It’s how so many of our most beloved stories start.Fairy tales have dominated our cultural imagination for centuries. From the Brothers Grimm to the Countess d’Aulnoy, from Charles Perrault to Hans Christian Anderson, storytellers have crafted all sorts of tales that have always found a place in our hearts.Now a new generation of storytellers have taken up the mantle that the masters created and shaped their stories into something startling and electrifying.Packed with award-winning authors, this anthology explores an array of fairy tales in startling and innovative ways, in genres and settings both traditional and unusual, including science fiction, western, and post-apocalyptic as well as traditional fantasy and contemporary horror.From the woods to the stars, The Starlit Wood: New Fairy Tales takes readers on a journey at once unexpected and familiar, as a diverse group of writers explore some of our most beloved tales in new ways across genres and styles.

    The magic mirror sees all but can do nothing. A cloned savior solves a fanatically-inspired murder. Three Irish siblings thieve treasures with bad poetry and the aid of the Queen of Cats.With these captivating initial glimpses into her storytelling psyche, Jo Walton shines through subtle myths and reinvented realities. Through eclectic stories, subtle vignettes, inspired poetry, and more, Walton soars with humans, machines, and magic—rising from the every day into the universe itself.

    Now, in The Year's Best Science Fiction: Thirty-Second Annual Collection the very best SF authors explore ideas of a new world. This venerable collection brings together award winning authors and masters of the field such as Robert Reed, Alastair Reynolds, Damien Broderick, Elizabeth Bear, Paul McAuley and John Barnes. And with an extensive recommended reading guide and a summation of the year in science fiction, this annual compilation has become the definitive must-read anthology for all science fiction fans and readers interested in breaking into the genre.

    Was that my imagination, or did I hear something under my bed? What was that blurred movement in my darkened closet? There is but a thin Veil separating the real and the fantastic, and therein dwell the inhabitants of these stories. Beyond the Pale contains twelve short stories by award-winning and New York Times bestselling authors Saladin Ahmed (Throne of the Crescent Moon), Peter S. Beagle (The Last Unicorn), Heather Brewer (Vladimir Tod), Jim Butcher (Dresden Files), Rachel Caine (The Weather Warden), Kami Garcia (Beautiful Creatures), Nancy Holder (Wicked), Gillian Philip (Rebel Angels), and Jane Yolen (Owl Moon). The noun “pale” refers to a stake (as in impaling vampires) or pointed piece of wood (as in a paling fence). “Pale” came to refer to an area enclosed by a paling fence. Later, it acquired the figurative meaning of an enclosed and therefore safe domain. Conversely, "beyond the pale" means foreign, strange, or threatening. You are about to go Beyond the Pale.

    Authors include Tanya Huff, Michelle West, Mickey Zucker Reichert, Fiona Patton, and others.

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    The next book in Black Dog's supernatural series, Demons presents thirty-six terrifying, tantalizing tales in which evil spirits wreak havoc on the world. Neil Gaiman, William Peter Blatty, Kim Harrison and Robert R. McCammon join H.P. Lovecraft, Edgar Allen Poe, Charles Beaumont, Bentley Little, Maggie Stiefvator, Danielle Trussoni, David J. Schow, Karl Edward Wagner, Richard Christian Matheson, Adram-Troy Castro, Amelia Beamer, Cody Goodfellow, Carlton Mellick III, and dozens more, both old and new. Horror legend John Skipp, editor of Zombies and Werewolves and Shapeshifters, provides fascinating insight into the history and details of demon lore, and its role in popular culture. Between the extensive resource materials and the lovingly selected stories - ranging from fantasy, horror, paranormal romance, and magic realism to full-blown Bizarro - Demons is an indispensable text, and the most fun you'll ever have with the forces of evil.

    The eleven novels in The Library of America’s adventurous two-volume collection taps deep roots in the American literary imagination, exploring themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life.James M. Cain’s pioneering novel of murder and adultery along the California highway, The Postman Always Rings Twice (1934), shocked contemporaries with its laconic toughness and fierce sexuality.Horace McCoy’s They Shoot Horses, Don’t They? (1935) uses truncated rhythms and a unique narrative structure to turn its account of a Hollywood dance marathon into an unforgettable evocation of social chaos and personal desperation.In Thieves Like Us (1937), Edward Anderson vividly brings to life the dusty roads and back-country hideouts where a fugitive band of Oklahoma outlaws plays out its destiny.The Big Clock (1946), an ingenious novel of pursuit and evasion by the poet Kenneth Fearing, is set by contrast in the dense and neurotic inner world of a giant publishing corporation under the thumb of a warped and ultimately murderous chief executive.William Lindsay Gresham’s controversial Nightmare Alley (1946), a ferocious psychological portrait of a charismatic carnival hustler, creates an unforgettable atmosphere of duplicity, corruption, and self-destruction.I Married a Dead Man (1948), a tale of switched identity set in the anxious suburbs, is perhaps the most striking novel of Cornell Woolrich, who found in the techniques of the gothic thriller the means to express an overpowering sense of personal doom.Disturbing, poetic, anarchic, punctuated by terrifying bursts of rage and paranoia and powerfully evocative of the lost and desperate sidestreets of American life, these are underground classics now made widely and permanently available.

