With inventiveness, compassion, and humor, she thrusts us into a world of unconventional praise. From an unexpected encounter with her grandmother's ghost, to a bubble bath with Bjӧrk, to her plumber's confession that he, too, has Bipolar, Erlichman buoyantly topples stigma against the mentally ill. These are necessary odes to self-acceptance, resilience, and the jagged path toward healing. With startling language, and accompanied by her bold drawings and collages, she gives us a sparkling, original view into what makes us human.

    Her co-workers are surprised when Coal turns out to be female. Coal, used to the reaction, quickly earns the respect of the crew with her work ethic and skill with horses. Coal uses the strenuous work and friendship of the ranch hands to try and forget her broken past. Melissa Conway, owner of MC2, offers Coal a place to live in her home. They both are shocked to find they are linked in a way neither of them imagined. Mary Leah, Melissa’s sister, arrives at the ranch to recover from a recent tragedy. The attraction between Mary Leah and Coal is instant and mutual. Can the three women survive their personal dilemmas? The love and friendship they develop certainly helps but will it be enough to bring them together. Ride along with the MC2, for boot scootin’, butt kickin’, dirt eatin’, rodeo adventures, with a love story thrown into the mix.

    Examining how trauma becomes a part of the language we use, Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another. But the poems celebrate joy and tenderness, too, as in a sequence re-imagining the love poetry of Verlaine.The collection crescendos to Scott's tour de force, 'Oh My Soho!', where a night stroll under the street lamps of Soho Square becomes a search for true lineage, a reclamation of stolen ancestors, hope for healing, and, above all, the finding of our truest selves.

    This new edition—including a new introduction and three new essays—remains a testament of Moraga's coming-of-age as a Chicana and a lesbian at a time when the political merging of those two identities was severely censured.Drawing on the Mexican legacy of Malinche, the symbolic mother of the first mestizo peoples, Moraga examines the collective sexual and cultural wounding suffered by women since the Conquest. Moraga examines her own mestiza parentage and the seemingly inescapable choice of assimilation into a passionless whiteness or uncritical acquiescence to the patriarchal Chicano culture she was raised to reproduce. By finding Chicana feminism and honoring her own sexuality and loyalty to other women of color, Moraga finds a way to claim both her family and her freedom.Moraga's new essays, written with a voice nearly a generation older, continue the project of "loving in the war years," but Moraga's posture is now closer to that of a zen warrior than a street-fighter. In these essays, loving is an extended prayer, where the poet-politica reflects on the relationship between our small individual deaths and the dyings of nations of people (pueblos). Loving is an angry response to the "cultural tyranny" of the mainstream art world and a celebration of the strategic use of "cultural memory" in the creation of an art of resistance.Cherríe Moraga is the co-editor of the classic feminist anthology This Bridge Called My Back and the author of The Last Generation. She is Artist-in-Residence at Stanford University.

    To honor her work and call attention to the significance of her contributions, Firebrand Books is publishing a new, expanded edition of her classic, Movement In Black.With an incisive introduction by Cheryl Clarke, celebrations/ remembrances/tributes from ten outstanding African American women writers, and a dozen previously unpublished pieces, Movement In Black is a must read/ must have on your book shelf.Whether she was presenting her poetry on street corners, performing with other women -- writers, musicians, activists -- in bars and auditoriums, rallying the crowd at political events, preaching to the converted, or converting the ill-informed, Pat Parker was a presence.She wrote about gut issues: the lives of ordinary Black people, violence, loving women, the legacy of her African American heritage, being queer. She was a woman who engaged life fully, both personally and as a political activist, linking the struggles for racial, gender, sexual, and class equality long before it was "PC" to do so. She died as she lived -- fighting forces larger than herself.The publication of Movement In Black is an opportunity, both for those who were around the first time and those who are new to her work, to experience and enjoy Pat Parker's power.

    A political decision to be announced this weekend in California will signal far-reaching ramifications for America's lesbian and gay community.At a cabin in a Southern California mountain resort, three lesbians and a gay man wait in mutual antagonism for Donnelly, the woman who has summoned them here, the woman with whom they have all shared a part of their lives.Publisher Bradley Jones was once married to her. Cabin owner Pat Decker, a teacher nearing retirement, took her away from Bradley.Averill Calder Harmon, in the topmost rank of professional golfers on the LPGA tour, lured Donnelly away from Pat. Querida Quemada, a successful young Chicana professional, is Donnelly's current partner.Donnelly, an activist connected at the highest levels of the national scene, knows about the forthcoming political decision. In the certainty of her connection to these four people, she is convinced that the time is now for each of them to take vital and profoundly personal action.But even Donnelly cannot dream of the extent to which this weekend will be a watershed, with consequences reaching far beyond any of them.Published on the eve of the twenty-fifth anniversary of the Stonewall Inn uprising and the birth of the modern gay rights movement, FLASHPOINT is the novel for our times.

