Have you heard the urban myth about Jesus's double-jointed elbows yet? 100% true. Or seen the latest reports on the 'groomgrabbing' trend - the benevolent kidnapping of badly-dressed children by their well-meaning (and more dapper) elders? Heard the one about the Amazon from the Isle of Man? Or perhaps you'd like a job in telesales, offering self-defence classes over the phone? Don't worry, as long as you meet the weekly quota, you won't be sent to the end of the hall...Wonderfully original, fresh and funny, 'Topics About Which I Know Nothing' is stuffed to the gills with dizzyingly inventive writing and warming, puzzling emotions - a fictional guide to how the world might have turned out.

    In a voice at once elegiac and life-affirming, MacLeod describes a vital present inhabited by the unquiet spirits of a Highland past, invoking memory and myth to celebrate the continuity of the generations even in the midst of unremitting change.His second collection, As Birds Bring Forth the Sun and Other Stories confirms MacLeod’s international reputation as a storyteller of rare talent and inspiration.From the Trade Paperback edition.

    Her next-door neighbor may have been the one to drag her out of the burning building that night, but it doesn’t exonerate him since he caused the fire. Not even when he shows up fourteen years later to help salvage her bakery.Jake Rowan may not have been able to save Emma’s brother from the fire, but at least he was able to save his own brother. By taking the fall and the punishment for him, Jake managed to protect his older brother’s future… but it cost him the girl of his dreams.Now Jake finds himself on Emma’s doorstep once again. Not to save her life this time, but to repair it. And more importantly, her heart, if she’ll let him.

    Peopled with "ambassadors from the Netherworld"--the orphaned and abused, the lost and addicted--Cruz leads us through this "traveling minstrel show / Called girlhood--" which is at once tragic and magical.

    A trio of erotically charged kids goes on a crime spree in Michigan; a goldfish bears witness to the demise of a Connecticut marriage; and an extremely unlucky man is stalked by lightning. This dazzling new collection reveals Means' rare talent for the short story and establishes his place among the American masters.

    Mary Miller's BIG WORLD is the second book and first work of fiction to come out of Short Flight/Long Drive Books, a publishing arm of the independent literary journal Hobart. The characters in Mary Miller's debut short story collection BIG WORLD are at once autonomous and lonesome, possessing both a longing to connect with those around them and a cynicism regarding their ability to do so, whether they're holed up in a motel room in Pigeon Forge with an air gun shooting boyfriend as in "Fast Trains" or navigating the rooms of their house with their dad after their mother's death as in "Leak." Mary Miller's writing is unapologetically honest and efficient and the gut-wrenching directness of her prose is reminiscent of Mary Gaitskill and Courtney Eldridge, if Gaitskill's and Eldridge's stories were set in the south and reeked of spilt beer and cigarette smoke.

    Here Colm Tóibín, the author of the Man Booker Prize shortlisted novel The Master, a portrait of Henry James, brings together for the first time all the stories that James set in New York City. Written over the course of James's career and ranging from the deliciously tart comedy of the early "An International Episode" to the surreal and haunted corridors of "The Jolly Corner," and including "Washington Square", the poignant novella considered by many (though not, as it happens, by the author himself) to be one of James's finest achievements, the nine fictions gathered here reflect James's varied talents and interests as well as the deep and abiding preoccupations of his imagination. And throughout the book, as Tóibín's fascinating introduction demonstrates, we see James struggling to make sense of a city in whose rapidly changing outlines he discerned both much that he remembered and held dear as well as everything about America and its future that he dreaded most.Stories included:The Story of a MasterpieceA Most Extraordinary CaseCrawford's ConsistencyAn International EpisodeThe Impressions of a CousinThe Jolly CornerWashington SquareCrapy CorneliaA Round of Visits

    Yousaf’s last collection of poetry, Sincerely. Struck by inspiration and overwhelmed by the response of dedicated fans, Yousaf wanted to continue this journey in a new collection. While tales of longing, uncertainty, and loss flow through each poem, Yousaf artfully captures the eternal question of how to face pain with courage and quiet resilience.Featuring 140 poems and accompanying illustrations, Serenity is the perfect escape from daily life, helping readers refocus energy and kindness toward themselves and their cherished relationships.

    In contemporary Lagos, a young boy may pose as a woman online, and a maid may be suspected of sleeping with her employer and yet still become a young wife’s confidante. Men and women can be objects of fantasy, the subject of beery soliloquies. They can be trophies or status symbols. Or they can be overwhelming in their need.In these wide-ranging stories, A. Igoni Barrett roams the streets with people from all stations of life. A man with acute halitosis navigates the chaos of the Lagos bus system. A minor policeman, full of the authority and corruption of his uniform, beats his wife. A family’s fortunes fall from love and wealth to infidelity and poverty as poor choices unfurl over three generations. With humor and tenderness, Barrett introduces us to an utterly modern Nigeria, where desire is a means to an end, and love is a power as real as money.

