His newfound Christianity is shaken by the loss of his master and a life-threatening injury. Following after his Mennonite friends, he goes to the time-displaced American town of Grantville and is overwhelmed by culture shock. He decides to return to the New World as a missionary. Only half a dozen warring powers and thousands of miles of ocean can block him, until he’s almost stopped by an unexpected event; love. A storm, a baby, a near-shipwreck, and a timely rescue finally see him back in his homeland. Now, all he has to do is to reach for his dreams.

    Seeking to address the various challenges of off-camera lighting, professional photographers and advanced amateurs alike will find a range of confidence-building instruction, beginning with basic how’s and why’s of lighting for creative effect, the types of equipment available and instruction about their proper use, clear definitions of various technical concepts such as managing shutter speed and controlling flash exposure, using ambient light as well as natural sunlight during a shoot, and incorporating off-camera flash into a portrait session. Concluding this lesson plan is a look at five different real-life photo sessions, each employing a different flash technique. Here, photographers get a deeper understanding of each concept put into practice, marrying the elements of lighting with the natural elements presented by the shoot.

     When her wagon train was 8 miles from Fort Laramie, Wyoming, a Sioux Oglalas war party, in war-paint, suddenly appeared and began to encircle their wagons, pretending to be most friendly and asking for presents. The Indians urged the emigrants on, and offered to accompany them, so that they pushed on in company for a short time, until it was saw that they were approaching a ravine where his party would be at a disadvantage, and he insisted on camping outside of it. The Indians, after some hesitation, agreed, and the travellers began to make preparations for supper, when suddenly the Indians fired a volley at them. Some of those who escaped the attack succeeded in hiding in the brushwood, but Mrs. Kelly and her adopted daughter, Mary, as well as Mrs. Larimer and her children, became the prisoners of the Indians. After the second night of capture, Larimer and her son Frank managed to escape and were later reunited with her husband at Camp Collins, Colorado Territory. Larimer wrote of her harrowing captivity and escape in her 1871 book "The Capture and Escape: Life Among the Sioux." In describing dangers encountered during their escape from the Indians, Larimer noted: "The horrors of our situation were harassing to contemplate. The wolves seemed congregated upon the highlands, and, awaking from their night’s repose, their wailing cries echoed back from the distant hills with terrific clearness. These prowling creatures abound in that country, where some species attain a great size. Even the buffalo, which does not fear them in the herd, knows his danger when overtaken alone; and the solitary bull, secreted from its hunter, succumbs before the united force of a gang of wolves." Sarah Luse Larimer (1836-1913) was born in Pennsylvania, headed west in 1859 with her husband, living for a while in Allen County, Kansas, where she operated a photographic gallery. In 1864, along with her husband and son the family set out for the mines of Idaho Territory, when their plans were disrupted by Oglalas on the warpath. John Bratt in his 1921 book "Trails of Yesterday" writes of Larimer: "At Sherman Station I became well acquainted with Mrs. Larimer and her son, who kept a general store there, bought and sold ties and cord wood, while her husband had a star route mail contract from Point of Rocks north. There was also a Mrs. Kelly living near the station. These two women and Mrs. Larimer's son had been captured by the Sioux Indians near Fort Laramie. Mrs. Larimer and her son, after two weeks' captivity in the lodge of the chief, stole away one night and though the Indians hunted them day and night, they succeeded in eluding them and got back to the fort, after suffering unmentionable cruelties. Mrs. Kelly, not so fortunate, was taken by the Indians up on the Missouri River and kept with the band over six months." In describing the moment of rescue by a passing wagon train, Larimer writes that "as we sat in this shelter, which proved to be the last, a most joyful and welcome sound greeted our ears —one in which there was no mistake—our own language, spoken by some boys who passed, driving cattle."

    While some of these narratives are loosely based in fact, they are written with a large dollop of literary license. The characters are not "politically correct" in today's parlance and speak in the vernacular of their time and culture. Some of them you will like ...others you may not. No disrespect or offense is intended in the telling. These are their stories.The lead story "Fat of The Land" was a past runner-up in the national Raymond Carver short story awards.

    Her lifelong friend, Ingrid, has asked her to do the impossible -- authenticate the painting from a photograph. The photograph in question was passed down to Ingrid by her grandfather, Klaus Rettke a key member of the German Einsatzstab Reichsleiter Rosenberg, the Nazi organization appointed to confiscate art from the Jews. Obscure references in Klaus Rettke's diary convince Maggie that Rettke stole the painting from the Nazis. Now she must use science to verify that the painting in the photo is genuine, something that has never been done before. From the National Gallery of Art in Washington, D.C. to the Musee du Jeu de Paume in Paris, Maggie searches for answers. Finally, she confronts the possibility that there is not one painting, but the original and several forgeries. With tens of millions of dollars at stake and a killer at large, she is determined to find the authentic Van Gogh. To do so, Maggie must stay alive . . . something that's proving difficult to do.