    Written in a lean and muscular style and brimming with both violence and compassion, these stories unflinchingly explore the lives of those — MMA fighters, the institutionalized, small-town criminals — who exist on the fringes of society, unveiling the blood and guts and beauty of life in our flyover regions.

    He was best known for his 'Deathworld' and 'Stainless Steel Rat' series. He was nominated for the Hugo, Nebula, Locus, and Sideways Awards. He was inducted into the Science Fiction Hall of Fame in 2004. This omnibus edition of his work includes four complete novels and six short stories. Both of his best known series, 'Deathworld' and 'The Stainless Steel Rat' are represented herein. Hours of science fiction delight await you in this five hundred page omnibus edition of some of his finest work.

    Kate Bornstein provides an introduction. Boys Like Her is a road movie of young queer life. Four distinct voices come together in a tag-team dialogue, interwoven with disturbingly beautiful photographs that echo their transformative energy.Reading this book is like watching a circus troupe juggle a chainsaw, a grapefruit, a beach ball and a pocket watch without dropping a beat, With identities ranging from boy-girl to power-femme to borderline testosterone-enhanced, these talented upstarts explore and explode gender, sex and family. Gentleness is mixed with harsh honesty, as grandmother's good advice jostles with hormone therapy, surviving the psych ward, rough play and lost love. Each piece stands alone, together they are a conversation, a road movie of young queer life, rolling with the punches and taking the reader along for a ride to remember!

    . . the true revolutionary is moved by great feelings of love." I think also of Paul Nizan: "You think you are innocent if you say, 'I love this woman and I want to act in accordance with my love,' but you are beginning the revolution. . . . You will be driven back: to claim the right to a human act is to attack the forces responsible for all the misery in the world." Neither of them, admittedly, was claiming the love of a woman for women, the love of a man for men, as revolutionary, as a human act.But the motive is "directed by desire" in Jordan.But the motive is "directed by desire" in Jordan

    Moving between a childhood marked by love and abuse and the breaking marriage of that adult child, Donika Kelly charts memory and the body as landscapes to be traversed and tended. These poems construct life rafts and sanctuaries even in their most devastating confrontations with what a person can bear, with how families harm themselves. With the companionship of “the oracle”—an observer of memory who knows how each close call with oblivion ends—the act of remembrance becomes curative, and personal mythologies give way to a future defined less by wounds than by possibility.In this gorgeous and heartrending second collection, we find the home one builds inside oneself after reckoning with a legacy of trauma—a home whose construction starts “with a razing.”

    40 Haiku in English inspired by the practice of Zen Buddhism and Zazen (seated meditation) in particular.I hope you enjoy!

    Short Haul Engine is one great twist of fate and fury after another. The writing is clear, striking and open to all sorts of possibilities. Even at their most playful, these poems dive much deeper than initially expected. There's a remarkably dark sense of humour at work here, but tempered with a haunting vulnerability that makes even the sharpest lines tremble.from "Signs Taken for Wonders" ... Too delicate for these dog-days, small, clover-blonde, my sister sews indoors. I ask her to fashion me into something nice, ivory silk. I am a big girl, sunburnt skin like raw meat, sweating two pews in front of the Blessed Virgin....

    Although thirty years old and disillusioned with the things she thought she believed in, she would never have imagined she would be lured into a hot affair with the dangerously attractive stranger Lyra. Her secret relationship with Lyra drags Jen into a web of lies and betrayal. When it ends in murder, Jen realises she is playing a dangerous game. Who is left to trust when Jen doesn’t even recognise herself anymore? A hot affair entangles a police officer in murder in this tightly woven mystery from exciting new author Margaux Fox. (This book was previously released by the same author, titled: Do You Love Me Enough?)

    Bearing passionate testimony to private and public memories, this gathering of poems and prose fragments documenting the intimate challenges of homosexual longing gives voice to an invisible minority still struggling to be recognised today. Now published at last, this book, full of fierce confessions, ambivalences and flinty epiphanies, will shock and devestate. Here is an uncompromising confluence of unfulfilled desires wrought through language by one of Singapore's most outspoken and critical voices.