An absurdist short story collection about the woes of 21st-century living--from an author whose writing is "moving and necessary, not to mention frequently hilarious" (Miranda July)College students, recent graduates, and their parents work at Denny's, volunteer at a public library in suburban Florida, attend satanic ska/punk concerts, eat Chinese food with the homeless of New York City, and go to the same Japanese restaurant in Manhattan three times in two sleepless days, all while yearning constantly for love, a better kind of love, or something better than love, things which--much like the Loch Ness Monster--they know probably do not exist, but are rumored to exist and therefore "good enough."

    White's stroll around Manhattan remains the quintessential love letter to the city, written by one of America's foremost literary figures. The New York Times has named Here is New York one of the ten best books ever written about the metropolis, and The New Yorker calls it "the wittiest essay, and one of the most perceptive, ever done on the city.

    Looking back not only at his own much younger self, but also at the other writers who shared Paris with him - James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald - he recalls the time when, poor, happy, and writing in cafes, he discovered his vocation. Written during the last years of Hemingway's life, his memoir is a lively and powerful reflection of his genius that scintillates with the romance of the city.

    Problem was, these stories, many of which found their way into the general social consciousness, reflected the way in which these men lived and saw their world: that is, the stories were sexist, discriminatory, unfair, culturally biased, and in general, demeaning to witches, animals, goblins, and fairies everywhere.Finally, after centuries of these abusive tales, which have been handed down--unknowingly--from one male-biased generation to the next, James Finn Garner has taken it upon himself (that's right, yet another man) to enlighten and liberate these classic bedtime stories and retell them in a way that is much more in keeping with the society in which we live today.Politically Correct Bedtime Stories, then is the fruit of Garner's labors. We'd like to think that future generations of fairy-tale fans will see this as a worthy attempt to develop meaningful literature that is totally free from bias and purged from the influences of a flawed cultural past.

    In stories that are more personal than any that she’s written before, Alice Munro pieces her family’s history into gloriously imagined fiction. A young boy is taken to Edinburgh’s Castle Rock, where his father assures him that on a clear day he can see America, and he catches a glimpse of his father’s dream. In stories that follow, as the dream becomes a reality, two sisters-in-law experience very different kinds of passion on the long voyage to the New World; a baby is lost and magically reappears on a journey from an Illinois homestead to the Canadian border. Other stories take place in more familiar Munro territory, the towns and countryside around Lake Huron, where the past shows through the present like the traces of a glacier on the landscape and strong emotions stir just beneath the surface of ordinary comings and goings. First love flowers under the apple tree, while a stronger emotion presents itself in the barn. A girl hired as summer help, and uneasy about her “place” in the fancy resort world she’s come to, is transformed by her employer’s perceptive parting gift. A father whose early expectations of success at fox farming have been dashed finds strange comfort in a routine night job at an iron foundry. A clever girl escapes to college and marriage. Evocative, gripping, sexy, unexpected—these stories reflect a depth and richness of experience. The View from Castle Rock is a brilliant achievement from one of the finest writers of our time.

    Following a whirlwind courtship and wedding, the pair set sail for Paris, where they become the golden couple in a lively and volatile group—the fabled “Lost Generation”—that includes Gertrude Stein, Ezra Pound, and F. Scott and Zelda Fitzgerald. Though deeply in love, the Hemingways are ill prepared for the hard-drinking and fast-living life of Jazz Age Paris, which hardly values traditional notions of family and monogamy. Surrounded by beautiful women and competing egos, Ernest struggles to find the voice that will earn him a place in history, pouring all the richness and intensity of his life with Hadley and their circle of friends into the novel that will become The Sun Also Rises. Hadley, meanwhile, strives to hold on to her sense of self as the demands of life with Ernest grow costly and her roles as wife, friend, and muse become more challenging. Despite their extraordinary bond, they eventually find themselves facing the ultimate crisis of their marriage—a deception that will lead to the unraveling of everything they’ve fought so hard for. A heartbreaking portrayal of love and torn loyalty, The Paris Wife is all the more poignant because we know that, in the end, Hemingway wrote that he would rather have died than fallen in love with anyone but Hadley.