    Stories were to be about 250 words long; first prize was a check and a crate of oranges.Two to three thousand stories began to show up annually in Tallahassee, and National Public Radio regularly broadcast the winner. But, more important, the Micro form turned out to be contagious; stories of this "lack of length" now dot the literary magazines. The time seemed right, then, for this anthology, presenting a decade of contest winners and selected finalists. In addition, Stern commissioned Micros, persuading a roster of writers to accept the challenge of completing a story in one page.Jesse Lee Kercheval has a new spin on the sinking of the Titanic; Virgil Suarez sets his sights on the notorious Singapore caning; George Garrett conjures up a wondrous screen treatment pitch; and Antonya Nelson invites us into an eerie landscape. Verve and nerve and astonishing variety are here, with some wild denouements.How short can a Micro be, you wonder. Look up Amy Hempel's contribution, and you'll see.Includes:Poet's husband by M. GilesCough by Harry HumesDaydream by R. AllenWrong channel by R. FernandezHarmony by J. Williams20by20 by L. BrewerYour fears are justified by R. DeMarinisAt the point by B. McCaddonHalo by M. McFeeMockingbird by L. BerryChanging the channel by E.E. MillerWanting to fly by S. DunningEclipsed by R. ShusterNew Year by P. PainterSurvivors by K. AddonizioAnti-Cain by V. SuarezPainted devils by F. ChappellHoneycomb by N.R. SingerBaby, baby, baby by F. CamoinAn old story by J. KelmanConception by T. FlemingAll this by J. AvallonStone belly girl by J. Granger Worry by R. WallaceYou can't see dogs on the radio by L. WendlingTrue story of Mr. and Mrs. Wong by M. ChinFlu by S. DybekThe bridge by R. EdsonKennedy in the barrio by J.O. CoferGrief by R. CarlsonMount Olive by M.A. LoveHurray for Hollywood by G. GarrettThis is how I remember it by Betsy KemperNovember by U. HegiCarpathia by J.L. KerchevalChickens by E. MagarrellMayor of the sister city speaks to the chamber of commerce in Klamath Falls, Oregon, on a night in December in 1976 by M. MartoneConfirmation names by M. LippoHostess ; Housewife by A. HempelLand's end by A. NelsonLast supper in the Cabinet Mountains by D. BottomsStrongman by W. White-RingDiverging paths and all that by M. O'HaraA gentleman's C by P. PowellOf exposure by J. HolmanTea leaves by J. BurrowayWe eat our peas for the souls in Purgatory by A. McPetersWaiting by P. McNallyBut what was her name? by D. RaffelGuadalupe in the Promised Land by Sam ShepardMorning news by J. SternMolibi by L. HancockWallet by A. Woodman

    He lives in a seedy neighborhood and spends his free time with his spirited mother. Things happen to other people, and Bronfman knows it. Until, that is, he gets a call from operator 61217 telling him that he s won a free weekend at a beachfront condo in Destin, Florida. But there s a catch: the offer is intended for a couple, and Bronfman has only seventy-nine days to find someone to take with him.The phone call jolts Bronfman into motion, initiating a series of truly extraordinary adventures as he sets out to find a companion for his weekend getaway. Open at last to the possibilities of life, Bronfman now believes that anything can happen. And it does.A large-hearted and optimistic novel, Extraordinary Adventures is the latest from the New York Times bestselling Daniel Wallace.

    The first time I saw Anya I was shirtless and holding an axe.It was June, the weather balmy and Anya was beautiful, but that didn’t matter because I was drowning in my own grief.Anya wasn’t meant to be my saviour.I wasn’t meant to be hers.A perfect summer, an idyllic island, a stream of stolen nights.All bandaids on an open wound.If we were going to live again, she deserved more than the fractured shards of the broken creature I’d become.She deserved love.Endless Blue Seas is a standalone summer romance, guaranteed to melt your heart and other items.

    In “Rivers,” a free Jim meets up decades later with his former raftmate Huckleberry Finn; “An Outtake” chronicles an escaped slave’s fate in the American Revolution; “On Brazil, or Dénouement” burrows deep into slavery and sorcery in early colonial South America; and in “Blues” the great poets Langston Hughes and Xavier Villaurrutia meet in Depression-era New York and share more than secrets.

     Second Chances follows a single mother deserted by her adulterous ex-husband, a socialite who abandoned her family and fled to the Caribbean, a high-powered executive with a disconcerting fear of commitment and a questionable sense of judgment, and a privileged teenager plagued with a lecherous father and absentee mother while bewildered by an unforeseen opportunity with the most sought after boy in school. Although the women are each dealt cards they never expected, they find friendship, family and love in the least likely of places, and with those, they find hope.

    It’s late 2016 when Ariel discovers that her mother Mona’s animal sanctuary in Western Kansas has not only been the target of anti-Semitic hate crimes—but that it’s also for sale, due to hidden financial ruin. Ariel, living a new life in progressive Lawrence, and estranged from her mother for six long years, knows she has to return to her childhood home—especially since her own past may have played a role in the attack on the sanctuary. Ariel expects tension, maybe even fury, but she doesn’t anticipate that her first love, a ranch hand named Gideon, will still be working at the Bright Side. Back in Lawrence, Ariel’s charming but hapless fiancé, Dex, grows paranoid about her sudden departure. After uncovering Mona’s address, he sets out to confront Ariel, but instead finds her grappling with the life she’s abandoned. Amid the reparations with her mother, it’s clear that Ariel is questioning the meaning of her life in Lawrence, and whether she belongs with Dex or with someone else, somewhere else. Acclaimed writer Pam Houston says that “Mandelbaum is wise beyond her years and twice as talented,” and The Bright Side Sanctuary for Animals poignantly explores the unique love and tension between mothers and daughters, and humans and animals alike. Perceptive and funny, moving and eloquent, and ultimately buoyant, Mandelbaum offers a panoramic view of family and forgiveness, and of the meaning of home. Her debut reminds us that love provides refuge, and underscores our similarities as human beings, no matter how alone or far apart we may feel.