, she knows it could easily become a suicide mission.But Vassa has a bit of luck hidden in her pocket, a gift from her dead mother. Erg is a tough-talking wooden doll with sticky fingers, a bottomless stomach, and a ferocious cunning. With Erg’s help, Vassa just might be able to break the witch’s curse and free her Brooklyn neighborhood. But Babs won’t be playing fair…

    In this collection there are tales of Hyperborea, Zothique, Averoigne, Atlantis, Xiccarph, and other vanished worlds of Smith's unparalleled creation. Here are such unforgettable tales as Vulthoom, The Colossus of Ylourgne, The Charnel God, The Black Abbot of Puuthuum, The Weaver in the Vault, and others.None strikes the note of cosmic horror as well as Clark Ashton Smith. In sheer daemonic strangeness and fertility of conception, Smith is perhaps unexcelled by any other writer, dead or living - H.P. LovecraftHe had a monstrously vivid imagination, a keenly ironic sense of humour, and an uninhibited bent for the macabre. - L. Sprague de CampCover illustration by Brice Pennington

    So when the White Rabbit shows up at her house, Alice thinks she's going crazy.Only when the White Rabbit kicks her down the rabbit hole does Alice realize that the magical land she visited as a child is real.But all is not well in Wonderland.The Ace of Spades has taken over Wonderland and is systematically dismantling all that makes it wonderful. Plain is replacing wondrous, logical is replacing magical, and reason is destroying madness. Alice decides she must help the Mad Hatter and all those fighting to keep Wonderland wonderful. But how can she face such danger when she is just a girl?Alice must journey across the stars to unite an army. She discovers that fairy tales are real in the magical world beyond the rabbit hole. But they are not the fairy tales she knows. Fairy tales have dangers and adventures of their own, and Alice must overcome the trials of these old stories if she wants to unite the lands against Ace.With the help of Peter Pan, Pinocchio, Snow White and heroes old and new, Alice may have the strength to take back Wonderland.

    For if they come to love you, they might bring about the end of the world…Chloe is the youngest. Hers are the fingers that choose the wool, that shape the thread, that begin it. The sun smiles upon her. Men love her without knowing who she is. She has lived forever and will live forever more. She and her sisters have been on their isolated Greek island for centuries, longer than any mortal can remember. They spin, measure, and slice the countless golden threads of human life. They are the three Fates, and they have stayed separate for good reason: it is dangerous for them to become involved with the humans whose lives they shape.So when a beautiful girl named Aglaia shows up on their doorstep, Chloe tries to make sure her sisters don’t become attached. But in seeking to protect them, Chloe discovers the dark power of Aglaia’s destiny. As her path unwinds, the three Fates find themselves pulled inextricably along—toward mortal pain, and mortal love, and a fate that could unravel the world.

    Whether based in sf or fantasy, Shea's short fiction is not for the squeamish.Contents:Polyphemus (1981)The Angel of Death (1979)Uncle Tuggs (1986)The Pearls of the Vampire Queen (1982)The Horror on the #33 (1982)The Extra (1987)The Autopsy (1980)

     A small team of prospectors and their local guides are looking for gold. What they find is blood and terror and death. The valley's monstrous inhabitants are not about to let go of its secrets lightly.

    The journal includes nonfiction, literary horror fiction, poetry, artwork and non-classifiable hybrid pieces.Vol. 1, Issue 1 Contents:• Foreword to Teatro Grottesco essay by Thomas Ligotti•The Nightmare of His Art: The Horrific Power of the Imagination in "The Troubles of Dr. Thoss and "Gas Station Carnivals" essay by W. Silverwood•The Gods in Their Seats, Unblinking short fiction by Kurt Fawver• Affirmation of the Spirit: Consciousness, Transformation, and the Fourth World in Film short fiction by Christopher Slatsky•Try the Veal poem by Robert Beveridge•How to Construct a Gun from Your Own Flesh short fiction by Michael Uhall•Notes on a Horror essay by Dr. Raymond Thoss•"Eccentric to the Healthy Social Order" : Inversions of Family, Community, and Religion in Thomas Ligotti's "The Last Feast of Harlequin" essau by Michael J. Abolafia•Wraiths poem by Wade German•Eraserhead as Antinatalist Allegoryessay by Colby Smith•The Alienation of the Self: Marx, Polanyi, and Ligottian Horroressay by S. L. Edwards•The Theatre of Ovid short fiction by Aaron Worth•Infinite Light, Infinite Darkness short fiction by Martin Rose•Night Walks: The Films of Val Lewton essay by Michael Penkas• Solar Flare short fiction by Paul L. Bates•Strange Bird poem by Ian Mullins•Nervous Wares & Abnormal Staresshort fiction by Devin Goff•My Time at the Drake Clinic short fiction by Jordan Krall•Singing the Song of My Unmaking short fiction by Christopher Ropes•"They say I should kill myself and not try to spoil their enjoyment in being alive": An Interview with Thomas Ligottiinterview by Wojciech Gunia