    The photos are somewhere between documentary and romanticism. Where he could have taken straight documentary photos of poverty and tattered Western/white clothing, he instead staged warrior meetings on horseback and the like.

    However, of equal interest are the rare stories of those captives who did not wish to escape but were forcibly rescued. One such story is that of Cynthia Ann Parker, mother of famous Comanche Chief Quanah Parker. In 1860, Comanches led by Chief Peta Nocona conducted numerous raids on various Texas settlements, culminating in the brutal violence. Texas Ranger Captain and future governor Lawrence S. Ross responded to these raids by attacking a Comanche camp on Pease River. Caught fleeing the destroyed Comanche camp was a woman with blue eyes who could not speak English and did not remember her birth name or details of her life prior to joining the Comanche. She proved to be Cynthia Ann Parker, taken prisoner by Comanches at the fall of Parker's Fort 24 years before. She had married a young Comanche chief named Peta Nocona, and had two boys and a baby girl. One of her sons, Quanah Parker, became one of the greatest Comanche chiefs of all time. In 1886, James T. DeShields published the book "Cynthia Ann Parker: The Story of Her Capture," which recounts events he had masterfully pieced together from narratives furnished Ross, various Parker relatives, together with most of the numerous partial accounts of the fall of Parker’s Fort and subsequent relative events. In describing Parker's return to her family, DeShields writes: "But as savage-like and dark of complexion as she was, Cynthia Ann was still dear to her overjoyed uncle, and was welcomed home by relatives with all the joyous transports with which the prodigal son was hailed upon his miserable return to the parental roof. As thorough an Indian in manner and looks as if she had been so born, she sought every opportunity to escape, and had to be closely watched...." About the author James Thomas DeShields (1861-1948), was a Texas historian and author of historical works including: • Border Wars of Texas • Two months in the camp of Big Bear • They Sat in High Places: The Presidents and Governors of Texas • The Fall of Parker's Fort • The Fergusons, "Jim and Ma"

    But as soon as he gets on campus, Ben finds out that Spy School is way more deadly than debonair. And given his total lack of coordination and failure to grasp even the most basic spying skills, Ben begins to wonder what he’s doing here in the first place.Luckily, through a series of hilarious misadventures, Ben realizes he could actually become a halfway decent spy…if he can survive all the attempts being made on his life!Ideal for newcomers to the series and loyal fans alike, this collection includes paperback editions of Spy School, Spy Camp, Evil Spy School, Spy Ski School, and Spy School Secret Service.

    

    This full-length, exhaustively researched account of the thrash kings' career recaps and reevaluates the years guitar hero Jeff Hanneman and drum legend Dave Lombardo were in the group. Over the course of 59 chapters, 400 footnotes and three appendices, it profiles the members and presents dramatic scenes from 32 years in the Abyss: A fresh look at the group's early days. Reign in Blood tours. A European invasion. The Palladium riot. The seat cushion chaos concert. Newly unearthed details from Lombardo's turbulent history with the band. Historical artwork and photos never seen in public before. The entire diabolical discography. Hanneman’s hard times. The Big Four’s big year. Lombardo’s final exit. The top 11 Hanneman tributes. The mosh memorial service. Untold stories. Updates. And relevant digressions, including a contrasting look at other contemporaries and cutting-edge extreme bands. Over decades, Slayer experience triumph and loss, but never defeat, whether it's at the hands of rivals, peers, America's most infamous church, or the United States government itself. In addition to extensive archival material, this book features original content from the band, key affiliates, and firsthand witnesses, including Metal Blade CEO Brian Slagel, former tour manager Doug Goodman, engineer Bill Metoyer, former Metal Blade exec William "DJ Will" Howell, and cover artist Albert Cuellar (who went on to work with Tim Burton, Sublime, and Sir Mix-A-Lot). It also includes Jeff Hanneman's original diagram for the Live Undead picture disc (spoiler: it's a stick-figure sketch). Slayer fans will never see — or hear — the thrash metal champions the same way. 33 photos and 11 illustrations include lost artwork by Hell Awaits artist Albert Cuellar and stunning exclusive pictures by Harald Oimoen (of Murder in the Front Row renown). Written by D.X. Ferris, an Ohio Society of Professional Journalists Reporter of the Year and author of "Slayer's Reign in Blood," which is book no. 57 in Bloomsbury Academic's prestigious 33 1/3 series. The bargain-priced e-book edition features extensive interactive content, and can be read on any smart phone, tablet, computer, or portable communications device (with free Kindle software).