    In "Near-Extinct Birds of the Central Cordillera," an ornithologist being held hostage in the Colombian rain forest finds that he respects his captors for their commitment to a cause, until he realizes that the Revolution looks a lot like big business. In "The Good Ones Are Already Taken," the wife of a Special Forces officer battles a Haitian voodoo goddess with whom her husband is carrying on a not-entirely-spiritual relationship. And in "The Lion's Mouth," a disillusioned aid worker makes a Faustian bargain to become a diamond smuggler for the greater good. With masterful pacing and a robust sense of the absurd, each story in Brief Encounters with Che Guevara is a self-contained adventure, steeped in the heady mix of tragedy and danger, excitement and hope, that characterizes countries in transition.

    What is fate, in a culture of free will and self-determination? Where do we project our doom, that ancient and evolving belief in predestination? In this issue of Granta, twenty-two writers meditate on fate in all its many forms.Includes contributions by Anjan Sundaram, Andrea Stuart, Fatima Bhutto, Sam Coll, Joanna Kavenna, Joseph Roth, Michael Cunningham, and Will Self.

    As with her acclaimed novels Nobody Is Ever Missing and The Answers, she gives life to a group of subtly complex, instantly memorable characters whose searches for love, struggles with grief, and tentative journeys into the minutiae of the human condition are simultaneously gripping and devastating. The characters in Certain American States are continually coming to terms with their place in the world, and how to adapt to that place, before change inevitably returns. A woman leaves her dead husband’s clothing on the street, only for it to reappear on the body of a stranger; a man reads his ex-wife’s short story and neurotically contemplates whether it is about him; a young woman whose Texan mother insists on moving to New York City with her has her daily attempts to get over a family tragedy interrupted by a mute stranger showing her incoherent messages on his phone. These are stories of breakups, abandonment, and strained family ties; dead brothers and distant surrogate fathers; loneliness, happenstance, starting over, and learning to let go. Lacey’s elegiac and inspired prose is at its full power in this collection, further establishing her as one of the singular literary voices of her generation.

    Collected here for the first time in paperback, the essays, articles, observations—and even some untypical country-music lyrics—offer a rare overview of the eclectic sensibility of an American original. Whether rocking with the Doors, depoliticizing Picasso’s Guernica, lamenting the angst-ridden state of contemporary literature, or drooling over tomato sandwiches and a species of womanhood he calls “the genius waitress,” Tom Robbins’s briefer writings exhibit the five traits that perhaps best characterize his novels: an imaginative wit, a cheerfully brash disregard for convention, a sweetly nasty eroticism, a mystical but keenly observant eye, and an irrepressible love of language. Embedded in this primarily journalistic compilation are brand-new short stories, a sheaf of largely unpublished poems, and an offbeat assessment of our divided nation. Wherever you open Wild Ducks Flying Backward, you’ll encounter the serious playfulness that percolates from the mind of a self-described “romantic Zen hedonist” and “stray dog in the banquet halls of culture.”

    Noah disembarks from his ark but he and his Voyage are not forgotten: they are revisited in on other centuries and other climes - by a Victorian spinster mourning her father, by an American astronaut on an obsessive personal mission. We journey to the Titanic, to the Amazon, to the raft of the Medusa, and to an ecclesiastical court in medieval France where a bizarre case is about to begin...This is no ordinary history, but something stranger, a challenge and a delight for the reader's imagination. Ambitious yet accessible, witty and playfully serious, this is the work of a brilliant novelist.

    Written when he was only 22 years old, the tale also features some of Rudyard Kipling’s most crystalline prose, and one of the most beautifully rendered, spectacularly exotic settings he ever used. Best of all, it features two of his most unforgettable characters, the ultra-vivid Cockneys Peachy Carnahan and Daniel Dravot, who impart to the story its ultimate, astonishing twist: it is both a tragedy and a triumph.