    When we last saw Abigail Sinclair and Ben Whimble at the close of "The Outer Banks House," they'd overcome their differences in life stations and defied convention to begin their new life together.But now it's seven years later, and "Return to the Outer Banks House" finds the couple married and in hard times-riddled by poverty, miscarriages, and weakened family ties. The strong bonds that once held them together have eroded over time, and their marriage threatens to unravel, particularly when relationships from the past and ambitions for the future find their way into the mismatched couple's present predicament.Can their love survive? Or are the challenges they face insurmountable? "Return to the Outer Banks House" carries readers back to 1875 to answer these questions and explore the ebb and flow of a rocky marriage set against the enchanting North Carolina shoreline. Replete with history, intrigue, and plenty of maritime drama, it's an evocative tale of struggle in the Reconstruction-era South.

    But almost nothing of his silent movies has survived, and now Thackeray is little more than a grace note in film history.Disgraced film critic Simon is determined to restore Tubby's reputation and his own. A commercially successful biography of Tubby will convince Simon's girlfriend -- and her parents -- that Simon is worthy of her. Uncovering the truth about Tubby isn't easy. Newspapers of the time contain mysterious, truncated accounts of disturbing events at Tubby's performances and at screenings of his films. The few seconds of film Simon finds of Tubby in action are profoundly disquieting; Tubby seems more demon than comedian. Tubby's leering, laughing clown's face haunts Simon. Everywhere he turns, he sees the clown's sardonic grin; his faintly glowing white costume; or his long, oddly jointed limbs.Tubby Thackeray is dead. But the evil that was Tubby Thackeray lives, and Simon's investigations have roused its hunger.

    When evidence at the latest scene suggests that a massive predator may be the source of the carnage, a local crocodilian specialist is brought in as a consultant. Soon an effort is launched by the police and the coast guard to successfully locate and capture the ancient creature, which threatens the lives of everyone in the expedition, as well as the surrounding communities.

    Thousands of soldiers on both sides of the conflict lost their lives, and tens of thousands more were badly injured. For twin brothers Henry and William, infantry soldiers in the Confederate Army, the battle held more than the horrors of war, it was a portal to something beyond mankind, where the spilling of blood brings not only death, but eternal damnation.A stunning horror novella from a new Master of the Weird and the Fantastic.

    As the 16-year-old kingpin of the Spider, his smut-peddling schoolyard syndicate, he's making a name for himself as an up-and-coming entrepreneur. Profits are on the rise, the other gangs are staying out of his business, and he's going out with Esme, the girl of his dreams.But when Esme gets kidnapped, and all the clues point towards strange forces at work, things start to get seriously weird. The only man drunk enough to help is a bearded, booze-soaked, supernatural bounty hunter that goes by the name of Jackson 'Jackie' Ronin.Plunged into the increasingly bizarre landscape of Cape Town's supernatural underworld, Baxter and Ronin team up to save Esme. On a journey that takes them through the realms of impossibility, they must face every conceivable nightmare to get her back, including the odd brush with the Apocalypse.

    Lavery comes a collection of darkly mischievous stories based on classic fairy tales. Adapted from his beloved "Children's Stories Made Horrific" series, The Merry Spinster takes up the trademark wit that endeared Lavery to readers of both The Toast and his best-selling debut Texts from Jane Eyre. The feature become among the most popular on the site, with each entry bringing in tens of thousands of views, as the stories proved a perfect vehicle for Lavery’s eye for deconstruction and destabilization. Sinister and inviting, familiar and alien all at the same time, The Merry Spinster updates traditional children's stories and fairy tales with elements of psychological horror, emotional clarity, and a keen sense of feminist mischief.Readers of The Toast will instantly recognize Lavery's boisterous good humor and uber-nerd swagger: those new to Lavery's oeuvre will delight in his unique spin on fiction, where something a bit mischievous and unsettling is always at work just beneath the surface.Unfalteringly faithful to its beloved source material, The Merry Spinster also illuminates the unsuspected, and frequently, alarming emotional complexities at play in the stories we tell ourselves, and each other, as we tuck ourselves in for the night.Bedtime will never be the same.The daughter cells --The thankless child --Fear not: an incident log --The six boy-coffins --The rabbit --The merry spinster --The wedding party --Some of us had been threatening our friend Mr.Toad --Cast your bread upon the waters --The frog's princess --Good fences make good neighbors