But underneath the surface, she is bored--and consumed by an insatiable need for sex.Driven less by pleasure than compulsion, Adèle organizes her day around her extramarital affairs, arriving late to work and lying to her husband about where she's been, until she becomes ensnared in a trap of her own making. Suspenseful, erotic, and electrically charged, Adèle is a captivating exploration of addiction, sexuality, and one woman's quest to feel alive.

    But his luck turns when he is asked to house-sit wannabe but talentless actress Fawn Farrar's $10 million Beverly Hills estate. Capitalizing on his new position, he is soon befriended by his all-time favorite star, Marina Stetson, a Janis Joplin-esque singer just out of rehab and trying to make a comeback -- and whose husband Jason secretly covets.Adding to the drama is Jason's ex-roommate, the incredibly pretentious Tricia Cox, whose struggles to make it as a talent agent take a wrong turn when she contracts her meal ticket, the talented and beautiful Violet Cyr, to a hip-hop sitcom called "Chillin' with Billy."When Billy turns out to be a talking goat, all hell breaks loose. The trashy, hip young heroes suffer through humiliations galore before they have a chance to make it -- but not before Christian McLaughlin has laid bare in hilarious detail all the foibles and fumbles of a group of happening young people in La La Land in their shameless pursuit of fame, fortune -- and sex.

    His mother tells him he'll be a star one day. 'Twinkle, twinkle,' she says, giving his hair a ruffle.Not everyone shares Julian's dreams of stardom. Television is too much like hairdressing for his father's tastes. A Tasmanian man wants a son for sporting purposes. 'Boys don't like dolls,' he tells Julian, 'They like Dinky Toys.' Not this boy, thinks Julian, who knows better than to tell the truth.Besides, the family already has a sporting hero, Julian's sister Carmel aka 'The Locomotive'. Julian likes his sister, but knows better than to tangle with her bowling arm. It's the same one she uses for punching.Julian Corkle is a Filthy Liar is the ultimate feel-good novel, a book that will have the reader laughing out loud on the back of a bus as it follows Julian's bumpy journey through adolescence, fibbing his way through school and a series of dead-end jobs, to find his ultimate calling as creator of ‘The Hog.’ It's as if Crocodile Dundee has crashed Muriel's wedding and run off into the desert with Priscilla.

    Neil McCormick is fully aware of the events from that summer of 1981. Wise beyond his years, curious about his developing sexuality, Neil found what he perceived to be love and guidance from his baseball coach. Now, ten years later, he is a teenage hustler, a terrorist of sorts, unaware of the dangerous path his life is taking. His recklessness is governed by idealized memories of his coach, memories that unexpectedly change when Brian comes to Neil for help and, ultimately, the truth.

    Every summer he visits his grandmother in a dusty village overlooking the vast steppes. Here, during the warm evenings, they sit on Charlotte's narrow, flower-covered bacony and listen to tales from another time, another place: Paris at the turn of the century. She who used to see Proust playing tennis in Neuilly captivates the children with stories of Tsar Nicholas's visit to Paris in 1896, of the great Paris flood of 1910, of the death of French president Felix Faure in the arms of his mistress. But from Charlotte the boy also learns of a Russia he has never known, of famine and misery, of brutal injustice, of the hopeless chaos of war. He follows her as she travels by foot from Moscow half the way to Siberia; suffers with her as she tells of her husband - his grandfather - a victim of Stalin's purges; shudders as she describes her own capture by bandits, who brutalize her and left her for dead. Could all this pain and suffering really have happened to his gentle, beloved Charlotte? Mesmerized, the boy weaves Charlotte's stories into his own secret universe of memory and dream. Yet, despite all the deprivations and injustices of the Soviet world, he like many Russians still feels a strong affinity with and "an indestructible love" for his homeland.

