"Criticism" provides readers with a wide chronological and thematic range of scholarly interpretations, divided into two sections. The first, "1745-1940," includes assessments by Henry Fielding, Samuel Johnson, Samuel Taylor Coleridge, William Makepeace Thackeray, D. H. Lawrence, W. B. Yeats, F. R. Leavis, and Andr� Breton, among others. The second, "After 1940," is by subject and collects critical discussions of A Tale of the Tub, the poems, the English and Irish politics, and Gulliver's Travels, by Hugh Kenner, Marcus Walsh, Irvin Ehrenpreis, Penelope Wilson, Derek Mahon, S. J. Connolly, George Orwell, R. S. Crane, Jenny Mezciems, Ian Higgins, and Claude Rawson. A Chronology and Selected Bibliography are also included.

    This comprehensive introduction to the nature and variety of religious phenomena, belief, and practice: 1) explores the issues in the study of religion, 2) examines the universal forms of religious experience, 3) offers a cross-cultural study of a broad range of classic types of religious belief and practice in terms of the seven basic concepts of a religious world view, and 4) surveys the challenges faced by religions today.

    Left with a small fortune by her parents and the cryptic advice, "it would do to find a passion," Redel's narrator sets out to become a mother--a task she feels she can be adequately passionate about. She conceives her son Paul through a loveless one-night stand, surrounds him with a wonderful, magical world for two--a world filled with books, music, endless games, and bottomless devotion--and calls him pet names like Birdie, Cookie, Puppy, and Loverboy. She wonders, "Has ever a mother loved a child more?" But as life outside their lace curtains begins to beckon the school-age Paul, his mother's efforts to keep him content in their small world become increasingly frantic and ultimately extreme by all definitions. In this exquisite debut novel, Victoria Redel takes us deep into the mind of a very singular mother, exposing the dangerously whisper-thin line between selfless and selfish motivation that exists in all types of devotion.

    Here Scott and Zelda Fitzgerald, often seen as symbols of the doomed youth of the jazz age, become two halves of s single creative psyche, each part alternately feeding and then devouring the other.Set in Highland Hospital near Asheville, North Carolina, where Zelda spent her last confinement, this “ghost play” begins several years after Scott’s death of a heart attack in California. But the past is “still always present” in Zelda, and Williams’s constant shifting of chronology and mixing of remembrance with ghostly re-enactment suggest that our real intimacy is with the shadow characters of our own minds. As Williams said the Author’s Note to the Broadway production: “Our reason for taking extraordinary license with time and place is that in an asylum and on its grounds liberties of this kind are quite prevalent: and also these liberties allow us to explore in more depth what we believe is truth of character."Williams poses the inevitable, unanswerable questions: Did Scott prevent Zelda from achieving an independent creativity? Did Zelda’s demands force Scott to squander his talents and turn to alcohol? Whose betrayal — emotional, creative, sexual — destroyed the other? But he poses these questions in a new way: in the act of creation, Zelda and Scott are now aware of their eventual destruction, and the creative fire that consumed the two artists combines symbolically with the fire that ended Zelda’s life.

    He discusses the fate of virtue, the legacy of racism, the moral issues implicated in the war on terrorism, and the objectivity of ethical norms. Against those who see no place for religious reasoning in the democratic arena, Stout champions a space for religious voices. But against increasingly vocal antiliberal thinkers, he argues that modern democracy can provide a moral vision and has made possible such moral achievements as civil rights precisely because it allows a multitude of claims to be heard.Stout's distinctive pragmatism reconfigures the disputed area where religious thought, political theory, and philosophy meet. Charting a path beyond the current impasse between secular liberalism and the new traditionalism, Democracy and Tradition asks whether we have the moral strength to continue as a democratic people as it invigorates us to retrieve our democratic virtues from very real threats to their practice.

    Learn what the different types of classes are like, how to thrive in your clinical rotations, master test-taking strategies and discover the author's own unique system for approaching patient care. With The Nursing School Thrive Guide, you'll start the semester ahead of the curve, with the tools you need to hit the ground running when classes start. Follow the system outlined in this book, and you'll be an organized, confident nursing student...guaranteed. Maureen Osuna is a critical care nurse with a passion (more like obsession) for mentoring nursing students and is owner of the website www.straightanursingstudent.com.

    Cars are a part of my soul.Focus. Drive. Win.Once fueled by passion, I’m now fueled by hate.And I’ve never entered a race I knew I couldn’t win.Until Sadie.She isn’t supposed to cause me to swerve off course, but one look and she does.Now, it’s winner takes all. I either get everything I want or none of it.I arrived with one purpose—to punish those responsible for an unspeakable act.I’m not built to back down.Is there any hope of pulling her out of the wreckage or will we crash and burn together, both going up in flames?Fueled Hate is a dark college bully romance. It contains sensitive topics that some may find triggering and is intended for mature readers. Fueled Hate is Book One in the Fueled series and a complete STAND-ALONE.

