With passion and wit, Mary Oliver skillfully imparts expertise from her long, celebrated career as a disguised poet. She walks readers through exactly how a poem is built, from meter and rhyme, to form and diction, to sound and sense, drawing on poems by Robert Frost, Elizabeth Bishop, and others. This handbook is an invaluable glimpse into Oliver’s prolific mind??—??a must-have for all poetry-lovers.

    Hanff recalls her serendipitous discovery of a volume of lectures by a Cambridge don, Sir Arthur Quiller-Couch. She devoured Q’s book, and, wanting to read all the books he recommended, began to order them from a small store in London, at 84, Charing Cross Road. Thus began a correspondence that became an enormously popular book, play and television production, and that finally led to the trip to England – and a visit to Q’s study – that she recounts here. In this exuberant memoir, Hanff pays her debt to her mentor and shares her joyous adventures with her many fans.

    Two hundred of his creatures inhabit his fictional world, and sixty writers hover over them. These writers--among them various classical authors of the seventeenth century such as Mme de Sévigné the letter-writer, Racine the playwright, Saint-Simon the memoirist, and novelists and poets of the nineteenth century, including Balzac, Baudelaire and Dostoevsky--are not there for show; their works play an active role in the construction of In Search of Lost Time. A life without books was inconceivable for Proust. Not surprisingly, he made literary taste and reading habits a primary means of defining his characters. Everybody in the novel reads: servants and masters, children, parents and grandparents, artists and physicians, and even generals. Conversations at dinner tables and among friends are mostly literary. The more sophisticated characters find it natural to speak in quotations, and quoting from memory is much appreciated in the narrator's family--his grandmother, grandfather, and mother all excel at this pastime.Literature is omnipresent in Proust's work but takes many different forms. It may be straightforward when it comes to the books read by the narrator and other characters; it may be a tool used to define the personality of a personage, a clue to hidden traits of character, or a comical ploy when quotations are taken out of context or when turns of speech are directly inspired by classical writers.In this wonderfully entertaining book, scholar and biographer Anka Muhlstein, the author of Balzac's Omelette, draws out these themes in Proust's work and life, thus providing an indispensable introduction to his long and intricate novel.More Praise for Balzac's Omelette:"Original, delectable, and entirely readable." --Washington Post"Scholarly yet escapist . . . irresistible." --Daily Beast"Balzac's Omelette . . . is a charming and modest little book." --New York Review of Books

    In recent years, writers of all stripes—from Jhumpa Lahiri, Jennifer Egan, and Colson Whitehead to Nicole Krauss and Jonathan Safran Foer—have flocked to its patchwork of distinctive neighborhoods. But as literary critic and journalist Evan Hughes reveals, the rich literary life now flourishing in Brooklyn is part of a larger, fascinating history. With a dynamic mix of literary biography and urban history, Hughes takes us on a tour of Brooklyn past and present and reveals that hiding in Walt Whitman's Fort Greene Park, Hart Crane's Brooklyn Bridge, the raw Williamsburg of Henry Miller's youth, Truman Capote's famed house on Willow Street, and the contested streets of Jonathan Lethem's Boerum Hill is the story of more than a century of life in America's cities.Literary Brooklyn is a prismatic investigation into a rich literary inheritance, but most of all it's a deep look into the beloved borough, a place as diverse and captivating as the people who walk its streets and write its stories.

    He references his own contributions to the canon of popular music, and he provides fascinating insider portraits of the industry and its protagonists. But above all, he questions our ideas of music and our attitude to sound, introducing us throughout this provocative and superbly written book to his current work, The17.

    An enchanting celebration of the printed word.