    Autoportrait is a physical, psychological, sexual, political, and philosophical triumph. Beyond "sincerity," Levé works toward an objectivity so radical it could pass for crudeness, triviality, even banality: the author has stripped himself bare. With the force of a set of maxims or morals, Levé's prose seems at first to be an autobiography without sentiment, as though written by a machine—until, through the accumulation of detail, and the author's dry, quizzical tone, we find ourselves disarmed, enthralled, and enraptured by nothing less than the perfect fiction . . . made entirely of facts.

    She describes a love between two women in its totality, experienced as both a physical presence, and a sense of infinity. The result is a stunning example of Pecriture feminine that won praise when first published in France in 1983. Its translation into English by Betsy Wing will extend the influence of a writer already famous for her novels and contributions to feminist theory. In her introduction Betsy Wing notes the contemporary emphasis on "fictions of presence." Cixous, in The Book of Promethea, works to "repair the separation between fiction and presence, trying to chronicle a very-present love without destroying it in the writing."

    Nobody could have expected what would happen when the story continued. Collected here is the entire trilogy of Chuck Tingle’s history making Space Raptor Butt series.SPACE RAPTOR BUTT INVASIONSpace can be a lonely place, especially when you’re stationed by yourself on the distant planet Zorbus. In fact, Lance isn’t quite sure that can last the whole year before his shuttle pod arrives, but when a mysterious visitor appears at Lance’s terraforming station, he quickly realizes that he might not be so alone after all. Soon enough, Lance becomes close with this mysterious new astronaut, a velociraptor. Together, they form an unlikely duo, which quickly begins to cross the boundaries of friendship into something much, much more sensual. It’s not gay if it’s a man and a dinosaur, is it? SPACE RAPTOR BUTT REDEMPTIONAfter a year stationed on planet Zorbus, astronaut Lance Tanner and his raptor lover Orion return home to find that they are not greeted as heroes, but as villains. Unbeknownst to Lance, his space travels have been funded by the villainous Scoundrels Inc, a corporation that has deep ties to the illegal trade of unicorn tears and a destructive mining project at the core of the earth. Now Lance is on trial for a number of false charges; from having connections to the wicked Scoundrels, to being too strange for space. The opposing lawyer argues that space is only for serious astronauts, and that love between a raptor and a man is giving space travel a bad name. Lance is arguing that there’s room to be weird in space. More importantly, Lance is arguing for the idea of love itself; that just because something comes out of darkness doesn’t mean it can’t become a beacon of light. Of course, this all culminates in a hardcore dinosaur on astronaut pounding that will have your jaw on the courtroom floor! SPACE RAPTOR BUTT ASCENSIONSoon after blasting off on their mission to find refuge for the people of Earth 1 on the dinosaur inhabited Earth 2, Orion and his space raptor lover Lance find a spaceship stow away, the notorious CEO of Scounrels Inc, Vam Dox. Vam claims that his intentions are pure, but it’s hard to trust such a sad, strange man. After landing in Hugona, the planet capital of Earth 2, our heroes restrain Vam Dox and head off to secure an important diplomatic relationship with the pterodactyl president, but that’s when all hell breaks loose. Soon, Vam Dox is storming the capital with a band of rabid dogs, and Lance and Orion are wrongly taking the blame! Fortunately, Lance and Orion know that the only cure for evil this strong is to prove their love in a hardcore gay encounter at the steps of the capital building. When the smoke clears, will Vam Dox be revealed as the super villain that he claims to be, or a meek, lonesome manbaby who is starved for attention?

    She’s managed to become his best friend and constant companion, and gleefully uses her influence over him to poison every one of his budding romances—on the principle that when he’s run through all the men in town, it’ll finally be her turn. But when Peter finds true love in the unlikely arms of Lloyd Hood—a taciturn, gun-toting survivalist—none of Natalie’s usual plots and stratagems can separate them. She’s forced to throw caution to the wind and discretion out the door, and begin a campaign to win back her man that is actively, even dangerously, criminal. Brazenly irreverent, hilariously caustic, and grippingly suspenseful, Fag Hag is a novel you won’t easily forget."Absorbing and powerful...Larger-than-life...A one-two punch of outrageous humor and sobering pathos...Succeeds admirably both as satire and as flat-out entertainment." - New York Native

