However, a shift is occurring, giving Indigenous people a larger role in determining exhibition content. In Decolonizing Museums, Amy Lonetree examines the complexities of these new relationships with an eye toward exploring how museums can grapple with centuries of unresolved trauma as they tell the stories of Native peoples. She investigates how museums can honor an Indigenous worldview and way of knowing, challenge stereotypical representations, and speak the hard truths of colonization within exhibition spaces to address the persistent legacies of historical unresolved grief in Native communities.Lonetree focuses on the representation of Native Americans in exhibitions at the Smithsonian's National Museum of the American Indian, the Mille Lacs Indian Museum in Minnesota, and the Ziibiwing Center of Anishinabe Culture and Lifeways in Michigan. Drawing on her experiences as an Indigenous scholar and museum professional, Lonetree analyzes exhibition texts and images, records of exhibition development, and interviews with staff members. She addresses historical and contemporary museum practices and charts possible paths for the future curation and presentation of Native lifeways.

    The book is a series of conversations between young John Peabody of the New England gentry and Chasing Deer, an aged Cheyenne/Lakota and keeper of the true history of the Americas. As the conversations unfold, you see the contrast between Euro-American and American Indian cultures and values, bringing many interesting questions to light. As the conversations unfold, we learn that perhaps the Amercian Indian culture has some of the answers that we are all looking for.

