BEFORE HE WAS FATHER CHRISTMAS…HE WAS SIMPLY A FATHER.Thirteen-time #1 national bestselling author Glenn Beck realized years ago that somewhere along the way, his four children had become more focused on Santa than the meaning of Christmas. No matter how he tried, he could not redirect their attention away from presents and elves to the manger instead. Glenn didn't want to be the Grinch who spoiled the magic of Kris Kringle, so he had to find a unique way to turn his kids back toward the true meaning of Christmas. He decided the best place to start was by first turning Santa himself back toward Christ. That was when one of America’s best storytellers began to craft a tale that would change everything his kids thought they knew about Santa—the incredible story he went on to tell them that Christmas Eve spans over a thousand years and explains the meaning behind the immortality and generosity of the man named Claus. The Immortal Nicholas has now been expanded and reimagined into this novel for adults; a novel full of drama, history, legend, and heart. From the snowy mountains of Western Asia, to the deserts of Egypt, to Yemen’s elusive frankincense-bearing boswellia trees, this is an epic tale that gives the legend of Santa a long overdue Christ-centered mission. In this novel, Glenn Beck fundamentally transforms the figure that the world now mainly associates with shopping, all while staying true to the real story of the baby who brought redemption and salvation to the entire world.

    Drawing upon cultural myths and fairy tales, ancient symbols and goddesses, and the dreams of contemporary women, Murdock illustrates the need for—and the reality of—feminine values in Western culture today.

    Again and again, he shows us how we are the living temples of the Holy Ghost and how our souls are God's greatest masterpiece—because they are made in His own Image and Likeness. Of the Divine Tenant we possess within us, Fr. O'Sullivan says, “The Holy Ghost does not only give His wonderful help to Apostles, to martyrs, to missionaries, but to all Christians without exception, if only they will ask Him as they should." (Page 39). The greatest tragedy, he points out, is that many Christians never pray to this Divine Guest within their souls. Therefore, it is to help us understand, at least a little, the Incomparable Treasure we Christians possess within ourselves as a result of Baptism that the author has written this book – but also to teach us how to help ourselves in the most unfailing way by praying often and fervently to the Holy Ghost for assistance in all our needs.

    Purity rings, purity pledges, and purity balls came with a dangerous message: girls are potential sexual “stumbling blocks” for boys and men, and any expression of a girl’s sexuality could reflect the corruption of her character. This message traumatized many girls—resulting in anxiety, fear, and experiences that mimicked the symptoms of Post-Traumatic Stress Disorder—and trapped them in a cycle of shame. This is the sex education Linda Kay Klein grew up with. Fearing being marked a Jezebel, Klein broke up with her high school boyfriend because she thought God told her to, and took pregnancy tests though she was a virgin, terrified that any sexual activity would be punished with an out-of-wedlock pregnancy. When the youth pastor of her church was convicted of sexual enticement of a twelve-year-old girl, Klein began to question the purity-based sexual ethic. She contacted young women she knew, asking if they were coping with the same shame-induced issues she was. These intimate conversations developed into a twelve-year quest that took her across the country and into the lives of women raised in similar religious communities—a journey that facilitated her own healing and led her to churches that are seeking a new way to reconcile sexuality and spirituality. Sexual shame is by no means confined to evangelical culture; Pure is a powerful wake-up call about our society’s subjugation of women.

    Through these 'showings', Christ's sufferings were revealed to her with extraordinary intensity, but she also received assurance of God's unwavering love for man and his infinite capacity for forgiveness. Written in a vigorous English vernacular, the Revelations are one of the most original works of medieval mysticism and have had a lasting influence on Christian thought. This edition of the Revelations contains both the short text, which is mainly an account of the 'showings' themselves and Julian's initial interpretation of their meaning, and the long text, completed some twenty years later, which moves from vision to a daringly speculative theology. Elizabeth Spearing's translation preserves Julian's directness of expression and the rich complexity of her thought. An introduction, notes and appendices help to place the works in context for modern readers.

