Steele - "Begone" by Daryl Gregory - "The Red Menace" by Lavie Tidhar - "Muse of Fire" by John Scalzi - "Writer’s Block" by Nancy Kress - "Highland Reel" by Jack Campbell - "Karin Coxswain" or "Death as She Is Truly Lived" by Paul Di Filippo - "The Lady Astronaut of Mars" by Mary Robinette Kowal - "Every Fuzzy Beast of the Earth, Every Pink Fowl of the Air" by Tad Williams - "Declaration" by James Patrick KellyAs a bonus, the authors introduce their stories, explaining what they ripped-off - and why.Rip-Off! was produced in partnership with SFWA - Science Fiction & Fantasy Writers of America. Gardner Dozois served as project editor.

    Malcolm Metcalf's sadistic legacy. Madhouse.Torture chamber. As the town of Blackstone plans its demolition, a dark stranger is determined to keep the evils of the past alive. Can writer Oliver Metcalf prevent the curse of his father's asylum before it consumes him?"

    Wodehouse, John Steinbeck, and Ian Rankin

    This title reveals the endless stuggle between the forces of darkness and its opponents, from the vampires and werewolves of old England, to villains in pop culture and serial killers who prowl the streets.

    Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; all the members of the second expedition committed suicide; the third expedition died in a hail of gunfire as its members turned on one another; the members of the eleventh expedition returned as shadows of their former selves, and within months of their return, all had died of aggressive cancer.This is the twelfth expedition.Their group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain and collect specimens; to record all their observations, scientific and otherwise, of their surroundings and of one another; and, above all, to avoid being contaminated by Area X itself.They arrive expecting the unexpected, and Area X delivers—they discover a massive topographic anomaly and life forms that surpass understanding—but it’s the surprises that came across the border with them, and the secrets the expedition members are keeping from one another, that change everything.After the disastrous twelfth expedition chronicled in Annihilation, the Southern Reach—the secret agency that monitors these expeditions—is in disarray. In Authority, John Rodriguez, aka “Control,” is the team’s newly appointed head. From a series of interrogations, a cache of hidden notes and hours of profoundly troubling video footage, the secrets of Area X begin to reveal themselves—and what they expose pushes Control to confront disturbing truths about both himself and the agency he’s promised to serve. And the consequences will spread much further than that.It is winter in Area X in Acceptance. A new team embarks across the border on a mission to find a member of a previous expedition who may have been left behind. As they press deeper into the unknown—navigating new terrain and new challenges—the threat to the outside world becomes more daunting. The mysteries of Area X may have been solved, but their consequences and implications are no less profound—or terrifying.

    You just can't keep a good ghost down and Woodyard has unearthed over 100 more spirited tales from around the state including a ghost who introduces himself as George at the Dayton Masonic Temple; Mistress Suzanne, a murdered bride who showed a honeymooning couple to their room; the pasta-geist, who craved raw macaroni; Bernie, the ghost with an attitude problem; and a phantom train still rushing to its fiery doom. Stories from the following Ohio counties: Adams, Allen, Ashland, Ashtabula, Athens, Auglaize, Belmont, Brown, Butler, Champaign, Clark, Clinton, Columbiana, Crawford, Cuyahoga, Darke, Delaware, Erie, Franklin, Fulton, Gallia, Geauga, Greene, Guernsey, Hamilton, Hancock, Harrison, Henry, Highland, Hocking, Holmes, Jackson, Jefferson, Knox, Lake, Licking, Logan, Madison, Marion, Medina, Mercer, Miami, Montgomery, Monroe, Ottawa, Pickaway, Pike, Preble, Putnam, Ross, Sandusky, Scioto, Seneca, Shelby, Summit, Trumbull, Tuscarawas, Van Wert, Vinton, Warren, Washington, Wayne, Williams, Wood

    And if there are such things as ghosts there are probably a few who are reading him in the spirit world.