    Despite this, by the age of eleven Baxter had 'collected' his first book—The Poems of Rupert Brooke. He'd read the volume often, but now he had to own it. This was the beginning of what would become a major collection and a lifelong obsession.His book-hunting would take him all over the world, but his first real find was in London in 1978, when he spotted a rare copy of a Graham Greene children's book while browsing on a stall in Swiss Cottage. It was going for 5 pence. This would also, fortuitously, be the day when he first encountered one of the legends of the book-selling world: Martin Stone. At various times pothead, international fugitive from justice, and professional rock musician, he would become John's mentor and friend.In this brilliantly readable and funny book, John Baxter brings us into contact with such literary greats as Graham Greene, Kingsley Amis, J.G. Ballard and Ray Bradbury. But he also shows us how he penetrated the secret fraternity of 'runners' or book scouts—sleuths who use bluff and guile to hunt down their quarry—and joined them in scouring junk shops, markets, auction rooms and private homes for rarities.In the comic tradition of Clive James's Unreliable Memoirs, A Pound of Paper describes how a boy from the bush came to be living in a Paris penthouse with a library worth millions. It also explores the exploding market in first editions. What treasures are lying unnoticed in your garage?

    Then, over the next six weeks, he channeled that trip’s maelstrom of drunken brawls, sexual rivalry, midnight betrayals, and midday hangovers into his groundbreaking novel The Sun Also Rises. This revolutionary work redefined modern literature as much as it did his peers, who would forever after be called the Lost Generation. But the full story of Hemingway’s legendary rise has remained untold until now.  Lesley Blume resurrects the explosive, restless landscape of 1920s Paris and Spain and reveals how Hemingway helped create his own legend. He made himself into a death-courting, bull-fighting aficionado; a hard-drinking, short-fused literary genius; and an expatriate bon vivant. Blume’s vivid account reveals the inner circle of the Lost Generation as we have never seen it before, and shows how it still influences what we read and how we think about youth, sex, love, and excess.

    In this classic work, now back in print, Olsen broke open the study of literature and discovered a lost continent—the writing of women and working-class people. From the excavated testimony of authors’ letters and diaries we learn the many ways the creative spirit, especially in those disadvantaged by gender, class and race, can be silenced. Olsen recounts the torments of Melville, the crushing weight of criticism on Thomas Hardy, the shame that brought Willa Cather to a dead halt, and struggles of Virginia Woolf, Olsen’s heroine and greatest exemplar of a writer who confronted the forces that would silence her. This 25th-anniversary edition includes Olsen’s now infamous reading lists of forgotten authors and a new introduction and author preface.

    Plot synopsis of this classic is made meaningful with analysis and quotes by noted literary critics, summaries of the work's main themes and characters, a sketch of the author's life and times, a bibliography, suggested test questions, and ideas for essays and term papers.

    S. Eliot, Marcel Proust, James Joyce, and Gertrude Stein. As Alfred Kazin later wrote, "Wilson was an original, an extraordinary literary artist . . . He could turn any literary subject back into the personal drama it had been for the writer."

    Besides discussions of Austen's novels and letters, there are essays on religion, politics, class consciousness, publishing practices, domestic economy, style in the novels and the significance of her juvenile works. A chronology provides biographical information, and assessments of the history of Austen criticism highlight the most interesting recent studies in a vast field of critical diversity.

    Seuss, Mark Twain to Beatrix Potter--and shows that the best-loved children's books tend to challenge rather than uphold respectable adult values.

    In Promised Land, Jay Parini repossesses that vibrant intellectual heritage by examining the life and times of 'thirteen books that changed America.' Each of the books has been a watershed, gathering intellectual currents already in motion and marking a turn in American life and thought. Their influence remains pervasive, however hidden, and in his essays Parini demonstrates how these books entered American life and altered how we think and act in the world."-- from the book's front flap

    Think of films such as Casablanca and The English Patient, of novels such as Wuthering Heights and Rebecca. Think of romantic, obsessive love, the hot bed of passion we fall into, the emotion we call true love. This is the subject of Rosemary Sullivan's provocative and fascinating book. Beginning with her own telling of a fictional love story, she then, chapter by chapter, deconstructs it, skillfully pushing back the layers of meaning to look at what is really happening. Using literature, mythology, film, and personal anecdote; with graceful writing and an intimate knowledge of the subject, Rosemary Sullivan has written an exploration of our desire for romantic love.