    But do we know exactly what this book is? We do not. The original purpose of the collection was to introduce younger readers--high school and college-age people, more or less--to good writing from contemporary writers. But then the book came out and we discovered that the readership was not what we'd expected. Sure, there were some high school and college readers, but there were also older readers, and younger readers, and readers from every walk of life--police officers, firefighters, animal control experts, air-conditioning repair technicians, and prisoners. It runs the gamut. Now, your questions answered: What is the purpose of this book? --Dominique, Santa Monica, CA Thank you for your question, Dominique. (Such a lovely name!) The purpose of this book is to collect good work of any kind--fiction, humor, essays, comics, journalism--in one place, for the English-reading consumer. The other books in the Best American series are limited by their categories, most particularly the popular but constraining Best American Catholic Badger Mystery Writing. This collection is not so limited, which is why, we think, it dominates all similar collections, making them whimper and cower in a way that is shameful. Why aren't there more pieces about badgers? --Reginald, Myrtle Beach, SC We had plans to include at least seven pieces about badgers--their manufacture, appearance, and care--but were prevented from doing so by Zadie Smith. This was a condition of her inclusion in this volume. In addition to the pieces included in the collection, and Ms. Smith's introduction--or whatever it is--will there be a piece by the editor about a young man with a crush on a sixty-five-year-old woman whose lawn he cuts? --Peter and Nam Mee, Washington, DC We might have such a piece. It might be immediately following this sentence. (From the Foreword by Dave Eggers) Since its inception in 1915, the Best American series has become the premier annual showcase for the country's finest short fiction and nonfiction. For each volume, the very best pieces are selected by an editor who is widely recognized as a leading writer in his or her field, making the Best American series the most respected--and most popular--of its kind. Dave Eggers, who will be editing The Best American Nonrequired Reading annually, has once again chosen the best and least-expected fiction, nonfiction, satire, investigative reporting, alternative comics, and more from publications large, small, and on-line--The Onion, The New Yorker, Shout, Time, Zoetrope, Tin House, Nerve.com, and McSweeney's, to name just a few. Read on for "Some of the best literature you haven't been reading . . . And it's fantastic. All of it." (St. Petersburg Times). Lynda Barry Jonathan Safran Foer Lisa Gabriele Andrea Lee J. T. Leroy Nasdijj ZZ Packer David Sedaris

    At first sight, he described it as "a most picturesque and beautiful city, situated in one of the loveliest landscapes that I have ever seen." Irving was preparing a book called A Chronicle of the Conquest of Granada, a history of the years 1478–1492, and was continuing his research on the topic. He immediately asked the then-governor of the historic Alhambra Palace as well as the archbishop of Granada for access to the palace, which was granted because of Irving's celebrity status. Aided by a 17-year old guide named Mateo Ximenes, Irving was inspired by his experience to write Tales of the Alhambra. Throughout his trip, he filled his notebooks and journals with descriptions and observations though he did not believe his writing would ever do it justice. He wrote, "How unworthy is my scribbling of the place." Irving continued to travel through Spain until he was appointed as secretary of legation at the United States Embassy in London, serving under the incoming minister Louis McLane. He arrived in London by late September 1829.

    A retired English professor who began writing fiction at the age of 70, Maclean produced what is now recognized as one of the classic American stories of the twentieth century. Originally published in 1976, A River Runs through It and Other Stories now celebrates its twenty-fifth anniversary, marked by this new edition that includes a foreword by Annie Proulx.Maclean grew up in the western Rocky Mountains in the first decades of the twentieth century. As a young man he worked many summers in logging camps and for the United States Forest Service. The two novellas and short story in this collection are based on his own experiences—the experiences of a young man who found that life was only a step from art in its structures and beauty. The beauty he found was in reality, and so he leaves a careful record of what it was like to work in the woods when it was still a world of horse and hand and foot, without power saws, "cats," or four-wheel drives. Populated with drunks, loggers, card sharks, and whores, and set in the small towns and surrounding trout streams and mountains of western Montana, the stories concern themselves with the complexities of fly fishing, logging, fighting forest fires, playing cribbage, and being a husband, a son, and a father.