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    It has been awarded the First Prize in the Rizal Biography Contest under the auspices of the Jose Rizal National Centennial Commission in 1961.

    Drawing data from his work as Marcos's media adviser before his defection in 1975, Primitivo Mijares esposes the massive corruption and military abuses under the regime, which has left the nation in ruins. Forty years after its first publication, the book, in this revised and annotated edition, reminds Filipinos of their past that remains a present threat.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    He ran away again from his foxhole in Bataan when the Japanese were closing in. and through much of his life, even when he had become comfortable, he still ran away, haunted by the poverty of his boyhood, of the treachery that he may have committed. This is Benjamin Singkol—perhaps the most interesting character ever created by F. Sionil José. After World War II, Sionil Jose enrolled at the University of Santo Tomas and came under the wing of Paz Latorena, one of the country’s foremost writers and literature teachers and the Dominican writer, Juan Labrador. He worked in journalism and developed his distinctively direct narrative style.Sionil José is best known for his epic work, the Rosales saga—five novels which encompass a hundred years of Philippine history, from 1872 when the three Filipino priests—Gomez, Burgos and Zamora—were martyred, to 1972 when Marcos declared Martial Law.

    This novel challenged its readers to solve or alleviate the festering wound of Philippine society: the widespread feudalism in the countryside. Francisco identifies the cause of poverty of the farmers and describes their helplessness in the hands of the landlord. He introduces characters of a different kind: one that does not allow oneself to be carried away by the flood of life, and instead acts according to one’s own principle and goal of helping others.

    Presented with drama and poetry, Gonzalez' work counters the myth of of the Philippines' lost native past and cultural weakness in the face of foreign dominance

    He made the sun, the stars, the moon, the planets. His wife, Alunsina, wants to be able to create too. But Tungkung Langit only answered, "I would rather see you smile, fix your hair and stay beautiful." Alunsina was not content with this answer and continued to plead with her husband to allow her to create. And each time, Tungkung Langit ignored her pleas. Finally, Alunsina leaves her husband. Tungkung Langit searched everywhere for his wife until one day, he found her on earth surrounded by trees, flowers, birds, and fish. "I am creating the world," she announces. "I too am a god." So why does it rain? Find out for yourself in this beautifully written and illustrated book.Cacho Publishing House, Inc. (Out of print)

    Aquino III, during which the Philippines metamorphosed from a free-wheeling republic into a brutal dictatorship that eventually gave way to a turbulent return to democratic rule. Sheer longevity, proximity to power and a forceful personality have made Enrile difficult to trivialize, much less ignore. Neither his friends nor his enemies have the power to exaggerate or misrepresent his gifts as well as his faults; they would have to reckon with the man’s personal point of view, here most eloquently told from where he stood and contributed his share to the nation’s narrative.

    A naive young woman from the provinces, Imelda garnered attention in 1953 as the winner of the Miss Manila contest and caught the eye of a rising young congressman, Ferdinand E. Marcos. After a courtship of eleven days, they were married. Under Ferdinand's stern tutelage, Imelda would emerge as his most important political asset and, later, as one of the wealthiest, most powerful women in the world.Based on years of research and in-depth interviews with both friends and foes of the Marcoses, this biography traces Imelda's life from her poverty-stricken origins to her present state of exile, providing insight not only into her character but also into the demise of the Marcos regime and the current turbulent political situation in the Philippines.

    Filipino and American historians have recreated the Philippine Revolution to suit the political needs of succeeding generations, disregarding aspects that now emerge so clearly in Alvarez's account- an embittered factionalism, strong undercurrents of messianism and animism and a violent machismo. To give their new nation Western style heroes and heroism, postwar Filipino Historians often stripped these events of their authenticity. Alvarez gives us back these elements without denigrating the dignity or glory of the revolution. “In the interest of noble truth” he wrote of the successes as well as failures, bravery as well as brutality, providing the new raw material for recreating this aspect of the Filipino past.Without denigrating the dignity or glory of the Revolution, this book gives an account of the successes as well as failures, and bravery as well as brutality of the war, providing raw material for recreating this aspect of the Filipino past. This book contains both the Tagalog and English texts.

    Marks the seasons of the author's life, her early writing, her work as active media practitioner, and her religio-spiritual writing.

    Drawing from anthropology, history, contemporary events, popular culture, and the author’s field experiences and travels, the essays draw connections between nature and culture, self and society, the local and the global, as well as the past and the present in order to arrive at a deeper, fuller, critical, yet hopeful view of a country that is larger than many imagine it to be.Published in 2020.

    Compiled and annotated by Father Horacio de la Costa, S.J. in 1965, the books serves as a standard text book for collegiate students but also serves as a basis in the understanding nationalism based on primary documents in the period from the Spanish colonization towards the period of Third Republic in 1965.