    Its illustrative and popular material promote a deeper appreciation of different themes and approaches. Complete works that have become classics in the field, combined with ones from the modern era, make this collection rich in historical and theoretical context. Selections of non-fiction, fiction, poetry, and drama, include works by Paula Gunn Allen, Elizabeth Cook-Lynn, Carter Revard, Leslie Marmon Silko, Sherman Alexie, Kimberly Blaeser, Peter Blue Cloud, Louise Erdrich, Scott N. Momaday, Simon Ortiz, and many more. An effective introduction to Native American Literature for readers interested in this area of writing.Contents:Nonfiction. Postmodernism, Native American literature, and the real : the Silko-Erdrich Controversy by Susan Pérez CastilloThe American Indian fiction writers : cosmopolitanism, nationalism, the third world, and First Nation sovereignty by Elizabeth Cook-LynnIndian humor by Vine Deloria, Jr.The Ghost Dance War by Charles Eastman OhiyesaThe sacred hoop : a contemporary perspective by Paula Gunn AllenThe man made of word by N. Scott MomadayDecolonializing criticism : reading dialectics and dialogics in Native American literatures by David L. MooreTowards a national Indian literature : cultural authenticity in nationalism by Simon J. OrtizHistory, myth, and identity among Osages and other peoples by Carter RevardThe woman who loved a snake : orality in Mabel McKay's stories by Greg SarrisLanguage and literature from a Pueblo perspective by Leslie Marmon SilkoAn old-time Indian attack conducted in two parts : Part one, imitation "Indian" poemsbyPart two, Gary Snyder's Turtle IslandIntroduction : only the beginning by Brian Swann. Fiction. The approximate size of my favorite tumor ; This is what it means to say Phoenix, Arizona by Sherman AlexieSwimming upstream by Beth BrantA good chance ; The power of horses by Elizabeth Cook-LynnThe red convertible by Louise ErdrichUnfinished business by Eric GansworthAunt Parnetta's electric blisters by Diane GlancyDeer woman by Paula Gunn AllenSleeping in rain by Gordon HenryAunt Moon's young man by Linda HoganAs it was in the beginning by Pauline E. JohnsonBorders ; A seat in the garden by Thomas KingThe hawk is hungry by D'Arcy McNickleVeteran's dance by Jim NorthrupThe killing of a state cop by Simon J. OrtizBlessed sunshine by Louis OwensReport to the nation : repossessing Europe by Carter RevardHow I got to be queen by Greg SarrisThe man to send rain clouds ; Tony's story ; Yellow woman by Leslie Marmon SilkoThe disposal of Mary Joe's children by Mary TallMountainAll the colors of sunset by Luci TapahonsoThe warriors by Anna Lee WaltersThe soft-hearted Sioux by Zitkala-Sa. Poetry. The business of fancydancing ; Capital punishment ; Defending Walt Whitman ; The exaggeration of despair ; How to write the great American Indian novel ; Crazy Horse speaks by Sherman AlexieDear world ; Kopis'taya, a gathering of spirits ; Soundings by Paula Gunn AllenLiving history ; Rewriting your life ; Rituals : yours, and mine ; Where was I that day by Kimberly BlaeserBear : a totem dance as seen by Raven ; The old man's lazy ; Rattle ; To-ta Ti-om ; Turtle ; Yellowjacket ; Drum ; Reflections on milkweed by Peter Blue CloudAbove the line ; Blessing the waters ; Copal, red blood : Chiapas, 1998 by Joseph BruchacToday was a bad day like TB by ChrystosSalmon egg puller, $2.15 an hour by Nora DauenhaurCaptivity ; Indian boarding school : the runaways ; Jacklight ; Old man Potchikoo ; Dear John Wayne ; Turtle Mountain Reservation by Louise ErdrichShe had some horses ; Transformations ; I give you back ; Call it fear ; Eagle poem ; The woman hanging from the thirteenth floor window ; Grace ; The woman who fell from the sky by Joy HarjoBlessing ; Song for my name ; Bamboo ; Celebration : birth of a colt ; Drought ; The new apartment, Minneapolis ; The truth is ; Elk song ; Geraniums ; Heritage ; It must be ; Map ; Morning : the world in the lake by Linda HoganAkwesasne ; Legacy ; Sweetgrass ; The tell me I am lost ; Wild strawberry ; Wolf "aunt" by Maurice KennyWho am I by Joyce carlEtta MandrakeAngle of geese ; The bear ; At risk ; December 29, 1980 : Wounded Knee Creek ; The colors of night ; The eagle-feather fan by N. Scott MomadayBend in the river ; The creation, according to coyote ; Dry root in a wash ; My father's song ; A story of how a wall stands ; The boy and coyote by Simon J. OrtizAnd don't be deaf to the singing beyond ; Driving in Oklahoma ; In Kansas ; An eagle nation ; What the eagle fan says ; Wazhazhe grandmother by Carter RevardI expected my skin and my blood to ripen ; If I am too brown or too white for you ; Three thousand dollar death song by Wendy RoseIndian song : survival ; Untitled ; Untitled, from Ceremony ; Storytelling ; Story from Bear County ; Toe'osh : a Laguna coyote story ; When sun came to Riverwoman by Leslie Marmon SilkoGood grease ; The last wolf ; There is no word for goodbye ; Matmiya by Mary TallMountainBlue horses rush in ; In praise of Texas ; Light a candle ; Raisin eyes by Luci TapahonsoChristmas comes to Moccasin Flat ; Surviving ; Thanksgiving at Snake Butte ; Snow country weavers ; Riding the earthboy 40 by James WelchDream of rebirth ; For Heather, entering Kindergarten ; In the longhouse, Oneida Museum ; Black eagle child quarterly by Roberta Hill WhitemanThe first dimensions of skunk ; Winter of the salamander ; The language of weather ; Morning talking mother ; The significance of a water animal ; Nothing could take away the bear-king's image by Ray Young BearDrama. Harold of Orange : a screenplay by Gerald Vizenor

    • Numerous new and rare color photographs complement the completely revised and updated text. • Explores the uses of hallucinogenic plants in shamanic rituals throughout the world. • Cross-referenced by plant, illness, preparation, season of collection, and chemical constituents. Three scientific titans join forces to completely revise the classic text on the ritual uses of psychoactive plants. They provide a fascinating testimony of these "plants of the gods," tracing their uses throughout the world and their significance in shaping culture and history. In the traditions of every culture, plants have been highly valued for their nourishing, healing, and transformative properties. The most powerful of those plants, which are known to transport the human mind into other dimensions of consciousness, have always been regarded as sacred. The authors detail the uses of hallucinogens in sacred shamanic rites while providing lucid explanations of the biochemistry of these plants and the cultural prayers, songs, and dances associated with them. The text is lavishly illustrated with 400 rare photographs of plants, people, ceremonies, and art related to the ritual use of the world's sacred psychoactive flora.

