Moving into her sister's grand country house, she soon finds herself entangled in a new world of idealistic beliefs and seemingly innocent friendships. Fevered talk of another war infiltrates their small, privileged circle, giving way to a thrilling solution: a great and charismatic leader, who will restore England to its former glory.At a party hosted by her new friends, Phyllis lets down her guard for a single moment, with devastating consequences. Years later, Phyllis, alone and embittered, recounts the dramatic events which led to her imprisonment and changed the course of her life forever.

    Emmy Lake is Doing Her Bit for the war effort, volunteering as a telephone operator with the Auxiliary Fire Services. When Emmy sees an advertisement for a job at the London Evening Chronicle, her dreams of becoming a Lady War Correspondent seem suddenly achievable. But the job turns out to be typist to the fierce and renowned advice columnist, Henrietta Bird. Emmy is disappointed, but gamely bucks up and buckles down. Mrs Bird is very clear: Any letters containing Unpleasantness—must go straight in the bin. But when Emmy reads poignant letters from women who are lonely, may have Gone Too Far with the wrong men and found themselves in trouble, or who can’t bear to let their children be evacuated, she is unable to resist responding. As the German planes make their nightly raids, and London picks up the smoldering pieces each morning, Emmy secretly begins to write letters back to the women of all ages who have spilled out their troubles. Prepare to fall head over heels with Emmy and her best friend, Bunty, who are spirited and gutsy, even in the face of events that bring a terrible blow. As the bombs continue to fall, the irrepressible Emmy keeps writing, and readers are transformed by AJ Pearce’s hilarious, heartwarming, and enormously moving tale of friendship, the kindness of strangers, and ordinary people in extraordinary times.

    Here, in the dizzying heat of August 1939, five cousins have gathered at their aunt's house for their annual ritual of a holiday. For most of them it is the last summer of their youth, with the heady exhilarations and freedoms of lost innocence, as well as the fears of the coming war.The Camomile Lawn moves from Cornwall to London and back again, over the years, telling the stories of the cousins, their family and their friends, united by shared losses and lovers, by family ties and the absurd conditions imposed by war as their paths cross and recross over the years. Mary Wesley presents an extraordinarily vivid and lively picture of wartime London: the rationing, imaginatively circumvented; the fallen houses; the parties, the new-found comforts of sex, the desperate humour of survival - all of it evoked with warmth, clarity and stunning wit. And through it all, the cousins and their friends try to hold on to the part of themselves that laughed and played dangerous games on that camomile lawn.

    This tale is set in the crossword and nature-notes department of an obscure national newspaper during the declining years of Fleet Street.

    In the Daily Mail Angela Huth called "Good Evening, Mrs Craven" 'my especial find' and Ruth Gorb in the "Ham & High" contrasted the humour of some of the stories with the desolation of others: 'The mistress, unlike the wife, has to worry and mourn in secret for her man; a middle-aged spinster finds herself alone again when the camaraderie of the air-raids is over ...'

    But this daughter was not one to let others define her; Amory became a woman who accepted no limits to what that could mean, and, from the time she picked up her first camera, one who would record her own version of events.Moving freely between London and New York, between photojournalism and fashion photography, and between the men who love her on complicated terms, Amory establishes her reputation as a risk taker and a passionate life traveler. Her hunger for experience draws her to the decadence of Weimar Berlin and the violence of London's blackshirt riots, to the Rhineland with Allied troops and into the political tangle of war-torn Vietnam. In her ambitious career, the seminal moments of the 20th century will become the unforgettable moments of her own biography, as well.In Sweet Caress, Amory Clay comes wondrously to life, her vibrant personality enveloping the reader from the start. And, running through the novel, her photographs over the decades allow us to experience this vast story not only with Amory's voice but with her vision. William Boyd's Sweet Caress captures an entire lifetime unforgettably within its pages. It captivates.

