Don Marquis' creations have been constantly in print since 1934.

    This collection is many things: an exploration of strength and femininity, an invitation to let things go wrong, a reminder that growth comes in many forms, and an acknowledgment that “some things can’t be written in sugar, only salt.” Some of the writings are extravagant, some are sparse, but all are infused with Guinery’s introspection, stillness, and kindness.

    His language, that of love in its purest form, speaks to us today as it did seven hundred years ago, surpassing time and bridging cultures.These poems, most of them translated into English for the first time from the original Persian, were carefully selected from two thousand of Rumi's quatrains. Arranged thematically, they take us on a journey of the soul. Persian calligraphy enhances the beauty of the poems.Discover the depths of a mystic's soul. Fly with him on his beloved's wings. Fall with him into the despair and fear of losing his beloved forever. Discover the beauty and love contained in this wonderful little book of poetry.

    They are 300 times more effective than an ordinary patrol... If we are going to have murderers and terrorists roaming the towns, then we have to have somebody who is able to go out and find them.” Contemporary press report Some think it stood for ‘Military Reconnaissance Force’, others ‘Mobile Reconnaissance Force’. Many people thought it didn’t exist at all and was made up, a figment of the press’s imagination. To the members of the group that was just fine. It added to the illusion, and the speculation about the unit’s name and mission only added to the uncertainty amongst their targets — terrorists — members of the Provisional Irish Republican Army, the IRA, the provos. For decades there has been argument in the media and amongst politicians about the possible existence and extent of a shoot-to-kill policy in Northern Ireland. MRF Shadow Troop confirms there was such an agenda in the early, chaotic days of British military intervention across the Irish Sea. Amongst the mountain of speculation there is little of any accuracy or authority relating to this period. Simon Cursey was recruited into the Military Reaction Force — the unit’s true name — in 1972. This book is his personal account of his time with the group and in it he reveals the truth about their operations — the briefings, missions, political wrangling, and government-sanctioned law-bending. With documents and photographs to corroborate all his revelations, MRF Shadow Troop is a fascinating, exciting but above all accurate historical text about the pioneers of counter-terrorism.

    In this book, she has written a few poems, where she has described herself in some complex and in simple words. Most of the poems are about her black and white memories and few are on generic topics. In this book, the reader will see her describing a relationship between mother nature and human nature in a poetic way.

    Divan of Shah represents an unconscious longing for union within. It is beautifully illustrated and a wonderful amalgamation of some of Shah’s brilliant work filled with the raw emotion of love as if he himself has spilled his heart onto a canvas and has painted love itself. Shah has tapped into the collective unexplored and perhaps his own realm of dreams.The book meticulously presents so many aspects of love in specific detail which harkens one’s appreciation for love even more than before and some examples of love we may have taken for granted. It shows the limitless power and ways love presents itself and how it can change one’s life for the better or worse.This one is a thoughtful collection of poetic lines that invites the reader into the dimension of love, which happens to be the idea of a reflective mirror having no color yet for all colors of the embodiment are reflected back.never make a lady crypearls are not meant to flowlet them reside within celestial eyesfor even paradise unveils its reflectionthrough the radiance of their glow

    Table of Contents: List of Works by Collection and TitleList of Works in Alphabetical OrderRobert Frost BiographyA Boy's Will :: North of Boston :: Mountain Interval :: Miscellaneous PoemsA Boy's Will (1913)Into My OwnGhost HouseMy November GuestLove and a QuestionA Late WalkStarsStorm FearWind and Window FlowerTo the Thawing WindA Prayer in SpringFlower-gatheringRose PogoniaAsking for RosesWaiting--Afield at DuskIn a ValeA Dream PangIn NeglectThe Vantage PointMowingGoing for WaterRevelationThe Trial by ExistenceIn Equal SacrificeThe Tuft of FlowersSpoils of the DeadPan with UsThe Demiurge's LaughNow Close the WindowsA Line-storm SongOctoberMy ButterflyReluctanceNorth of Boston (1914)The Pasture Mending WallThe Death of the Hired ManThe MountainA Hundred CollarsHome BurialThe Black CottageBlueberriesA Servant to ServantsAfter Apple-pickingThe CodeThe Generations of MenThe HousekeeperThe FearThe Self-seekerThe Wood-pileGood HoursMountain Interval (1916; revised 1920)The Road Not Taken Christmas Trees An Old Man's Winter Night The Exposed Nest A Patch of Old Snow In the Home Stretch The Telephone Meeting and Passing Hyla Brook The Oven Bird Bond and Free Birches Pea BrushPutting in the Seed A Time to Talk The Cow in Apple Time An Encounter Range-finding The Hill Wife The Bonfire A Girl's Garden Locked Out The Last Word of a Bluebird "Out, Out—" Brown's Descent, or the Willy-nilly Slide The Gum-gatherer The Line-gang The Vanishing Red Snow The Sound of the Trees Miscellaneous Poems to 1920 "The Ax-Helve" "Fire and Ice" "The Flower Boat" "For Once, Then, Something" "Fragmentary Blue""Good-by and Keep Cold" "The Lockless Door""The Need of Being Versed in Country Things" "Not to Keep""Place for a Third" "Plowmen""The Runaway""To E.T.""The Valley's Singing Day""Wild Grapes"

    While focusing on the words from the project, new photography launches each section which speaks to the reader's journey through the world: Love Found, Being In Love, Love Lost, Hope, Despair, Living and Dying.

    0-935906-02-9$5.00 / Javan Press

    His voice and sensibility are distinctive, and the places he goes are ones where not many writers are able or willing to venture. The dark world of his poems, which face many of the hardest truths we must learn to live with, is lit by humor, tenderness, compassion, and honesty. For this edition, the poet has selected from the best of his previous collections, in some cases making substantial revisions, and has added his newest poems. The resulting collection is exciting in its breadth, consistency, depth, and distinction.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    "The Himalayas Within Him" finds Heart worrying about the sound of his own heartbeat, wondering why it doesn't "blare like a quartet of trombones" as it reflects his "ardent complexity." In "Goodbye to the Hands That Have Touched Him" Heart, after suffering many sleepless nights, decides "that love exists at the root of his problems. Without love his path would be as smooth as a plate of glass and he'd sleep like a kitten." Dividing the Heart poems is the long "Oh, Immobility, Death's Vast Associate, " a jazzy disquisition on human isolation and inaction in the midst of a planet full of people feeling similarly. Throughout Pallbearers Envying the One Who Rides Dobyns has painstakingly sculpted straight-forward language into a distinct sound, creating an unforgettable collection of poems that offers readers unexpected revelations about the complexities of the heart.

    accompanied by evocative illustrations, it is an intimate and unapologetically personal journey through a life the way we remember them, as Keaton puts it "chaotic, fragmented and often grammatically incorrect".

    S. Poet Laureate Ted Kooser at the top of his imaginative and storytelling powers. Here are the richly metaphorical, imagistically masterful, clear and accessible poems for which he has become widely known. Kooser writes for an audience of everyday readers and believes poets "need to write poetry that doesn't make people feel stupid." Each poem in Red Stilts strives to reveal the complex beauties of the ordinary, of the world that's right under our noses. Right under Kooser's nose is rural America, most specifically the Great Plains, with its isolated villages, struggling economy, hard-working people and multiple beauties that surpass everything wrecked, wrong, or in error.

    Here is a volume of poetry approaching Carolyn Forche's The Angel of History as a stark meditation on Blanchot's sense of writing as the "desired, undesired torment which endures everything." Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. Enola Gay's "mission" can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.