    We—Indigenous, Black and people of color, women and trans folks, migrants, and working people—did not create this disaster, but we have inherited it. We have barely a decade to turn back the tide of climate disaster. It is time to reclaim the life and destiny that has been stolen from us and rise up together to confront this challenge and build a world where all life can thrive. Only mass movements can do what the moment demands. Politicians may or may not follow--it is up to them--but we will design, build, and lead this movement with or without them.The Red Deal is a call for action beyond the scope of the US colonial state. It’s a program for Indigenous liberation, life, and land—an affirmation that colonialism and capitalism must be overturned for this planet to be habitable for human and other-than-human relatives to live dignified lives. The Red Deal is not a response to the Green New Deal, or a “bargain” with the elite and powerful. It’s a deal with the humble people of the earth; a pact that we shall strive for peace and justice and a declaration that movements for justice must come from below and to the left.

    A diverse range of Native groups is included - Tlingit, Navajo, Cree, Abenaki, Yupik, Seminole, Sioux, Cherokee, and many more - with questions asked and answered, such as:*What do the ancient stories mean?*How do the Indians define themselves?*What are the Native attitudes toward life and death?*What was the impact of the coming of the Europeans?*How do Native Americans relate to the natural world?*How do traditional stories sustain tribal American peoples even today?Our Stories Remember is an illuminating look at Native origins and lifeways, a treasure for all who value Native wisdom and the stories that keep it alive"

    Studying their habits, customs, and modes of life, he made copious notes and numerous sketches of ceremonies, buffalo hunts, symbols, and totems. Catlin's unprecedented fieldwork culminated in more than five hundred oil paintings and his now-legendary journals, which, as Peter Matthiessen writes in his introduction, "taken together... constitute the first, last, and only 'complete' record of the Plains Indians ever made at the height of their splendid culture, so soon destroyed by traders' liquor and disease, rapine and bayonets."

    She was an American school teacher who in 1941 who along with her husband, Foster agreed to teach the Natives on the remote Aleutian island of Attu.  They were both sixty-two years old when they left Alaska's mainland for Attu against the advice of friends and family.   Etta, and her sister moved to the Territory of Alaska in 1922.  She planned to stay only one year as a vacation, but this 40 something year old nurse from back east met Foster Jones and fell in love. She married and for nearly twenty years they taught in remote Alaskan villages including their last posting on  Attu Island at the far end of the Aleutian island chain. Etta's life changed forever on that Sunday morning in June 1942  when almost 2,000 Japanese military men invaded Attu Island and Etta became a prisoner of war. She was taken from American soil to Japan and given up for dead. This is the story of a brave American, a woman of courage and resolve with inextinguishable spirit.

    "A beautiful book, including about 100 wondrous photographs."-- "Library Journal" "A beautiful book, including about 100 wondrous photographs." "--Library Journal"

    Now, in Green Pharmacy by James A. Duke (with illustrations by Peggy Kessler Duke), America's foremost authority on medicinal plants and herbs shares his knowledge of these hidden reserves of healing power.* For Arthritis: A new, all-natural remedy that can cut pain in half.* For Back Pain: A fruit that has anti-inflammatory properties to produce long-term relief.* For Your Heart: An herb that opens up clogged arteries and lowers blood pressure, with none of the side effects of prescription drugs.* For High Cholesterol: A tasty grain that has three times more cholesterol-lowering power than oat bran.* For Migraines: An herb that has the power to eliminate the blurred vision and debilitating pain of these monster headaches.* For Mood Swings: A common food that shares the power of Prozac to boost the brain's level of "feel-good" serotonin.* For Osteoporosis: A prime plant source of calcium that vastly enhances protection against bone depletion.* For Wrinkles: An herbal lotion that has the skin-clearing, wrinkle-reversing power of alpha hydroxy acid but costs only pennies.And much more-- over 120 conditions in all!