    Wade In this deeply moving work, Ann Fessler brings to light the lives of hundreds of thousands of young single American women forced to give up their newborn children in the years following World War II and before Roe v. Wade. The Girls Who Went Away tells a story not of wild and carefree sexual liberation, but rather of a devastating double standard that has had punishing long-term effects on these women and on the children they gave up for adoption. Based on Fessler's groundbreaking interviews, it brings to brilliant life these women's voices and the spirit of the time, allowing each to share her own experience in gripping and intimate detail. Today, when the future of the Roe decision and women's reproductive rights stand squarely at the front of a divisive national debate, Fessler brings to the fore a long-overlooked history of single women in the fifties, sixties, and early seventies. In 2002, Fessler, an adoptee herself, traveled the country interviewing women willing to speak publicly about why they relinquished their children. Researching archival records and the political and social climate of the time, she uncovered a story of three decades of women who, under enormous social and family pressure, were coerced or outright forced to give their babies up for adoption. Fessler deftly describes the impossible position in which these women found themselves: as a sexual revolution heated up in the postwar years, birth control was tightly restricted, and abortion proved prohibitively expensive or life endangering. At the same time, a postwar economic boom brought millions of American families into the middle class, exerting its own pressures to conform to a model of family perfection. Caught in the middle, single pregnant women were shunned by family and friends, evicted from schools, sent away to maternity homes to have their children alone, and often treated with cold contempt by doctors, nurses, and clergy. The majority of the women Fessler interviewed have never spoken of their experiences, and most have been haunted by grief and shame their entire adult lives. A searing and important look into a long-overlooked social history, The Girls Who Went Away is their story.

    Consequently many women fail to play a full part in the healing and restoration of society. The church should take the lead. In this prophetic book Danielle observes: "We should be the ones who model an alternative approach to leadership. We are the ones with the Bible and the witness of the Holy Spirit who through Scripture, reason, tradition and experience has shown, over and over again His heart for the release of women to exercise their gifts." The book covers: The current situation (exploitation or subjugation); the historical situation (feminism and the Christian tradition); key biblical material; justice (the feminization of poverty); what does the future offer, and what should the church do?"

    Looking at current administrative and cultural practices, the author explains why some women struggle with the gendered divisions of labor. She then examines ample real-life examples that are currently happening in local settings around the country that expand and reimagine gendered practices. Readers will understand how to evaluate possible pain points in current practices and propose solutions that continue to uphold all mandated church policies. Readers will be equipped with the tools they need to have respectful, empathetic and productive conversations about gendered practices in Church administration and culture.

    This extraordinary drama, produced to acclaim at the Actors Theatre of Louisville originally, and at NYC's Second Stage is about a celebrated 1930's French murder case, in which two maids sisters were convicted of murdering their employer and her daughter. This very cinematically structured work explores the motivations whi

    With every good thing life had to offer, she was due to marry the man she loved—a man who, in turn, adored her. But all this was to change in a single moment.One happy day, in the midst of writing to her fiancée, her hand stopped writing unbidden; then it continued by itself, etching the words which would change her life forever: ‘…but there’s no point now, as I am going to be a nun.’ That bolt from the blue set events in motion that caused Shirley to lose her mother and sisters, her husband to be, her horses, her parties and life of ease.Within months, Shirley had become Sister Agatha. But her faith in her choice never faltered, despite years of great difficulty when her Convent was close to bankruptcy. Her belief took her to London to knock on the intimidating Sir Paul Getty’s door and secure the money to ensure her community would not lose their home….and getting it. Now eighty-five, she looks back on an incredible life of love, loss and belief.This is at once a deeply poignant tale of doomed romance, and a heart-warming story of taking a leap of faith and finding a meaning in life beyond wealth and comfort. Whether a believer or not, Sister Agatha’s momentous life will touch and inspire, whilst reminding us that it is perhaps better to accept that not everything in the world is yet explained.

    Through an extensive, intimate examination of God’s encounter with Moses in the burning bush, Finding God's Will invites readers to shift their understanding of God’s will from an event to be experienced to a process to live; God’s will is what happens when we seek Him.   Readers will find out how to be on the lookout for their own burning bushes; how to focus on pleasing God and how to expect God’s power as they seek His will. They may also be surprised to find that, as they seek a deeper relationship with God, His direction and guidance become clear. A life centered in God’s will is a promise offered to every believer and now everyone can learn how to receive that gift.

