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    Hunter's A Bright New Boise is a earnest comedy about the meager profits of modern faith. In the bleak, corporate break room of a craft store in Idaho, someone is summoning The Rapture. Will, who has fled his rural hometown after a scandal at his Evangelical church, comes to the Hobby Lobby, not only f

    At first, the new doctor cures anything

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    Abandoning the humdrum routine of life at their retirement estate, they embark on a thousand-mile road trip that will take them from the furthest corner of the Kruger Park to the blazing stars of Sutherland for the biggest adventure of their lives and one last hurrah together. Along the way, they rediscover things about themselves that they thought had long since been lost. Above all, they discover that it’s never too late to start living. Gareth Crocker’s latest novel is all heart and page-turning glory.

    A composer coming to terms with his genius. And, even though they're separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama, memory and music combine to transport you from present-day New York to nineteenth-century Austria in this extraordinary American play about passion, parenthood and the moments of beauty that can transform a life.

    One act play, Drama. Two wanna-be rock stars await their takeout delivery--or is it their rock-n-roll messiah? An early work by "True West" playwright and actor Sam Shepard. Librarian's Note: No separate publication found at this time. Generally published in collections of Shepard works.

    The themes of betrayal, romance, love and mystery underpin this epic drama - the bewitching plantation owner, Annie Palmer, the beautiful and determined slave girl, Millie, the handsome and sophisticated John Rutherford caught in the middle - a torrid love story set in the steamy climate of the tropics.

    Everything that modern parents need to know about caring for babies in the first 6 months, including: step by step guidelines for getting babies on a routine hour by hour schedule at a glance; feeding instructions for breast, bottle, or both; what symptoms warrant a trip to the emergency room; how to get your baby to sleep all night so you can too; plus much more.

    Arranged in chronological order, this ongoing series includes the original cast listings and production notes.Volume 1 leads with Battle of Angels Williams's first produced play (1940), and early version of Orpheus Descending. this is followed by the texts of his first great popular successes: The Glass menagerie (1945) and the Pulitzer Prize-winning A Streetcar Named Desire (1947), which established Williams's reputations once and for all as a genius of the modern American theatre.

    ADDICTED TO YOU is for a mature audience, due to sexual situations and language.***Dangerous. Sexy. Damaged. These are the words used to describe Justin Brown.Intelligent. Capable. Responsible.These are the words used to describe Lindsay Cramer.Irresistible. Addicting. Passionate.These are the words used to describe their relationship.Good girl Lindsay Cramer has her life completely in order, and she keeps her goals on a checklist -- obtain scholarship to Ivy League University, finish undergrad, and move on to med school. She’s worked hard to get where she is, and she’s determined not to let anything – or anyone -- get in her way.Until she meets Justin Brown. JB is gorgeous, and the kind of guy who is all wrong for Lindsay -- the kind of guy who is all wrong for anyone . He drinks, he fights, and he has a secret past Lindsay’s not so sure she wants to know about.But when the two of them are together, Lindsay can’t help but lose herself in him. It’s the way his eyes burn when he looks at her. The way his smile makes her dizzy. The way his hands feel on her body.Soon, Lindsay and Justin are completely addicted to each other. But when their dangerous game culminates with Lindsay having to make a shocking choice, will she be able to keep JB in her life? And if so, will she lose everything in the process?EXCERPT:I hesitated. Should I really be doing this? A weird shiver of fear slid up my spine. I had no idea who this guy was, or what he was doing here. Last night he was acting like a complete thug, and tonight he was dressed like an investment banker. Every part of me was screaming that this guy was bad news.But I didn’t care. Something about him was captivating me, pushing me towardhim and whatever that entailed, even if it turned out to be bad.I headed out the door, and as I walked back across campus, I had to resist the urge to run. Justin was unpredictable – what if I got back there, and he was gone?But he wasn’t gone. He was sitting on a bench.“Ready?” he asked.I took a deep breath. “Ready.”

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    Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

    Joe sits at the nexus of Washington life: beloved, feared, and courted in equal measure by the very people whose careers and futures he determines. But as the sixties dawn and America undergoes dizzying change, the intense political dramas Joe has been throwing his weight around in—supporting the war in Vietnam and Soviet containment, criticizing student activism—come to bear a profound personal cost.Based on the real-life story of Joe Alsop, whose columns at the time of his 1974 retirement were running three times a week in more than three hundred newspapers, David Auburn’s The Columnist is a deft blend of history and storytelling. A hilarious, searing portrait of the glorious rewards and devastating losses that accompany ego, ambition, and the pursuit of power, The Columnist pens a vital letter from a radically changing decade to our own turbulent era.

    The key witness is a woman whose life seems a world away from theirs. At home, their own lives begin to unravel as every version of the truth is challenged.Consent, Nina Raine’s powerful, painful, funny play, sifts the evidence from every side and puts Justice herself in the dock. It premiered as a co-production between the National Theatre and Out of Joint, directed by Roger Michell at the National Theatre in 2017.