    The Keys are designed for easy visual comparison of details which look alike, narrowing the identification of a tree to one of a small group -- the family or genus.Then, in the Master Pages, the species of the tree is determined, with similar details placed together to highlight differences within the family group, thus eliminating all other possibilities. The details of the Oak trees on this plate are an example of the system.All of the more than 1500 photographs were made specifically for use in this book and were taken either in the field or of carefully collected specimens. Where possible, details such as leaves, fruit, etc., appear in actual size, or in the same scale.

    It is a hands-on guide to learning about the natural environment of California. Subjects covered include California natural history and geology, native plants and animals, California's freshwater resources and ecosystems, forest and rangeland resources, conservation biology, and the effects of global warming on California's natural communities. The Handbook also discusses how to create and use a field notebook, natural resource interpretation, citizen science, and collaborative conservation and serves as the primary text for the California Naturalist Program.

    It’s not a job title one can give oneself, and in indigenous societies, a shaman is usually born to this role. Ya’Acov Darling Khan is one of the few westerners who have been acknowledged as shamans by indigenous elders or teachers.After being hit by lightning, Ya’Acov took a 30-year journey into the heart of shamanism to seek his own healing, and to learn how he could serve others with the wisdom he acquired through his experiences. He has studied with indigenous teachers from the Arctic Circle to the USA and South America, and has taken part in ceremonies in such diverse locations as Welsh caves to the depths of the Amazon rainforest. Nowadays, Ya’Acov continues to study and regularly journeys to the Ecuadorean Amazon to work alongside the Achuar and Sápara people.For thousands of years, shamans helped the people in their communities remain in balance with themselves, each other, the natural world and the spirit world. This beautifully written book is not only a powerfully honest, humorous and inspiring memoir, but a guidebook for those from many cultures and walks of life wishing to return to their indigenous roots, and be part of midwifing a more benign human presence here on Earth as part of a new dream.

    It provides a wealth of new information- more than twice the content of the previous edition- and practical insight into more than 530 of the most commonly used herbs in the Chinese pharmacopoeia. Drawing from a wide range of sources, both classical and modern, this edition provides unparalleled perspective and detail that goes far beyond what is available elsewhere to the Western practitioner. Herbs are grouped in chapters by function, with expanded summaries and tables for contrast and comparison. Each herb is identified by is pharmaceutical, pinyin, botanical, and family names, as well as Chinese, Japanese, Korean, and English common names. Key characteristics are provided at the beginning of each entry, along with dosage, properties, channels entered, and relevant cautions and contraindications. This provides a quick overview of essential information. Actions and indications are integrated with important combinations that illustrate the range of an herb's functions, with references to appropriate formulas. This presents a more three-dimensional picture of how each herb is actually used. Expanded commentary offers in-depth analysis and places each herb in its clinical context through rich historical references. The mechanisms of action underlying important combinations, and comparisons with similar herbs, provide a broader context for understanding how the herb can be used with optimal effect. A section devoted to nomenclature and preparation describes the most important methods of processing and preparing each herb, and the advantages of each method. It also provides information about other commonly-used names and historical background.

    However over the past decade there has been a rising movement to accurately describe Native cultures and histories. In particular, people have begun to explore the experience of urban Indians—individuals who live in two worlds struggling to preserve traditional Native values within the context of an ever-changing modern society. In Genocide of the Mind, the experience and determination of these people is recorded in a revealing and compelling collection of essays that brings the Native American experience into the twenty-first century. Contributors include: Paula Gunn Allen, Simon Ortiz, Sherman Alexie, Leslie Marmon Silko, and Maurice Kenny, as well as emerging writers from different Indian nations.