    It connects to the kind of boys who are in love and keep trying to convince the same girl in different ways for a long time, not moving on in life. Also, it talks about the kind of girls who don’t believe in love but also, don’t want to take advantage of a boy's feelings. The girls who are not conservative but don’t want to pursue love.Abhimanyu, a well-known author returns to his engineering college in Bangalore after a decade and notices a lot of changes in the college over this period. It reminds him of how he met his ladylove, Naina on the first day of college and fell in love with her at the first sight. Abhimanyu, being an impulsive, stubborn and impatient guy decides to propose her in a rush. She doesn’t believe in love and has her own reasons for it. Abhimanyu with the help of his friends Aarush and Dev proposes and tries to convince Naina many times in unusual ways but he fails miserably. However, a trick helps to melt her heart, but destiny has a different plan.

    This hands-on resource can be used as a self-paced guide or in a facilitated (work or academic course) environment. The book enables readers to encounter and confront culture head on, to interact with and respond to it. In the process, culture will become something real and alive, something to deal with, not merely think about. NEW TO THIS EDITION: 1. New introduction by the author highlighting changes in approaches since 1998! 2. A diagnostic quiz at beginning and end touching on all major elements discussed in the book. Before working through the exercises, readers get a score. They take the quiz again at the end of the book to see how much they've learned and where improvement is needed. 3. A new exercise to begin chapter 1 and a revised introduction 4. Revision of Exercise 5.1, The Cross-Cultural Perspective: Description or Interpretation 5. Addition of a new exercise in Chapter 5 based on Bennet's Developmental Model of Intercultural Sensitivity and new chapter introduction 6. Revised continuums (with regional/country locations) to reflect research done since 1st edition. 7. Updates throughout to ensure content is up-to-date and reflects current standards

     Kaleb's always been a bad boy. A womanizing, cocky, arrogant, aggravating bad boy. Oh, did I add that he has a body that belongs on a magazine cover, cheekbones you can cut yourself on and a smile that makes the panties melt off every girl he meets? And for the whole summer holidays, before I go away to college, he's also my boss. So why, in a moment of vulnerability, did I end up in bed with him? I mean sure, it was just one night. But damn, it was one hell of a night. I tried to forget it. I tried to pretend it didn't happen. After all, I'm a good girl. I don't do things like that. But when he tells me the next day that as his boss, I have to obey his every command... Well, let's just say accounting internships have never been so exciting.

    find out what happens in the next installment of The Hunted - Addiction by Ivy Smoak.Temptation has quickly turned into addiction. Penny Taylor fell hard for the sexy, brooding Professor Hunter. But he's not a professor anymore.James losing his job isn't the only backlash that their illicit affair has caused. Relentless press, a hostile campus, and an investigation gone awry put tension on Penny and James' newly healed relationship. And James' younger brother moving in doesn't make things easier.Will the hardships bring Penny and James closer together or tear them apart? Find out if it was all worth it.This book is intended for mature audiences.

    In Dublin, a man seeks help from a counselor, claiming to have seen the ghost of his recently deceased wife. But what begins as just an unusual encounter becomes a struggle between the living and dead—a struggle that will shape and define both men for the rest of their lives.Also included here is the one-act, Come on Over, about a Jesuit priest sent to investigate a “miracle” in his hometown, where he re-encounters the woman who loved him 30 years before.Conor McPherson was born in Dublin, Ireland, where he still lives. His plays include This Lime Tree Bower, St. Nicholas, The Weir, Port Authority and Dublin Carol.

    By my family. By my name. Everything I do is for family. Blood In. Death out. It’s what we live by. It’s what we kill by. Now that there’s no one to rule me, a sinner likes to play.It’s simple. I want what I can’t have, and I’ll make sure no other f#cker gets it either.She had my heart and crushed it. I let her see the life that forged who I am, and she threw it in my face.Now she’s waltzed back into my life like it never happened.I hate to need her. I need to hate her.I will break her. Like my demons break me.The game of cat and mouse is long over, freshman.Who will break first?

    This modern riff on the fifteenth-century morality play Everyman follows Everybody (chosen from amongst the cast by lottery at each performance) as they journey through life’s greatest mystery—the meaning of living.

    Blending both the practical and theoretical, the concrete and abstract, this book is both enjoyable to read and thoroughly researched. By clearly explaining different theories and the significance of cultural patterns and having readers practice what they learn via examples in the book, Intercultural Competence better prepares readers to interact in intercultural relationships. The book also provides a discussion of important ethical and social issues relating to intercultural communication. The authors cover U.S. cultures as well as global cultural issues.