    In the breathtaking long story “The Street,” Tóibín imagines a relationship between Pakistani workers in Barcelona—a taboo affair in a community ruled by obedience and silence. In “Two Women,” an eminent and taciturn Irish set designer takes a job in her homeland, and must confront emotions she has long repressed. “Silence” is a brilliant historical set piece about Lady Gregory, who tells the writer Henry James a confessional story at a dinner party.Silence --The empty family --Two women --One minus one --The pearl fishers --Barcelona, 1975 --The new Spain --The colour of shadows --The street

    He’s been with his partner, Lloyd, for seven years now, but when Lloyd announces that there’s no passion left between them, Jeff is sent into something of an existential frenzy. Desperate not to end up alone, Jeff haunts the dance floor and roadside rest stops, finding both the sordid and the sublime in anonymous encounters. But it’s love he’s after, so ultimately it’s his bittersweet romance in Provincetown with Eduardo, twenty-two and a vision of gorgeous, wide-eyed youth, that lingers in his mind and seems to hold the answers he seeks. This is a story of a man coming to terms with the accelerating ambiguity of his world, where men die young but old age is actively devalued. It is the story of gay life today, the life being led by thousands of men trying desperately to keep up, and to discover if anything really unites gay men other than desire. It is the story of how the truths of gay life are handed down from gay generation to gay generation. It is the story of what separates the men from the boys.

    Try again.In this devilish satire by one of France's most audacious social commentators, a man gets a state-of-the-art cellphone that, in spite of himself, he falls in love with. It really does seem as if it's going to make his life easier. Except then he loses it. Luckily, he's a preferred customer, which is supposed to make it easy for him to get a replacement. And so begins a long, fiendish descent down the rabbit hole known as "customer service." But our hero is determined to stay on the line...to outwit the phone menus...to outwait the hold muzak...to talk to the head of customer service, who wrote to him that all he needed to do was call, and he would be able to get back that time-saving convenience that made his life so much simpler...The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

    The city is covered in ash. Three children of ex-militants are facing a past they can neither remember nor forget. Felipe sees dead bodies on every corner of the city, counting them up in an obsessive quest to square these figures with the official death toll. He is searching for the perfect zero, a life with no remainder. Iquela and Paloma, too, are searching for a way to live on. When the body of Paloma’s mother gets lost in transit, the three take a hearse and a bottle of pisco up the cordillera for a road trip with a difference. Intense, intelligent, and extraordinarily sensitive to the shape and weight of words, this remarkable debut presents a new way to count the cost of a pain that stretches across generations.

    They have argued, worked, and laughed together for decades. Yet they’ve never really stopped taking each other by surprise. Fair Play shows us Mari and Jona’s intertwined lives as they watch Fassbinder films and Westerns, critique each other’s work, spend time on a solitary island (recognizable to readers of Jansson’s The Summer Book), travel through the American Southwest, and turn life into nothing less than art.

    His teenage sister teases him mercilessly, his autistic brother lashes out at him, and he has a crush on his best friend, Andy. But after the tragic night when his father commits suicide, none of that matters. Diane, his mother, seeks solace in therapy. Colin is awash in guilt, and casts about for someone to confide in: first his estranged grandfather, then a predatory science teacher. But nothing helps as much as the strange writing his father kept in a series of notebooks locked in his study. Colin looks for answers there—in fragments about disaster scenarios, the violence of snow, mustangs running wild in the West—but instead finds the writing infecting his worldview. Diane, meanwhile, has a miserable fling with a coworker, and leans more heavily on Colin for support as things go from bad to worse. But spring is unfolding, and a road trip to Los Angeles gives them a tantalizing glimpse of what the future might hold. In Some Hell, a debut novel of devastating intensity and aching, pointillistic detail, Patrick Nathan shows how unspeakable tragedy shapes a life, and how imagination saves us from ourselves.