    'The Long View', a revealing portrait of a marriage, is the ingenious construction of a couple's story that offers a remarkable and very real view of the shifting relationship between two people from 1950 to 1926.(The author, Elizabeth Jane Howard, rose to international stardom with her magnificent Cazalet family saga.)

    The melancholic, middle-aged lexicographer plunges into an increasingly ambiguous relationship with the vivacious Mrs. Thrale for the next twenty years. In that time Hester's eldest daughter, the neglected but prodigiously clever Queeney, will grow into young womanhood. Along the way, little of the emotional tangle and sexual tension stirring beneath the decorous surfaces of the Thrale household will escape Queeney's cold, observant eye.

    When war broke out, Nella's younger son joined the army while the rest of the family tried to adapt to civilian life. Writing each day for the "Mass Observation" project, Nella, a middle-aged housewife from the bombed town of Barrow, shows what people really felt during this time. This was the period in which she turned 50, saw her children leave home, and reviewed her life and her marriage - which she eventually compares to slavery. Her growing confidence as a result of her war work makes this a moving (though often comic) testimony, which, covering sex, death and fear of invasion, provides a new, unglamorised, female perspective on the war years. (For example, Nella writes :'Next to being a mother, I'd have loved to write books.' Oct 8, 1939.)

    She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war. Does Ursula's apparently infinite number of lives give her the power to save the world from its inevitable destiny? And if she can - will she?

    There are no victors, no vanquished. There are simply those who remain alive, and those who die.Bomber follows the progress of an Allied air raid through a period of twenty-four hours in the summer of 1943. It portrays all the participants in a terrifying drama, both in the air and on the ground, in Britain and in Germany.In its documentary style, it is unique. In its emotional power it is overwhelming.Len Deighton has been equally acclaimed as a novelist and as an historian. In Bomber he has combined both talents to produce a masterpiece.

    There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience. Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.

    She jumps at the chance, for it's an opportunity not only to prove herself, but also to start fresh in a city and country that know nothing of her humble origins. But life in besieged Britain tests Ruby in ways she never imagined.Although most of Ruby's new colleagues welcome her, a few resent her presence, not only as an American but also as a woman. She is just beginning to find her feet, to feel at home in a country that is so familiar yet so foreign, when the bombs begin to fall. As the nightly horror of the Blitz stretches unbroken into weeks and months, Ruby must set aside her determination to remain an objective observer. When she loses everything but her life, and must depend upon the kindness of strangers, she learns for the first time the depth and measure of true friendship—and what it is to love a man who is burdened by secrets that aren’t his to share.Goodnight from London, inspired in part by the wartime experiences of the author’s own grandmother, is a captivating, heartfelt, and historically immersive story that readers are sure to embrace.

    But as WWII overtakes the country, the family, like so many others, slowly disintegrates. Told partly from the perspective of the children, but not a children's book, Saplings is immensely readable . . . a dark inversion of the author’s best-known book, the children’s classic Ballet Shoes.

     There were three deaths that summer. The first was Letitia's, sudden and quite unexpected, leaving her husband, Thaddeus, haunted by the details of her last afternoon. The next death came some weeks later, after Thaddeus's mother-in-law helped him to interview for a nanny to bring up their baby. None of the applicants were suitable--least of all the last one, with her sharp features, her shabby clothes that reeked of cigarettes, her badly typed references--so Letitia's mother moved herself in. But then, just as the household was beginning to settle down, the last of the nannies surprisingly returned, her unwelcome arrival heralding the third of the summer tragedies. "William Trevor is an extraordinarily mellifluous writer, seemingly incapable of composing an ungraceful sentence. . . . His skill is very real, and equals his great compassion. With Death in Summer, these two qualities combine in a beautiful and resonant way."--The New York Time Book Review "Possibly the most perfect of Trevor's novels . . . Astonishing."--Los Angeles Times Book Review "Beautifully paced and mesmerizing . . . Offering us a compelling mystery on many levels through . . . finely drawn, perfect glimpses of touchingly imperfect lives."--The Washington Post Book World Nominated for a Los Angeles Times Book Prize