    Leering from the arches and peaks of ancient cathedrals. Spreading their wings across hallowed doorways. Even decorating our homes in stony, silent elegance. Are they angels or demons? Sacred or profane? In the Shadow of the Gargoyle features fifteen original stories and two classic tales of the legendary gargoyle. The contributors range from bestselling masters to the hottest newcomers--award-winners, artists, musicians, and, yes, gargoyle collectors. Each of them experts at drawing blood from a stone... Contributors include:* Harlan Ellison * Neil Gaiman * Katherine Kurtz * Brian Lumley * Jane Yolen * Charles L. Grant * John Mason Skipp * Nancy Holder * Alan Rodgers * Lucy Taylor * Jo Clayton * Don D'Ammassa * Christa Faust * Robert J. Harris * Brian Hodge * Caitlin R. Kiernan * Marc Levinthal * Melanie Tem * Wendy Webb

    Only H.P. Lovecraft can send your heart racing faster than it's ever gone before. And here are the stories to prove it.

    Meanwhile, Granuaile MacTiernan starts a private war of her own against Loki, the lord of lies, and if it brings Ragnarok early—so be it. Not My Circus, Not My Monkeys by Delilah S. Dawson The number one rule of the circus? Don't kill your volunteers, even accidentally. That's how young magician Criminy Stain ends up on the run in a forest, where he meets a beautiful woman holding a bucket of blood. But is Merissa the answer to his prayers-- or the orchestrator of his ruin? Interlude: Swallow by Chuck Wendig Miriam Black is back. Miriam is tired of her curse and finally believes she knows how to be rid of her ability to see when and how other people die. She follows a lead to the mountains of Colorado, where she believes she sees signs of a serial killer she thought she already killed. (Set between THE CORMORANT and THUNDERBIRD.)

    The science fiction/fantasy anthology ALTERED PERCEPTIONS, is kind of like a bonus DVD full of deleted scenes and alternate versions of some of your favorite authors’ books.Ally Condie: the foreword; Dan Wells the introduction; Annette Lyon: An unpublished chapter from her retelling of the Finnish fairy tale, THE KALEVALA; Aprilynne Pike: TBA; Brandon Mull: Deleted scenes from BEYONDERS 2; Brandon Sanderson: five completely rewritten chapters from THE WAY OF KINGS, where Kaladin makes the opposite choice of what he makes in the published novel; Bree Despain: an alternate ending to THE LOST SAINT, and an alternate beginning to THE SHADOW PRINCE; Brodi Ashton: the first chapter from her YA novel about an unwilling alien fighter who has to rescue the boy she loves; Claudia Gray: a deleted scene from A THOUSAND PIECES OF YOU; Dan Wells: the original John Cleaver free-write that inspired I AM NOT A SERIAL KILLER; Erin Bowman: a deleted scene from TAKEN; Howard Tayler: a creative non-fiction story about life with mental illness; J Scott Savage: three original chapters that led to writing FARWORLD; Jennifer Moore: a deleted scene from BECOMING LADY LOCKWOOD; Jessica Day George: a deleted scene from PRINCESS OF GLASS, where the main character plays poker with a witch; Josi Kilpack: the original opening scene to TRES LECHES CUPCAKE; Kiersten White: an original short story, set in a dystopian, sci-fi world; Larry Correia: a deleted fight scene from SWORDS OF EXODUS; Lauren Oliver: two deleted scenes from PANDEMONIUM, plus a hilarious scene about the plotting process; Luisa Perkins: a short story, “Seeing Red”–a modern-day retelling of Little Red Riding Hood; Mary Robinette Kowal: deleted scene from VALOUR AND VANITY (the scene was cut because readers thought the scene was trying to depict depression); Nancy Allen: bonus scene from BEAUTY AND THE CLOCKWORK BEAST; Robison Wells: an epilogue to FEEDBACK and the VARIANT duology; Sandra Tayler: a creative non-fiction piece called “Married To Depression”; Sara Zarr: a story featuring characters from one of Sara’s previously published novels; Sarah Eden: “Farewells” for LONGING FOR HOPE and HOPE SPRINGS; Seanan McGuire: The original opening for DISCOUNT ARMAGEDDON; Shannon Hale: ”Ravenous,” a previously unpublished scifi short story; SJ Kincaid: the original first chapter of VORTEX, before it was entirely rewritten

    Nobody knew what the F it was, but they loved it.Renowned editors John Joseph Adams and Doug Cohen then asked some of the best writers in the fantasy, horror, and thriller genres including Jonathan Maberry, Seanan McGuire, Christopher Golden, and Scott Sigler to create a monster story that included the line “WTF is that?”This anthology is a feast for the imagination for anyone who loves monsters.

    He is one of just a handful of characters in sword-and-sworcery fiction who have had a seminal impact on the entire genre, and his compelling tale and tortured conscience have inspired countless rendering by artists both famed and unknown. Elric has even inspired songs from groups as diverse as Hakwind and Blue Oyster Cult to Cirith Ungol and the Tygers of Pan Tang.

    TuckerFeaturing Tales by:Nathan BallingrudAri BerkHolly BlackFrancesca Lia BlockPhil BrucatoStorm ConstantineCharles de LintBen DobynsAlexandra DuncanJaymi ElfordNeil GaimanLaurell K. HamiltonAlexandra Elizabeth HonigsbergElizabeth Jordan LeggettShira LipkinAngel Leigh McCoySeanan McGuireKris MilleringMaria NutickMidori SnyderS.J. TuckerCarrie VaughnCatherynne M. ValenteTerri WindlingErzebet YellowBoyWith Art and Illustrations by:Jenny AnckornTheodore BlackAmy BrownEcho ChernikHeather Keith FreemanJulia JeffreyStephanie Pui-Mun LawWendy Lyon MartinJames A. OwenBrian SymeChelsea WrightEdited by:Phil Brucato & Sandra BuskirkGraphic Design by:Sherry Lynne Baker