    The Comb is an upthrust ridge of sandstone-virtually a mini-mountain range-that stretches almost unbroken for a hundred miles from just east of Kayenta, Arizona, to some ten miles west of Blanding, Utah. To hike the Comb is to run a gauntlet of up-and-down severities, with the precipice lurking on one hand, the fiendishly convoluted bedrock slab on the other-always at a sideways, ankle-wrenching pitch. There is not a single mile of established trail in the Comb's hundred-mile reach.The friends were David Roberts, writer, adventurer, famed mountaineer of decades past, at age 61 the graybeard of the bunch; Greg Child, renowned mountaineer and rock climber, age 47; and Vaughn Hadenfeldt, a wilderness guide intimately acquainted with the canyonlands, age 53. They came to the Comb not only for the physical challenge, but to seek out seldom-visited ruins and rock art of the mysterious Anasazi culture. Each brought his own emotions on the journey; the Comb Ridge would test their friendship in ways they had never before experienced.Searching for the stray arrowhead half-smothered in the sand or for the faint markings on a far sandstone boulder that betokened a little-known rock art panel, becomes a competitive sport for the three friends. Along the way, they ponder the mystery, bringing the accounts of early and modern explorers and archaeologists to bear: Who were the vanished Indians who built these inaccessible cliff dwellings and pueblos, often hidden from view? Of whom were they afraid and why? What caused them to suddenly abandon their settlements around 1300 AD? What meaning can be ascribed to their phantasmagoric rock art? What was their relationship to the Navajo, who were convinced the Anasazi had magical powers and could fly?

    The demand for vintage trailers-the smaller the better-has risen dramatically in recent years, with the most in-demand trailers being "teardrops," first manufactured in the 1930s and containing just indoor sleeping space and an outdoor exterior kitchen. Also profiled in the book are "canned ham" trailers, whose shape resembles the profile of a can of ham; small-size examples of America's most beloved vintage trailer, the Airstream; miniscule gypsy caravans in Europe; and fiberglass trailers made in Canada. Two hundred color photographs showcase these trailers' sleek exteriors, retro-styled interiors, and, in many cases, the restored classic cars that tow them. Teardrops and Tiny Trailers includes a resource section chock-full of places to locate vintage trailers, clubs to join, and rallies to attend.

    Army and the Comanche has ceased . . . but learning to live together spawns a whole new set of battles. A thrilling ride is set in motion when a sergeant’s wife is murdered at Fort Sill and Broken Wing, a young Comanche brave, is found at the murder scene, dazed and chanting. Comanche Chief Quanah Parker, fighting the U.S. government over his tribe’s refusal to adopt the white man’s laws and forsake polygamy and the use of peyote, requests his lawyers, Jael and Josh Rivers, to represent the young brave. As the Rivers duo begins investigating the murder, it quickly becomes clear there is no open and shut case against Broken Wing.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Peter is educated and can conduct himself as white; however, Claire understands that deep in his heart, her husband is very Indian. In the prequel to this story (CAPTURE MY HEART), it was the “Indian” Two Wolves, a scout for the U. S. Army, who rescued Claire from a fate worse than death and who saved her life more than once in a flight from those who would harm them. Now, as a married couple running a supply business near Fort Collins, Colorado, a restless hatred from Colorado citizens and the Colorado Militia toward the Cheyenne threatens to tear Peter and Claire apart. Peter adores and respects Claire’s strength in standing up for the man she loves against those who would condemn her for loving an Indian. He has promised Claire to always be by her side and help her run their business … until the United States Army asks him to accept another scouting mission. Because he thinks it will help the Cheyenne, Peter agrees, but events that follow challenge his promises to Claire. When Peter comes across the aftermath of the horrible Sand Creek Massacre committed by the Colorado Militia and their leader, Colonel John Chivington, his Cheyenne blood rises to the surface, and he is once again Two Wolves, a warrior who wants revenge. Will Two Wolves’s rage be stronger than his love for Claire and their unborn child? Only true love can hold these two together against a land torn by the changes of a growing West. Power, passion, true history and romance all make this story another winner for “The Queen of Western Romance,” Rosanne Bittner.