    Willow Wilson—already an accomplished writer on modern religion and the Middle East at just twenty-seven—leaves her atheist parents in Denver to study at Boston University, she enrolls in an Islamic Studies course that leads to her shocking conversion to Islam and sends her on a fated journey across continents and into an uncertain future.She settles in Cairo where she teaches English and submerges herself in a culture based on her adopted religion. And then she meets Omar, a passionate young man with a mild resentment of the Western influences in his homeland. They fall in love, entering into a daring relationship that calls into question the very nature of family, belief, and tradition. Torn between the secular West and Muslim East, Willow records her intensely personal struggle to forge a “third culture” that might accommodate her own values without compromising the friends and family on both sides of the divide.

    It ends in 2008 with Hillary Clinton's historic presidential campaign. This was a time of cataclysmic change, when, after four hundred years, expectations about the lives of American women were smashed in just a generation.A comprehensive mix of oral history and Gail Collins's keen research--covering politics, fashion, popular culture, economics, sex, families, and work--When Everything Changed is the definitive book on five crucial decades of progress. The enormous strides made since 1960 include the advent of the birth control pill, the end of "Help Wanted--Male" and "Help Wanted--Female" ads, and the lifting of quotas for women in admission to medical and law schools. Gail Collins describes what has happened in every realm of women's lives, partly through the testimonies of both those who made history and those who simply made their way.Picking up where her highly lauded book America's Women left off, When Everything Changed is a dynamic story, told with the down-to-earth, amusing, and agenda-free tone for which this beloved New York Times columnist is known. Older readers, men and women alike, will be startled as they are reminded of what their lives once were--Father Knows Best and My Little Margie on TV; daily weigh-ins for stewardesses; few female professors; no women in the Boston marathon, in combat zones, or in the police department. Younger readers will see their history in a rich new way. It has been an era packed with drama and dreams--some dashed and others realized beyond anyone's imagining.

    As a woman, as an African-American, her artistic objectivity and sensitivity to history combine with, but do not overshadow, her capacity to dig for truth and present it flat out as she sees it – with a finger snap or a shout and sometimes with a wink. Among the most satisfying roles I’ve undertaken on stage is surely Miss Leah in Flyin’ West. She brings the bushel nuggets of drama and humor that capture the ear, the heart and the imagination. She’s devilish, too.” –Academy Award® Nominee Ruby Dee“Ms. Cleage writes with amazing grace and killer instinct.” –Alvin Klein, New York Times “Pearl Cleage is a brilliant storyteller. I am always engrossed in the drama and compassion she brings to her characters. Flyin’ West, Bourbon at the Border, Blues for an Alabama Sky, Late Bus to Mecca and Chain are marvelous examples of a playwright at the top of her form, bravely moving into the new century.” –Woodie King, Jr., Producing Director, New Federal TheatrePearl Cleage’s body of work for the stage provides us with a remarkable and penetrating look at the African-American experience over the last 100 years. This volume collects her major full-length plays and one-acts, including Flyin’ West, Blues for an Alabama Sky, Bourbon at the Border, Chain and Late Bus to Mecca.PEARL CLEAGE is an Atlanta-based writer whose recent plays have premiered at The Alliance Theatre Company with subsequent productions throughout the country. Her first novel What Looks Like Crazy on an Ordinary Day was a recent Oprah’s Book Club Selection and a national bestseller. She is a former columnist of the Atlanta Tribune and a contributor to Essence Magazine.

    . . a work of impassioned advocacy."         --PeopleA hundred years ago, women were lacing themselves into corsets and teaching their daughters to do the same. The ideal of the day, however, was inner beauty: a focus on good deeds and a pure heart. Today American women have more social choices and personal freedom than ever before. But fifty-three percent of our girls are dissatisfied with their bodies by the age of thirteen, and many begin a pattern of weight obsession and dieting as early as eight or nine. Why?In The Body Project, historian Joan Jacobs Brumberg answers this question, drawing on diary excerpts and media images from 1830 to the present. Tracing girls' attitudes toward topics ranging from breast size and menstruation to hair, clothing, and cosmetics, she exposes the shift from the Victorian concern with inner beauty to our modern focus on outward appearance--in particular, the desire to be model-thin and sexy. Compassionate, insightful, and gracefully written, The Body Project explores the gains and losses adolescent girls have inherited since they shed the corset and the ideal of virginity for a new world of sexual freedom and consumerism--a world in which the body is their primary project."Joan Brumberg's book offers us an insightful and entertaining history behind the destructive mantra of the '90s--'I hate my body!'" --Katie Couric