    They almost always appear on videocassette.Among their kind are biker films, sci-fi series, quickie biopics, gimmick films, teen sex comedies, blaxploitation films, stalkers, slashers, snoozers, shrudderers, and anything starring Lynda Blair, david Carradine, Shannon Tweed or Drew Barrymore.And they're all here in the Psychotronic Video Guide.From Abby to Zontar, this book covers more than nine thousand amazing movies from the turn of the century right up to today's golden age of video, all described with Michael Weldon's dry wit. More than 450 rare and wonderful illustrations round out the book, making it a treasure trove of cinematic lore and essential for every fan of filmdom's finest offerings.

    Guin is perfectly happy with her own company and doesn’t want that disrupted by her wisecracking stepbrother and his earnest mum.Their Christmas celebrations are invaded by a sleigh full of murderous elves. And it doesn’t matter if they’ve been naughty or nice — these elves are out for blood.Can the family band together to survive the night? Or will Santa’s little helpers make mincemeat of them all?

    

    * A beautifully designed resource chronicling one of gaming's most massive, dynamic universes! * MMORPG.com's Game of the Year 2009–2011! * 2014 marks the entry of EVE Online into its second decade!

    Rowling (the HARRY POTTER series), Darren Shan (CIRQUE DU FREAK), R.L. Stine (the GOOSEBUMPS series), and Stephen King (IT)! Volume Three in the PETER AND THE MONSTERS series! Follow the adventures started in PETER AND THE VAMPIRES (Volume One) and PETER AND THE WEREWOLVES (Volume Two)!Tragedy has struck Peter’s best friend Dill. In his effort to help, Grandfather might have actually made things worse. But help is on the way in the form of a new ally, and important information surfaces that might explain the Curse now haunting Peter and his family. In this volume, Peter battles more supernatural mayhem, including:A scientist who pieces together a family of monstrous creations…A pack of small creatures that kill the local baker, and plan to make Peter their next victim…Peter’s own dark side, which rears its ugly head in a violent rampage…A mysterious ‘snow demon’ out of Native American legend that menaces Peter on a ski trip…And a couple of ‘walking dead’ who try to put Peter in the morgue during a visit to the hospital. The PETER AND THE VAMPIRES series is for teens and adults who, when they were kids, were looking for stories that kicked butt. The protagonist might be young, but the stories are dark, funny, and edge-of-your-seat suspenseful.PETER AND THE FRANKENSTEIN is the third in an ongoing series that includes PETER AND THE VAMPIRES (Volume 1) and PETER AND THE WEREWOLVES (Volume 2). This book is 150,000 words (450+ pages) and contains some mild language, violence, and scary situations.

    With the help of David Tushingham, he has adapted Salman Rushdie's classic children's novel, Haroun and the Sea of Stories for the stage. Set in an exotic eastern landscape peopled by magicians and fantastic talking animals, Rushdie's novel inhabits the same imaginative space as Gulliver's Travels, Alice in Wonderland and The Wizard of Oz. Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way he encounters many foes, intent on draining the sea of all its storytelling powers.

    With subsequent movies such as The Dead Zone, The Fly, Dead Ringers and Naked Lunch, Cronenberg demonstrated his ability not only to touch painful nerves but also to invest his own developing genre with seriousness, philosophical dimension and a rare emotional intensity.Cronenberg on Cronenberg charts his development from maker of inexpensive 'exploitation' cinema to internationally renowned director of million-dollar movies, and reveals the concerns and obsessions which continue to dominate his increasingly rich and complex work. This edition, with an additional chapter, follows Cronenberg's work up to the creation of Crash.

    Songs, stories, images, and films about frightening monsters have always been invented to allay the very terrors that our sleep of reason conjures up. Warner shows how these images and stories, while they may unfold along different lines - scaring, lulling, or making mock - have the strategic simultaneous purpose of both arousing and controlling the underlying fear. In analysis of material long overlooked by cultural critics, historians, and even psychologists, Warner revises our understanding of storytelling in our contemporary culture. She asks us to reconsider the unintended consequences of our age-old, outmoded notions about masculine identity and about racial stereotyping, and warns us of the dangerous, unthinking ways we perpetuate the bogeyman.