But for those who identify with Western culture, Western religious traditions have their own wisdom teachings that are more suitable to their needs and expectations. Many of those searching for alternative religions are not even aware that Western civilization has always had its own traditions, which are often hidden. In this fascinating introduction to non-mainstream Western spirituality, the coeditors of Gnosis magazine -- today's leading journal of mystical spirituality -- guide you through the teachings of Jung and Gurdjieff, the Kabbalah, neo-paganism, shamanism, alchemy, Sufism, and more. Explaining the history and practice of each tradition and describing its important figures, the authors present the ideas, strengths, and weaknesses of each tradition and offer a wealth of resources for those interested in pursuing these paths further.

    They show that a house is more than a building: it is a living being with a body and soul. Examining the extensive traditions surrounding houses from medieval times to the present, Claude Lecouteux reveals that, before we entered the current era of frequent moves and modular housing, moving largely from the countryside into cities, humanity had an extremely sacred relationship with their homes and all the spirits who lived there alongside them--from the spirit of the house itself to the mischievous elves, fairies, and imps who visited, invited or not. He shows how every aspect of constructing and keeping a house involved rites, ceremony, customs, and taboos to appease the spirits, including the choice of a building lot and the very materials with which it was built. Uncovering the lost meaning behind door and window placement, the hearth, and the threshold, Lecouteux shares many tales of house spirits, from the offerings used to cajole the local land spirit into becoming the domestic house spirit to the good and bad luck bestowed upon those who seek the help of the “Little Money Man.” He draws on studies and classic literature from old Europe--from Celtic lands and Scandinavia to France and Germany to the far eastern borders of Europe and into Russia--to explain the pagan roots behind many of these traditions. Revealing our ancestors’ charms, prayers, and practices to bestow happiness and prosperity upon their homes, Lecouteux shows that we can invite the spirits back into our houses, old or new, and restore the sacred bond between home and inhabitant.

    The result of sixteen years of research in Talmudic, gnostic, cabalistic, apocalyptic, patristic, and legendary texts, the classic reference work on angels is beautifully illustrated and its reissue coincides with the resurgence of belief in angels in America.

    It covers what it means to be a Witch, how a Witch works, what a Witch does and how a Witch celebrates the turning of the seasons. It is packed full of information about all sorts of subjects from a breakdown of rituals and magical tools to reading auras and rites of passage, along with meditations, recipes for oils, incenses and spells and a huge amount of crafts to make for each Sabbat. The information herein does not follow any strict tradition; it is a personal interpretation of witchcraft melding together different experiences. Magic and the Craft are fluid and flexible, it is ever changing and we are ever learning.

    Includes a biographical portrait of Nouwen, highlighting the events that shaped his life.

    Written by well-known authorities in Indian history and culture, this comprehensive volume spans thousands of years. Lavishly illustrated with photos and works by both comtemporary and historical artists.

    Illustrations; full-color inserts.

    The author shares her personal stories that demonstrate how spirit guides, angels and enlightened beings can answer calls for help through miracles. You will read about the matronly ghost who overstayed her welcome, the spirits of ancient wise men who offered advice and a miraculous cure from cancer for a friend, the man who got out of his wheelchair to go hunting and fishing, a vivid dream and later chance meeting of a pastor who needed guidance, the metamorphosis of a schizophrenic, the loving afterlife contact from her mother who died unexpectedly, and many other stories.

    That is so; yet, from another point of view, we may surely say that it is at once a philosophy, a religion and a science. It is a philosophy, because it puts plainly before us an explanation of the scheme of evolution of both the souls and the bodies contained in our solar system. It is a religion in so far as, having shown us the course of ordinary evolution, it also puts before us and advises a method of shortening that course, so that by conscious effort we may progress more directly towards the goal. It is a science, because it treats both these subjects as matters not of theological belief but of direct knowledge obtainable by study and investigation. It asserts that man has no need to trust to blind faith, "because he has within him latent powers which, when aroused, enable him to see and examine for himself, and it proceeds to prove its case by showing how those powers may be awakened. It is itself a result of the awakening of such powers by men, for the teachings which it puts before us are founded upon direct observations made in the past, and rendered possible only by such development.

    The work of an obscure German artist, the scene showed Christ leaving the palace of Pontius Pilate under a guard of Roman soldiers forcing their way through a stone-throwing mob. There was no doubt that it was a true masterpiece of Renaissance art. But for the four people who gathered to view it, the picture possessed a qualit that was absolutely unique: As each of them looked upon it he found himself clearly depicted as one of the howling mob.In this new novel by the author of The Lilies of the Field, a young man's search for the secret of the strange genius who created that seemingly magical painting leads him to a beautiful, and perfectly intact medieval town in Germany, and, finally, to the discovery of the most precious gift a person can receive.

    Portable and reader-friendly, it makes an ideal companion for both lovers of Old Norse mythology and those new to the wisdom of this central Eddic poem wherever they may find themselves.

    Long out of print, it is now available exactly as it appeared fifty years ago as one of the four hundred copies published by the McGill Poetry Series in Canada, with its original cover and illustrations by Canadian artist Freda Guttman.